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Reoccupy Earth: Notes toward an Other Beginning, written by David Wood 《重新占领地球:另一个开始的笔记》,作者:大卫·伍德
IF 0.7 Pub Date : 2022-01-05 DOI: 10.1163/15685241-12341501
J. Parker
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引用次数: 0
Prior’s Turn to Medieval Logic 普赖尔转向中世纪逻辑
IF 0.7 Pub Date : 2022-01-05 DOI: 10.1163/15685241-12341498
David Jakobsen
The peculiar aspect of medieval logic, that the truth-value of propositions changes with time, gradually disappeared as Europe exited the Renaissance. In modern logic, it was assumed by W.V.O. Quine that one cannot appreciate modern symbolic logic if one does not take it to be tenseless. A.N. Prior’s invention of tense-logic challenged Quine’s view and can be seen as a turn to medieval logic. However, Prior’s discussion of the philosophical problems related to quantified tense-logic led him to reject essential aspects of medieval logic. This invites an evaluation of Prior’s formalisation of tense-logic as, in part, an argument in favour of the medieval view of propositions. This article argues that Prior’s turn to medieval logic is hampered by his unwillingness to accept essential medieval assumptions regarding facts about objects that do not exist. Furthermore, it is argued that presentists should learn an important lesson from Prior’s struggle with accepting the implications of quantified tense-logic and reject theories that purport to be presentism as unorthodox if they also affirm Quine’s view on ontic commitment. In the widest sense: philosophers who, like Prior, turn to the medieval view of propositions must accept a worldview with facts about individuals that, in principle, do not supervene (present tense) on being, for they do not yet exist.
中世纪逻辑的特殊方面,即命题的真值随时间而变化,随着欧洲退出文艺复兴而逐渐消失。在现代逻辑中,W.V.O.奎因认为,如果一个人不认为现代符号逻辑是无时态的,他就不能欣赏现代符号逻辑。普赖尔发明的时态逻辑挑战了蒯因的观点,可以看作是中世纪逻辑的转向。然而,Prior关于量化时态逻辑的哲学问题的讨论导致他拒绝中世纪逻辑的本质方面。这就需要对普赖尔的时态逻辑的形式化进行评估,在某种程度上,这是一种支持中世纪命题观的论证。本文认为,Prior转向中世纪逻辑的阻碍在于他不愿意接受关于不存在的对象的事实的基本中世纪假设。此外,本文还认为,在场论者应该从普赖尔在接受量化时态逻辑的含义方面的斗争中吸取重要的教训,并拒绝那些声称是在场主义的理论,因为它们也肯定了奎因关于本体承诺的观点。从最广泛的意义上说:像普赖尔一样,转向中世纪命题观的哲学家必须接受一种世界观,即关于个人的事实,原则上,不监督(现在时)存在,因为他们还不存在。
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引用次数: 0
Dóra Maurer: Proportions & Timing dora Maurer:比例和时机
IF 0.7 Pub Date : 2022-01-05 DOI: 10.1163/15685241-12341497
Carla Gabrí
This paper aims at re-evaluating two of Hungarian artist Dóra Mauer’s films, the video work Proportions (1979) and the 16mm film Timing (1973/80). Both films follow a rigid structure. In Proportions, Maurer uses a paper roll to compare her own body measures repeatedly; in Timing, she repeatedly folds a white linen to compare the rhythm of her arm movements. Through her use of paper and the gesture of folding, the two films can be read as references to the very origin of the term format, as coined in early letterpress printing. When the notion of format is understood as a determination of a ratio and, as such, as an indexical reference to given social relationships (Summers, 2003), these films unfold sociocultural and political meanings. The present paper traces this spectrum of meaning through the pointed inclusion of historical discourses surrounding early motion studies, the art scene in socialist Hungary in the 1970s, and early time experiments before the advent of precision clocks.
