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Back Matter 回到问题
IF 0.2 4区 艺术学 0 ARCHITECTURE Pub Date : 2019-01-01 DOI: 10.5749/buildland.26.1.bm
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引用次数: 0
Back Matter 回到问题
IF 0.2 4区 艺术学 0 ARCHITECTURE Pub Date : 2019-01-01 DOI: 10.5749/buildland.26.2.bm
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引用次数: 0
Working the Delaware Estuary: African American Cultural Landscapes and the Contours of Environmental Experience 在特拉华河口工作:非裔美国人的文化景观和环境经验的轮廓
IF 0.2 4区 艺术学 0 ARCHITECTURE Pub Date : 2018-08-18 DOI: 10.5749/BUILDLAND.25.1.0064
M. Chiarappa
abstract:African American work patterns, particularly those concerned with the handling and extraction of natural resources or labor in agricultural or industrial settings, have been at the heart of efforts to better understand black environmental experience. But few studies have made African American cultural landscapes—specifically, those places heavily shaped by African American labor—the focus of efforts to better understand the black community's environmental experience and its wider societal relevance. Within Philadelphia's Middle Atlantic orbit, African Americans long participated in the environmental dynamics and transformation of the region defined by the Delaware Estuary and the use of its marine resources. This legacy has been visible principally through Thomas Eakins's well-known scenes depicting African Americans working in the region's shad fisheries or guiding railbird hunters through once bountiful wild rice areas and marsh. Working landscapes inspired these and other depictions, assemblages of buildings, boats, harvesting technology, housing, and marketplaces where African Americans honed their environmental acumen in the context of industrial, consumer, and racialized sentiment. From this perspective, African Americans and their cultural landscapes inextricably arbitrated the harvesting, processing, knowledge, commodity flow, and consumption of the region's signature marine resources. In short, the Delaware Estuary's reach within Philadelphia's metropolitan sphere was critically influenced by environmental experience forged in the cultural landscapes of African Americans.
非裔美国人的工作模式,特别是那些与农业或工业环境中自然资源的处理和开采或劳动力有关的工作模式,一直是更好地理解黑人环境经验的核心。但是,很少有研究将非裔美国人的文化景观——特别是那些深受非裔美国人劳动影响的地方——作为更好地理解黑人社区环境经验及其更广泛的社会相关性的重点。在费城的中大西洋轨道上,非洲裔美国人长期参与了特拉华河口及其海洋资源利用所定义的区域的环境动态和转变。这一遗产主要通过托马斯·埃金斯(Thomas Eakins)著名的场景得以体现,这些场景描绘了非洲裔美国人在该地区的鲱鱼渔场工作,或引导铁路鸟猎人穿越曾经富饶的野生水稻区和沼泽。工作景观激发了这些和其他描绘,建筑,船只,收获技术,住房和市场的组合,非洲裔美国人在工业,消费者和种族主义情绪的背景下磨练了他们的环境敏锐度。从这个角度来看,非裔美国人和他们的文化景观不可避免地决定了该地区标志性海洋资源的收获、加工、知识、商品流动和消费。简而言之,特拉华河口在费城大都会圈内的范围受到非裔美国人文化景观中形成的环境经验的严重影响。
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引用次数: 2
"General Grant Isn't Coming Back": Local Economics, Politics, and Historic Preservation in Galena, Illinois, 1964–1981 “格兰特将军不会回来了”:1964-1981年伊利诺伊州加利纳的地方经济、政治和历史保护
IF 0.2 4区 艺术学 0 ARCHITECTURE Pub Date : 2018-08-18 DOI: 10.5749/BUILDLAND.25.1.0005
P. Pospisek
abstract:The small city of Galena, Illinois, engaged in an active public debate over the future of its rich nineteenth-century built environment between 1964 and the early 1980s. Framed in terms of economic recovery, citizens and local officials embraced historic preservation as the means to nurture Galena's heritage tourism industry. However, they differed greatly over the extent to which the city's business district should be saved or modernized. City officials went so far as to consider a plan of urban renewal that would reduce the historic aspects of the business district by half and replace nineteenth-century structures with a motel, a strip mall, and parking lots. In the ensuing debate, residents forcefully voted down the renewal plan, effectively enshrining preservation as city policy. Galena's experience challenges existing studies of historic preservation by highlighting the ways in which small town residents resorted to local politics and market forces to embrace preservation as a means for economic renewal.
