This research will analyze the structure of the play in the drama script of the Serikat Kacamata Hitam by Saini KM. The text of the manuscript will be analyzed using a non-interactive qualitative method (non interactive inquiry). Non-interactive research, also called analytical research, conducts studies based on document analysis. This study collects, identifies, analyzes and synthesizes data to then provide interpretations of concepts, policies, events that can be directly or indirectly observed. The source of data from non-interactive is documents. The play structure analysis used will describe the plot or story outline, characterization or characterization, dialogue or conversation, setting or foundation, theme or basic tone of the story, and the author's message or message in the text of Saini KM's Serikat Kacamata Hitam manuscript.
{"title":"ANALISIS STRUKTUR DAN MAKNA DALAM DRAMA SERIKAT KACAMATA HITAM KARYA SAINI KM","authors":"Deni Afriadi, Jefrizal Jefrizal","doi":"10.31849/jib.v18i2.9464","DOIUrl":"https://doi.org/10.31849/jib.v18i2.9464","url":null,"abstract":"This research will analyze the structure of the play in the drama script of the Serikat Kacamata Hitam by Saini KM. The text of the manuscript will be analyzed using a non-interactive qualitative method (non interactive inquiry). Non-interactive research, also called analytical research, conducts studies based on document analysis. This study collects, identifies, analyzes and synthesizes data to then provide interpretations of concepts, policies, events that can be directly or indirectly observed. The source of data from non-interactive is documents. The play structure analysis used will describe the plot or story outline, characterization or characterization, dialogue or conversation, setting or foundation, theme or basic tone of the story, and the author's message or message in the text of Saini KM's Serikat Kacamata Hitam manuscript.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76384546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study aims to discribe the form of subordination experienced by geisha in the novel Perempuan Kembang Jepun by Lan Fang and Ronggeng in the novel Ronggeng Dukuh Paruk by Ahmad Tohari. The data source of this research used two novels, namely the novel Perempauan Kembang Jepun (PKJ) by Lan Fang and the novel Ronggeng Dukuh Paruk (RDP) by Ahmad Tohari. The results showed that 1) novel PKJ by Lan Fang and novel RDP by Ahmad Tohar, the central character is a woman who works as a dancer. Ronggeng dancers are included in RDP, while geisha are inclued in PKJ; 2) Both novels present male characters related to the geisha and ronggeng professions; 3) There are similarities in ideas, namely women in both PKJ and RDP novels experience subordination to male power that has been socially constructed; 4) Biologically, dancers in PKL and RDP have the idea of eliminating the absolute nature of women (pregnancy, giving birth); 4) There are absolute requirements for prospective dancers, namely mizuage (virginity auction) for geisha candidates and "bukak klambu" (virginity contest) for ronggeng candidates.
本研究旨在描述兰芳小说《Perempuan Kembang Jepun》中艺妓所经历的从属形式，以及Ahmad Tohari小说《荣庚Dukuh Paruk》中荣庚所经历的从属形式。本研究的数据来源是两部小说，即兰芳的小说《Perempauan Kembang Jepun》(PKJ)和Ahmad Tohari的小说《Ronggeng Dukuh Paruk》(RDP)。结果表明:1)兰芳的小说《PKJ》和艾哈迈德·托哈尔的小说《RDP》的中心人物都是一名舞蹈演员。荣耕舞者属于RDP，艺妓属于PKJ;2)两部小说都呈现了与艺妓和荣庚职业相关的男性角色;3)观念上的相似性，即PKJ和RDP小说中的女性都经历了社会建构的男性权力的从属地位;4)在生物学上，PKL和RDP的舞者有消除女性绝对本质(怀孕，分娩)的想法;4)对未来的舞者有绝对的要求，即艺伎候选人有“mizuage”(处女拍卖)，容耕候选人有“bukak klambu”(处女比赛)。
{"title":"RONGGENG DUKUH PARUK DAN PEREMPUAN KEMBANG JEPUN (KAJIAN SASTRA BANDING)","authors":"Inung Setyami","doi":"10.31849/jib.v18i2.9468","DOIUrl":"https://doi.org/10.31849/jib.v18i2.9468","url":null,"abstract":"This study aims to discribe the form of subordination experienced by geisha in the novel Perempuan Kembang Jepun by Lan Fang and Ronggeng in the novel Ronggeng Dukuh Paruk by Ahmad Tohari. The data source of this research used two novels, namely the novel Perempauan Kembang Jepun (PKJ) by Lan Fang and the novel Ronggeng Dukuh Paruk (RDP) by Ahmad Tohari. The results showed that 1) novel PKJ by Lan Fang and novel RDP by Ahmad Tohar, the central character is a woman who works as a dancer. Ronggeng dancers are included in RDP, while geisha are inclued in PKJ; 2) Both novels present male characters related to the geisha and ronggeng professions; 3) There are similarities in ideas, namely women in both PKJ and RDP novels experience subordination to male power that has been socially constructed; 4) Biologically, dancers in PKL and RDP have the idea of eliminating the absolute nature of women (pregnancy, giving birth); 4) There are absolute requirements for prospective dancers, namely mizuage (virginity auction) for geisha candidates and \"bukak klambu\" (virginity contest) for ronggeng candidates.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86506696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
