Pub Date : 2023-10-20DOI: 10.14746/i.2023.34.43.15
Liubov Krupnyk
An interview with the Polish film director Jerzy Hoffman was recorded on 11–12 July 2022 at his estate in the village of Sikory Yuskie in the Warmian-Masurian Voivodeship. Jerzy Hoffman is perhaps the most popular Polish film director in Ukraine. His films gained recognition even before Ukraine gained independence. However, his most notable work is Ogniem i mieczem [With Fire and Sword, 1999], which starred the great Ukrainian actor Bohdan Stupka (1941–2012) as Hetman Bohdan Chmielnicki. The collaboration continued in the film The Old Tale. When the Sun Was a God (2003). In 2008 Jerzy Hoffman made a four-part documentary film Ukraine. The Birth of a Nation.
The conversation touched on issues related to these films, completed and unrealized projects on Ukraine, reflections on the history of Polish-Ukrainian relations and the role of Jerzy Hoffmann’s work in establishing them. As a filmmaker who closely follows events in Ukraine, he shared his impressions and predictions about how the ongoing war will change and transform Ukraine and the world.
{"title":"Rozmowa z Jerzym Hoffmanem","authors":"Liubov Krupnyk","doi":"10.14746/i.2023.34.43.15","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.15","url":null,"abstract":"
 
 
 An interview with the Polish film director Jerzy Hoffman was recorded on 11–12 July 2022 at his estate in the village of Sikory Yuskie in the Warmian-Masurian Voivodeship. Jerzy Hoffman is perhaps the most popular Polish film director in Ukraine. His films gained recognition even before Ukraine gained independence. However, his most notable work is Ogniem i mieczem [With Fire and Sword, 1999], which starred the great Ukrainian actor Bohdan Stupka (1941–2012) as Hetman Bohdan Chmielnicki. The collaboration continued in the film The Old Tale. When the Sun Was a God (2003). In 2008 Jerzy Hoffman made a four-part documentary film Ukraine. The Birth of a Nation.
 The conversation touched on issues related to these films, completed and unrealized projects on Ukraine, reflections on the history of Polish-Ukrainian relations and the role of Jerzy Hoffmann’s work in establishing them. As a filmmaker who closely follows events in Ukraine, he shared his impressions and predictions about how the ongoing war will change and transform Ukraine and the world.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article discusses methods of designing strategic narratives in teledocumentaries created by various production teams and distributed through the YouTube platform. The authors underline the important role of teledocumentaries in creating an emotional and intellectual response to geopolitical topics among television viewers and attempt to analyse six documentaries focusing on the current war in Ukraine. The aim of the research was to determine key narrative patterns that are presented by production teams from various countries in the context of the armed aggression of the Russian forces in Ukraine. From this research, we can outline three main narrative templates: identity issues (“Us” vs. “Them”), temporal cognition and feeling of “stopping the time”, the image of enemy inter-twined with death, unforgiveness and fear.
{"title":"Methods for designing strategic narratives in the description of the 2022 Russian-Ukrainian war in documentaries","authors":"Olena Rosinska, Marta Tymińska","doi":"10.14746/i.2023.34.43.5","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.5","url":null,"abstract":"
 
 
 The article discusses methods of designing strategic narratives in teledocumentaries created by various production teams and distributed through the YouTube platform. The authors underline the important role of teledocumentaries in creating an emotional and intellectual response to geopolitical topics among television viewers and attempt to analyse six documentaries focusing on the current war in Ukraine. The aim of the research was to determine key narrative patterns that are presented by production teams from various countries in the context of the armed aggression of the Russian forces in Ukraine. From this research, we can outline three main narrative templates: identity issues (“Us” vs. “Them”), temporal cognition and feeling of “stopping the time”, the image of enemy inter-twined with death, unforgiveness and fear.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-20DOI: 10.14746/i.2023.34.43.10
Barbara Lena Gierszewska
Title of the article: The Ukrainian film movement in 1930s Lviv The Ukrainian film movement in the 1930s was not developed on a wider scale. Due to the cost of the equipment and the film, few people could make films. Those who did included the members of the Ukrainian Photographic Society, who had completed specialist film courses. Their achievements included short feature films and documentary films, some of which were of true artistic merit. From the circle of Ukrainian cinematographers, J. Dorosz, S. Kułykiwna, W. Humecki and J. Bochenski deserve mention special. Moreover, the last two film-makers wrote about the necessity of recording Ukrainian cultural heritage; they expressed the need for patriotic, socially useful films. At that time, Ukrainian film criticism also developed in Lviv, In particular, it found expression in two outstanding periodicals published in the Ukrainian language, “Cinema” (1930–1936) and “Light and Shadow” (1933–1939).
{"title":"Ukraiński ruch filmowy we Lwowie w latach 30. XX wieku","authors":"Barbara Lena Gierszewska","doi":"10.14746/i.2023.34.43.10","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.10","url":null,"abstract":"
 
