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Memory and the English Reformation 记忆与英国宗教改革
IF 1.1 Pub Date : 2023-07-03 DOI: 10.1080/13574175.2023.2251518
Mark Rankin
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引用次数: 0
The Imperial Cities and Imperial Reform in Late Medieval and Early Reformation Germany, 1410–1532 1410-1532 年中世纪晚期和宗教改革早期德国的帝国城市与帝国改革
IF 1.1 Pub Date : 2023-07-03 DOI: 10.1080/13574175.2023.2250823
Duncan Hardy
ABSTRACT Many free imperial cities played a central role in the early events of the German Reformation(s). These same cities were among the constituencies that had shaped – and been shaped by – the processes dubbed “imperial reform” (Reichsreform) by historians: discussions about and implementations of governance at the highest level in the Holy Roman Empire. This article explores the relationship between the imperial cities and imperial reform in the fifteenth century and in the early phase of the Reformation (1517–32). It argues that “imperial reform” – a historiographical construct – is best conceived as a shared discourse of peace (friden), justice (recht), and order (ordnung) associated with the new institutions created in the Empire in the crucial decades around 1500. Imperial reform remained central to the urban governments’ political agendas even as evangelical teachings spread in the years after 1517, legitimizing them and offering leverage at a time of growing tension.
摘要 许多自由帝国城市在德国宗教改革的早期事件中发挥了核心作用。历史学家将这些城市称为 "帝国改革"(Reichsreform):神圣罗马帝国最高层关于治理的讨论和实施。本文探讨了十五世纪和宗教改革早期(1517-1532 年)帝国城市与帝国改革之间的关系。文章认为,"帝国改革 "是一个历史学概念,最好将其视为与 1500 年前后关键的几十年中帝国建立的新机构相关的和平(friden)、正义(recht)和秩序(ordnung)的共同话语。帝国改革仍然是城市政府政治议程的核心,即使福音教义在 1517 年后的几年里传播开来,使其合法化,并在紧张局势日益加剧的时期提供了筹码。
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引用次数: 0
Shakespeare’s Censor, the Reformation, and the Book of Sir Thomas More 莎士比亚的检查官、宗教改革和托马斯-莫尔爵士的书
IF 1.1 Pub Date : 2023-07-03 DOI: 10.1080/13574175.2023.2255596
W. R. Streitberger, Edmund d. Tilney
ABSTRACT Between 1581 and 1610 Master of the Revels Edmund Tilney (c 1536–1610) was authorized to license plays. The only evidence we have of his actual practice is the Book of Sir Thomas More, several pages which are thought to be in the hand of William Shakespeare. This essay is concerned with Tilney’s suppression of the twenty-four lines in which More and Rochester refuse to sign articles sent to them by the king. Tilney’s censorship can be better understood from the views he expresses in the confidential intelligence manual he wrote for Elizabeth I. It includes a humanist history of the papacy that reveals his understanding of the Reformation. While Tilney was a sophisticated enough courtier to allow a play on the controversial subject of More’s career, he would not allow a passage that might be interpreted to undermine the constitutional right to overrule papal objections that Henry VIII claimed in the 1533 Act in Restraint of Appeals. As Tilney’s research showed, that right derived from Constantine the Great, the half-British King of Britain who as emperor legitimized Christianity and became patron of the primitive Church and the Bishop of Rome.