本文旨在重新评价匈牙利艺术家Dóra Mauer的两部电影,录像作品《比例》(1979)和16mm电影《计时》(1973/80)。两部电影都遵循一个严格的结构。在《比例》中,毛雷尔用一卷纸反复比较自己的身体尺寸;在《计时》中,她反复折叠一块白色亚麻布,对比她手臂运动的节奏。通过她对纸张的使用和折叠的姿势,这两部电影可以被解读为“格式”一词的起源,这个词是在早期凸版印刷中创造的。当格式的概念被理解为比例的决定,因此,作为给定社会关系的索引参考(Summers, 2003),这些电影展现了社会文化和政治意义。本文通过围绕早期运动研究、20世纪70年代社会主义匈牙利的艺术场景以及精密时钟出现之前的早期时间实验的历史话语,追溯了这一意义范围。
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引用次数: 0
Synchronicity: The Epic Quest to Understand the Quantum Nature of Cause and Effect, written by Paul Halpern 《同步性:理解因果量子本质的史诗探索》,作者:保罗·哈尔彭
IF 0.7 Pub Date : 2022-01-05 DOI: 10.1163/15685241-12341500
Carol A. Fischer
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引用次数: 1
Introduction from the Special Editor 特别编辑的介绍
IF 0.7 Pub Date : 2022-01-05 DOI: 10.1163/15685241-12341495
Arkadiusz Misztal
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引用次数: 0
In Memoriam: Marlene Pilarcik Soulsby, Ph. D. 纪念:Marlene Pilarcik Soulsby博士
IF 0.7 Pub Date : 2022-01-05 DOI: 10.1163/15685241-12341503
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引用次数: 0
Thinking across Frames – Temporally Extended Consciousness and the Animation Timeline 跨帧思考-时间扩展意识和动画时间轴
IF 0.7 Pub Date : 2022-01-05 DOI: 10.1163/15685241-12341496
Andrew Buchanan
This article explores ways in which animation production technologies (including pre-cinema, film, and digital tools) have evolved as a system that abstracts time, primarily through its spatialization. This abstraction necessitates certain assumptions about the nature of time, including its linearity and directionality. Animation technologies have evolved so as to support various modes of temporally extended consciousness; an animator’s craft thinks and works through time. Embedded within digital production technologies, the animator is faced with a new philosophical instrument: the animation timeline. The main timeline utility in most animation software adopts a linear, mechanical model of time with the individual frame as the base unit. However, digital animation timeline can also complicate the spatialized temporal dimension, as the timeline is also embedded within animated objects in motion paths and other interface elements . As animated objects always exist through time, not merely within individual frames, the animation software tools for working with time both confine and unlock opportunities for working with time.
本文探讨了动画制作技术(包括预电影、电影和数字工具)作为一种抽象时间的系统的发展方式,主要是通过时间的空间化。这种抽象需要对时间的本质做出某些假设,包括时间的线性和方向性。动画技术已经发展到支持各种时间扩展的意识模式;动画师的手艺是穿越时间思考和工作的。在数字制作技术中,动画师面临着一个新的哲学工具:动画时间轴。大多数动画软件中的主要时间轴实用程序采用以单个帧为基本单位的线性机械时间模型。然而,数字动画时间轴也会使空间化的时间维度复杂化,因为时间轴也嵌入在运动路径和其他界面元素中的动画对象中。由于动画对象总是通过时间而存在,而不仅仅是在单个帧中,因此与时间一起工作的动画软件工具既限制了与时间一起工作的机会,也打开了与时间一起工作的机会。
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引用次数: 0
Making Time: Astronomical Time Measurement in Tokugawa Japan, written by Yulia Frumer 制作时间:日本德川的天文时间测量,作者:Yulia Frumer
IF 0.7 Pub Date : 2021-06-25 DOI: 10.1163/15685241-12341490
Angelika Koch
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引用次数: 0
Time and History in Prehistory, edited by Stella Souvatzi, Adnan Baysal and Emma L. Baysal 史黛拉·苏瓦齐、阿德南·贝萨尔和艾玛·贝萨尔主编的《史前时代的时间与历史》
IF 0.7 Pub Date : 2021-06-25 DOI: 10.1163/15685241-12341492
J. Elich
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引用次数: 0
Radical Tense-Indexical Historicality and the De Se 激进时态指导性历史性与De Se
IF 0.7 Pub Date : 2021-06-25 DOI: 10.1163/15685241-12341485
