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TRACES: Visual Arts Education in Sweden-Editorial TRACES:瑞典视觉艺术教育编辑
IF 0.4 0 ART Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-1
Annika Hellman, Tarja Karlsson Häikiö
EDITORIAL Tarja Karlsson Haikio & Annika Hellman TRACES Visual Arts Education in SwedenIntroductionThis special IMAG issue, Traces – Visual Arts Education in Sweden, is published by members of InSEA Sweden, and include 20 visual essays and articles. The aim of this publication is to map the field of Swedish visual arts education by describing, exemplifying and discussing some of the issues relevant in current visual arts education, also of interest to the international art educational field. The InSEA members who are contributing with their work are visual arts teachers in elementary and secondary school, art pedagogues in preschools and museums, doctoral students and researchers in universities, from the far north to the south of Sweden. In this issue of IMAG the content and the current national visual knowledge field is divided into five themes: Environment & Sustainability, Educational projects, Art & Museums, Gender perspectives and Teacher Education. Through the themes, the reader meets different practices and theoretical perspectives on visual arts education. The visual essays and articles give examples of discusses educational contexts and situations involving children and pupils, as well as visual arts teacher students work, through a combination of drawings, paintings, photographs and texts. With this contribution – with an aim to trace and depict the Swedish visual arts educational situation on an international map – we wish the reader a pleasant and informative reading.
编辑Tarja Karlsson Haikio和Annika Hellman追踪瑞典的视觉艺术教育简介本期IMAG特刊《追踪——瑞典的视觉美术教育》由InSEA Sweden成员出版,包括20篇视觉散文和文章。本出版物的目的是通过描述、举例说明和讨论当前视觉艺术教育中的一些相关问题来描绘瑞典视觉艺术教育领域,这些问题也是国际艺术教育领域感兴趣的问题。InSEA的成员为他们的工作做出了贡献,他们是从瑞典北部到南部的中小学视觉艺术教师、幼儿园和博物馆的艺术教师、大学的博士生和研究人员。在本期IMAG中,内容和当前国家视觉知识领域分为五个主题:环境与可持续性、教育项目、艺术与博物馆、性别观点和教师教育。通过这些主题,读者接触到了视觉艺术教育的不同实践和理论视角。视觉散文和文章通过绘画、绘画、照片和文本的组合,举例讨论了涉及儿童和学生的教育背景和情况,以及视觉艺术教师和学生的工作。通过这篇文章——旨在在国际地图上追踪和描绘瑞典视觉艺术教育的现状——我们祝愿读者阅读愉快,内容丰富。
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引用次数: 0
Learn from the Artist! 向艺术家学习!
IF 0.4 0 ART Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-12
Bitte Fossbo
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引用次数: 0
Modernism - Historical Perspectives in Visual Arts Teacher Education 现代主义——视觉艺术教师教育的历史视角
IF 0.4 0 ART Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-20
M. Stam
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引用次数: 0
Additional Adjustments in Visual Arts Education 视觉艺术教育的额外调整
IF 0.4 0 ART Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-5
L. Öhman, Barbro Johansson
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引用次数: 0
Project at Svandammsskolan Involving the Artist Marie-Louise Ekman 艺术家Marie-Louise Ekman在Svandammsskolan的项目
IF 0.4 0 ART Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-11
M. Eriksson
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引用次数: 0
Queer and Norm-Critical Image Analysis 酷儿与规范批判影像分析
IF 0.4 0 ART Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-16
Katarina Jansson Hydén
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引用次数: 0
Art Pedagogy – Contemporary Visual Art studies 艺术教育学——当代视觉艺术研究
IF 0.4 0 ART Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-15
Hans Örtegren, A. Widén
This article describes a collaboration between a university and an art museum. The Contemporary Art Museum in Umea in northern Sweden is one of Sweden’s largest art galleries for contemporary art. ...
这篇文章描述了一所大学和一家美术馆之间的合作。位于瑞典北部乌梅阿的当代艺术博物馆是瑞典最大的当代艺术画廊之一。。。
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引用次数: 1
Acts of Performance - as Research Method and Entangled Ethics 绩效行为——作为研究方法与纠缠的伦理学
IF 0.4 0 ART Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-13
Camilla Johansson Bäcklund
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引用次数: 0
Teacher Students Meet Their Intended Target Group - Aesthetic Work on Tweenies as a Phenomenon 师生达到目标群体——作为一种现象的微博审美工作
IF 0.4 0 ART Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-9
Malena Wallin, C. Gavelin
The purpose of this study is to investigate how visual representationsof identity are created and perceived by future leisure-time centerteachers. In the leisure-time center there are still good opportunitiesto focus on interdisciplinary and joint work on value-based work,not least through aesthetic and creative processes. We have triedto develop tasks that challenge our teacher students to workexploratory with the concept Tweenies as a phenomenon throughwork with Storyline as a tool for a narrative, a way of working whereaesthetics and image didactics have been used as didactic tools.The assumption that we make from the work with the universitycourse is that the teacher students themselves need to experiencethe importance of working aesthetically with Storyline to understandthe basis of the concept. What has been a crucial perspective forus is that the students are given the opportunity to learn throughart and not just about art (Lindstrom, 2011) in the aesthetic learningprocesses. In our interviews we have been able to see that the taskis perceived as both fun and demanding. The work with storylinemade the students involved and they dared to experiment with otherinputs than the ones in traditional teaching, which helped themto approach and deal with problems like how to take up difficultsubjects in the teaching activities.
本研究的目的是调查未来休闲时间中心教师是如何创造和感知身份的视觉表征的。在休闲时间中心,仍然有很好的机会专注于跨学科和基于价值的联合工作,尤其是通过美学和创意过程。我们试图开发一些任务,挑战我们的师生通过将Storyline作为叙事工具来探索Tweenies作为一种现象的概念,这是一种美学和图像教学法被用作教学工具的工作方式。我们从与大学课程的合作中得出的假设是,师生自己需要体验到与Storyline进行美学合作的重要性,以理解这一概念的基础。对我们来说,一个至关重要的观点是,在审美学习过程中,学生有机会通过艺术学习,而不仅仅是学习艺术(Lindstrom,2011)。在我们的采访中,我们发现这项任务既有趣又要求高。故事情节的作品让学生们参与进来,他们敢于尝试传统教学之外的其他输入,这有助于他们在教学活动中处理和处理诸如如何学习困难科目之类的问题。
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引用次数: 0
Risk-taking in Education - When Art-Activism Challenge both Students and Visual Arts Teacher Educators 教育中的风险承担——当艺术激进主义挑战学生和视觉艺术教师
IF 0.4 0 ART Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-18
Ewa Berg
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引用次数: 0
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