Pub Date : 2017-01-01DOI: 10.35638/IJIH.2017..12.008
Maria Ktori
{"title":"레프카라 레이스: 키프로스 무형문화유산에 대한 교육적 접근","authors":"Maria Ktori","doi":"10.35638/IJIH.2017..12.008","DOIUrl":"https://doi.org/10.35638/IJIH.2017..12.008","url":null,"abstract":"","PeriodicalId":42289,"journal":{"name":"International Journal of Intangible Heritage","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69906307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-01-01DOI: 10.35638/IJIH.2017..12.007
Yi Fu, Sangkyun Kim, Ruohan Mao
This paper aims to investigate the complex nature of participation, collaboration and conflict between craftspeople and museum professionals in the context of museums engaging with craftsmanship. Multiple research methods (direct observation, semi-structured interviews, and documentation) were employed, focusing on the case of the Arts and Crafts Museum Cluster (ACMC) in Hangzhou, China. The findings suggest that the initial participation and continuing collaboration of the craftspeople was motivated by their receiving a sustainable income, spiritual satisfaction, and social awareness and recognition. The museum professionals were rather more market-oriented, seeking to satisfy visitors’ needs and interests. The different interests of the two parties in terms of participation and collaboration resulted in several conflicts, which were resolved by a combination of negotiation and compromise between the craftspeople and the museum professionals. Through re-examining the community participation approach in the intangible heritage practice of contemporary Chinese museums, this research highlights the importance of active participation and collaboration between the two parties through the continuing process of negotiation and compromise.
{"title":"Crafting collaboration: Conflict resolution and community engagement in the hangzhou arts and crafts Museum cluster","authors":"Yi Fu, Sangkyun Kim, Ruohan Mao","doi":"10.35638/IJIH.2017..12.007","DOIUrl":"https://doi.org/10.35638/IJIH.2017..12.007","url":null,"abstract":"This paper aims to investigate the complex nature of participation, collaboration and conflict between craftspeople and museum professionals in the context of museums engaging with craftsmanship. Multiple research methods (direct observation, semi-structured interviews, and documentation) were employed, focusing on the case of the Arts and Crafts Museum Cluster (ACMC) in Hangzhou, China. The findings suggest that the initial participation and continuing collaboration of the craftspeople was motivated by their receiving a sustainable income, spiritual satisfaction, and social awareness and recognition. The museum professionals were rather more market-oriented, seeking to satisfy visitors’ needs and interests. The different interests of the two parties in terms of participation and collaboration resulted in several conflicts, which were resolved by a combination of negotiation and compromise between the craftspeople and the museum professionals. Through re-examining the community participation approach in the intangible heritage practice of contemporary Chinese museums, this research highlights the importance of active participation and collaboration between the two parties through the continuing process of negotiation and compromise.","PeriodicalId":42289,"journal":{"name":"International Journal of Intangible Heritage","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69906249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-01-01DOI: 10.35638/IJIH.2016..11.002
Zongjie Wu, Bailan Chin
The idea of heritage in China has been dominated by the Authorised Heritage Discourse, in which the authenticity of material tends to be over-emphasised in the management of heritage sites. This paper seeks to elaborate the intangible ‘sense of space’ as an alternative form of heritage by blurring the boundaries between intangibility and physicality. We explore the space in the Cemetery of Confucius, a World Heritage Site, to demonstrate how Confucian values are perpetuated in the spatial intersection between past and present, the living and the dead, the tangible and the intangible. Spatial meanings are embedded in the form of mounds, stone tablets, and clusters of tombs (Zhao Mu) and are ritually observed to adapt to ongoing changes in kinship relationships and the political context, and to nurture the virtues of filial piety and loyalty. Today, the ways of managing space can still be traced back to the time of Confucius, although material forms have changed with the course of nature and the changing life of the Kong clan. But this heritage practice is now being challenged by modern discourses about heritage. We argue that the ancient meanings that are constantly negotiated within the present context are the core values that need to be interpreted, understood and preserved in the conservation of this heritage site.
