Pub Date : 2022-05-24DOI: 10.28939/iam.debats-136-1.1
T. Carreño, Anna Villarroya
El presente estudio analiza el perfil sociodemográfico y laboral de los profesionales de las artes escénicas en España, desde una perspectiva de género. A partir de una muestra de 800 profesionales del sector, los resultados revelan una peor situación laboral de las mujeres, cuyas retribuciones salariales siguen siendo inferiores a las de los hombres, incluso cuando desempeñan las mismas funciones, tienen un mayor nivel de formación, ocupan los mismos cargos y llevan los mismos años trabajando en el sector. El conocimiento de estas desigualdades y sobre todo su carácter multidimensional puede ayudar a las administraciones públicas pero también al sector privado en el desarrollo y aplicación de políticas de impulso a la igualdad de género en el sector, base de la diversidad de las expresiones culturales.
{"title":"Las desigualdades de género en el mercado laboral de las artes escénicas","authors":"T. Carreño, Anna Villarroya","doi":"10.28939/iam.debats-136-1.1","DOIUrl":"https://doi.org/10.28939/iam.debats-136-1.1","url":null,"abstract":"El presente estudio analiza el perfil sociodemográfico y laboral de los profesionales de las artes escénicas en España, desde una perspectiva de género. A partir de una muestra de 800 profesionales del sector, los resultados revelan una peor situación laboral de las mujeres, cuyas retribuciones salariales siguen siendo inferiores a las de los hombres, incluso cuando desempeñan las mismas funciones, tienen un mayor nivel de formación, ocupan los mismos cargos y llevan los mismos años trabajando en el sector. El conocimiento de estas desigualdades y sobre todo su carácter multidimensional puede ayudar a las administraciones públicas pero también al sector privado en el desarrollo y aplicación de políticas de impulso a la igualdad de género en el sector, base de la diversidad de las expresiones culturales.","PeriodicalId":42203,"journal":{"name":"Debats-Revista de Cultura Poder i Societat","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46997298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-24DOI: 10.28939/iam.debats-136-1.5
Pamela Santana Oliveros
En el presente artículo se explora la práctica y performance de un bloque de Machas Caporal, bailarinas que se apropian del vestuario, movimiento y nombre del personaje masculino de la danza boliviana Caporales. Dada la demarcada estructura de género establecida en la danza Caporales —representada por la pareja del Macho Caporal (personaje masculino) y la Cholita (personaje femenino)—, la aparición de la Macha Caporal como un nuevo rol en la danza ha traído consigo el cuestionamiento social sobre la performance e identidad de las mujeres que bailan como Machas. Partiendo de una investigación etnográfica realizada en 2018 en la ciudad de La Paz y desde una perspectiva de género, en este artículo se analiza cómo la performance de las Machas Caporal revela la disconformidad de las mujeres hacia las normas discriminatorias de género que predominan en el contexto sociocultural boliviano. A partir de los testimonios de un bloque de mujeres y de la descripción de sus contextos de práctica y de sus performances, se revelan las condiciones en las que las mujeres bailan, y se visibilizan dinámicas de desigualdad y violencia presentes en el entorno de las entradas folklóricas de la ciudad de La Paz. Finalmente, se examina cómo el modo de organización de las mujeres en un bloque independiente y su estilo de movimiento pueden entenderse como propuestas de resistencia y acción política en un entorno caracterizado por el machismo y la desigualdad.