One of the tribes found in the western region of Indonesia, specifically North Sumatra, is the Batak Toba tribe. The Batak Toba tribe is one of the tribes which likes to do the weaving culture, making it one of the local wisdoms for the Batak Toba tribe, namely ulos cloth. Ulos is a traditional cloth obtained through a weaving process carried out by Batak women, producing various patterns. Each ulos cloth symbolizes a different message depending on the type and purpose of making the ulos cloth. The symbol carried by the ulos cloth is reflected in the patterns, patterns, and colors of the ulos cloth made on Martonun Ulos. Therefore, the types and meanings of each type of ulos cloth symbolize something from local wisdom for the Batak Toba tribe. The ulos cloth of the Batak Toba tribe symbolizes several meanings: ulos ragi hotang is usually used to ulos someone with the hope that God will give him the best results, and that person will be diligent in working. Ulos ragi is alive with colors, paintings, and patterns (ragi). giving the impression as if ulos is alive, so people call it live ragi, which is a symbol of life. Ulos sibolang with the ulosi procession is intended so that he is always careful with his family friends, and understands who should be respected, pays respect to all relatives of the wife's side, and as a sign of respect for his services while being the wife of the deceased. The local wisdom of ulos traditional weaving is an ancestral heritage that has high value and can strengthen national identity and identity that needs to be preserved by all parties to maintain the nation's cultural wealth.
{"title":"SIMBOL DALAM KAIN ULOS PADA SUKU BATAK TOBA","authors":"Inestya Fitri Desiani","doi":"10.31849/jib.v18i2.9466","DOIUrl":"https://doi.org/10.31849/jib.v18i2.9466","url":null,"abstract":"One of the tribes found in the western region of Indonesia, specifically North Sumatra, is the Batak Toba tribe. The Batak Toba tribe is one of the tribes which likes to do the weaving culture, making it one of the local wisdoms for the Batak Toba tribe, namely ulos cloth. Ulos is a traditional cloth obtained through a weaving process carried out by Batak women, producing various patterns. Each ulos cloth symbolizes a different message depending on the type and purpose of making the ulos cloth. The symbol carried by the ulos cloth is reflected in the patterns, patterns, and colors of the ulos cloth made on Martonun Ulos. Therefore, the types and meanings of each type of ulos cloth symbolize something from local wisdom for the Batak Toba tribe. The ulos cloth of the Batak Toba tribe symbolizes several meanings: ulos ragi hotang is usually used to ulos someone with the hope that God will give him the best results, and that person will be diligent in working. Ulos ragi is alive with colors, paintings, and patterns (ragi). giving the impression as if ulos is alive, so people call it live ragi, which is a symbol of life. Ulos sibolang with the ulosi procession is intended so that he is always careful with his family friends, and understands who should be respected, pays respect to all relatives of the wife's side, and as a sign of respect for his services while being the wife of the deceased. The local wisdom of ulos traditional weaving is an ancestral heritage that has high value and can strengthen national identity and identity that needs to be preserved by all parties to maintain the nation's cultural wealth.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84218231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Naqisya Arifani, Muhammad Duta Wibawa Mawardi, Fiona Angelica Tjahjono, Elizabeth Michele, Maynardo Pratama Soegianto, Fathimah Afra Nailah Adma, Shelly Delfiani, Amelia Rahma Putri, Jesslyn Gracsella Rusli, Fedora Yoshuara, Jeremy Jeremy, Christian August, Tarissa Cindy Fitrian
Xenocentrism is a phenomenon that has recently been embedded in people's lives, especially students, where they feel a culture-based tendency to value other cultures more than their own, which can manifest in various ways. In practice, xenocentrism can indirectly pose a threat to the identity and national integrity of the Indonesian nation. Therefore, this study was conducted to show the superiority of foreign cultures within the scope of the observed ITB students and how the decline of nationalism was seen from the implementation of foreign cultures within the scope of ITB students. The research method used in this research is descriptive research. The sample used is the students of the Bandung Institute of Technology with a total of 247 respondents. The respondent sampling method used is the method of convenience samples or accidental samples and also purposive. The benefit of this research is to build awareness of ITB students on the importance of respecting the nation's culture and fostering national integrity in the lives of ITB students. The results showed that the level of xenocentrism in ITB was not too high, although overall the level of xenocentrism in Indonesia was quite high.
