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The Epistemology of the “Great Invisibles” “伟大的隐形人”的认识论
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-07-01 DOI: 10.1163/15700593-02002002
Niklas Nenzén
The central collective myth of surrealism, Les grands transparents, was designed by André Breton in 1947 as a means for imagining a desirable society through effecting a vitalizing sense of the unknown and a “decentering of man”. As a contribution to the recent re-examination of surrealism in view of theoretical developments in the field of Western esotericism, this article argues that Breton utilizes his mythic narrative to articulate a transformative knowledge, a surreality, that in certain ways correspond to the concepts of gnosis and clairvoyance in esoteric discourse. To substantiate this, similar mythic narratives about great imperceptible entities in texts of Anthroposophy (Rudolf Steiner) and Rosicrucianism (Lectorium Rosicrucianum) are examined. A comparativist model for describing popular approaches (or mythemes) to ineffable experience is applied. An underlying “gnostic” approach of considering such experiences as incomplete and as being co-created is discerned, highlighting each actor’s endeavours to validate imaginative perception.
超现实主义的核心集体神话“大透明主义”是由安德烈·布雷顿于1947年设计的,目的是通过实现对未知的充满活力的感觉和“人类的体面”来想象一个理想的社会。鉴于西方密教领域的理论发展,作为对最近重新审视超现实主义的贡献,本文认为,布雷顿利用他的神话叙事来阐明一种变革性的知识,一种超现实,在某些方面与密教话语中的灵知和千里眼概念相对应。为了证实这一点,我们研究了人智学(鲁道夫·斯坦纳)和玫瑰十字主义(Lecorium Rosicrasianum)文本中关于伟大的无形实体的类似神话叙事。应用了一个比较主义模型来描述无法形容的经验的流行方法(或神话)。人们发现了一种潜在的“灵知”方法,即将这些经历视为不完整的和共同创造的,强调了每个演员为验证想象力而做出的努力。
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引用次数: 1
The Tradition of Hermes Trismegistus: The Egyptian Priestly Figure as a Teacher of Hellenized Wisdom, by Christian H. Bull Hermes Trismegistus的传统:希腊化智慧之师的埃及祭司形象,Christian H.Bull著
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-07-01 DOI: 10.1163/15700593-02002009
Anna van den Kerchove
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引用次数: 0
What Is It Like to Be Dead? Near-Death Experiences, Christianity, and the Occult, by Jens Schlieter 死是什么感觉?《濒死体验、基督教与神秘》,延斯·施利特著
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-07-01 DOI: 10.1163/15700593-02002006
S. Cox
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引用次数: 1
Global Sufism: Boundaries, Structures, and Politics, by Francesco Piraino and Mark Sedgwick (eds.) 《全球苏菲主义:边界、结构和政治》,弗朗西斯科·皮莱诺和马克·塞奇威克主编。
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-07-01 DOI: 10.1163/15700593-02002012
L. Saif
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引用次数: 0
Das Losbuch: Manuskriptologie einer Textsorte des 14. bis 16. Jahrhunderts, by Marco Heiles 彩票书:手稿的一种类型的文本14。高达16。作者:Marco Heiles
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-07-01 DOI: 10.1163/15700593-02002011
Benedek Láng
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引用次数: 0
New Age in Norway, by Ingvild Sælid Gilhus, Siv Ellen Kraft, and James R. Lewis (eds.) Ingvild Sælid Gilhus、Siv Ellen Kraft和James R.Lewis合著的《挪威的新时代》(编辑)
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-07-01 DOI: 10.1163/15700593-02002005
E. Asprem
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引用次数: 0
High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies, by Erik Davis 《高度怪异:七十年代的毒品、秘笈和幻想体验》,埃里克·戴维斯著
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-07-01 DOI: 10.1163/15700593-02002008
M. Kakabadze
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引用次数: 0
The Poetic Transformation of Christian Cabbala 克里斯蒂安·卡巴拉的诗歌转型
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-07-01 DOI: 10.1163/15700593-02002001
R. Wilkinson
This article follows the development of a genre of eighteenth-century texts, explicitly self-designated as ‘cabbalistic’, initially intended for fortune telling by use of a number-alphabet. Such texts were found in Latin and German and eventually emerged from clandestinity into print, though initially they were often anonymous and with false places of printing. As these texts attracted the attention of those interested in promoting the German vernacular and demonstrating the poetic capacity of that language, they were increasingly identified as ‘paragrams’, lost much of their mantic purpose and increasingly became an inventive technique for the stimulation of the composition of honorific verse.
这篇文章遵循了18世纪一种文本的发展,明确地称为“cabbalistic”,最初旨在通过使用数字字母表来占卜。这些文本是在拉丁语和德语中发现的,并最终从秘密中印刷出来,尽管最初它们通常是匿名的,印刷地是假的。随着这些文本吸引了那些有兴趣推广德语方言和展示德语诗歌能力的人的注意,它们越来越多地被认为是“典范”,失去了很多浪漫的目的,并越来越多地成为刺激敬语诗创作的创造性技巧。
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引用次数: 0
‚Mit diesem Hinweis wird auch ein Licht geworfen auf alles weitere Fragen nach einem „Woher“ ‘ ‚这个线索也被丢光,在其他一切问题“怎么 "
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-07-01 DOI: 10.1163/15700593-02002003
Maximilian Herford
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引用次数: 0
LA “RAZA” EN TIEMPOS DE CORONAVIRUS 冠状病毒时代的“种族”
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-04-20 DOI: 10.11156/aries.202000010
Pedro Pitarch
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引用次数: 0
期刊
Aries-Journal for the Study of Western Esotericism
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