{"title":"Macha Caporal: saltando brechas, encarnando resistencias","authors":"Pamela Santana Oliveros","doi":"10.28939/iam.debats-136-1.5","DOIUrl":"https://doi.org/10.28939/iam.debats-136-1.5","url":null,"abstract":"En el presente artículo se explora la práctica y performance de un bloque de Machas Caporal, bailarinas que se apropian del vestuario, movimiento y nombre del personaje masculino de la danza boliviana Caporales. Dada la demarcada estructura de género establecida en la danza Caporales —representada por la pareja del Macho Caporal (personaje masculino) y la Cholita (personaje femenino)—, la aparición de la Macha Caporal como un nuevo rol en la danza ha traído consigo el cuestionamiento social sobre la performance e identidad de las mujeres que bailan como Machas. Partiendo de una investigación etnográfica realizada en 2018 en la ciudad de La Paz y desde una perspectiva de género, en este artículo se analiza cómo la performance de las Machas Caporal revela la disconformidad de las mujeres hacia las normas discriminatorias de género que predominan en el contexto sociocultural boliviano. A partir de los testimonios de un bloque de mujeres y de la descripción de sus contextos de práctica y de sus performances, se revelan las condiciones en las que las mujeres bailan, y se visibilizan dinámicas de desigualdad y violencia presentes en el entorno de las entradas folklóricas de la ciudad de La Paz. Finalmente, se examina cómo el modo de organización de las mujeres en un bloque independiente y su estilo de movimiento pueden entenderse como propuestas de resistencia y acción política en un entorno caracterizado por el machismo y la desigualdad.","PeriodicalId":42203,"journal":{"name":"Debats-Revista de Cultura Poder i Societat","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47969396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-24DOI: 10.28939/iam.debats-136-1.7
Joan Enguer, Oscar Barberà
La competició electoral a la Comunitat Valenciana generalment s’ha articulat amb base en els eixos esquerra-dreta i la identitat nacional (p. ex. Martín Cubas, 2007). Encara que la identitat dels electors ha romàs generalment estable, sí que s’han produït alguns canvis entre 2011 i 2019 que, possiblement, han facilitat l’emergència de partits polítics nous. El propòsit principal del text és mostrar en quina mesura s’han produït canvis en els espais electorals ocupats pels partits nous i vells de la Comunitat Valenciana en els últims cicles electorals autonòmics. Això permet, al seu torn, mostrar l’evolució de les àrees de predomini d’alguns partits, així com aquells espais en els quals la competició electoral ha sigut més intensa. El cas valencià mostra les limitacions d’aquelles teories de la competició basades en l’exclusivitat dels espais electorals.
{"title":"La reestructuració de la competició electoral a la Comunitat Valenciana (2011-2019)","authors":"Joan Enguer, Oscar Barberà","doi":"10.28939/iam.debats-136-1.7","DOIUrl":"https://doi.org/10.28939/iam.debats-136-1.7","url":null,"abstract":"La competició electoral a la Comunitat Valenciana generalment s’ha articulat amb base en els eixos esquerra-dreta i la identitat nacional (p. ex. Martín Cubas, 2007). Encara que la identitat dels electors ha romàs generalment estable, sí que s’han produït alguns canvis entre 2011 i 2019 que, possiblement, han facilitat l’emergència de partits polítics nous. El propòsit principal del text és mostrar en quina mesura s’han produït canvis en els espais electorals ocupats pels partits nous i vells de la Comunitat Valenciana en els últims cicles electorals autonòmics. Això permet, al seu torn, mostrar l’evolució de les àrees de predomini d’alguns partits, així com aquells espais en els quals la competició electoral ha sigut més intensa. El cas valencià mostra les limitacions d’aquelles teories de la competició basades en l’exclusivitat dels espais electorals.","PeriodicalId":42203,"journal":{"name":"Debats-Revista de Cultura Poder i Societat","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48199678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-28DOI: 10.28939/iam.debats-en.2021-7
Mario Gensollen, Marc Jiménez-Rolland
This paper explores some aspects of the scientific study of creativity by focusing on intentionalattempts to create instances of linguistic humour. We argue that this sort of creativity canbe accounted for within an influential cognitive approach but that said framework is not arecipe for producing novel instances of humour and may even preclude them. We start byidentifying three great puzzles that arise when trying to pin down the core traits of creativity,and some of the ways taken by Cognitive Studies in this quest. We then consider what we call‘creative humour’, which exhibits the core features of the aforesaid creativity. We then explorehow a key cognitive approach to human communication can account for creative humour.We end by drawing lessons and highlighting limitations to cognitive approaches to creativity.
{"title":"Creativity, Humour, and Cognition","authors":"Mario Gensollen, Marc Jiménez-Rolland","doi":"10.28939/iam.debats-en.2021-7","DOIUrl":"https://doi.org/10.28939/iam.debats-en.2021-7","url":null,"abstract":"This paper explores some aspects of the scientific study of creativity by focusing on intentionalattempts to create instances of linguistic humour. We argue that this sort of creativity canbe accounted for within an influential cognitive approach but that said framework is not arecipe for producing novel instances of humour and may even preclude them. We start byidentifying three great puzzles that arise when trying to pin down the core traits of creativity,and some of the ways taken by Cognitive Studies in this quest. We then consider what we call‘creative humour’, which exhibits the core features of the aforesaid creativity. We then explorehow a key cognitive approach to human communication can account for creative humour.We end by drawing lessons and highlighting limitations to cognitive approaches to creativity.","PeriodicalId":42203,"journal":{"name":"Debats-Revista de Cultura Poder i Societat","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48167761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-28DOI: 10.28939/iam.debats-en.2021-6
Lluís Català Oltra
This paper explores some aspects of the scientific study of creativity by focusing on intentionalattempts to create instances of linguistic humour. We argue that this sort of creativity canbe accounted for within an influential cognitive approach but that said framework is not arecipe for producing novel instances of humour and may even preclude them. We start byidentifying three great puzzles that arise when trying to pin down the core traits of creativity,and some of the ways taken by Cognitive Studies in this quest. We then consider what we call‘creative humour’, which exhibits the core features of the aforesaid creativity. We then explorehow a key cognitive approach to human communication can account for creative humour.We end by drawing lessons and highlighting limitations to cognitive approaches to creativity.
