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Kebaya feminism; Political strategies in the works of Indonesian women writers Kebaya女权主义;印尼女作家作品中的政治策略
IF 0.1 Pub Date : 2023-04-30 DOI: 10.17510/wacana.v24i1.1169
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引用次数: 0
"Mama Lima"; The significance of women’s role in protecting nature, nurture, and culture in Banda Islands 利马“妈妈”;妇女在班达群岛保护自然、教养和文化方面的重要作用
IF 0.1 Pub Date : 2023-04-30 DOI: 10.17510/wacana.v24i2.1168
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引用次数: 0
Mulyawan Karim (2021), "Di rumah panjang; Pergulatan hidup dan cinta orang Iban"
IF 0.1 Pub Date : 2023-04-30 DOI: 10.17510/wacana.v24i2.1644
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引用次数: 0
Reclaiming women’s space 夺回女性的空间
IF 0.1 Pub Date : 2023-04-30 DOI: 10.17510/wacana.v24i1.1670
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引用次数: 0
Depiction restoring women’s power through eatery names 通过餐馆名字来描述女性权力的恢复
IF 0.1 Pub Date : 2023-04-30 DOI: 10.17510/wacana.v24i2.1159
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引用次数: 0
The hidden power of struggling; When women at the crossroads between nature and culture 奋斗的隐藏力量;当女性站在自然与文化的十字路口
IF 0.1 Pub Date : 2023-04-30 DOI: 10.17510/wacana.v24i1.1217
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引用次数: 0
POTRET KEMASAN MINUMAN JANJI JIWA SEBAGAI MEDIA PENCITRAAN DI SOSIAL MEDIA INSTAGRAM 心理饮料包装照片作为社交媒体媒体的形象
IF 0.1 Pub Date : 2023-02-27 DOI: 10.31849/jib.v19i2.13366
Renzy Ayu Rohmatillah
This research mainly discussed the phenomenon of photo-sharing on Instagram with different aims. One of them was to show a person's identity or a particular group. This study specifically examined a beverage brand growing rapidly on Instagram named "Janji Jiwa", which is being popular among society in Indonesia. As an evidence, the brand once was awarded the fastest-growing coffee shop of the year by MURI (Indonesian Record Museum) in 2019. This research applied a theoretical approach that using the spectacle concept proposed by Guy Debord (2002). In addition, this current study aimed to provide an interpretation linked to the phenomenon of conveying self-identity within social media. Distributing the captured the "Janji Jiwa" beverage could be seen as the act of showing one's social class. Spectator saw the performer not as himself, but based on the commodities he was taking or using In this case, the spectator was consumer of the brand itself. Showing a capture of beverage, precisely "Janji Jiwa", was one's manner for presenting themselves as he built a desired reality. It celebrated a pseudo-identity represented on by social media.  Showing off a commodity was meant as an effort to point out a desired image because it was able to give the impression of a prestigious social status.
本研究主要探讨了不同目的的Instagram上的照片分享现象。其中之一是展示一个人的身份或一个特定的群体。这项研究特别研究了一个在Instagram上迅速增长的饮料品牌“Janji Jiwa”,该品牌在印度尼西亚社会中很受欢迎。作为证据,该品牌曾在2019年被MURI(印度尼西亚记录博物馆)授予年度增长最快的咖啡店。本研究采用了Guy Debord(2002)提出的景观概念的理论方法。此外,本研究旨在提供与社交媒体中传达自我认同现象相关的解释。分发捕获的“Janji Jiwa”饮料可以被视为显示一个人的社会阶层的行为。观众看到的不是表演者本人,而是他所拿或使用的商品。在这种情况下,观众就是品牌本身的消费者。展示对饮料的捕捉,准确地说是“Janji Jiwa”,是一个人在建立理想的现实时展示自己的方式。它庆祝了一种由社交媒体代表的伪身份。炫耀商品的目的是努力指出一个理想的形象,因为它能够给人留下社会地位很高的印象。
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引用次数: 0
NILAI SOSIAL DALAM TRADISI MAKAN BAJAMBAU PADA PERAYAAN PENYANTUNAN ANAK YATIM PIATU DUSUN JAWI-JAWI DAN DUSUN PADANG TENGAH
IF 0.1 Pub Date : 2023-02-27 DOI: 10.31849/jib.v19i2.13363
Yulna Pilpa Sari, Hasnah Faizah, Auzar Auzar
Makan Bajambau is one of the traditions which is still preserved by the people in Jawi-Jawi village and Padang Tengah village. It is a tradition in which the people eat together in one decided place by using small plates. The biggest tradition held by the Jawi-Jawi and Padang Tengah villages is in the moment of sponsoring orphans. Makan Bajambau is one of the elements in this occasion which is a must. This tradition is conducted every year and villagers participate in vibrant. Makan Bajambau is not just eating together but contains valuable togetherness and brotherhood values. Thus these writings aim to describe the social values in this tradition. The method used is ethnography and data collection uses observation, interviews, and documentation. The results show some social values in the Makan Bajambau tradition among others. The affection, togetherness, and brotherhood. Triggered by the good values of the Makan Bajambau ritual in sponsoring the orphans in Jawi-Jawi and Padang Tengah villages, the villagers preserve this tradition and pass it down to the next generation.