{"title":"Zhao Mu: The Presence of the Past in the Meaning(s) of Space in Confucius’ Graveyard","authors":"Zongjie Wu, Bailan Chin","doi":"10.35638/IJIH.2016..11.002","DOIUrl":"https://doi.org/10.35638/IJIH.2016..11.002","url":null,"abstract":"The idea of heritage in China has been dominated by the Authorised Heritage Discourse, in which the authenticity of material tends to be over-emphasised in the management of heritage sites. This paper seeks to elaborate the intangible ‘sense of space’ as an alternative form of heritage by blurring the boundaries between intangibility and physicality. We explore the space in the Cemetery of Confucius, a World Heritage Site, to demonstrate how Confucian values are perpetuated in the spatial intersection between past and present, the living and the dead, the tangible and the intangible. Spatial meanings are embedded in the form of mounds, stone tablets, and clusters of tombs (Zhao Mu) and are ritually observed to adapt to ongoing changes in kinship relationships and the political context, and to nurture the virtues of filial piety and loyalty. Today, the ways of managing space can still be traced back to the time of Confucius, although material forms have changed with the course of nature and the changing life of the Kong clan. But this heritage practice is now being challenged by modern discourses about heritage. We argue that the ancient meanings that are constantly negotiated within the present context are the core values that need to be interpreted, understood and preserved in the conservation of this heritage site.","PeriodicalId":42289,"journal":{"name":"International Journal of Intangible Heritage","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69905842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-01-01DOI: 10.35638/IJIH.2016..11.009
S. Mir
Music has always been a significant part of the lives of the people of Jammu and Kashmir in India. Since ancient times, Kashmir has been influenced by major cultures such as that of India, the near East, central Asia, and the West; the blending of different cultures (indigenous and foreign) has given Kashmiri music a rich and distinctive form. Sufiana Mausiqi is the classical Sufi ensemble music of the Kashmir region of the State of Jammu and Kashmir. This musical form developed through the Indo/ Central Asian cultural exchange that took place after the arrival of Islam and Sufism in the region during the 14th century. The processes of globalisation and socioeconomic change, as well as the current volatile situation of the troubled region, have diminished and marginalised this glorious tradition and it is currently on the brink of extinction. The deplorable condition of this endangered art form is evident from the fact that there are at present only a few surviving artists struggling hard to keep the tradition alive. This paper highlights the current situation of Sufiana Mausiqi and suggests the necessary safeguarding measures that are needed to preserve and propagate it.
{"title":"Mystical Music: Safeguarding Sufiana Mausiqi - a Vanishing Art Form of Kashmir","authors":"S. Mir","doi":"10.35638/IJIH.2016..11.009","DOIUrl":"https://doi.org/10.35638/IJIH.2016..11.009","url":null,"abstract":"Music has always been a significant part of the lives of the people of Jammu and Kashmir in India. Since ancient times, Kashmir has been influenced by major cultures such as that of India, the near East, central Asia, and the West; the blending of different cultures (indigenous and foreign) has given Kashmiri music a rich and distinctive form. Sufiana Mausiqi is the classical Sufi ensemble music of the Kashmir region of the State of Jammu and Kashmir. This musical form developed through the Indo/ Central Asian cultural exchange that took place after the arrival of Islam and Sufism in the region during the 14th century. The processes of globalisation and socioeconomic change, as well as the current volatile situation of the troubled region, have diminished and marginalised this glorious tradition and it is currently on the brink of extinction. The deplorable condition of this endangered art form is evident from the fact that there are at present only a few surviving artists struggling hard to keep the tradition alive. This paper highlights the current situation of Sufiana Mausiqi and suggests the necessary safeguarding measures that are needed to preserve and propagate it.","PeriodicalId":42289,"journal":{"name":"International Journal of Intangible Heritage","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69905460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-01-01DOI: 10.35638/IJIH.2016..11.016
R. Stoffle, Mamadou A Baro
In Europe, North America and the Caribbean many museums have acquired Oware (Warri), which are elaborately carved wooden game boards. As museum objects, they represent a curiosity of a place, time, and art form, but Oware boards have never before this analysis been considered as a central component of male agency during slavery and under colonial rule. This paper illustrates how overlooked or misunderstood aspects of Caribbean material culture can be studied to re/position slave activities into contemporary heritage dialogues.1 In this case, we argue that when males played Oware they collectively engaged their African cultures and organised themselves in opposition to the slave plantation and colonial systems in Barbados and elsewhere in the Caribbean. The study uses documents and contemporary ethnographic interviews to argue that slave plantations and the colonial suppression of male activities and interactions were circumvented when men played an apparently innocuous game of Oware. When men played this game, they were re/creating the activities and structures of important African male groups, and thus facilitated the production of male creole social space. For more than 200 years Barbados was among the most controlling of Caribbean slave societies, and from 1834 to 1966 Barbadian society continued to be harshly dominated by English epistemologies, this therefore is an appropriate case by which to better understand the use of Oware for male agency building and the subsequent persistence and cultural importance of Oware into the 20th century.
