Pub Date : 2023-10-31DOI: 10.17510/wacana.v24i3.1654
So far, the trade and spice route historiography has focused on social, political, and economic aspects. This discussion is also fragmentarily or is part of another focus. No studies have discussed the relationship between local knowledge practices, spice routes, power networks, and Islamization. However, the spice trade and Islamization are two intersecting events important for their connection with the local culture. This article assumes that there was a local knowledge used as a strategy by the Banten rulers as a response to trade, Islamization, and power networks in the sixteenth and seventeenth centuries. It finds that Sultan Maulana Yusuf’s policy, known as “gawe kuta baluwarti bata kalawan kawis”, was a local knowledge that continued to be used by Banten rulers throughout the sixteenth-seventeenth centuries. This local knowledge was transformed from its literal meaning of “building cities and fortresses from bricks and corals” into a metaphor representing development that considered the duality of Banten’s potential. This local knowledge became the foundation stone for the strategies of Banten’s rulers until Sultan Ageng Tirtayasa to respond the challenges posed by the trade, power network, and Islamization. This application of the local knowledge carried the Banten Sultanate to its peak of advancement during the reign of Sultan Ageng Tirtayasa (1651-1682). In his sponsorship of this local knowledge, the ruler of the Banten appears as a technocrat, trader, scholar, leader, and ruler who paved the way for the expansion of the Banten Sultanate. This local knowledge was passed down from generation to generation and remains the local knowledge of the Banten people today. This study reconstructs the historiography of the existing spice route by according local knowledge (gawe kuta baluwarti bata kalawan kawis), the leading role in shaping the expansion of the Banten Sultanate in the century of the spice trade and the extension of the spice route.
到目前为止，贸易和香料路线的历史研究主要集中在社会、政治和经济方面。这个讨论也是零散的，或者是另一个焦点的一部分。没有研究讨论过当地知识实践、香料路线、电力网络和伊斯兰化之间的关系。然而，香料贸易和伊斯兰化是两个交叉的事件，因为它们与当地文化的联系很重要。这篇文章假设，在16世纪和17世纪，万丹统治者将当地的知识作为一种策略，作为对贸易、伊斯兰化和权力网络的回应。它发现苏丹毛拉·优素福的政策，被称为“gawe kuta baluwarti bata kalawan kawis”，是一种当地知识，在整个16 - 17世纪被万丹统治者继续使用。这种当地知识从字面上的“用砖块和珊瑚建造城市和堡垒”转变为一种隐喻，代表了考虑到万丹潜力的二元性的发展。这些地方知识成为万丹统治者战略的基石，直到苏丹阿贡提塔亚萨(Ageng Tirtayasa)应对贸易、权力网络和伊斯兰化带来的挑战。这种对当地知识的应用使万丹苏丹国在苏丹阿贡·提塔亚萨(1651-1682)统治期间达到了发展的顶峰。在他对这种地方知识的赞助中，万丹的统治者以技术官僚、商人、学者、领袖和统治者的身份出现，为万丹苏丹国的扩张铺平了道路。这种地方知识代代相传，至今仍是万丹人的地方知识。本研究根据当地知识(gawe kuta baluwarti bata kalawan kawis)重建了现有香料路线的史学，这些知识在塑造万丹苏丹国在香料贸易世纪的扩张和香料路线的延伸方面发挥了主导作用。
{"title":"\"Gawe kuta baluwarti bata kalawan kawis\"; Contribution of local knowledge to the expansion of the Banten Sultanate on the Nusantara spice route","authors":"","doi":"10.17510/wacana.v24i3.1654","DOIUrl":"https://doi.org/10.17510/wacana.v24i3.1654","url":null,"abstract":"So far, the trade and spice route historiography has focused on social, political, and economic aspects. This discussion is also fragmentarily or is part of another focus. No studies have discussed the relationship between local knowledge practices, spice routes, power networks, and Islamization. However, the spice trade and Islamization are two intersecting events important for their connection with the local culture. This article assumes that there was a local knowledge used as a strategy by the Banten rulers as a response to trade, Islamization, and power networks in the sixteenth and seventeenth centuries. It finds that Sultan Maulana Yusuf’s policy, known as “gawe kuta baluwarti bata kalawan kawis”, was a local knowledge that continued to be used by Banten rulers throughout the sixteenth-seventeenth centuries. This local knowledge was transformed from its literal meaning of “building cities and fortresses from bricks and corals” into a metaphor representing development that considered the duality of Banten’s potential. This local knowledge became the foundation stone for the strategies of Banten’s rulers until Sultan Ageng Tirtayasa to respond the challenges posed by the trade, power network, and Islamization. This application of the local knowledge carried the Banten Sultanate to its peak of advancement during the reign of Sultan Ageng Tirtayasa (1651-1682). In his sponsorship of this local knowledge, the ruler of the Banten appears as a technocrat, trader, scholar, leader, and ruler who paved the way for the expansion of the Banten Sultanate. This local knowledge was passed down from generation to generation and remains the local knowledge of the Banten people today. This study reconstructs the historiography of the existing spice route by according local knowledge (gawe kuta baluwarti bata kalawan kawis), the leading role in shaping the expansion of the Banten Sultanate in the century of the spice trade and the extension of the spice route.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":"34 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135928733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-31DOI: 10.17510/wacana.v24i3.1657
