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Ravando (2020), "Perang melawan influenza; Pandemi flu Spanyol di Indonesia masa kolonial, 1918-1919". Agus Suwignyo (ed.) (2020), "Pengetahuan budaya dalam khazanah wabah".
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-10-31 DOI: 10.17510/wacana.v23i3.1010
S. Sarwono
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引用次数: 0
In memoriam Clara Brakel-Papenhuyzen
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-10-31 DOI: 10.17510/wacana.v23i3.1012
E. Bogaerts
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引用次数: 0
Where is home? Changing conceptions of the homeland in the Surinamese-Javanese diaspora 家在哪里?苏里南-爪哇侨民对祖国观念的改变
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-10-31 DOI: 10.17510/wacana.v23i3.1001
R. Hoefte, Hariëtte Mingoen
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引用次数: 1
Introduction Exploring transnationalism 探讨跨国主义
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-10-31 DOI: 10.17510/wacana.v23i3.1000
Fridus Stijlen
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引用次数: 0
“TAG” TEMAN DAN #HASTAG REKONSEPSI INTERAKSI SOSIAL DI PLATFORM INSTAGRAM 朋友“标签”和#HASTAG对INSTAGRAM平台上的社交互动的重新概念
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-08-05 DOI: 10.31849/jib.v19i1.10873
Mita Rosaliza, R. Syamsidar, Hesti Asriwandari
Tag a friend in the comments column on the Instagram platform is one mechanism to start interacting between users on social media. Is it possible to just "tag" friends who have there been social interactions intended by sociologists, psychologists,s and communication experts? This article is to explore how social media carries out the process of social interaction, and whether simply tagging a friend on Instagram can be considered a social interaction. The results of the study show that the use of social media is rarely considered a social interaction, after surfing on social media for approximately the first 7-10 minutes, 116 samples of Instagram users showed that social media behavior rarely chatted and commented, on average they only status updating, stalking and also looking for the information. The use of social media and social interaction sometimes occur together, but only 3% of social interactions occur through the Instagram platform. It is said that social interaction through this platform usually focused on having conversations, and exchanging with relatively closer relational relationships. Secondary data analysis and surveys of Instagram users are used in this article to analyze the process of social interaction on the Instagram platform supported by literature studies from several sociologists, psychologists, and also communication experts who argue about social interaction. It can be said, each media is social in a unique way including the Instagram platform, and needs further discussion in conceptualizing the boundaries of social interaction in social media.
在Instagram平台的评论栏上给朋友加标签是用户在社交媒体上开始互动的一种机制。社会学家、心理学家和交流专家认为,我们有可能仅仅“标记”那些有过社交互动的朋友吗?这篇文章是为了探讨社交媒体是如何进行社交互动的过程,以及简单地在Instagram上给朋友加标签是否可以被认为是一种社交互动。研究结果表明,社交媒体的使用很少被认为是一种社交互动,在社交媒体上冲浪大约前7-10分钟后,116个Instagram用户样本显示社交媒体行为很少聊天和评论,平均而言他们只更新状态,跟踪和寻找信息。社交媒体的使用和社交互动有时会同时发生,但只有3%的社交互动是通过Instagram平台进行的。据说,通过这个平台进行的社交活动通常以对话为主,以相对紧密的关系进行交流。本文采用二手数据分析和对Instagram用户的调查来分析Instagram平台上的社交过程,并以几位社会学家、心理学家和传播专家的文献研究为支撑,对社交互动进行了争论。可以说,包括Instagram平台在内的每一种媒体都有其独特的社交方式,需要进一步探讨社交媒体中社交互动的边界概念。
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引用次数: 1
EKSISTENSI UPACARA ADAT PERANG KETUPAT DI DESA TEMPILANG SEBAGAI KEKAYAAN BUDAYA DI KABUPATEN BANGKA BARAT
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-08-05 DOI: 10.31849/jib.v19i1.10872
Dea Amanda Putri, Akbar Al Masjid
The tradition of ketupat war held in Air Lintang Village, Tempilang District, West Bangka Regency as a research object aims to introduce and describe one of the cultural wealth in West Bangka Regency. Researchers also worked to find the meaning and values that became the background of the history of the war. This research uses qualitative descriptive research to get descriptive data in the form of oral, and written from a person or group and observe behavior. Data collection is carried out by observing the object to be studied, interviewing cultural figures, and documenting to strengthen the resulting data. This tradition of ketupat war ceremony began in 1883 and was carried out by the chieftain to fight the invaders/pirates. This happened at the same time as a lost girl was eaten by a crocodile demon. Then community leaders flocked to carry out the Village Taber Ritual to avoid disasters by collaborating so as to create a tradition in Tempilang Village, namely the Ketupat War. This ketupat war has the meaning of being able to avoid evil spirit spirits and subtle mahlauk who intend badly to disturb the local community and can clean up all ugly things in the future life. This tradition also contains values including cultural values, social values, local wisdom values, and educational values that can be used as lessons or guidelines in life and can shape the character of the nation's generations.