Makan Bajambau是Jawi-Jawi村和Padang Tengah村的人们仍然保留的传统之一。这是一种传统,人们在一个固定的地方用小盘子一起吃饭。爪哇和巴东登加村最大的传统是赞助孤儿。Makan Bajambau是这个场合必不可少的元素之一。这一传统每年都会进行,村民们都参与其中。Makan Bajambau不仅仅是一起吃饭,还包含了宝贵的团结和兄弟情谊的价值观。因此,这些著作旨在描述这一传统的社会价值。使用的方法是民族志和数据收集使用观察,访谈和文件。结果显示了Makan Bajambau传统中的一些社会价值。亲情、团聚和兄弟情谊。Makan Bajambau仪式在赞助爪哇和巴东登加村孤儿方面的良好价值观激发了村民们保留这一传统并将其传给下一代。
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引用次数: 0
MUSIK BAS DI KECAMATAN BARAKA KABUPATEN ENREKANG (SUATU TINJAUAN ORGANOLOGI)
IF 0.1 Pub Date : 2023-02-27 DOI: 10.31849/jib.v19i2.13367
S. B. Pasyah
This study aims to find out: 1). Background of Bass Music in Baraka District Enrekang District, 2). Procurement of materials and process of making bass instruments, 3). Function and tone system in a bass instrument in Baraka Sub-district of Erekang District. This research uses observation method, interview, documentation, and study of organology sciences, by collecting data from various relevant sources, then the researcher describes the problem solving validly and descriptively and then draws a conclusion by yielding data: 1). The birth of bass music in District Baraka Regency Enrekang around the 1940s under the colonists of Menado and Ambon. 2). The process of making instruments using traditional tools. 3). Function and tone system on the bass instrument.
本研究旨在了解:1 .巴拉卡区恩热康区贝斯音乐的背景,2 .贝斯乐器的材料采购和制作过程,3 .二雷康区巴拉卡街道贝斯乐器的功能和音色系统。本研究采用观察法、访谈法、文献法、器官学研究等方法,通过收集各种相关资料,对问题的解决进行了有效的描述,并通过数据得出结论:1)20世纪40年代前后,在Menado和Ambon殖民者统治下,Baraka Regency Enrekang地区贝斯音乐的诞生。2)使用传统工具制作乐器的过程。3)低音乐器的功能和音色系统。
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引用次数: 0
OJUH DALAM PERTUNJUKAN BUKOBA CERITA PANGLIMA AWANG DI PASIR PANGARAIAN
IF 0.1 Pub Date : 2023-02-27 DOI: 10.31849/jib.v19i2.13364
M. Muslim, Sulaiman Juned, Edward Zebua
Ojuh is an allure in the staging of bukoba even though it is not the main element in bukoba. It can be ascertained if the staging of bukoba is not a story that uses Ojuh, not interesting in the staging of bukoba. This research was structured with the aim of investigating and explaining ojuh in bukoba Panglima Awang story shows and explaining the symbolic meaning in Panglima Awang book bukoba story in Pasir Pangarain. This research used a descriptive qualitative method. To answer the problem formulation the researchers directly observed the staging of bukoba. To See the process of the Bukoba story Panglima Awang's performance. Direct observations with bukoba koba (speaker) is done. Researchers used interview techniques, recorded videos, and field notes in the process of collecting data. The participant in this study was Tuk Taslim a carpenter (speaker). The conclusions of the analysis of the meaning of this ojuh, which is something that is excessive, things that are delivered excessively, deliberately done, created in the context of creating trades in the book performance, through ways (techniques, skills, art) such as this is thing audience finally want to wateh this performance. Then, it turns out that ojuh in the kang Panglima Awang implies the meaning of leadership owned by Awang and Anggun Cik Suri. The beauty of Anggun Cik Suri has, the strength that Awang has. 
小木柱虽然不是布koba的主要元素,但它在布koba的舞台上具有吸引力。可以确定的是,在布koba的舞台上,如果不是使用了Ojuh的故事,那么在布koba的舞台上就不有趣了。本研究的目的是调查和解释布科巴潘利马阿旺故事中的ojuh,并解释潘利马阿旺书中布科巴故事在帕西尔潘加拉的象征意义。本研究采用描述性定性方法。为了回答这个问题,研究人员直接观察了bukoba的分期。来看看布科巴故事的过程,Panglima Awang的表演。用bukoba koba(扬声器)进行直接观察。在收集数据的过程中,研究人员使用了采访技术、录制视频和现场笔记。本研究的参与者是Tuk Taslim,木匠(演讲者)。结论分析了这个ojuh的意义,这是过分的东西,过分交付的东西,故意做的,在创造交易的背景下创造的书表演,通过方法(技巧,技巧,艺术)等这是观众最终想要观看这个表演的东西。然后,事实证明,奥朱在康潘利马阿旺暗示了领导的意义,阿旺拥有和安根西克苏瑞。昂贡西克苏瑞有美,阿旺有实力。
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引用次数: 0
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