History is a representation of the past based on (written) knowledge which has been passed on from one generation to the next, with a preference given to written sources from a Eurocentric tradition. However, written sources about (former) colonial territories are a product of the colonial system in which they were produced. Acknowledging the biases in these archives, therefore, opens the way for acceptance of other forms of knowledge which were previously deemed “not objective” in Eurocentric historical disciplines. This paper presents several examples from the Banda Islands in Maluku province in Indonesia to attest that, by placing contemporary perceptions of the past and local reiterations of history on an equal pedestal as colonial documentation, we can work towards a more decolonial practice of writing histories. In the case of the Banda Islands, this means a shift from a colonial Eurocentric perspective of its history towards a narration of the past which honours the Bandanese heroes, religion, and resilience.
{"title":"Shifting the historical narrative of the Banda Islands; From colonial violence to local resilience","authors":"","doi":"10.17510/wacana.v24i3.1657","DOIUrl":"https://doi.org/10.17510/wacana.v24i3.1657","url":null,"abstract":"History is a representation of the past based on (written) knowledge which has been passed on from one generation to the next, with a preference given to written sources from a Eurocentric tradition. However, written sources about (former) colonial territories are a product of the colonial system in which they were produced. Acknowledging the biases in these archives, therefore, opens the way for acceptance of other forms of knowledge which were previously deemed “not objective” in Eurocentric historical disciplines. This paper presents several examples from the Banda Islands in Maluku province in Indonesia to attest that, by placing contemporary perceptions of the past and local reiterations of history on an equal pedestal as colonial documentation, we can work towards a more decolonial practice of writing histories. In the case of the Banda Islands, this means a shift from a colonial Eurocentric perspective of its history towards a narration of the past which honours the Bandanese heroes, religion, and resilience.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":"3 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135929411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-28DOI: 10.31849/jib.v20i1.15885
Harlin Palanta, Tony Tampake
This research discusses the meaning of sialo dance. Sialo dance is one of the traditions of the Bastem Luwu community in South Sulawesi which is performed at the death ceremony (rambu solo). Understanding the values and meanings contained in sialo dances is often neglected and lack of concern, including the millennial generation not understanding and not knowing the values and meanings of sialo dances contained therein. The focus of this research explores the meanings contained in the sialo dance at the rambu solo ceremony from the perspective of the sociology of local culture. this writing is useful to increase knowledge about the culture of Luwu South Sulawesi.The author uses qualitative method research realist ethnographic approach to describe the meanings of interaction and cultural values of sialo dance. The author's local cultural sociology study uses the perspective of Herbert Mead's thinking, Herbert Blumer, Clifford Geertz with the perspective of symbolic interactionism studies. The research location is Lalong Village, Luwu Regency, Walenrang District, South Sulawesi. This writing is focused on exploring the meanings and values of the sialo dance which is the local culture of the Bastem community at the rambu solo ceremony. The results of this study indicate the meaning of the sialo dance, which is meaningful to tell the life history of the deceased person who was celebrated. In addition, this dance also has a meaning to welcome government guests who come to share grief with the deceased family.