{"title":"The Objectification of European Identity in the Treaties and in European Institutions’ Declarations","authors":"Lluís Català Oltra","doi":"10.28939/iam.debats-en.2021-6","DOIUrl":"https://doi.org/10.28939/iam.debats-en.2021-6","url":null,"abstract":"This paper explores some aspects of the scientific study of creativity by focusing on intentionalattempts to create instances of linguistic humour. We argue that this sort of creativity canbe accounted for within an influential cognitive approach but that said framework is not arecipe for producing novel instances of humour and may even preclude them. We start byidentifying three great puzzles that arise when trying to pin down the core traits of creativity,and some of the ways taken by Cognitive Studies in this quest. We then consider what we call‘creative humour’, which exhibits the core features of the aforesaid creativity. We then explorehow a key cognitive approach to human communication can account for creative humour.We end by drawing lessons and highlighting limitations to cognitive approaches to creativity.","PeriodicalId":42203,"journal":{"name":"Debats-Revista de Cultura Poder i Societat","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44014761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-28DOI: 10.28939/iam.debats-en.2021-4
María Carmen Bericat Alastuey, José Luis Antoñanzas Laborda, Eva María Tomás del Río
This paper covers research whose goal was to analyse affective changes in the process of change in the labour relations model that was consolidated throughout the 1990s. Based on a case study, the focus was on the emotional content expressed by the protagonists inrelation to this collective bargaining framework. In conducting the analysis, we used the wide range of procedures provided by Discourse Analysis (DA). Part of this analysis focused on the protagonists’ emotional management of the early stages of the negotiation. The results let us delve deeper into the affective nature of this process, thereby expanding the light shed by other theoretical and methodological perspectives on this change in the labour relations model.
{"title":"Analysis of Affective Discourse in the Change Process of the Employment Relationship Model: Environment Management through Collective Bargaining","authors":"María Carmen Bericat Alastuey, José Luis Antoñanzas Laborda, Eva María Tomás del Río","doi":"10.28939/iam.debats-en.2021-4","DOIUrl":"https://doi.org/10.28939/iam.debats-en.2021-4","url":null,"abstract":"This paper covers research whose goal was to analyse affective changes in the process of change in the labour relations model that was consolidated throughout the 1990s. Based on a case study, the focus was on the emotional content expressed by the protagonists inrelation to this collective bargaining framework. In conducting the analysis, we used the wide range of procedures provided by Discourse Analysis (DA). Part of this analysis focused on the protagonists’ emotional management of the early stages of the negotiation. The results let us delve deeper into the affective nature of this process, thereby expanding the light shed by other theoretical and methodological perspectives on this change in the labour relations model.","PeriodicalId":42203,"journal":{"name":"Debats-Revista de Cultura Poder i Societat","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49660770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-28DOI: 10.28939/iam.debats-en.2021-8
Dafne Muntanyola-Saura
The Sociology of Culture has much to say when it comes to the ever-changing general consensus on what constitutes legitimate culture and definitions of creativity. The naturalistic studieson cognition in social and cognitive sciences show this empirically (Bourdieu, 1979: Becker, 1982, 2002; Sennett, 2012; Author, 2014). Creative cognition is part of an institutional context. However, the influential culturalist branch of cognitive sociology (CCS) reduces creativity toa cognitivist psychological level (Lizardo and Strand, 2010). We start from the conjecture that the Sociology of Culture can draw on the naturalistic paradigm of cognition to explain creativity without falling into reductionist or atomist positions. The authors take the diversityof theoretical-empirical proposals into account in identifying the starting points for focusing the debate at both the macro and micro levels. The body of the article comprises a literature review which, while not exhaustive, offers a full picture of the pragmatic and integrated models of creativity. The studies analysed present inter-subjective processes of creationand the transmission of variable legitimate criteria concerning cultural consumption such as categorisations, evaluations and aesthetic judgments. The sociological perspective offers scope for strengthening critical tools for examining creativity.