ABSTRACT 1581 年至 1610 年间,嬉游诗人埃德蒙-蒂尔尼(Edmund Tilney,约 1536-1610 年)被授权许可戏剧演出。关于他的实际做法,我们唯一的证据是《托马斯-莫尔爵士之书》,其中有几页被认为是出自威廉-莎士比亚之手。这篇文章关注的是蒂尔尼对莫尔和罗切斯特拒绝在国王寄给他们的文章上签字的 24 行文字的压制。蒂尔尼在为伊丽莎白一世撰写的机密情报手册中表达的观点可以更好地理解他的审查制度。虽然蒂尔尼是个老练的朝臣,允许对莫尔职业生涯中的争议性主题进行发挥,但他不会允许出现可能被解释为破坏亨利八世在 1533 年《限制上诉法案》中声称的推翻教皇反对意见的宪法权利的段落。蒂尔尼的研究表明,这一权利源自君士坦丁大帝,这位半英国血统的不列颠国王作为皇帝使基督教合法化,并成为原始教会和罗马主教的守护神。
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引用次数: 0
Christian identity, piety, and politics in early modern England 近代早期英国的基督徒身份、虔诚与政治
IF 1.1 Pub Date : 2023-07-03 DOI: 10.1080/13574175.2023.2247428
Joel Dodson
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引用次数: 0
Thomas More and the Taking of William Tyndale 托马斯-莫尔与威廉-丁道尔之死
IF 1.1 Pub Date : 2023-07-03 DOI: 10.1080/13574175.2023.2251524
Richard Rex
ABSTRACT The thesis that Thomas More (1478–1535) plotted and financed the capture of William Tyndale (c.1494–1536) in Antwerp in May 1535 despite being himself a prisoner in the Tower of London at the time was first advanced in a biography of Tyndale published by Brian Moynahan in 2002. That thesis came to immeasurably wider attention through being mentioned in each volume of the Wolf Hall trilogy by the late Dame Hilary Mantel (1952–2022). The wide circulation thus given to that claim, even though in a work of fiction rather than of scholarship, motivates this attempt to demonstrate that it is without any foundation. The consequent close scrutiny of the evidence about this episode indicates that the taking of Tyndale was planned by its protagonist, Henry Phillips, on his own initiative, and not, as has often been suggested, at the instigation of English ecclesiastical authorities.
摘要 托马斯-莫尔(Thomas More,1478-1535 年)于 1535 年 5 月在安特卫普策划并资助了抓捕威廉-廷代尔(William Tyndale,约 1494-1536 年)的行动,尽管当时他本人也是伦敦塔中的囚犯,这一论点首次出现在布赖恩-莫伊纳汉(Brian Moynahan)于 2002 年出版的廷代尔传记中。已故的希拉里-曼特尔夫人(1952-2022 年)在《狼厅》三部曲的每一卷中都提到了这一论点,从而引起了更广泛的关注。尽管是在一部小说而非学术著作中,但这一说法还是得到了广泛传播,这促使我们试图证明这一说法是毫无根据的。因此,对这一事件的证据进行的仔细研究表明,丁道尔被抓是事件主人公亨利-菲利普斯主动策划的,而不是像人们经常说的那样,是在英国教会当局的唆使下进行的。
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引用次数: 0
How the English Reformation was named: the politics of history, c. 1400–1700 英国宗教改革是如何命名的:历史的政治,约1400-1700年
IF 1.1 Pub Date : 2023-07-03 DOI: 10.1080/13574175.2023.2247429
Harriet Lyon
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引用次数: 0
Thomas Norton’s Meditation of a Penitent Sinner 托马斯-诺顿的《忏悔罪人的沉思录
IF 1.1 Pub Date : 2023-07-03 DOI: 10.1080/13574175.2023.2252178
Steven W. May
ABSTRACT Who wrote “A Meditation of a penitent sinner” that was appended to Anne Lock’s translation of Sermons of John Calvin Vpon the Songe that Ezechias made (1560)? Lock (c.1533–90) introduced this poem with the disclaimer that it was “delivered me by my frend with whom I knew I might be so bolde to use and publishe it as pleased me.” Although Lock was not known to have written English verse, professional scholarship attributed the “Meditation” to her with near unanimity until 2017, when Steven W. May argued that Thomas Norton (1532–84) was its likely author. In response, Jake Arthur challenged May’s thesis in 2022, arguing in particular that May’s linguistic methodology was flawed. This article refutes Arthur’s rejoinder by clarifying how the stylistic evidence fits into the larger argument and summarizing the evidence that Norton is beyond reasonable doubt the friend who gave Lock the “Meditation” for her 1560 translation of Calvin.