{"title":"The Name of the Game: Oware as Men’s Social Space from Caribbean Slavery to Post-Colonial Times","authors":"R. Stoffle, Mamadou A Baro","doi":"10.35638/IJIH.2016..11.016","DOIUrl":"https://doi.org/10.35638/IJIH.2016..11.016","url":null,"abstract":"In Europe, North America and the Caribbean many museums have acquired Oware (Warri), which are elaborately carved wooden game boards. As museum objects, they represent a curiosity of a place, time, and art form, but Oware boards have never before this analysis been considered as a central component of male agency during slavery and under colonial rule. This paper illustrates how overlooked or misunderstood aspects of Caribbean material culture can be studied to re/position slave activities into contemporary heritage dialogues.1 In this case, we argue that when males played Oware they collectively engaged their African cultures and organised themselves in opposition to the slave plantation and colonial systems in Barbados and elsewhere in the Caribbean. The study uses documents and contemporary ethnographic interviews to argue that slave plantations and the colonial suppression of male activities and interactions were circumvented when men played an apparently innocuous game of Oware. When men played this game, they were re/creating the activities and structures of important African male groups, and thus facilitated the production of male creole social space. For more than 200 years Barbados was among the most controlling of Caribbean slave societies, and from 1834 to 1966 Barbadian society continued to be harshly dominated by English epistemologies, this therefore is an appropriate case by which to better understand the use of Oware for male agency building and the subsequent persistence and cultural importance of Oware into the 20th century.","PeriodicalId":42289,"journal":{"name":"International Journal of Intangible Heritage","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69905516","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-01-01DOI: 10.35638/IJIH.2016..11.006
T. Borokini
The worship and veneration of sacred trees, groves, mountains and surface waters is very common in Yoruba traditional religion and culture, to the extent that almost all communities have designated sacred natural sites. Information for this study was gathered from the author’s visits to different sacred sites, from folklore, and through open-ended interviews with elderly people in South-western Nigeria between September 2012 and April 2013. Additional information was also acquired through the study of relevant published papers in 2014. Findings include a list of existing sacred trees, groves, mountains and surface waters in South-west Nigeria and beyond that are still venerated and worshipped. The importance of these sacred natural sites to environmental sustainability, and the threats they face, are discussed. Three-pronged recommendations on the effective conservation of these sacred sites are also put forward.