1964年至20世纪80年代初,伊利诺斯州的小城市加利纳就其丰富的19世纪建筑环境的未来展开了积极的公众辩论。从经济复苏的角度来看,市民和当地官员都将历史保护作为培育加利纳遗产旅游业的手段。然而,他们在城市商业区应该保存或现代化的程度上存在很大分歧。市政府官员甚至考虑了一项城市重建计划,该计划将把商业区的历史风貌减少一半,并用汽车旅馆、商业街和停车场取代19世纪的建筑。在随后的辩论中,居民们强烈否决了重建计划,有效地将保护奉为城市政策。Galena的经验挑战了现有的历史保护研究,突出了小城镇居民诉诸当地政治和市场力量的方式,将保护作为经济复兴的手段。
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引用次数: 2
Abbott Lowell Cummings, 1923–2017 阿伯特·洛厄尔·卡明斯,1923-2017
IF 0.2 4区 艺术学 0 ARCHITECTURE Pub Date : 2018-08-18 DOI: 10.5749/BUILDLAND.25.1.0001
Richard M. Candee
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引用次数: 0
Detroit Is No Dry Bones: The Eternal City of the Industrial Age by Camilo José Vergara (review) 《底特律没有枯骨:工业时代的永恒之城》,作者:卡米洛·约瑟·维加拉(书评)
IF 0.2 4区 艺术学 0 ARCHITECTURE Pub Date : 2018-08-18 DOI: 10.1353/mhr.2017.0035
D. Schalliol
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引用次数: 0
"This Is Ivy City": An Iconic Building's Role in Gentrification and Neighborhood Identity in Washington, D.C. “这是常青藤之城”:华盛顿特区一座标志性建筑在中产阶级化和社区认同中的作用
IF 0.2 4区 艺术学 0 ARCHITECTURE Pub Date : 2018-08-18 DOI: 10.5749/BUILDLAND.25.1.0023
R. Summer
abstract:In the Washington, D.C., neighborhood of Ivy City, new businesses have adopted the hashtag #thisisivycity to rebrand the neighborhood. Leading the campaign is the rehabilitated Hecht Company Warehouse, an art deco department store warehouse recently converted to luxury apartments and high-end commercial uses. In Ivy City, a small, geographically isolated neighborhood historically home to low-income African American residents, the transformation of the Hecht Company Warehouse is paving the way for further development and gentrification of the entire neighborhood. In addition to physical infrastructural and aesthetic changes, the marketing campaign—including the hashtag—allows newcomers to feel a claim to the neighborhood. Examining the role of iconic buildings like the Hecht Company Warehouse in the process of gentrification can expose historically rooted, place-based struggles and contestations over the identity and control of urban space. A look to the past reveals that the warehouse, despite its location on the edge of the neighborhood, has had an outsized effect on Ivy City's vernacular landscape for decades. The historically unequal power relationship between the building and the African American neighborhood contributed to the conditions that have made Ivy City a site for redevelopment today.
在华盛顿特区的常青藤城(Ivy City)社区,新企业采用了#thisisivycity的标签来重塑社区形象。引领这一运动的是重建的Hecht公司仓库,这是一个装饰艺术风格的百货商店仓库,最近被改造成豪华公寓和高端商业用途。在常春藤城,一个小的,地理上孤立的社区,历史上是低收入的非洲裔美国居民的家园,赫克特公司仓库的改造为整个社区的进一步发展和士绅化铺平了道路。除了物理基础设施和审美上的改变,营销活动——包括标签——让新来者觉得自己是这个社区的主人。考察像Hecht公司仓库这样的标志性建筑在高档化过程中的作用,可以揭示历史根源,基于地点的斗争和对城市空间的身份和控制的争论。回顾过去,我们会发现,尽管这座仓库位于社区的边缘,但几十年来,它对常春藤城的乡土景观产生了巨大的影响。这座建筑和非裔美国人社区之间历史上不平等的权力关系促成了长春藤城成为今天重建场所的条件。
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引用次数: 0
"Part of Who We Are": Using Old Buildings to Foster Citizenship in North Africa (Oran, Algeria, and Casablanca, Morocco) “我们是谁的一部分”:利用旧建筑培养北非公民意识(阿尔及利亚奥兰和摩洛哥卡萨布兰卡)
IF 0.2 4区 艺术学 0 ARCHITECTURE Pub Date : 2018-08-18 DOI: 10.5749/BUILDLAND.25.1.0044
D. Wylie
abstract:Historic preservationists in northwest Africa (the Maghreb) have launched vibrant movements to appreciate and preserve mainly French colonial buildings. This essay focuses on the three best-known associations: Bel Horizon and Santé Sidi el Houari in Oran, Algeria, and Casamémoire in Casablanca, Morocco. All three aim to protect the built environment by encouraging people to develop a personal sense of belonging and responsibility for their particular cities. By training guides, establishing an artisanal school, and organizing tours, these vanguard activists are celebrating colonial architecture and the specific qualities of their individual cities, thus nurturing civic-mindedness. They also want to affect the way local people regard their history. They are subtly challenging official stories, ones that suggest the fault for contemporary social problems lies not in government policies but in an inherited cultural mess (Algeria) or in the disorder that results from opposing the monarchy (Morocco). Teaching people to appreciate the design and craft of their buildings encourages them to explore their history without seeing foreign influence only as evidence of a terrible "rupture" from an "authentic" past. By encouraging people to ensure the preservation of those buildings and public spaces in general, the activists are trying to stoke an active understanding of citizenship.