{"title":"MAKNA TARIAN SIALO PADA RITUAL RAMBU SOLO LUWU SULAWESI SELATAN","authors":"Harlin Palanta, Tony Tampake","doi":"10.31849/jib.v20i1.15885","DOIUrl":"https://doi.org/10.31849/jib.v20i1.15885","url":null,"abstract":"This research discusses the meaning of sialo dance. Sialo dance is one of the traditions of the Bastem Luwu community in South Sulawesi which is performed at the death ceremony (rambu solo). Understanding the values and meanings contained in sialo dances is often neglected and lack of concern, including the millennial generation not understanding and not knowing the values and meanings of sialo dances contained therein. The focus of this research explores the meanings contained in the sialo dance at the rambu solo ceremony from the perspective of the sociology of local culture. this writing is useful to increase knowledge about the culture of Luwu South Sulawesi.The author uses qualitative method research realist ethnographic approach to describe the meanings of interaction and cultural values of sialo dance. The author's local cultural sociology study uses the perspective of Herbert Mead's thinking, Herbert Blumer, Clifford Geertz with the perspective of symbolic interactionism studies. The research location is Lalong Village, Luwu Regency, Walenrang District, South Sulawesi. This writing is focused on exploring the meanings and values of the sialo dance which is the local culture of the Bastem community at the rambu solo ceremony. The results of this study indicate the meaning of the sialo dance, which is meaningful to tell the life history of the deceased person who was celebrated. In addition, this dance also has a meaning to welcome government guests who come to share grief with the deceased family.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":"9 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84241467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-28DOI: 10.31849/jib.v20i1.15887
Mita Rosaliza, Hesti Asriwandari, Indrawati Indrawati
The presence of digital platforms increasingly permeates contemporary everyday culture, necessitating a re-evaluation of observational studies on social and cultural phenomena. Traditional qualitative research methods that rely on physical locations face challenges in the era of digital platforms. This article aims to explain the use of ethnography and digital ethnography in fieldwork, combining classic ethnographic methods with participant observations in locations where digital platforms are utilized. Technical exploration can uncover social and cultural assumptions embedded in interactions and interviews, as well as how their accessibility can create symbolic meanings. Meanwhile, participant observation focuses on the perspectives of digital platform users within a community. Referring to pioneering works in the field of "digital ethnography," this article critically explores the potential and challenges posed by new technologies that warrant attention. It can be concluded that a balanced combination of physical and digital ethnography not only provides researchers with diverse and intriguing methods but also allows for a better appreciation of respondents' voices. The development of digital ethnography as a research methodology, along with the challenges encountered in addressing classical concepts of fieldwork, participation, and representation, creates opportunities for digital ethnographers to gain professional recognition in conducting research related to society and culture.
{"title":"FIELD WORK: ETNOGRAFI DAN ETNOGRAFI DIGITAL","authors":"Mita Rosaliza, Hesti Asriwandari, Indrawati Indrawati","doi":"10.31849/jib.v20i1.15887","DOIUrl":"https://doi.org/10.31849/jib.v20i1.15887","url":null,"abstract":"The presence of digital platforms increasingly permeates contemporary everyday culture, necessitating a re-evaluation of observational studies on social and cultural phenomena. Traditional qualitative research methods that rely on physical locations face challenges in the era of digital platforms. This article aims to explain the use of ethnography and digital ethnography in fieldwork, combining classic ethnographic methods with participant observations in locations where digital platforms are utilized. Technical exploration can uncover social and cultural assumptions embedded in interactions and interviews, as well as how their accessibility can create symbolic meanings. Meanwhile, participant observation focuses on the perspectives of digital platform users within a community. Referring to pioneering works in the field of \"digital ethnography,\" this article critically explores the potential and challenges posed by new technologies that warrant attention. It can be concluded that a balanced combination of physical and digital ethnography not only provides researchers with diverse and intriguing methods but also allows for a better appreciation of respondents' voices. The development of digital ethnography as a research methodology, along with the challenges encountered in addressing classical concepts of fieldwork, participation, and representation, creates opportunities for digital ethnographers to gain professional recognition in conducting research related to society and culture.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136349481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-28DOI: 10.31849/jib.v20i1.15886
Siska Armiza
This study aims to describe the values of local wisdom contained in the batimang oral literature by using the theory of Robert Sibarani so that the value of local wisdom is found in the batimang oral literature. The method used is a descriptive qualitative method with data collection techniques of observation, interviews and documentation. The results of the research obtained in the field show that there are six values of local wisdom in batiman oral literature, namely: hard work, education, preservation and cultural creativity, courtesy, harmony and conflict resolution and positive thinking. The local wisdom values obtained aim to achieve prosperity and peace in society.
