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Back Matter 回到问题
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.5749/buildland.26.1.bm
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引用次数: 0
Back Matter 回到问题
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.5749/buildland.26.2.bm
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引用次数: 0
Working the Delaware Estuary: African American Cultural Landscapes and the Contours of Environmental Experience 在特拉华河口工作:非裔美国人的文化景观和环境经验的轮廓
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2018-08-18 DOI: 10.5749/BUILDLAND.25.1.0064
M. Chiarappa
abstract:African American work patterns, particularly those concerned with the handling and extraction of natural resources or labor in agricultural or industrial settings, have been at the heart of efforts to better understand black environmental experience. But few studies have made African American cultural landscapes—specifically, those places heavily shaped by African American labor—the focus of efforts to better understand the black community's environmental experience and its wider societal relevance. Within Philadelphia's Middle Atlantic orbit, African Americans long participated in the environmental dynamics and transformation of the region defined by the Delaware Estuary and the use of its marine resources. This legacy has been visible principally through Thomas Eakins's well-known scenes depicting African Americans working in the region's shad fisheries or guiding railbird hunters through once bountiful wild rice areas and marsh. Working landscapes inspired these and other depictions, assemblages of buildings, boats, harvesting technology, housing, and marketplaces where African Americans honed their environmental acumen in the context of industrial, consumer, and racialized sentiment. From this perspective, African Americans and their cultural landscapes inextricably arbitrated the harvesting, processing, knowledge, commodity flow, and consumption of the region's signature marine resources. In short, the Delaware Estuary's reach within Philadelphia's metropolitan sphere was critically influenced by environmental experience forged in the cultural landscapes of African Americans.
非裔美国人的工作模式,特别是那些与农业或工业环境中自然资源的处理和开采或劳动力有关的工作模式,一直是更好地理解黑人环境经验的核心。但是,很少有研究将非裔美国人的文化景观——特别是那些深受非裔美国人劳动影响的地方——作为更好地理解黑人社区环境经验及其更广泛的社会相关性的重点。在费城的中大西洋轨道上,非洲裔美国人长期参与了特拉华河口及其海洋资源利用所定义的区域的环境动态和转变。这一遗产主要通过托马斯·埃金斯(Thomas Eakins)著名的场景得以体现,这些场景描绘了非洲裔美国人在该地区的鲱鱼渔场工作,或引导铁路鸟猎人穿越曾经富饶的野生水稻区和沼泽。工作景观激发了这些和其他描绘,建筑,船只,收获技术,住房和市场的组合,非洲裔美国人在工业,消费者和种族主义情绪的背景下磨练了他们的环境敏锐度。从这个角度来看,非裔美国人和他们的文化景观不可避免地决定了该地区标志性海洋资源的收获、加工、知识、商品流动和消费。简而言之,特拉华河口在费城大都会圈内的范围受到非裔美国人文化景观中形成的环境经验的严重影响。
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引用次数: 2
"General Grant Isn't Coming Back": Local Economics, Politics, and Historic Preservation in Galena, Illinois, 1964–1981 “格兰特将军不会回来了”:1964-1981年伊利诺伊州加利纳的地方经济、政治和历史保护
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2018-08-18 DOI: 10.5749/BUILDLAND.25.1.0005
P. Pospisek
abstract:The small city of Galena, Illinois, engaged in an active public debate over the future of its rich nineteenth-century built environment between 1964 and the early 1980s. Framed in terms of economic recovery, citizens and local officials embraced historic preservation as the means to nurture Galena's heritage tourism industry. However, they differed greatly over the extent to which the city's business district should be saved or modernized. City officials went so far as to consider a plan of urban renewal that would reduce the historic aspects of the business district by half and replace nineteenth-century structures with a motel, a strip mall, and parking lots. In the ensuing debate, residents forcefully voted down the renewal plan, effectively enshrining preservation as city policy. Galena's experience challenges existing studies of historic preservation by highlighting the ways in which small town residents resorted to local politics and market forces to embrace preservation as a means for economic renewal.