以西邦卡摄政区天皮朗区Air Lintang村举行的传统ketupat战争为研究对象,旨在介绍和描述西邦卡摄政区的文化财富之一。研究人员还努力寻找成为战争历史背景的意义和价值。本研究采用定性描述性研究,从一个人或群体中以口头和书面的形式获得描述性数据,并观察其行为。数据收集是通过观察要研究的对象,采访文化人物,并记录以加强所得数据来进行的。这种传统的ketupat战争仪式始于1883年,由酋长进行,以对抗侵略者/海盗。与此同时,一个迷路的女孩被鳄鱼恶魔吃掉了。随后,社区领袖们纷纷开展村塔伯仪式,以合作的方式避免灾难,从而在天比朗村创造了一个传统,即吉都帕战争。这场ketupat战争的意义是能够避免邪恶的灵魂和狡猾的mahlauk,他们打算扰乱当地社区,并可以在未来的生活中清理所有丑陋的东西。这一传统还包含了文化价值观、社会价值观、地方智慧价值观和教育价值观,这些价值观可以作为生活的教训或指导方针,可以塑造民族几代人的性格。
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引用次数: 0
VALENSI VERBA BAHASA MELAYU DIALEK PULAU PADANG KABUPATEN KEPULAUAN MERANTI
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-08-05 DOI: 10.31849/jib.v19i1.10870
Mohd. Fauzi, Hermansyah Hermansyah, Juswandi Juswandi, T. M. Sum
This study aimed to explain the valence of Malay verbs in the Akit dialect of Padang island, Regency of Kepulauan Meranti. The method used was qualitative descriptive. The data was collected using the equivalent method and the observation method. The data used were oral and collected using interviews, observation, and intuition methods. The data analysis was used to split,  deletion, substitution, and expansion techniques. The results of the data analysis were explained using the informal method. The results showed that Malay people on this island used the Malay language daily. Accordingly, the valence of the verbs found in the conversations of the Malay people on the island of Padang was one valence of verbs, two valences of verbs, and three valences of verbs. Through the passivation process, the three kinds of valence of the verbs could be derived from two valences of verbs became one and from three valences of verbs became two. One-valence verbs were bound by only one argument. Verbs with two valences were bound by two arguments at once, while verbs with three valences were bound by three arguments, while the process of decreasing valence could be done by passivation.
本研究旨在解释吉普劳万莫兰蒂摄政巴东岛阿基特方言中马来语动词的配价。采用定性描述方法。数据采集采用等效法和观察法。使用的数据是口头的,通过访谈、观察和直觉方法收集。数据分析采用分割、删除、替换和扩展技术。采用非正式方法对数据分析结果进行了解释。结果显示,岛上的马来人日常使用马来语。因此,巴东岛上马来人对话中的动词配价为一配价、二配价和三配价。通过钝化过程,动词的三种价态可以由两个价态变为一个价态,由三个价态变为两个价态。一价动词只受一个参数的约束。两个配价动词同时被两个价元束缚,三个配价动词同时被三个价元束缚,而降价过程可以通过钝化来完成。
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引用次数: 0
RONGGENG: KUASA TUBUH PEREMPUAN
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-08-05 DOI: 10.31849/jib.v19i1.10874
Ela Mutiara Waluya
Talking about Ronggeng is talking about women, bodies, and stage. Body with reality, stage with social. Discourse about female dancers in performances is conditioned by the limits of understanding the female body figure itself. Colonialism has shifted the function, meaning, and form of Ronggeng's performances. This event represents that the female body as an object that can be repressed as well as enjoyed, regulated, and asked to be free, is like a dualism of opposite perspectives. Ronggeng's discourse as a ritual body occupies the highest position which is shaded by the birth of social construction. The view of sensuality places the Ronggeng dancer from subject to object, then objectifies the physical form of a woman's body. This study uses a qualitative method with a constructivist paradigm approach, where the truth of social reality is seen as a result of social construction. The truth of social reality is relative/compound and has different meanings for each person. This study aims to find the position of women in power relations by looking at the structure of the Ronggeng performance.
