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UNESCO on the Ground: Local Perspectives on Intangible Cultural Heritage 联合国教科文组织实地考察:非物质文化遗产的地方视角
IF 0.6 4区 社会学 Q1 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.35638/IJIH.2016..11.021
Roger L. Janelli
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引用次数: 2
Why Local Governments Matter in Implementing the UNESCO 2003 Convention : the Case for ICCN 为什么地方政府在执行联合国教科文组织2003年公约中很重要:ICCN的案例
IF 0.6 4区 社会学 Q1 Arts and Humanities Pub Date : 2015-01-01 DOI: 10.35638/IJIH.2015..10.020
최희경, 남수미
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引用次数: 0
An Integrated Methodology for the Conservation of Traditional Craftsmanship in Historic Buildings 历史建筑传统工艺保护的综合方法论
IF 0.6 4区 社会学 Q1 Arts and Humanities Pub Date : 2015-01-01 DOI: 10.35638/IJIH.2015..10.016
Ö. Karakul
The aim of conservation is to sustain both the physical and intangible aspects of historical buildings and to transfer them to the future. Conservation needs to consider the intangible aspects of historic buildings as well as their physical and visible characteristics. It is as important to conserve and document traditional craftsmanship, the know-how, techniques and skills of the builders, as it is to preserve traditional architecture. Traditional craftsmanship is one of the domains of intangible cultural heritage to be safeguarded as defined in the UNESCO 2003 Convention. In the field of architecture, traditional craftsmanship is especially embodied in construction techniques and architectural ornamentation in historic buildings. As with the physical and architectural features of historic buildings, the means of safeguarding of their intangible aspects needs to be transmitted to the next generation. Historically, the transmission process used to be through the master-apprentice relationship. Nowadays, together with the loss of traditional building methods and drastic changes in building technology, the knowledge and skills of local builders and the related cultural expressions have been virtually forgotten by the present generation. This study therefore proposes an integrated conservation methodology to re-constitute master-apprentice relationships for the sustainability of traditional craftsmanship, considering both the intangible and tangible aspects. Such a methodology includes both the documentation of physical structures and of the related cultural expressions, the practising and transferring of the knowledge of building methods and the skills and techniques of builders to a new generation. This methodology is illustrated by means of a workshop which was organised in the Fine Arts Faculty in Selçuk University for one week in May 2013 which focused on the intergenerational transmission of the skills of ‘living human treasures’ of traditional architecture.
保护的目的是维持历史建筑的物质和无形方面,并将它们转移到未来。文物保护既要考虑历史建筑有形和有形的特征,也要考虑其无形的方面。保护和记录传统工艺、建造者的知识、技术和技能与保护传统建筑同样重要。根据联合国教科文组织2003年《公约》的定义,传统手工艺是需要保护的非物质文化遗产之一。在建筑领域,传统工艺尤其体现在历史建筑的施工技术和建筑装饰上。与历史建筑的物理和建筑特征一样,保护其无形方面的方法需要传递给下一代。从历史上看,这种传播过程是通过师徒关系进行的。如今,随着传统建筑方法的丧失和建筑技术的急剧变化,当地建筑者的知识和技能以及相关的文化表现形式几乎被这一代人所遗忘。因此,本研究提出了一种综合保护方法,以考虑无形和有形方面,重新构建传统工艺可持续性的师徒关系。这种方法既包括实物结构的记录,也包括相关文化表现形式的记录,还包括将建筑方法的知识和建造者的技能和技术传授给新一代。2013年5月,塞尔帕鲁克大学美术学院举办了为期一周的研讨会,重点关注传统建筑中“活生生的人类宝藏”技能的代际传承。
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引用次数: 9
Ghost of the Forest: the Tangible and Intangible in Natural and Cultural Heritage 森林之魂:自然和文化遗产中的物质和非物质遗产
IF 0.6 4区 社会学 Q1 Arts and Humanities Pub Date : 2015-01-01 DOI: 10.35638/IJIH.2015..10.001
Marcel Robischon
Understanding the close interconnectedness of cultural and natural, tangible and intangible heritage is central to conservation efforts. This point is illustrated by examples in which works of culture have lost their original cultural or natural context – and this includes intangible natural phenomena. Further examples are given in which biological species survived as a genetic continuum but were changed in terms of their intangibles, i.e. their behaviour, in ways that can be perceived by human observers. In this article it is argued that the addition of a fourth category of ‘intangible natural heritage’ to the existing categories of World Heritage would strengthen conservation efforts and bring forward the discussion with an integrated understanding of natural and cultural heritage.
了解文化遗产与自然遗产、物质遗产与非物质遗产之间的密切联系,是保护工作的核心。这一点可以通过一些例子来说明,在这些例子中,文化作品失去了其原有的文化或自然背景——这包括无形的自然现象。进一步的例子是,生物物种作为一个遗传连续体幸存下来,但在它们的无形资产方面,即它们的行为,以人类观察者可以感知的方式发生了变化。本文认为,在现有的世界遗产类别中增加第四类“非物质自然遗产”将加强保护工作,并推动对自然遗产和文化遗产的综合理解的讨论。
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引用次数: 1
A Decade Later: Looking at the Past while Sketching the Future of ICH through the Tripartite Digitisation Model 十年后:通过三方数字化模式回顾过去,勾勒未来
IF 0.6 4区 社会学 Q1 Arts and Humanities Pub Date : 2015-01-01 DOI: 10.35638/IJIH.2015..10.006
Kasper Rodil, M. Rehm
The article begins by presenting an overview of the contents of this journal that relate to the five Intangible Heritage domains identified by UNESCO. A model for digitising Intangible Heritage is presented (Tripartite Digitisation Model) and further explained by surveying and including articles from the Journal. Finally, the article discusses the implications and facilitation of digitisation with the participation of indigenous communities.