{"title":"SUPERIORITAS BUDAYA ASING DI INSTITUT TEKNOLOGI BANDUNG","authors":"Naqisya Arifani, Muhammad Duta Wibawa Mawardi, Fiona Angelica Tjahjono, Elizabeth Michele, Maynardo Pratama Soegianto, Fathimah Afra Nailah Adma, Shelly Delfiani, Amelia Rahma Putri, Jesslyn Gracsella Rusli, Fedora Yoshuara, Jeremy Jeremy, Christian August, Tarissa Cindy Fitrian","doi":"10.31849/jib.v18i2.9467","DOIUrl":"https://doi.org/10.31849/jib.v18i2.9467","url":null,"abstract":"Xenocentrism is a phenomenon that has recently been embedded in people's lives, especially students, where they feel a culture-based tendency to value other cultures more than their own, which can manifest in various ways. In practice, xenocentrism can indirectly pose a threat to the identity and national integrity of the Indonesian nation. Therefore, this study was conducted to show the superiority of foreign cultures within the scope of the observed ITB students and how the decline of nationalism was seen from the implementation of foreign cultures within the scope of ITB students. The research method used in this research is descriptive research. The sample used is the students of the Bandung Institute of Technology with a total of 247 respondents. The respondent sampling method used is the method of convenience samples or accidental samples and also purposive. The benefit of this research is to build awareness of ITB students on the importance of respecting the nation's culture and fostering national integrity in the lives of ITB students. The results showed that the level of xenocentrism in ITB was not too high, although overall the level of xenocentrism in Indonesia was quite high.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77690046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-31DOI: 10.17510/wacana.v22i3.1104
{"title":"Purwaka","authors":"","doi":"10.17510/wacana.v22i3.1104","DOIUrl":"https://doi.org/10.17510/wacana.v22i3.1104","url":null,"abstract":"","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78904783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research is about The Analysis of Translation Techniques in Translating Ahmad Fuadi’s Negeri 5 Menara into Angie Kilbane’s The Land of 5 Towers. This analysis is library research and applying the descriptive method. From the analysis, it found out that the translator applies all of eighteen techniques translation by Molina and Albir, they are: Pure Borrowing with 23 data. Naturalized Borrowing with 17 data. Calque with 13 data. Literal Translation with 17 data. Compensation with 4 data. Transposition with 27 data. Description with 9 data. Modulation with 69 data. Amplification with 18 data. Adaptation with 33 data. Established Equivalent with 6 data. Generalization with 17 data. Particularization with 4 data. Reduction with 22 data. Discursive Creation with 2 data. Substitution, Linguistic Compression, and Linguistic Amplification with 5 data. Variation with 7 data. The most dominant technique used is Modulation with 69 data, while the most less technique used is Discursive Creation with 2 data.