说荣庚就是说女人、说身体、说舞台。身体与现实,舞台与社会。关于表演中女性舞者的话语受到对女性身体形体本身理解的限制。殖民主义改变了荣耕表演的功能、意义和形式。这一事件代表了女性身体作为一个客体,既可以被压抑,也可以被享受、调节和要求自由,就像一个对立视角的二元论。荣耕的话语作为一种仪式体占据着最高的地位,而这一地位被社会建构的诞生所遮蔽。情欲观将荣庚舞者从主体置于客体,然后将女性身体的形体物化。本研究采用建构主义范式的定性方法,将社会现实的真相视为社会建构的结果。社会现实的真相是相对的/复合的,对每个人来说都有不同的意义。本研究旨在通过考察荣耕表演的结构来发现女性在权力关系中的地位。
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引用次数: 1
ANALISIS BENTUK FUNGSI DAN MAKNA PANTUN MELAYU DALAM SAMBUTAN SEREMONI RESMI
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-08-05 DOI: 10.31849/jib.v19i1.10871
E. Edward, Sorta Hutahaean
This research was aimed at exploring the meaning, form, and function of Malay poem expression uttered during the official ceremony. The analysis was based on the whole context using an operational approach, that is, how a text works within its context. Out of the form and function, meaning is best viewed from its surrounding context and situation. The result shows that text meaning is context-dependent on the cultural value which operates. The text was found unique because of the subject deletion that takes place. The form of the text may be directive, and yet, it sounds as if it was not. This characteristic is due to suffixing the verb with a particle, “lah”. Thus, the function of the directive form is weakening. It tends to be a very polite request instead of an order. 80% dominates the form of representative and the rest was directive.
本研究旨在探讨马来语在正式仪式上的诗歌表达的意义、形式和功能。分析是基于整个上下文使用操作方法,即文本如何在其上下文中工作。除了形式和功能之外,最好从其周围的语境和情境来看待意义。结果表明,文本意义依赖于语境,取决于所起作用的文化价值。由于发生了主题删除,该文本被发现是唯一的。文本的形式可能是指导性的,然而,它听起来好像不是。这个特点是由于动词后面加了一个助词“lah”。因此,指示形式的功能正在减弱。它往往是一种非常礼貌的请求,而不是命令。代表形式占80%,其余为指示形式。
{"title":"ANALISIS BENTUK FUNGSI DAN MAKNA PANTUN MELAYU DALAM SAMBUTAN SEREMONI RESMI","authors":"E. Edward, Sorta Hutahaean","doi":"10.31849/jib.v19i1.10871","DOIUrl":"https://doi.org/10.31849/jib.v19i1.10871","url":null,"abstract":"This research was aimed at exploring the meaning, form, and function of Malay poem expression uttered during the official ceremony. The analysis was based on the whole context using an operational approach, that is, how a text works within its context. Out of the form and function, meaning is best viewed from its surrounding context and situation. The result shows that text meaning is context-dependent on the cultural value which operates. The text was found unique because of the subject deletion that takes place. The form of the text may be directive, and yet, it sounds as if it was not. This characteristic is due to suffixing the verb with a particle, “lah”. Thus, the function of the directive form is weakening. It tends to be a very polite request instead of an order. 80% dominates the form of representative and the rest was directive.","PeriodicalId":41677,"journal":{"name":"Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia","volume":"26 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82866745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
ANALISIS STRUKTUR DAN MAKNA DALAM DRAMA SERIKAT KACAMATA HITAM KARYA SAINI KM 继赛尼的《太阳镜》戏剧的结构和意义的分析
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-02-21 DOI: 10.31849/jib.v18i2.9464
Deni Afriadi, Jefrizal Jefrizal
This research will analyze the structure of the play in the drama script of the Serikat Kacamata Hitam by Saini KM. The text of the manuscript will be analyzed using a non-interactive qualitative method (non interactive inquiry). Non-interactive research, also called analytical research, conducts studies based on document analysis. This study collects, identifies, analyzes and synthesizes data to then provide interpretations of concepts, policies, events that can be directly or indirectly observed. The source of data from non-interactive is documents. The play structure analysis used will describe the plot or story outline, characterization or characterization, dialogue or conversation, setting or foundation, theme or basic tone of the story, and the author's message or message in the text of Saini KM's Serikat Kacamata Hitam manuscript.
本研究将分析塞尼·KM的戏剧剧本《Serikat Kacamata Hitam》中的戏剧结构。手稿文本将使用非交互式定性方法(非交互式查询)进行分析。非互动研究,又称分析研究,是在文献分析的基础上进行研究。这项研究收集、识别、分析和综合数据,然后提供对可以直接或间接观察到的概念、政策和事件的解释。非交互式数据的来源是文档。使用的戏剧结构分析将描述情节或故事大纲,人物或人物特征,对话或对话,背景或基础,故事的主题或基本基调,以及作者在Saini KM的Serikat Kacamata Hitam手稿文本中的信息或信息。
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引用次数: 0
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Wacana-Jurnal Ilmu Pengetahuan Budaya-Journal of the Humanities of Indonesia
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