{"title":"Sanctuary of the Spirits: Okwu-muo, Ori Oke and ‘Mammy Water’ in the Veneration of Sacred Natural Sites in Southern Nigeria","authors":"T. Borokini","doi":"10.35638/IJIH.2016..11.006","DOIUrl":"https://doi.org/10.35638/IJIH.2016..11.006","url":null,"abstract":"The worship and veneration of sacred trees, groves, mountains and surface waters is very common in Yoruba traditional religion and culture, to the extent that almost all communities have designated sacred natural sites. Information for this study was gathered from the author’s visits to different sacred sites, from folklore, and through open-ended interviews with elderly people in South-western Nigeria between September 2012 and April 2013. Additional information was also acquired through the study of relevant published papers in 2014. Findings include a list of existing sacred trees, groves, mountains and surface waters in South-west Nigeria and beyond that are still venerated and worshipped. The importance of these sacred natural sites to environmental sustainability, and the threats they face, are discussed. Three-pronged recommendations on the effective conservation of these sacred sites are also put forward.","PeriodicalId":42289,"journal":{"name":"International Journal of Intangible Heritage","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69905897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-01-01DOI: 10.35638/IJIH.2016..11.007
M. Jacobs
Since December 2015, a set of twelve Ethical Principles for Safeguarding Intangible Cultural Heritage enriches the paradigm of the 2003 UNESCO Convention. At the meeting of its Intergovernmental Committee at Windhoek where those principles were endorsed, and where a whole chapter of new operational directives was fine-tuned in order to respond to the 2030 Agenda for Sustainable Development (UN General Assembly, 25 September 2015), the UNESCO Secretariat was instructed to build an on-line platform with a toolkit about ethics and safeguarding intangible heritage. Accredited NGOs were also finally invited to collaborate and play a role in developing and updating the 2003 UNESCO Convention and its operational directives. This is a major breakthrough. In this article we trace and discuss this ‘hop’ (1999), ‘skip’ (2012-2015) and ‘jump’ process (2016 onwards) in the emerging paradigm of safeguarding ICH. Why twelve principles and not a supermodel code of ethics for (safeguarding) intangible heritage? How do innovations like ‘sustained free and informed consent’ or ‘benefit sharing’ open new doors? What do anthropology, folklore studies and museology have to offer? Is the online platform a good idea, in the light of recent developments in international conventions on biodiversity, bioethics or the work of WIPO and other organisations ?
{"title":"The Spirit of the Convention – Interlocking Principles and Ethics for Safeguarding Intangible Cultural Heritage.","authors":"M. Jacobs","doi":"10.35638/IJIH.2016..11.007","DOIUrl":"https://doi.org/10.35638/IJIH.2016..11.007","url":null,"abstract":"Since December 2015, a set of twelve Ethical Principles for Safeguarding Intangible Cultural Heritage enriches the paradigm of the 2003 UNESCO Convention. At the meeting of its Intergovernmental Committee at Windhoek where those principles were endorsed, and where a whole chapter of new operational directives was fine-tuned in order to respond to the 2030 Agenda for Sustainable Development (UN General Assembly, 25 September 2015), the UNESCO Secretariat was instructed to build an on-line platform with a toolkit about ethics and safeguarding intangible heritage. Accredited NGOs were also finally invited to collaborate and play a role in developing and updating the 2003 UNESCO Convention and its operational directives. This is a major breakthrough. In this article we trace and discuss this ‘hop’ (1999), ‘skip’ (2012-2015) and ‘jump’ process (2016 onwards) in the emerging paradigm of safeguarding ICH. Why twelve principles and not a supermodel code of ethics for (safeguarding) intangible heritage? How do innovations like ‘sustained free and informed consent’ or ‘benefit sharing’ open new doors? What do anthropology, folklore studies and museology have to offer? Is the online platform a good idea, in the light of recent developments in international conventions on biodiversity, bioethics or the work of WIPO and other organisations ?","PeriodicalId":42289,"journal":{"name":"International Journal of Intangible Heritage","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69905908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-01-01DOI: 10.35638/IJIH.2016..11.018
Samir Bhowmik, Lily Díaz-Kommonen
A combination of community participation and ICT (Information and Communications Technology) could be an effective way of promoting communities as on-site contexts for intangible cultural heritage (ICH). James Clifford’s Museums as Contact Zones (1997) serves as a theoretical and practical basis for this approach. Two community-based museum projects were conducted in Finland between 2012 and 2014: a community-based digitisation project with the Gallen-Kallela Museum in Espoo, and a museum installation in the Hakaniemi Market Square in Helsinki to which members of the local community were the major contributors. Both projects demonstrated that it is possible for a community to foster ICH through participation, collaboration, borrowing from museum practices and by the application of emerging digital technologies.