当涉及到关于什么是合法文化和创造力定义的不断变化的普遍共识时，文化社会学有很多话要说。社会和认知科学中关于认知的自然主义研究从经验上证明了这一点(布迪厄，1979;贝克尔，1982,2002;桑尼特2012;作者,2014)。创造性认知是制度背景的一部分。然而，认知社会学(CCS)中有影响力的文化主义分支将创造力降低到认知主义心理水平(Lizardo and Strand, 2010)。我们从推测文化社会学可以借鉴自然主义的认知范式来解释创造力，而不会陷入还原论或原子论的立场。作者考虑到理论-实证建议的多样性，以确定在宏观和微观层面集中辩论的起点。文章的主体包括一个文献综述，虽然不是详尽无遗，但提供了一个完整的实用主义和综合的创造力模型。这些研究分析了当前主体间的创作过程，以及有关文化消费的各种合法标准的传播，如分类、评价和审美判断。社会学视角为加强检验创造力的关键工具提供了空间。
{"title":"Naturalist Methods in the Sociology of Creation: The Case Against Reductionism","authors":"Dafne Muntanyola-Saura","doi":"10.28939/iam.debats-en.2021-8","DOIUrl":"https://doi.org/10.28939/iam.debats-en.2021-8","url":null,"abstract":"The Sociology of Culture has much to say when it comes to the ever-changing general consensus on what constitutes legitimate culture and definitions of creativity. The naturalistic studieson cognition in social and cognitive sciences show this empirically (Bourdieu, 1979: Becker, 1982, 2002; Sennett, 2012; Author, 2014). Creative cognition is part of an institutional context. However, the influential culturalist branch of cognitive sociology (CCS) reduces creativity toa cognitivist psychological level (Lizardo and Strand, 2010). We start from the conjecture that the Sociology of Culture can draw on the naturalistic paradigm of cognition to explain creativity without falling into reductionist or atomist positions. The authors take the diversityof theoretical-empirical proposals into account in identifying the starting points for focusing the debate at both the macro and micro levels. The body of the article comprises a literature review which, while not exhaustive, offers a full picture of the pragmatic and integrated models of creativity. The studies analysed present inter-subjective processes of creationand the transmission of variable legitimate criteria concerning cultural consumption such as categorisations, evaluations and aesthetic judgments. The sociological perspective offers scope for strengthening critical tools for examining creativity.","PeriodicalId":42203,"journal":{"name":"Debats-Revista de Cultura Poder i Societat","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44618634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-28DOI: 10.28939/iam.debats-en.2021-1
Alberto Martín Pérez, J. A. Rodríguez Diaz, José Luis Condom Bosch, Aitor Domínguez Aguayo
This paper draws up a proposal for analysing discourses on paths to happiness. Recipes promoted by the happiness industry are studied as moral guidelines for social action: imperative messages spread through the Internet seek to guide their recipients in their quest for happiness. In a fielddominated by positive psychology, we approach happiness from a sociological perspective, which is to say as: an institutionalised social discourse; a form of social production; a socially-framed emotion. Research is based on systematic Internet observation and on quantitative and qualitative textual analysis procedures. We show how digital media in the ‘happiness’ field: (a) promotes recipes; (b) provides scientific legitimation for said recipes; (c) focuses on a generic individual as the recipient of the messages and as protagonist. A typology is proposed based on the meaning, nature and object of the actions that lead to happiness. Results show how recipes involve normative and moral orientations of actions and emotions: they indicate what to do and how to think andfeel to be happy. Happiness as a moral obligation involves most concerns shaping the agenda of contemporary societies, with a strong emphasis on individualism and on a utilitarian understanding of social relations and the social environment.