{"title":"KEARIFAN LOKAL SASTRA LISAN BATIMANG PADA MASYARAKAT DESA SIMALINYANG KECAMATAN KAMPAR KIRI TENGAH KABUPATEN KAMPAR","authors":"Siska Armiza","doi":"10.31849/jib.v20i1.15886","DOIUrl":"https://doi.org/10.31849/jib.v20i1.15886","url":null,"abstract":"This study aims to describe the values of local wisdom contained in the batimang oral literature by using the theory of Robert Sibarani so that the value of local wisdom is found in the batimang oral literature. The method used is a descriptive qualitative method with data collection techniques of observation, interviews and documentation. The results of the research obtained in the field show that there are six values of local wisdom in batiman oral literature, namely: hard work, education, preservation and cultural creativity, courtesy, harmony and conflict resolution and positive thinking. The local wisdom values obtained aim to achieve prosperity and peace in society.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":"88 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77630077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-28DOI: 10.31849/jib.v20i1.15884
Nurzuha Nurzuha, Mohd. Fauzi, Denni Iskandar
This research began with the phenomenon of the endangered language found in the pantun script which contains a lot of richness in the elements of the flora and fauna lexicon. The purpose of this study is to determine the richness of the flora and fauna lexicon and its meaning in Boekoe Pantoen by The Tim Lam. This kind of research is qualitative research in which this research uses the ecolinguistic concept of Aron Meko Mbete. The data of this research is in the form of flora and fauna eco-collection that sourced from Boekoe Pantoen by The Tim Lam. The results showed that there were 73 flora lexicon and 69 fauna lexicon. In the meaning of flora and fauna there is a social meaning, the meaning of love for the environment and culture. Basically people in ancient times were sympathetic to the environment, this nature became their inspiration material to express feelings using flora and fauna features, being grateful for God's favors, as medicine, entertainment, and these flora and fauna features do exist and are not just an illusion but are nowadays the phenomenon has changed. The flora and fauna lexicon is rarely used.
本研究从潘屯文字中发现的濒危语言现象开始，潘屯文字中包含了大量丰富的动植物词汇元素。本研究的目的是确定Tim Lam的Boekoe Pantoen中动植物词汇的丰富程度及其意义。这类研究是定性研究，本研究使用了Aron Meko Mbete的生态语言学概念。本研究的数据以动植物生态收集的形式，由The Tim Lam从Boekoe Pantoen采购。结果表明:共有植物词汇73个，动物词汇69个。在动植物的意义中有一种社会意义，即对环境和文化的热爱。基本上，古代的人们对环境是同情的，这种自然成为他们用动植物特征来表达感情的灵感材料，感谢上帝的恩惠，因为医学，娱乐，这些动植物特征确实存在，不仅仅是一种幻觉，但现在的现象已经改变了。动植物词汇很少使用。
{"title":"KHAZANAH EKOLEKSIKON FLORA DAN FAUNA DALAM BOEKOE PANTOEN KARYA THE TIM LAM","authors":"Nurzuha Nurzuha, Mohd. Fauzi, Denni Iskandar","doi":"10.31849/jib.v20i1.15884","DOIUrl":"https://doi.org/10.31849/jib.v20i1.15884","url":null,"abstract":"This research began with the phenomenon of the endangered language found in the pantun script which contains a lot of richness in the elements of the flora and fauna lexicon. The purpose of this study is to determine the richness of the flora and fauna lexicon and its meaning in Boekoe Pantoen by The Tim Lam. This kind of research is qualitative research in which this research uses the ecolinguistic concept of Aron Meko Mbete. The data of this research is in the form of flora and fauna eco-collection that sourced from Boekoe Pantoen by The Tim Lam. The results showed that there were 73 flora lexicon and 69 fauna lexicon. In the meaning of flora and fauna there is a social meaning, the meaning of love for the environment and culture. Basically people in ancient times were sympathetic to the environment, this nature became their inspiration material to express feelings using flora and fauna features, being grateful for God's favors, as medicine, entertainment, and these flora and fauna features do exist and are not just an illusion but are nowadays the phenomenon has changed. The flora and fauna lexicon is rarely used.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":"196 2 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85602613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-28DOI: 10.31849/jib.v20i1.15883
M. Alpino¹, ¹. .Kafrawi², ²Universitas Lancang, Kuning
This research is entitled Freedom and Consciousness in the Novel “The Alchemist” by Paulo Coelho (Existentialism study of Jean Paul Sartre). The problem that will be examined in this study is the freedom that focuses on the main character in this novel. The purpose of this study is to describe the form of Sartre’s existentialism towards the main character. The technique used in this study is the technique of reading and note taking with a intellectual and hermeneutic approach. The result of this reasearch shows that the main character in this novel, is someone who has a tendency to be reflective and authentic.