{"title":"THE ANALYSIS OF TRANSLATION TECHNIQUES IN TRANSLATING AHMAD FUADI’S NEGERI 5 MENARA INTO ANGIE KILBANE’S THE LAND OF 5 TOWERS","authors":"Nanda Rahmaningsih, Sorta Hutahaean","doi":"10.31849/jib.v18i1.7847","DOIUrl":"https://doi.org/10.31849/jib.v18i1.7847","url":null,"abstract":"This research is about The Analysis of Translation Techniques in Translating Ahmad Fuadi’s Negeri 5 Menara into Angie Kilbane’s The Land of 5 Towers. This analysis is library research and applying the descriptive method. From the analysis, it found out that the translator applies all of eighteen techniques translation by Molina and Albir, they are: Pure Borrowing with 23 data. Naturalized Borrowing with 17 data. Calque with 13 data. Literal Translation with 17 data. Compensation with 4 data. Transposition with 27 data. Description with 9 data. Modulation with 69 data. Amplification with 18 data. Adaptation with 33 data. Established Equivalent with 6 data. Generalization with 17 data. Particularization with 4 data. Reduction with 22 data. Discursive Creation with 2 data. Substitution, Linguistic Compression, and Linguistic Amplification with 5 data. Variation with 7 data. The most dominant technique used is Modulation with 69 data, while the most less technique used is Discursive Creation with 2 data.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75194594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Farah Eka Septyawanti, Elmustian Elmustian, Hadi Rumadi
This study aims to describe the moral values contained in the film Nanti Kita Cerita Tentang Hari Ini. This type of research is qualitative research, using descriptive analysis research methods. Data analysis is inductive or qualitative, and the results of the study emphasize meaning rather than generalization. In the film Nanti Kita Stories About Today by Angga Dwimas Sasongko, there is a form of moral values film, namely individual moral values, which include: honesty, courage, patience, hard work, self-sacrifice, humility., take responsibility, lie. And social moral values include cooperation, help, love, deliberation. The researcher found that the results of the data were 60 the number of moral values contained in the dialogue between characters, which were divided into social moral values consisting of honesty 6, courage 6, patience 6, hard work 4, willingness to sacrifice 2, humility 1, responsibility 8, lying 2 Social moral values consist of: cooperation 2, like to help 2, love 19, deliberation 2. Where the moral value of love is the most found data and humility is the least data found.
本研究旨在描述电影《Nanti Kita Cerita Tentang Hari Ini》所包含的道德价值观。这类研究是定性研究，采用描述性分析的研究方法。数据分析是归纳或定性的，研究结果强调意义而不是泛化。在Angga Dwimas Sasongko的电影《Nanti Kita Stories About Today》中，有一种道德价值观的电影形式，即个人道德价值观，包括:诚实、勇气、耐心、努力、自我牺牲、谦逊。，承担责任，说谎。社会道德价值观包括合作、帮助、爱和深思熟虑。研究人员发现，数据的结果是60个角色之间的对话中包含的道德价值观的数量，这些价值观被分为社会道德价值观，包括诚实6、勇气6、耐心6、努力4、愿意牺牲2、谦卑1、责任8、说谎2。社会道德价值观包括:合作2、喜欢帮助2、爱19、深思熟虑2。在那里，爱的道德价值是最多的数据，而谦卑是最少的数据。
{"title":"NILAI MORAL PADA FILM NANTI KITA CERITA TENTANG HARI INI KARYA ANGGA DWIMAS SASONGKO","authors":"Farah Eka Septyawanti, Elmustian Elmustian, Hadi Rumadi","doi":"10.31849/jib.v18i1.7843","DOIUrl":"https://doi.org/10.31849/jib.v18i1.7843","url":null,"abstract":"This study aims to describe the moral values contained in the film Nanti Kita Cerita Tentang Hari Ini. This type of research is qualitative research, using descriptive analysis research methods. Data analysis is inductive or qualitative, and the results of the study emphasize meaning rather than generalization. In the film Nanti Kita Stories About Today by Angga Dwimas Sasongko, there is a form of moral values film, namely individual moral values, which include: honesty, courage, patience, hard work, self-sacrifice, humility., take responsibility, lie. And social moral values include cooperation, help, love, deliberation. The researcher found that the results of the data were 60 the number of moral values contained in the dialogue between characters, which were divided into social moral values consisting of honesty 6, courage 6, patience 6, hard work 4, willingness to sacrifice 2, humility 1, responsibility 8, lying 2 Social moral values consist of: cooperation 2, like to help 2, love 19, deliberation 2. Where the moral value of love is the most found data and humility is the least data found.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75720431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research discusses the types, functions, and dominant types contained in the conversation of the main character in the comic " The Adventures of Tintin Volume 8 “. Comic is one of the picture books which are popular with youth and children. This comic tells the characters of Tintin, who like the main character, plays a detective. A picture that represents the character’s actions reinforces each utterance presented by the characters. The focus of the study in this discussion is to answer the research statement, namely the types of Illocutionary Acts in the Comic “ The Adventures of Tintin Vol 8 “ and the functions as well as the dominant types found in the conversation. In this research, the writer found out the types of Illocutionary acts from the 3 stories are Representative, Directive, Expressive and Commissive. From the 3 stories, there are slightly different functions depending on the situation of each story. The dominant types are representatives. Its shows that Tintin representing the statement from his acts to make the listener believe in his word.