{"title":"Recipes for Happiness: a Proposal for Analysing the Moral Orientation of Actions and Emotions","authors":"Alberto Martín Pérez, J. A. Rodríguez Diaz, José Luis Condom Bosch, Aitor Domínguez Aguayo","doi":"10.28939/iam.debats-en.2021-1","DOIUrl":"https://doi.org/10.28939/iam.debats-en.2021-1","url":null,"abstract":"This paper draws up a proposal for analysing discourses on paths to happiness. Recipes promoted by the happiness industry are studied as moral guidelines for social action: imperative messages spread through the Internet seek to guide their recipients in their quest for happiness. In a fielddominated by positive psychology, we approach happiness from a sociological perspective, which is to say as: an institutionalised social discourse; a form of social production; a socially-framed emotion. Research is based on systematic Internet observation and on quantitative and qualitative textual analysis procedures. We show how digital media in the ‘happiness’ field: (a) promotes recipes; (b) provides scientific legitimation for said recipes; (c) focuses on a generic individual as the recipient of the messages and as protagonist. A typology is proposed based on the meaning, nature and object of the actions that lead to happiness. Results show how recipes involve normative and moral orientations of actions and emotions: they indicate what to do and how to think andfeel to be happy. Happiness as a moral obligation involves most concerns shaping the agenda of contemporary societies, with a strong emphasis on individualism and on a utilitarian understanding of social relations and the social environment.","PeriodicalId":42203,"journal":{"name":"Debats-Revista de Cultura Poder i Societat","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41540881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-28DOI: 10.28939/iam.debats-en.2021-2
J. García-Martínez
Definitions are narratives in action, implying a need to track down the ontology of what is defined. Inthis case, we explore the mutual tension and/or symbiosis (with consonant and dissonant spaces)arising from the definition of depression. We approach the term ‘depression’ as a controversialsubject, mapping a comparison between lay and expert narratives on the malaise, and makinguse of digital ethnography as the methodology. A self-administered online open questionnaire wascompleted with the definitions of 29 lay respondents. In addition, expert narratives were gatheredwith the definitions of 9 health institutions’ web sites, and public mediation forums. Definitionsechoed from both spaces, with splits between biological materiality and psychological-socialimmateriality, with a reiteration of the division between exogeneity and endogeneity, respectively.Here, the emotiveness of the subject can be seen as stemming from the sum of reductionismsand cumulative factors as to what depression is. Finally, we consider other possible ontologiesof depression that either: (1) take socio-material assemblies into account or (2) follow thepragmatical turn, defining depression in action. This research opens new approaches towardsidentifying external materialities, shifting the blame from the diagnosis of the individual towardsthe mechanisms that spawn harmful relationships.
{"title":"Defining Depression: Endogenous Materialities, Exogenous Immaterialities","authors":"J. García-Martínez","doi":"10.28939/iam.debats-en.2021-2","DOIUrl":"https://doi.org/10.28939/iam.debats-en.2021-2","url":null,"abstract":"Definitions are narratives in action, implying a need to track down the ontology of what is defined. Inthis case, we explore the mutual tension and/or symbiosis (with consonant and dissonant spaces)arising from the definition of depression. We approach the term ‘depression’ as a controversialsubject, mapping a comparison between lay and expert narratives on the malaise, and makinguse of digital ethnography as the methodology. A self-administered online open questionnaire wascompleted with the definitions of 29 lay respondents. In addition, expert narratives were gatheredwith the definitions of 9 health institutions’ web sites, and public mediation forums. Definitionsechoed from both spaces, with splits between biological materiality and psychological-socialimmateriality, with a reiteration of the division between exogeneity and endogeneity, respectively.Here, the emotiveness of the subject can be seen as stemming from the sum of reductionismsand cumulative factors as to what depression is. Finally, we consider other possible ontologiesof depression that either: (1) take socio-material assemblies into account or (2) follow thepragmatical turn, defining depression in action. This research opens new approaches towardsidentifying external materialities, shifting the blame from the diagnosis of the individual towardsthe mechanisms that spawn harmful relationships.","PeriodicalId":42203,"journal":{"name":"Debats-Revista de Cultura Poder i Societat","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48418126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-28DOI: 10.28939//iam.debats-en.2021-10
A. Estany, R. M. Herrera
Some words emerge at a given moment to catalyse ideas and give new meaning to old terminology. Innovation and design are two such words. Innovation has traditionally been linked with the Applied Sciences, especially technology, whereas advances in the PureSciences tend to be termed discoveries, inventions, or creations. However, for decades now, innovation has been a leitmotiv in all fields of scientific knowledge in both the Pure and the Applied Sciences. Design has also emerged from the niche it once occupied for decades (andeven centuries) at least insofar as its impact on the History of Science and of Philosophy is concerned. In fact, design’s introduction into the academic world has gone hand-in-hand with Art and its impact on our daily lives. This paper analyses innovation processes in boththe Pure and the Applied Sciences to discover how far new design theories over the last few decades have influenced innovation in fields such as Epistemology and Technology. We focus on Design Epistemology and methodological innovation, specifically in connectionwith design simulations and methodological models. We also look at the underlying design technologies and the key role they play in innovation processes.
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