摘要 谁写了《一个忏悔的罪人的沉思录》,附在安妮-洛克翻译的《约翰-加尔文关于以赛亚所作之歌的布道》(1560 年)之后?洛克(约 1533-90 年)在介绍这首诗时声明,这首诗是 "我的朋友交给我的,我知道我可以随心所欲地使用和发表这首诗"。虽然洛克并不知道她写过英文诗歌,但专业学术界几乎一致认为《沉思录》的作者是她,直到 2017 年,史蒂文-W-梅(Steven W. May)才认为托马斯-诺顿(Thomas Norton,1532-84 年)可能是这首诗的作者。作为回应,杰克-阿瑟(Jake Arthur)于 2022 年对梅的论点提出质疑,特别指出梅的语言学方法存在缺陷。本文驳斥了阿瑟的反驳,阐明了文体学证据如何与更广泛的论点相吻合,并总结了证据,证明诺顿毫无疑问是洛克在 1560 年翻译加尔文时提供 "沉思录 "的朋友。
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引用次数: 0
England’s second Reformation: The battle for the Church of England, 1625–1662 英格兰的第二次宗教改革:英格兰教会之争,1625-1662 年
IF 1.1 Pub Date : 2023-07-03 DOI: 10.1080/13574175.2023.2257742
Alice J. Soulieux-Evans
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引用次数: 0
Memory and the Dissolution of the Monasteries in Early Modern England 记忆与近代早期英国修道院的解体
IF 1.1 Pub Date : 2023-01-02 DOI: 10.1080/13574175.2023.2187938
M. Kelly
new study of the end of the vowed religious life in England
一项关于英国宗教生活终结的新研究
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引用次数: 0
Shakespeare, Papal Temporal Power, Resistance Theory, Regicide, and Tyrannicide 莎士比亚、教皇权力、反抗理论、弑君与暴政
IF 1.1 Pub Date : 2023-01-02 DOI: 10.1080/13574175.2023.2187932
A. Marotti
ABSTRACT The socioreligious context of Shakespeare’s plays was shaped by the international contest for authority precipitated, first, by popes’ exercise of their supposed deposing power in the 1570 and 1580 excommunications of Queen Elizabeth, and, second, by Protestant and Catholic theories of political resistance. As a dramatist who repeatedly included regicide in his plays, Shakespeare was aware of the contemporary political and religious relevance of king-killing. Avoiding the familiar forms of overt Protestant propagandizing, he staged a confrontation between English monarchical and papal power in King John, but in other plays he explored regicide and tyrannicide against the background of resistance theories that implied the need for a monarch to maintain a sufficient degree of popular support to claim legitimacy. At a time of nation-state formation, Shakespeare celebrated English nationalism, but turned a critical eye on the behavior of particular rulers, leaving his audiences free to interpret his plays’ religiopolitical complexities.
摘要莎士比亚戏剧的社会宗教背景是由国际权力争夺所形成的,首先是教皇在1570年和1580年伊丽莎白女王被逐出教会时行使了他们所谓的废黜权力,其次是新教和天主教的政治抵抗理论。作为一名剧作家,莎士比亚在他的戏剧中多次提到弑君,他意识到弑君在当代的政治和宗教意义。为了避免常见的公开的新教宣传形式,他在《约翰王》中上演了英国君主权力和教皇权力之间的对抗,但在其他戏剧中,他在抵抗理论的背景下探讨了弑君和暴虐,这些理论暗示君主需要保持足够程度的民众支持才能宣称合法性。在民族国家形成的时代,莎士比亚赞美英国的民族主义,但却对特定统治者的行为持批评态度,让他的观众可以自由地解读他的戏剧中宗教政治的复杂性。
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引用次数: 0
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Reformation
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