{"title":"Hot Stones and Cool Digitals: Sustainable Contact Zones for Intangible Cultural Heritage in Finland","authors":"Samir Bhowmik, Lily Díaz-Kommonen","doi":"10.35638/IJIH.2016..11.018","DOIUrl":"https://doi.org/10.35638/IJIH.2016..11.018","url":null,"abstract":"A combination of community participation and ICT (Information and Communications Technology) could be an effective way of promoting communities as on-site contexts for intangible cultural heritage (ICH). James Clifford’s Museums as Contact Zones (1997) serves as a theoretical and practical basis for this approach. Two community-based museum projects were conducted in Finland between 2012 and 2014: a community-based digitisation project with the Gallen-Kallela Museum in Espoo, and a museum installation in the Hakaniemi Market Square in Helsinki to which members of the local community were the major contributors. Both projects demonstrated that it is possible for a community to foster ICH through participation, collaboration, borrowing from museum practices and by the application of emerging digital technologies.","PeriodicalId":42289,"journal":{"name":"International Journal of Intangible Heritage","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69905529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-01-01DOI: 10.35638/IJIH.2016..11.020
T. López-Guzmán, F. G. S. Cruz
The inscription of Intangible Cultural Heritage (ICH) by UNESCO has a broad reflection on the cultural and tourism industry, and it occasionally involves a significant economic development in the area that houses that heritage. In this paper we present a study of the Fiesta of the Patios (Festival of the Courtyards) in Cordoba, Spain, recognised as ICH by UNESCO, and its relationship to tourism development in the city. The methodology used in this research involved conducting a survey of tourists who attended the Festival in order to know their profile, knowledge thereof, their rating on it and degree of satisfaction. This research shows the significant economic impact of this ICH in the city, mostly related to cultural heritage and tourism. The study highlights the relationship between culture and tourism, the significant economic impact, the positive opinion of the tourists surveyed with the Fiesta of the Patios and the high level of satisfaction of the visitors.
联合国教科文组织对非物质文化遗产(ICH)的认定对文化和旅游业有着广泛的影响，有时还涉及到遗产所在地的重大经济发展。在本文中，我们对被联合国教科文组织认定为非物质文化遗产的西班牙科尔多瓦的Fiesta of the patio (Festival of the庭院)及其与城市旅游业发展的关系进行了研究。本研究使用的方法包括对参加节日的游客进行调查，以了解他们的个人资料，对节日的了解，他们对节日的评价和满意度。本研究显示了该非物质遗产对城市的重大经济影响，主要与文化遗产和旅游业有关。该研究强调了文化与旅游之间的关系、显著的经济影响、受访游客对天井节的积极评价和游客的高满意度。
{"title":"The Fiesta of the Patios: Intangible Cultural Heritage and Tourism in Cordoba, Spain","authors":"T. López-Guzmán, F. G. S. Cruz","doi":"10.35638/IJIH.2016..11.020","DOIUrl":"https://doi.org/10.35638/IJIH.2016..11.020","url":null,"abstract":"The inscription of Intangible Cultural Heritage (ICH) by UNESCO has a broad reflection on the cultural and tourism industry, and it occasionally involves a significant economic development in the area that houses that heritage. In this paper we present a study of the Fiesta of the Patios (Festival of the Courtyards) in Cordoba, Spain, recognised as ICH by UNESCO, and its relationship to tourism development in the city. The methodology used in this research involved conducting a survey of tourists who attended the Festival in order to know their profile, knowledge thereof, their rating on it and degree of satisfaction. This research shows the significant economic impact of this ICH in the city, mostly related to cultural heritage and tourism. The study highlights the relationship between culture and tourism, the significant economic impact, the positive opinion of the tourists surveyed with the Fiesta of the Patios and the high level of satisfaction of the visitors.","PeriodicalId":42289,"journal":{"name":"International Journal of Intangible Heritage","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69906173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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