{"title":"KEBEBASAN DAN KESADARAN DALAM NOVEL “SANG ALKEMIS” KARYA PAULO COELHO (EKSISTENSIALISME JEAN PAUL SARTRE)","authors":"M. Alpino¹, ¹. .Kafrawi², ²Universitas Lancang, Kuning","doi":"10.31849/jib.v20i1.15883","DOIUrl":"https://doi.org/10.31849/jib.v20i1.15883","url":null,"abstract":"This research is entitled Freedom and Consciousness in the Novel “The Alchemist” by Paulo Coelho (Existentialism study of Jean Paul Sartre). The problem that will be examined in this study is the freedom that focuses on the main character in this novel. The purpose of this study is to describe the form of Sartre’s existentialism towards the main character. The technique used in this study is the technique of reading and note taking with a intellectual and hermeneutic approach. The result of this reasearch shows that the main character in this novel, is someone who has a tendency to be reflective and authentic.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":"244 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78163398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.17510/wacana.v24i1.1219
R. E. Pasaribu, R. E. Pasaribu
This study compares the portrayal of R.A. Kartini, an Indonesian female national heroine, in the biopics Sjumandjaya’s R.A. Kartini (1982) and Bramantyo’s Kartini (2017). The films were produced in the New Order and post-Reformation eras respectively, with social and cultural values translating into context-shaped standpoints in interpreting the figure of Kartini’s. Kartini is a role model associated with empowered Indonesian women and equality in education; therefore, films produced in different social and political contexts retelling her story give insights into how these issues were framed during these eras. This study uses film discourse interpretation analysis referencing dialogues and gestures from the films to discuss power relations between male-female characters, the issue of silence and women’s voice, and sisterhood. The study finds that, although both films reconfirm the already imprinted patriarchal society’s images of Kartini in particular and women in general, there are collective efforts to rethink and question the status quo.
{"title":"\"R.A. Kartini\" (1982) and \"Kartini\" (2017); Anguish and silent struggles in the narratives of Indonesian women’s empowerment role model","authors":"R. E. Pasaribu, R. E. Pasaribu","doi":"10.17510/wacana.v24i1.1219","DOIUrl":"https://doi.org/10.17510/wacana.v24i1.1219","url":null,"abstract":"This study compares the portrayal of R.A. Kartini, an Indonesian female national heroine, in the biopics Sjumandjaya’s R.A. Kartini (1982) and Bramantyo’s Kartini (2017). The films were produced in the New Order and post-Reformation eras respectively, with social and cultural values translating into context-shaped standpoints in interpreting the figure of Kartini’s. Kartini is a role model associated with empowered Indonesian women and equality in education; therefore, films produced in different social and political contexts retelling her story give insights into how these issues were framed during these eras. This study uses film discourse interpretation analysis referencing dialogues and gestures from the films to discuss power relations between male-female characters, the issue of silence and women’s voice, and sisterhood. The study finds that, although both films reconfirm the already imprinted patriarchal society’s images of Kartini in particular and women in general, there are collective efforts to rethink and question the status quo.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":"63 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79353094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.17510/wacana.v24i1.1172
{"title":"Reclaiming domestic space; Decolonial feminism and women’s sovereignty in Southeast Asia and beyond within the context of artistic practice","authors":"","doi":"10.17510/wacana.v24i1.1172","DOIUrl":"https://doi.org/10.17510/wacana.v24i1.1172","url":null,"abstract":"","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":"165 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76293588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.17510/wacana.v24i1.1164
{"title":"Men Coblong; Voicing the everyday agency of Oka Rusmini","authors":"","doi":"10.17510/wacana.v24i1.1164","DOIUrl":"https://doi.org/10.17510/wacana.v24i1.1164","url":null,"abstract":"","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":"12 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90830527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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