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Musical Devotions for Mixed Audiences: Printed Metrical Song in the Edwardian Reformation 面向混合观众的音乐奉献:爱德华时代宗教改革时期的印刷节拍歌曲
IF 1.1 Pub Date : 2022-01-02 DOI: 10.1080/13574175.2022.2051277
Anne Heminger
ABSTRACT While scholarship on the Edwardian Reformation often stresses reformers’ critiques of liturgical music as evidence for their disdain of religious music more broadly, this article posits that the numerous volumes of English-texted, verse scripture printed at this time demonstrate the central strategic importance of vernacular devotional song for reformers from a variety of backgrounds. Focusing on William Baldwin’s The Canticles or balades of Salomon (1549), William Samuel’s The abridgemente of goddess statutes (1551), and Christopher Tye’s The Actes of the Apostles (1553), this article re-centers the early collections of metrical psalms and other biblical verse paraphrases printed in Edwardian England as musical texts, demonstrating that reformers in mid-Tudor England embraced music as a means for England’s inhabitants to acquaint themselves with the theology and practices of the reformed Church of England. In doing so, they employed singing to confessionalize a public with diverse religious beliefs.
摘要尽管关于爱德华时代宗教改革的学术界经常强调改革者对礼拜音乐的批评,以此作为他们更广泛地蔑视宗教音乐的证据,但本文认为,此时印刷的大量英文文本、韵文经文表明了白话奉献歌曲对来自不同背景的改革者的核心战略重要性。本文以威廉·鲍德温(William Baldwin)的《所罗门的圣歌》(The Canticles or balades of Salomon)(1549)、威廉·塞缪尔(William Samuel,这表明都铎王朝中期的英国改革者接受音乐作为一种手段,让英国居民熟悉改革后的英国教会的神学和实践。在这样做的过程中,他们用唱歌来忏悔具有不同宗教信仰的公众。
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引用次数: 0
In Good Faith: Arabic Translation and Translators in Early Modern Spain 真诚:近代西班牙早期的阿拉伯语翻译与翻译家
IF 1.1 Pub Date : 2022-01-02 DOI: 10.1080/13574175.2022.2051288
S. Kimmel
years leading up to Charles’s execution, rooting his argument in a careful reading of pages from Milton’s own King James Bible. Chapter 8 concludes the book arguing that Milton himself caps the tradition of “literal” biblical interpretation originating with Tyndale. For Milton, reason trumps tradition, and he is fully aware that the Protestant tradition isn’t really “literal” at all, especially when Bible verses are read in their original textual and historical contexts. Romans 13 is critical once more and Milton overturns the interpretation of Paul that supports divine right and obedience to kings, returning to the kind of historicizing that was practiced by Erasmus and Colet, though to different ends. Paul was writing not of all rulers but of the current Roman emperor, Claudius, who (unlike his predecessor Nero) was good and decent; “Paul would never have meant obedience to tyranny.” In conclusion, this is a remarkably rich book that should have a considerable impact on scholars of Erasmus, Tyndale, Spenser, Shakespeare, and Milton, on our understanding of key aspects of sixteenth and early seventeenth-century English politics, on Bible translation and specific English Bibles (especially the Geneva), and on practices of reading, including the interpretation of texts.
查尔斯被处决前的几年,他的论点源于对米尔顿自己的《詹姆斯国王圣经》的仔细阅读。第8章结束了这本书,认为米尔顿自己限制了源自廷代尔的“字面”圣经解释的传统。对米尔顿来说,理性胜过传统,他充分意识到新教传统根本不是真正的“字面”,尤其是当圣经诗句是在原始文本和历史背景下阅读时。罗马书第13章再次提出了批评,米尔顿推翻了保罗支持神权和服从国王的解释,回到了伊拉斯谟和柯尔特所实践的那种历史化,尽管目的不同。保罗写的不是所有统治者,而是现任罗马皇帝克劳迪斯,他(与前任尼禄不同)善良得体;“保罗绝不意味着服从暴政。”总之,这是一本非常丰富的书,对伊拉斯谟、廷代尔、斯宾塞、莎士比亚和米尔顿的学者,对我们对十六世纪和十七世纪早期英国政治的关键方面的理解,对圣经翻译和特定的英国圣经(尤其是日内瓦),以及阅读实践,包括对文本的解读。
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引用次数: 0
Marketing English Books, 1476-1550 营销英语书籍,1476-1550
IF 1.1 Pub Date : 2022-01-02 DOI: 10.1080/13574175.2022.2051283
D. E. Clark
framework to analyze how images can construct meaning and both prompt and evade interpretation. It probes at central issues related to audience, publics, reception, artistic intent, and fundamentally how images communicate. The book situates Dürer at the nexus of these developments due to his unique positionality and artistic identity. Yet the book also suggests that the epistolary mode goes beyond Dürer. A question remaining at the conclusion of reading is how the epistolary mode might be identified in images without an overt connection to the type of epistolary activity that Dürer engaged in, and how Brisman’s framework might be adapted as a broader interpretative tool. The author makes clear that just because a letter appears in a work of art does not mean it engages in the same construction of meaning as Dürer’s works. Indeed, an interesting sub-theme of the book is to mark the historical specificity of this mode, shown to hinge on a confluence of factors that included the new postal service, printmaking, the Reformation, and an artist who was himself particularly engaged in the practice of letter writing. As Brisman shows, letters in seventeenth-century art mean something quite different than they do in Dürer’s works due to changes in notions of intimacy, the function of letters, and gendered shifts in letter writing. At the same time, Brisman concludes with the intriguing statement that “the epistolary mode is evident wherever the work of art is, on the one hand, hopeful about what it might be – the kinds of connectivity it might yield – while, on the other hand, mournful about what it is not” (180). The book presents a probing and enlightening discussion of Dürer’s works, his artistic and literary practice, and his means of address to his various publics.