本文首先概述了与联合国教科文组织确定的五个非物质遗产领域相关的期刊内容。提出了一种非物质遗产数字化模型(三方数字化模型),并通过调查和收录期刊文章进一步解释了这一模型。最后,本文讨论了土著社区参与的数字化的影响和促进。
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引用次数: 24
Sacred water: rediscovering the ancient hydraulic system of Angkor and traditional knowledge of water management and engineering systems. 圣水:重新发现吴哥古老的水力系统和传统的水管理和工程系统知识。
IF 0.6 4区 社会学 Q1 Arts and Humanities Pub Date : 2014-01-01 DOI: 10.35638/IJIH.2014..9.001
Hang Peou
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引用次数: 5
Music as Intangible Cultural Heritage. Policy, Ideology and Practice in the Preservation of East Asian Traditions 音乐作为非物质文化遗产。保护东亚传统的政策、意识形态与实践
IF 0.6 4区 社会学 Q1 Arts and Humanities Pub Date : 2014-01-01 DOI: 10.35638/IJIH.2014..9.021
P. Boylan
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引用次数: 0
Marshal Nezha ‘transformed’: Techno Nezha in Taiwan 哪吒元帅“变身”:台湾的科技哪吒
IF 0.6 4区 社会学 Q1 Arts and Humanities Pub Date : 2014-01-01 DOI: 10.35638/IJIH.2014..9.003
Leo Yuan
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引用次数: 1
Excellence and authenticity: 'Living National (Human) Treasures' in Japan and Korea. 卓越和真实:日本和韩国的“活的国家(人类)宝藏”。
IF 0.6 4区 社会学 Q1 Arts and Humanities Pub Date : 2014-01-01 DOI: 10.35638/IJIH.2014..9.005
N. Aikawa-Faure
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引用次数: 15
Altai Kazakh falconry as 'heritage tourism': The golden eagle festivals of western mongolia 阿尔泰哈萨克猎鹰作为“遗产旅游”:蒙古西部的金鹰节
IF 0.6 4区 社会学 Q1 Arts and Humanities Pub Date : 2014-01-01 DOI: 10.35638/IJIH.2014..9.016
Takuya Soma, B. Sukhee
Falconry (or hawking), a centuries-old method of hunting, survives in the Altaic Kazakh pastoralist community in Bayan Ulgii (Баян Өлгий/Bayan Ölgii) Aimag (Province) , in Western Mongolia. The hunters specialise in hunting foxes with female golden eagles. Over the last decade, the spread of heritage tourism has brought about positive and negative changes in the tradition. It has also changed the attitude of local eagle hunters towards people and especially towards tourists. Since 2000, the establishment of the Golden Eagle Festival (Бүргэдийн наадам/ бүркіт той) has changed falconry from a way of hunting into something that provides demonstrations and entertainment for tourists. This research reports on the ambivalent situation of the Altaic Kazakh eagle hunters with (1) a survey of the attitudes of local eagle hunters in the Altai, Sagsai, Tolbo and Ulaanhus Sum (Counties), (2) interviews with the authorities concerned, and (3) ethnographic documentation based on participant observation. The research describes the role of the Golden Eagle Festival which has become the force for major changes in the Takuya Soma (相馬 拓也) Associate Researcher, Faculty of Organic Agricultural Sciences, University of Kassel, Germany Battulga Sukhee (Сүхээ Баттулга) Professor, School of Foreign Languages and Cultures, National University of Mongolia tradition of hunting with eagles. New eagle owners are coming on the scene while at the same time traditional hunting activities are almost disappearing. It seems that some eagle hunters now hold eagles without having any knowledge about taming and hunting. The local falconry culture is more complex than ever before and the hunters have various views of the situation. Finally, to focus on this cultural transition from ‘living tradition’ to ‘post-contextual culture’, this study sets out to identify criteria and create a master plan for the cultural sustainability of Altaic Kazakh falconry in order to conserve it as ‘on-going’ intangible cultural heritage.
在蒙古西部巴彦乌尔吉(Баян Өлгий/巴彦Ölgii)艾马格(省)的阿尔泰语系哈萨克族牧民社区中,猎鹰(或叫卖)是一种有着数百年历史的狩猎方式。猎人们专门用雌金雕来捕猎狐狸。在过去的十年里,遗产旅游的传播给传统带来了积极和消极的变化。这也改变了当地猎鹰人对人的态度,尤其是对游客的态度。从2000年开始,金鹰节(Бүргэдийн наадам/ бүркіт той)的设立,使猎鹰从单纯的狩猎变成了为游客提供示范和娱乐的活动。本研究通过(1)对阿尔泰、萨格赛、托尔博和乌兰胡斯萨姆(县)当地猎鹰者态度的调查,(2)对有关当局的访谈,以及(3)基于参与者观察的民族志文献,报告了阿尔泰哈萨克族猎鹰者的矛盾处境。这项研究描述了金鹰节的作用,它已经成为德国卡塞尔大学有机农业科学学院副研究员Battulga Sukhee (Сүхээ Баттулга)蒙古国立大学外语与文化学院教授用鹰狩猎的传统的重大变革的力量。新的鹰主人出现了,而与此同时,传统的狩猎活动几乎消失了。似乎现在一些猎鹰人在没有任何驯服和狩猎知识的情况下就养鹰了。当地的猎鹰文化比以往任何时候都更加复杂,猎鹰人对这种情况有各种各样的看法。最后,为了关注这种从“生活传统”到“后语境文化”的文化转变,本研究着手确定阿尔泰哈萨克猎鹰文化可持续性的标准并创建总体规划,以保护其作为“持续的”非物质文化遗产。
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引用次数: 12
期刊
International Journal of Intangible Heritage
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