1964年至20世纪80年代初,伊利诺斯州的小城市加利纳就其丰富的19世纪建筑环境的未来展开了积极的公众辩论。从经济复苏的角度来看,市民和当地官员都将历史保护作为培育加利纳遗产旅游业的手段。然而,他们在城市商业区应该保存或现代化的程度上存在很大分歧。市政府官员甚至考虑了一项城市重建计划,该计划将把商业区的历史风貌减少一半,并用汽车旅馆、商业街和停车场取代19世纪的建筑。在随后的辩论中,居民们强烈否决了重建计划,有效地将保护奉为城市政策。Galena的经验挑战了现有的历史保护研究,突出了小城镇居民诉诸当地政治和市场力量的方式,将保护作为经济复兴的手段。
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引用次数: 2
Abbott Lowell Cummings, 1923–2017 阿伯特·洛厄尔·卡明斯,1923-2017
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2018-08-18 DOI: 10.5749/BUILDLAND.25.1.0001
Richard M. Candee
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引用次数: 0
Detroit Is No Dry Bones: The Eternal City of the Industrial Age by Camilo José Vergara (review) 《底特律没有枯骨:工业时代的永恒之城》,作者:卡米洛·约瑟·维加拉(书评)
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2018-08-18 DOI: 10.1353/mhr.2017.0035
D. Schalliol
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引用次数: 0
"This Is Ivy City": An Iconic Building's Role in Gentrification and Neighborhood Identity in Washington, D.C. “这是常青藤之城”:华盛顿特区一座标志性建筑在中产阶级化和社区认同中的作用
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2018-08-18 DOI: 10.5749/BUILDLAND.25.1.0023
R. Summer
abstract:In the Washington, D.C., neighborhood of Ivy City, new businesses have adopted the hashtag #thisisivycity to rebrand the neighborhood. Leading the campaign is the rehabilitated Hecht Company Warehouse, an art deco department store warehouse recently converted to luxury apartments and high-end commercial uses. In Ivy City, a small, geographically isolated neighborhood historically home to low-income African American residents, the transformation of the Hecht Company Warehouse is paving the way for further development and gentrification of the entire neighborhood. In addition to physical infrastructural and aesthetic changes, the marketing campaign—including the hashtag—allows newcomers to feel a claim to the neighborhood. Examining the role of iconic buildings like the Hecht Company Warehouse in the process of gentrification can expose historically rooted, place-based struggles and contestations over the identity and control of urban space. A look to the past reveals that the warehouse, despite its location on the edge of the neighborhood, has had an outsized effect on Ivy City's vernacular landscape for decades. The historically unequal power relationship between the building and the African American neighborhood contributed to the conditions that have made Ivy City a site for redevelopment today.
在华盛顿特区的常青藤城(Ivy City)社区,新企业采用了#thisisivycity的标签来重塑社区形象。引领这一运动的是重建的Hecht公司仓库,这是一个装饰艺术风格的百货商店仓库,最近被改造成豪华公寓和高端商业用途。在常春藤城,一个小的,地理上孤立的社区,历史上是低收入的非洲裔美国居民的家园,赫克特公司仓库的改造为整个社区的进一步发展和士绅化铺平了道路。除了物理基础设施和审美上的改变,营销活动——包括标签——让新来者觉得自己是这个社区的主人。考察像Hecht公司仓库这样的标志性建筑在高档化过程中的作用,可以揭示历史根源,基于地点的斗争和对城市空间的身份和控制的争论。回顾过去,我们会发现,尽管这座仓库位于社区的边缘,但几十年来,它对常春藤城的乡土景观产生了巨大的影响。这座建筑和非裔美国人社区之间历史上不平等的权力关系促成了长春藤城成为今天重建场所的条件。
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引用次数: 0
"Part of Who We Are": Using Old Buildings to Foster Citizenship in North Africa (Oran, Algeria, and Casablanca, Morocco) “我们是谁的一部分”:利用旧建筑培养北非公民意识(阿尔及利亚奥兰和摩洛哥卡萨布兰卡)
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2018-08-18 DOI: 10.5749/BUILDLAND.25.1.0044
D. Wylie
abstract:Historic preservationists in northwest Africa (the Maghreb) have launched vibrant movements to appreciate and preserve mainly French colonial buildings. This essay focuses on the three best-known associations: Bel Horizon and Santé Sidi el Houari in Oran, Algeria, and Casamémoire in Casablanca, Morocco. All three aim to protect the built environment by encouraging people to develop a personal sense of belonging and responsibility for their particular cities. By training guides, establishing an artisanal school, and organizing tours, these vanguard activists are celebrating colonial architecture and the specific qualities of their individual cities, thus nurturing civic-mindedness. They also want to affect the way local people regard their history. They are subtly challenging official stories, ones that suggest the fault for contemporary social problems lies not in government policies but in an inherited cultural mess (Algeria) or in the disorder that results from opposing the monarchy (Morocco). Teaching people to appreciate the design and craft of their buildings encourages them to explore their history without seeing foreign influence only as evidence of a terrible "rupture" from an "authentic" past. By encouraging people to ensure the preservation of those buildings and public spaces in general, the activists are trying to stoke an active understanding of citizenship.