{"title":"THE ANALYSIS OF ILLOCUTIONARY ACTS IN COMIC “THE ADVENTURES OF TINTIN VOLUME 8“","authors":"Sryetti Septiana Sibuea","doi":"10.31849/jib.v18i1.7848","DOIUrl":"https://doi.org/10.31849/jib.v18i1.7848","url":null,"abstract":"This research discusses the types, functions, and dominant types contained in the conversation of the main character in the comic \" The Adventures of Tintin Volume 8 “. Comic is one of the picture books which are popular with youth and children. This comic tells the characters of Tintin, who like the main character, plays a detective. A picture that represents the character’s actions reinforces each utterance presented by the characters. The focus of the study in this discussion is to answer the research statement, namely the types of Illocutionary Acts in the Comic “ The Adventures of Tintin Vol 8 “ and the functions as well as the dominant types found in the conversation. In this research, the writer found out the types of Illocutionary acts from the 3 stories are Representative, Directive, Expressive and Commissive. From the 3 stories, there are slightly different functions depending on the situation of each story. The dominant types are representatives. Its shows that Tintin representing the statement from his acts to make the listener believe in his word.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85935789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Hornbills or Buceros sp. are often used in various Dayak society activities, both of body parts and body illustrations. It shows that hornbills means very important for Dayak society. The importance and sacredness of hornbills can be seen through the structural symbolic concept of Levi-Strauss, which sees myth as starting from its structure before developing into a set of objects and phenomena in the application. Hornbills are believed to play an important role in various aspects of life, through this found concept development that includes objects and phenomena such as buildings, clothing, weapons, leadership and brotherhood, performances, and ceremonies.
{"title":"ANALISIS SIMBOLIK STRUKTURAL BURUNG ENGGANG PADA MASYARAKAT DAYAK","authors":"Manarul Hidayat","doi":"10.31849/jib.v18i1.7849","DOIUrl":"https://doi.org/10.31849/jib.v18i1.7849","url":null,"abstract":"Hornbills or Buceros sp. are often used in various Dayak society activities, both of body parts and body illustrations. It shows that hornbills means very important for Dayak society. The importance and sacredness of hornbills can be seen through the structural symbolic concept of Levi-Strauss, which sees myth as starting from its structure before developing into a set of objects and phenomena in the application. Hornbills are believed to play an important role in various aspects of life, through this found concept development that includes objects and phenomena such as buildings, clothing, weapons, leadership and brotherhood, performances, and ceremonies.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77508221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
When new technology is available on various platforms, there are many transfers of knowledge content or even the platform itself as a medium that produces culture, the result can be convergence, culture becomes more similar, more similar and uniform as a result, or divergence when culture adopts technology. in a different way that maintains or even accentuates the difference. Johnston and Johal (1999) stated that the internet is a virtual culture by using the dimensions of Hofstede (1980) it can be concluded that internet culture develops and is unified and uniformized. In this case, the algorithm plays a role in regulating the flow of culture that will be transferred to users so that it becomes uniform. Marcus and Gould (2000) review selected platforms for transferring convergent cultures, based on an analysis of the recent work by Hofstede (1991). it can be concluded that culture, as revealed by Hofstede's dimension, does indeed affect multiple platforms and has the potential to be the same or monoculture. With discourse analysis supported by digital data from the Tik Tok platform, this article is expected to contribute to the idea that many platforms are used in social media, which can produce new cultures or even reproduce cultures that are uniform and certain.
{"title":"MEDIA SOSIAL: PLATFORMISASI DAN BUDAYA KONVERGENSI","authors":"Mita Rosaliza, Risdayati Risdayati, R. Syamsidar","doi":"10.31849/jib.v18i1.7850","DOIUrl":"https://doi.org/10.31849/jib.v18i1.7850","url":null,"abstract":"When new technology is available on various platforms, there are many transfers of knowledge content or even the platform itself as a medium that produces culture, the result can be convergence, culture becomes more similar, more similar and uniform as a result, or divergence when culture adopts technology. in a different way that maintains or even accentuates the difference. Johnston and Johal (1999) stated that the internet is a virtual culture by using the dimensions of Hofstede (1980) it can be concluded that internet culture develops and is unified and uniformized. In this case, the algorithm plays a role in regulating the flow of culture that will be transferred to users so that it becomes uniform. Marcus and Gould (2000) review selected platforms for transferring convergent cultures, based on an analysis of the recent work by Hofstede (1991). it can be concluded that culture, as revealed by Hofstede's dimension, does indeed affect multiple platforms and has the potential to be the same or monoculture. With discourse analysis supported by digital data from the Tik Tok platform, this article is expected to contribute to the idea that many platforms are used in social media, which can produce new cultures or even reproduce cultures that are uniform and certain.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73811377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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