分析图像如何构建意义以及提示和回避解释的框架。它探讨了与观众、公众、接收、艺术意图以及图像如何传播有关的核心问题。由于他独特的地位和艺术身份,这本书将他置于这些发展的联系之中。然而,这本书也表明,书信体模式超出了文学的范畴。在阅读结束时留下的一个问题是,如何在图像中识别书信模式,而不与 rer所从事的书信活动类型有明显的联系,以及布里斯曼的框架如何被改编为更广泛的解释工具。作者明确指出,仅仅因为一个字母出现在艺术作品中,并不意味着它参与了与勒尔作品相同的意义构建。事实上,这本书的一个有趣的副主题是标记这种模式的历史特殊性,它取决于一系列因素的融合,包括新的邮政服务、版画、宗教改革,以及一位自己特别从事写信实践的艺术家。正如布里斯曼所展示的那样,由于亲密观念的变化、字母的功能以及写信的性别转变,17世纪艺术中的字母与雷尔作品中的字母有着完全不同的含义。与此同时,布里斯曼总结了一个有趣的说法,“无论艺术作品在哪里,书信模式都是显而易见的,一方面,对它可能是什么充满希望——它可能产生的各种联系——同时,另一方面,对它不是什么感到悲伤”(180)。这本书提出了一个探索性的和启发性的讨论,探讨了德勒的作品,他的艺术和文学实践,以及他对各种公众的讲话方式。
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引用次数: 0
Henry VIII and Martin Luther: the second controversy, 1525-1527 亨利八世和马丁·路德:第二次争论,1525-1527
IF 1.1 Pub Date : 2022-01-02 DOI: 10.1080/13574175.2022.2051284
Denis R. Janz
spend enough time spelling out the implications of its consistently detailed analysis. The chapter on household printing clearly presents the role printers play in developing “householders” as a market segment, but the connection between that development and the broader cultural concept of household remains implicit, gestured at in the introduction and conclusion to the chapter. Similarly, for all the strengths of the book’s genre-by-genre approach, I had hoped for a fuller concluding chapter that drew together the parallel marketing trends and explored the undoubtedly complex interrelationship between concomitantly developing audiences. In all, Marketing English Books is a valuable resource for readers who wish to understand the book trade as a whole as well as those interested in contextualizing a specific text or genre. It often challenges traditional assumptions about how texts were marketed and offers convincing evidence to support its challenges. If the connections between genres have not always been made as fully as I would like, the chapters provide a solid foundation from which readers can draw their own conclusions.
花足够的时间阐明其一贯详细分析的含义。关于家庭印刷的一章清楚地介绍了印刷商在将“户主”发展为一个细分市场方面所发挥的作用,但这一发展与更广泛的家庭文化概念之间的联系仍然是隐含的,这一点在本章的引言和结论中有所阐述。同样,尽管这本书采用了逐类型的方法,但我希望有一个更完整的结尾章节,将平行的营销趋势汇集在一起,并探索伴随发展的受众之间毫无疑问的复杂相互关系。总之,对于那些希望了解整个图书行业的读者以及那些对特定文本或流派的背景感兴趣的读者来说,营销英语书籍是一种宝贵的资源。它经常挑战关于文本如何营销的传统假设,并提供令人信服的证据来支持其挑战。如果流派之间的联系并不总是像我希望的那样充分,那么这些章节提供了一个坚实的基础,读者可以从中得出自己的结论。
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引用次数: 0
12. »Exsurge Domine«: Die Bannandrohungsbulle vom 15. Juni 1520, von Hutten kommentiert 12“Exsurge Domine”:禁止威胁公牛队15人。1520年6月,Hutten评论
IF 1.1 Pub Date : 2021-11-14 DOI: 10.13109/9783666503528.46
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引用次数: 0
18. Ein zweites Zentrum der Reformation: Zürich 18. 第二个宗教改革中心:苏黎世
IF 1.1 Pub Date : 2021-11-14 DOI: 10.13109/9783666503528.80
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引用次数: 0
38. Der erste Reichstagsabschied (22. September 1530) 38.国会第一师(22。1530年9月)
IF 1.1 Pub Date : 2021-11-14 DOI: 10.13109/9783666503528.187
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引用次数: 0
22. Die Täufer
IF 1.1 Pub Date : 2021-11-14 DOI: 10.13109/9783666503528.114
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引用次数: 0
46. Das Interim 46.临时
IF 1.1 Pub Date : 2021-11-14 DOI: 10.13109/9783666503528.219
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引用次数: 0
9. Die Transformation der Passionsfrömmigkeit zur Kreuzestheologie: die theologischen Thesen der Heidelberger Disputation (26.4.1518) 9. 复合皇帝和十字架论的转折:海德堡辩论的神学中的神学符咒(连接1518)
IF 1.1 Pub Date : 2021-11-14 DOI: 10.13109/9783666503528.40
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引用次数: 0
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Reformation
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