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KronoScope-Journal for the Study of Time最新文献

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Thisness Presentism: An Essay on Time, Truth, and Ontology, written by David Ingram 这是现在主义:时间、真理和本体论的随笔,大卫·英格拉姆著
IF 0.7 Pub Date : 2020-05-20 DOI: 10.1163/15685241-12341459
Walter Schweidler
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引用次数: 5
Time and the Hydroelectric Dam 时间与水电站
IF 0.7 Pub Date : 2020-05-20 DOI: 10.1163/15685241-12341455
Kieran M. Murphy
The hydroelectric dam is an interface in which contrasting temporalities converge and undergo transformation. Its massive wall sits at the center of operations where age-old ecosystems clash with rapid modernization, white water turns into a placid lake, and dynamos convert the lake’s gravitational pull into high-voltage electrical current. The hydroelectric dam exploits and exacerbates differences among the temporalities distinguishing these operations to generate power. In doing so, it has rendered the variance of time more perceptible. To support this claim I focus on the iconic Hoover Dam and on the works of Oskar J. W. Hansen, Joan Didion, Allen Tupper True, Francis Ponge and Fabrice Gobert. The main themes I examine in their works pertain to the notion of temporal interface and to the conceptions of deep, nested and haunted time.
水电站大坝是一个界面,在这个界面中,对比鲜明的时间性汇聚并发生转变。它巨大的围墙坐落在古老的生态系统与快速现代化发生冲突的中心,白水变成了平静的湖泊,发电机将湖泊的引力转化为高压电流。水力发电大坝利用并加剧了这些操作之间的时间性差异来发电。这样一来,时间的变化就更容易被察觉了。为了支持这一说法,我将重点放在标志性的胡佛水坝以及奥斯卡·j·w·汉森、琼·迪迪安、艾伦·塔珀·特鲁、弗朗西斯·庞吉和法布里斯·戈贝尔的作品上。我在他们的作品中考察的主题与时间界面的概念以及深刻、嵌套和萦绕的时间的概念有关。
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引用次数: 0
Time and Power: Visions of History in Germany from the Thirty Years’ War to the Third Reich, written by Christopher Clark 《时间与权力:从三十年战争到第三帝国的德国历史观》,克里斯托弗·克拉克著
IF 0.7 Pub Date : 2020-05-20 DOI: 10.1163/15685241-12341458
Steve Ostovich
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引用次数: 0
Out of Plato’s Cave 走出柏拉图的洞穴
IF 0.7 Pub Date : 2020-05-20 DOI: 10.1163/15685241-12341456
Steve Ostovich
The title is lifted from an essay by J. T. Fraser in his book Time and Time Again (2007). It conveys Fraser’s conviction, a conviction shared here, that understanding time and reality requires us to redirect our thinking process. Plato describes a path out of the dark cave of confusion into the realm of truth and light, that is, from time towards the timeless. But we should “reverse course” along this path and move from the timeless into the complexity of time. Time is not one thing foundational to reality; reality rather is a series of temporal levels developed through evolution and related in a nested hierarchy driven by conflict and towards increasing complexity. This theory makes possible critical and fruitful reflection on issues like entropy, indeterminacy, and mind/body dualism. It entails embracing our position as knowers in time and the complexity of truth as temporal rather than timeless.