非洲西北部(马格里布)的历史保护主义者发起了充满活力的运动,以欣赏和保护主要是法国殖民时期的建筑。本文主要关注三个最著名的社团:阿尔及利亚奥兰的Bel Horizon和sant Sidi el Houari,以及摩洛哥卡萨布兰卡的casamsammoire。这三个城市都旨在通过鼓励人们发展个人归属感和对自己所在城市的责任感来保护建筑环境。通过培训导游,建立手工学校和组织旅游,这些先锋活动家正在庆祝殖民地建筑和他们各自城市的特殊品质,从而培养公民意识。他们还想影响当地人对他们历史的看法。他们巧妙地挑战了官方的说法,这些说法认为当代社会问题的错误不在于政府政策,而在于继承下来的文化混乱(阿尔及利亚)或反对君主制(摩洛哥)造成的混乱。教会人们欣赏自己建筑的设计和工艺,鼓励他们探索自己的历史,而不是把外来影响视为与“真实”过去可怕“断裂”的证据。通过鼓励人们保护这些建筑和公共空间,活动人士试图激发人们对公民身份的积极理解。
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引用次数: 2
Viewpoint: Introducing Environmental History into Vernacular Architecture: Considerations from New England's Historic Dams 观点:将环境历史引入乡土建筑:来自新英格兰历史水坝的思考
IF 0.2 4区 艺术学 0 ARCHITECTURE Pub Date : 2017-11-27 DOI: 10.5749/BUILDLAND.24.2.0001
I. Stevenson
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引用次数: 3
Light on the Land: Construction Revolution in Farm Buildings of the Northern Rockies, 1890–1910 土地上的光:1890-1910年北落基山脉农场建筑的建筑革命
IF 0.2 4区 艺术学 0 ARCHITECTURE Pub Date : 2017-11-27 DOI: 10.5749/BUILDLAND.24.2.0058
M. Conrad
In the twenty years surrounding the turn of the twentieth century, the form and character of agricultural buildings in the Northern Rockies and the construction methods used to build them changed dramatically. This essay focuses on the Gallatin Valley of southwestern Montana to explore the nature and meaning of these changes. It places them within the context of the region's growth and development during its early agricultural settlement, which coincided with a period of tremendous advances in agricultural practices. The earliest Euro-American buildings in the region (1862 to the 1880s) reflect typical frontier construction, with logs the predominant material due to the plentiful local pine and fir and the limited tools available. However, this construction method presented structural limitations when the need for larger buildings arose due to regional economic development. Lacking other alternatives, farmers and stock growers put their faith in light balloon frame construction, although many of them had little experience with this method, particularly for sizable buildings. The demand for larger and more complex buildings spurred the introduction and subsequent adoption of an essentially new architecture. High elevation, climate, and the forces of national economic markets were the principal factors that influenced the rapid transition to light wood framing in Rocky Mountain agricultural buildings. This transformation, a real revolution in local design and construction, relates to the larger history of American architecture in the western United States, and it led to the broad diversification of farm building forms and types in the Northern Rockies.
在20世纪之交的20年里,北落基山脉农业建筑的形式和特征以及建造它们的建造方法发生了巨大的变化。本文以蒙大拿州西南部的加勒廷山谷为研究对象,探讨这些变化的本质和意义。它将它们置于该地区早期农业定居时期的增长和发展的背景下,这与农业实践的巨大进步时期相吻合。该地区最早的欧美建筑(1862年至19世纪80年代)反映了典型的边疆建筑,由于当地有大量的松树和冷杉,而可用的工具有限,原木成为主要材料。然而,当区域经济发展需要更大的建筑时,这种施工方法在结构上存在局限性。由于缺乏其他替代方案,农民和牲畜种植者相信轻型气球框架结构,尽管他们中的许多人对这种方法缺乏经验,特别是对于大型建筑物。对更大更复杂的建筑的需求刺激了一种本质上新的建筑的引入和随后的采用。高海拔、气候和国家经济市场的力量是影响落基山农业建筑迅速过渡到轻木结构的主要因素。这种转变是当地设计和建筑的真正革命,与美国西部的美国建筑史有关,并导致了北落基山脉农场建筑形式和类型的广泛多样化。
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Buildings & Landscapes-Journal of the Vernacular Architecture Forum
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