非洲西北部(马格里布)的历史保护主义者发起了充满活力的运动,以欣赏和保护主要是法国殖民时期的建筑。本文主要关注三个最著名的社团:阿尔及利亚奥兰的Bel Horizon和sant Sidi el Houari,以及摩洛哥卡萨布兰卡的casamsammoire。这三个城市都旨在通过鼓励人们发展个人归属感和对自己所在城市的责任感来保护建筑环境。通过培训导游,建立手工学校和组织旅游,这些先锋活动家正在庆祝殖民地建筑和他们各自城市的特殊品质,从而培养公民意识。他们还想影响当地人对他们历史的看法。他们巧妙地挑战了官方的说法,这些说法认为当代社会问题的错误不在于政府政策,而在于继承下来的文化混乱(阿尔及利亚)或反对君主制(摩洛哥)造成的混乱。教会人们欣赏自己建筑的设计和工艺,鼓励他们探索自己的历史,而不是把外来影响视为与“真实”过去可怕“断裂”的证据。通过鼓励人们保护这些建筑和公共空间,活动人士试图激发人们对公民身份的积极理解。
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引用次数: 2
Viewpoint: Introducing Environmental History into Vernacular Architecture: Considerations from New England's Historic Dams 观点:将环境历史引入乡土建筑:来自新英格兰历史水坝的思考
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2017-11-27 DOI: 10.5749/BUILDLAND.24.2.0001
I. Stevenson
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引用次数: 3
Old Wheelways: Traces of Bicycle History on the Land by Robert L. McCullough (review) 《旧车轮:土地上自行车历史的痕迹》罗伯特·l·麦卡洛著(书评)
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2017-11-27 DOI: 10.5860/choice.195566
Evan Friss
separated the city by race and class, which seems obviously true, goes unelaborated, a shortcoming that mars other chapters as well. In the last chapter, “Clearing the Lungs of the City,” McNeur discusses the usual suspects associated with this story, including Frederick Law Olmsted and Charles Loring Brace, the founder of the Children’s Aid Society, who argued that the creation of Central Park would benefit poor laborers. To this more familiar narrative of Central Park, McNeur adds the life and work of ragpickers, a “large system of entrepreneurs who acted as middlemen” for a network of junk shops and second-hand stores, together forming “a crucial link in the urban recycling network” (190). In an Epilogue, McNeur concludes her investigation with the Draft Riots of 1863 and a look at New York State’s Metropolitan Health Act of 1866, which opened the door to much stricter regulation of waste. One limitation of Taming Manhattan for readers steeped in nineteenth-century urban or social history is McNeur’s heavy reliance on previous scholarship, especially when discussing class—although she does make use of copious new primary sources, tracking a street-trees ordinance through multiple committees in 1833, for example, and crosschecking the names of those arrested in the Draft Riots with her own database of squatters and piggery owners. A larger problem is weak cultural analysis. Too often she relies on stock assertions about battles for control over urban spaces—and the racial and class implications of those battles—without offering fresh insights into how they manifested themselves on the landscape. More generally, while McNeur is to be commended for restoring waste-centered businesses that poor residents created and relied on to the history of the antebellum city, she devotes too little attention to the question of how these activities change the way we understand the history of that urbanizing landscape. Nonetheless, the work is lucid and jargon-free, with occasional flashes of vivid, even suspenseful, writing and evocative scene-setting. Taming Manhattan will be prized as a concise and incisive compendium of battles over urban space in one nineteenth-century city as seen through the lens of municipal legislation.
按种族和阶级划分城市,这似乎是正确的,但没有详细说明,这个缺点也影响了其他章节。在最后一章“净化城市之肺”中,麦克诺尔讨论了与这个故事有关的常见怀疑,包括弗雷德里克·劳·奥姆斯德和儿童援助协会的创始人查尔斯·洛林·布雷斯,后者认为建立中央公园将使贫穷的劳动者受益。在对中央公园更为熟悉的叙述中,McNeur加入了拾荒者的生活和工作,他们是废品商店和二手商店网络的“大型企业家系统,他们充当中间人”,共同形成了“城市回收网络的关键环节”(190)。在结语中,McNeur以1863年的暴动草案和1866年纽约州的《都市卫生法》结束了她的调查,该法案为更严格的废物管理打开了大门。对于沉迷于19世纪城市或社会历史的读者来说,《驯服曼哈顿》的一个局限是,麦克尼尔严重依赖先前的学术成果,尤其是在讨论阶级时——尽管她确实利用了大量新的原始资料,例如,1833年,她通过多个委员会追踪了一项街道树木法令,并与她自己的非法占用者和养猪场主人数据库交叉核对了在骚乱草案中被捕的人的名字。更大的问题是文化分析薄弱。她常常依赖于关于控制城市空间的斗争的陈词滥调,以及这些斗争的种族和阶级含义,而没有提供关于它们如何在景观中表现出来的新鲜见解。更广泛地说,虽然McNeur因恢复了贫困居民创造并依赖于战前城市历史的以废物为中心的企业而受到赞扬,但她对这些活动如何改变我们理解城市化景观历史的方式的关注太少了。尽管如此,这部作品清晰明了,没有行话,偶尔闪现出生动的、甚至是悬疑的写作和令人回味的场景设置。《驯服曼哈顿》将被视为一本简明而精辟的概述,通过市政立法的视角,讲述了一座19世纪城市在城市空间上的斗争。
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Buildings & Landscapes-Journal of the Vernacular Architecture Forum
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