题目取自j·t·弗雷泽在其著作《一次次》(2007)中的一篇文章。它传达了弗雷泽的信念,一个在这里分享的信念,即理解时间和现实需要我们重新定位我们的思维过程。柏拉图描述了一条走出混乱的黑暗洞穴,进入真理与光明领域的道路,也就是说,从时间走向永恒。但我们应该沿着这条路“倒转方向”,从永恒转向时间的复杂性。时间不是现实的基础;现实是一系列通过进化而发展起来的时间层次,在冲突的驱动下形成嵌套的层次结构,并朝着日益复杂的方向发展。这一理论使得对熵、不确定性和身心二元论等问题进行批判性和富有成效的反思成为可能。它需要接受我们作为时间的知者的地位,以及真理的复杂性是暂时的,而不是永恒的。
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引用次数: 1
Altered States of Consciousness: Experiences Out of Time and Self, written by Marc Wittmann 《意识的改变状态:超越时间和自我的体验》,作者马克·维特曼
IF 0.7 Pub Date : 2020-05-20 DOI: 10.1163/15685241-12341462
S. Nelson
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引用次数: 0
Becoming Friends of Time: Disability, Timefullness, and Gentle Discipleship, written by John Swinton 成为时间的朋友:残疾、时间充实和温柔的门徒,约翰·斯文顿著
IF 0.7 Pub Date : 2019-09-24 DOI: 10.1163/15685241-12341446
Nathan Garcia
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引用次数: 0
Reading the times: Temporality and History in Twentieth-Century Fiction, written by Randall Stevenson 《读时代:20世纪小说中的时间性与历史》,兰德尔·史蒂文森著
IF 0.7 Pub Date : 2019-09-24 DOI: 10.1163/15685241-12341445
Heike Polster
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引用次数: 0
(Post)human Temporalities: Science Fiction in the Anthropocene (后)人类的时间性:人类世的科幻小说
IF 0.7 Pub Date : 2019-09-24 DOI: 10.1163/15685241-12341440
J. Hay
Although many SF texts proceed from the speculative premise that our species will continue to develop technologically, and hence become increasingly posthuman, our species’ continuance into even the next century is by no means assured. Rather, the Anthropocene exerts a new temporal logic; it is an age defined by an intensification of geological timescales. It is therefore noteworthy that many contemporary SF texts are ecologically interventionist and figure apocalyptic future temporalities which curtail the posthuman predilection common to the genre. This article analyses a tetrad of literary texts, written at various points during the last three decades, which summatively reveal the mutations of the (post)human temporalities figured by cli-fi texts. These four texts are: Kim Stanley Robinson’s Mars Trilogy (1992-1996); Jeanette Winterson’s The Stone Gods (2007); Michel Faber’s The Book of Strange New Things (2014); and Paolo Bacigalupi’s The Water Knife (2015).
尽管许多科幻小说都是从推测性的前提出发的,即我们的物种将继续在技术上发展,从而变得越来越后人类,但我们的物种是否能延续到下一个世纪,这一点是毫无疑问的。相反,人类世施加了一种新的时间逻辑;这是一个由地质年标强化所定义的时代。因此,值得注意的是,许多当代科幻小说文本都是生态干预主义的,并描绘了世界末日的未来,这削弱了该类型中常见的后人类偏好。本文分析了四组文学文本,这些文本写于过去三十年的不同时间点,总结地揭示了气候变化小说文本所体现的(后)人类时间性的突变。这四本书分别是:金·斯坦利·罗宾逊的《火星三部曲》(1992-1996);珍妮特·温特森的《石神》(2007);米歇尔·费伯的《奇怪的新事物》(2014);以及Paolo Bacigalupi的《水刀》(2015)。
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引用次数: 1
Connie Palmen’s and Jan Fabre’s Grief Staged as Landscape of Memory 康妮·帕尔曼和简·法布尔的《作为记忆景观的悲伤》
IF 0.7 Pub Date : 2019-09-24 DOI: 10.1163/15685241-12341442
S. Solakidi
Two works focusing on the corporeality of grief, The Logbook of a Merciless Year by Connie Palmen and the theatre text Requiem for a Metamorphosis by Jan Fabre, are explored alongside Merleau-Ponty’s ontology for their way to transform personal grief, characterized by identity crisis and spatiotemporal disorientation, into an act of remembering. The two works are approached as fictions of the body in pain, enacting grief like body art pieces in order to make pre-reflective sense of it. Pain becomes an agent, allowing the authors to open up by transforming their introvert portraits of grief into corporeal landscapes, characterized by a temporality of stillness/movement. Based on Merleau-Ponty’s notions of simultaneity and institution, this essay demonstrates how movement allows a spatiotemporal opening so that memory may be enacted from the point of view of the present upon all temporal moments. Therefore, grievers reinvent themselves in their works, as those who enact memory.
康妮·帕尔曼的《无情一年的日志》和简·法布尔的戏剧文本《变形的安魂曲》这两部关注悲伤的肉体的作品,与梅洛-庞蒂的本体论一起探讨了他们如何将个人的悲伤,以身份危机和时空迷失为特征,转化为一种记忆行为。这两件作品是对痛苦中的身体的虚构,像身体艺术作品一样表演悲伤,以使它具有前反思的意义。痛苦成为一种媒介,使作者能够通过将他们内向的悲伤肖像转化为具有暂时静止/运动特征的有形景观来打开心扉。基于梅洛-庞蒂的同时性和制度的概念,这篇文章展示了运动如何允许一个时空的开放,以便记忆可以从现在的角度在所有的时间时刻被颁布。因此,悲伤者在他们的作品中重塑自己,就像那些扮演记忆的人一样。
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引用次数: 0
Powers of Time: Versions of Bergson, written by David L. Lapoujade 《时间的力量:柏格森的版本》,作者:大卫·l·拉普杰德
IF 0.7 Pub Date : 2019-09-24 DOI: 10.1163/15685241-12341444
John Streamas
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引用次数: 0
期刊
KronoScope-Journal for the Study of Time
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