C. Humphries
“Being is said in many ways,” claimed Aristotle, initiating a discussion about existential commitment that continues today. Might there not be reasons to say something similar about “having been,” or “having happened,” where these expressions denote something’s being located in the past? Moreover, if history – construed not only as an object of inquiry (actual events, etc.) but also as a way of casting light on certain matters – is primarily concerned with “things past,” then the question just posed also seems relevant to the question of what historical understanding amounts to. While the idea that ‘being’ may mean different things in different contexts has indisputable importance, the implications of other, past-temporal expressions are elusive. In what might any differences of substantive meaning encountered there consist? One starting point for responding – the one that provides the subject matter explored here – is furnished by the question of whether or not a certain way of addressing matters relating to the past permits or precludes forms of intelligibility that could be said to be ‘radically historical.’After arguing that the existing options for addressing this issue remain unsatisfactory, I set out an alternative view of what it could mean to endorse or reject such an idea. This involves drawing distinctions and analogies connected with notions of temporal situatedness, human practicality and historicality, which are then linked to a further contrast between two ways of understanding the referential significance of what is involved when we self-ascribe a relation to a current situation in a manner construable as implying that we take ourselves to occupy a unique, yet circumstantially defined, perspective on that situation. As regards the latter, on one reading, the specific kind of indexically referring language we use – commonly labelled “de se” – is something whose rationale is exhausted by its practical utility as a communicative tool. On the other, it is viewed as capturing something of substantive importance about how we can be thought of as standing in relation to reality. I claim that this second reading, together with the line of thinking about self-identification and self-reference it helps foreground, can shed light on what it would mean to affirm or deny the possibility of radically historical forms of intelligibility – and thus also on what it could mean to ascribe a plurality of meanings to talk concerning things being ‘in the past.’
“存在有多种说法,”亚里士多德宣称,这引发了一场持续至今的关于存在承诺的讨论。难道没有理由说类似的“having been”或“having happened”,这些表达都表示某事发生在过去吗?此外,如果历史——不仅被解释为研究对象(实际事件等),而且还被解释为照亮某些事情的一种方式——主要与“过去的事情”有关,那么刚刚提出的问题似乎也与历史理解等于什么的问题有关。虽然“存在”在不同的语境中可能意味着不同的东西这一观点具有无可争议的重要性,但其他过去时态表达的含义却难以捉摸。在那里所遇到的实质性意义的差异可能包括什么呢?回应的一个出发点——提供了本文探讨的主题——是由这样一个问题提供的:处理与过去有关的问题的某种方式是否允许或排除了可理解性的形式,这种形式可以说是“彻底的历史”。“在论证了解决这个问题的现有选择仍然令人不满意之后,我提出了另一种观点,即支持或拒绝这样的想法可能意味着什么。”这涉及到与时间情境性,人类实用性和历史性概念相关的区分和类比,然后与两种理解所涉及的参考意义的方式之间的进一步对比联系在一起,当我们以一种可解释的方式将一种关系归因于当前情况时,暗示我们自己占据了一个独特的,但环境定义的视角。至于后者,在一次阅读中,我们使用的特定类型的索引引用语言-通常被称为“de se”-是一种其理论依据被其作为交际工具的实际用途所耗尽的东西。另一方面,它被认为抓住了一些实质性的重要的东西关于我们如何被认为是站在与现实的关系中。我认为,第二遍阅读,连同自我认同和自我参照的思路,可以帮助我们理解肯定或否认可理解性的根本历史形式的可能性意味着什么,从而也可以理解赋予事物“过去”的多重意义意味着什么。
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引用次数: 0
期刊
KronoScope-Journal for the Study of Time
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