 
 Title of the article: The Ukrainian film movement in 1930s Lviv The Ukrainian film movement in the 1930s was not developed on a wider scale. Due to the cost of the equipment and the film, few people could make films. Those who did included the members of the Ukrainian Photographic Society, who had completed specialist film courses. Their achievements included short feature films and documentary films, some of which were of true artistic merit. From the circle of Ukrainian cinematographers, J. Dorosz, S. Kułykiwna, W. Humecki and J. Bochenski deserve mention special. Moreover, the last two film-makers wrote about the necessity of recording Ukrainian cultural heritage; they expressed the need for patriotic, socially useful films. At that time, Ukrainian film criticism also developed in Lviv, In particular, it found expression in two outstanding periodicals published in the Ukrainian language, “Cinema” (1930–1936) and “Light and Shadow” (1933–1939).
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-10DOI: 10.1163/18718000-12340170
Hanna Liss
Abstract This article will deal with two folios from Ms. Vatican ebr. 14, a Pentateuch (with haftarot and megillot) written by Elijah ben Berekhiah ha-Nakdan in 1239. Both folios display a seven-branched candelabrum (menorah). The one on folio 104r is depicted lying on its side, while the one on folio 155v is standing upright. Both lampstands consist of masoretic material in micrographic script. The article will address both the form and content of the masorah figurata illustrations and relate them to Elijah’s overall pedagogical concept of teaching the Bible with a special emphasis on Hebrew language, grammar, and masorah. In addition, it will address the relationship between biblical text and its visualization, and it will ask whether the concept of peshaṭ exegesis was a necessary tool for visualizing biblical objects.
{"title":"Between Imagination and Exegesis: The Masorah Figurata Illustrations of the Two Menorot in Vatican ebr. 14","authors":"Hanna Liss","doi":"10.1163/18718000-12340170","DOIUrl":"https://doi.org/10.1163/18718000-12340170","url":null,"abstract":"Abstract This article will deal with two folios from Ms. Vatican ebr. 14, a Pentateuch (with haftarot and megillot) written by Elijah ben Berekhiah ha-Nakdan in 1239. Both folios display a seven-branched candelabrum (menorah). The one on folio 104r is depicted lying on its side, while the one on folio 155v is standing upright. Both lampstands consist of masoretic material in micrographic script. The article will address both the form and content of the masorah figurata illustrations and relate them to Elijah’s overall pedagogical concept of teaching the Bible with a special emphasis on Hebrew language, grammar, and masorah. In addition, it will address the relationship between biblical text and its visualization, and it will ask whether the concept of peshaṭ exegesis was a necessary tool for visualizing biblical objects.","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136357960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-06DOI: 10.1163/18718000-12340173
Andreas Lehnertz, Hannah Teddy Schachter
Abstract This article nuances the dominant historiographical narrative of the Jews’ hat as an allegedly pejorative iconographic marker of Jewish men in medieval Ashkenaz. Considering the perceptions and functions of the Jews’ hat, this article will offer new conclusions regarding if, when, and by whom it was worn. Drawing from a variety of sources in Hebrew, Latin, and vernacular languages, and on visual sources, the overall argument presented here is that the Jews’ hat was not everyday attire and that it was not likely owned by all Jewish men. Rather, featuring among the variety of hats Jewish men wore based on their socioeconomic or religious status in their communities from the thirteenth to fifteenth centuries, the Jews’ hat was a costume worn by those of more common status and on formal occasions when distinguishing oneself according to any urban group was required, such as during urban processions, oath-taking, public forms of punishment, or matters of civic administration.
{"title":"The Jews’ Hat in Medieval Ashkenaz: Formal Attire for Everyday Men?","authors":"Andreas Lehnertz, Hannah Teddy Schachter","doi":"10.1163/18718000-12340173","DOIUrl":"https://doi.org/10.1163/18718000-12340173","url":null,"abstract":"Abstract This article nuances the dominant historiographical narrative of the Jews’ hat as an allegedly pejorative iconographic marker of Jewish men in medieval Ashkenaz. Considering the perceptions and functions of the Jews’ hat, this article will offer new conclusions regarding if, when, and by whom it was worn. Drawing from a variety of sources in Hebrew, Latin, and vernacular languages, and on visual sources, the overall argument presented here is that the Jews’ hat was not everyday attire and that it was not likely owned by all Jewish men. Rather, featuring among the variety of hats Jewish men wore based on their socioeconomic or religious status in their communities from the thirteenth to fifteenth centuries, the Jews’ hat was a costume worn by those of more common status and on formal occasions when distinguishing oneself according to any urban group was required, such as during urban processions, oath-taking, public forms of punishment, or matters of civic administration.","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134943969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.1163/18718000-12340168
Katrin Kogman-Appel
{"title":"Selected Hebrew Manuscripts from the Bavarian State Library, written by Aliza Cohen-Mushlin","authors":"Katrin Kogman-Appel","doi":"10.1163/18718000-12340168","DOIUrl":"https://doi.org/10.1163/18718000-12340168","url":null,"abstract":"","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49150403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-27DOI: 10.1163/18718000-12340167
Matthew Baigell
{"title":"Portfolio David Wander Moral Narratives with Introduction and Annotations","authors":"Matthew Baigell","doi":"10.1163/18718000-12340167","DOIUrl":"https://doi.org/10.1163/18718000-12340167","url":null,"abstract":"","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47133844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-17DOI: 10.1163/18718000-12340166
{"title":"The Samaritans: A Biblical People, edited by Steven Fine","authors":"","doi":"10.1163/18718000-12340166","DOIUrl":"https://doi.org/10.1163/18718000-12340166","url":null,"abstract":"","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47459536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Krajobraz pod lasem. O Rhizopolis Joanny Rajkowskiej","authors":"Marek Hendrykowski","doi":"10.14746/i.2022.41.19","DOIUrl":"https://doi.org/10.14746/i.2022.41.19","url":null,"abstract":"
 
 
 The article contains an analytical and interpretative study of the poetics of two recent art installations by Joanna Rajkowska.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135368050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-05DOI: 10.1163/18718000-12340165
Shulamit Furstenberg-Levi
{"title":"1849–1871: The Jews of Rome between Segregation and Emancipation","authors":"Shulamit Furstenberg-Levi","doi":"10.1163/18718000-12340165","DOIUrl":"https://doi.org/10.1163/18718000-12340165","url":null,"abstract":"","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47203131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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