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"The Little Strangers at Our Gate": Toronto Public Library's Experimentation with the Settlement House Movement, 1910s–1930s “我们门口的小陌生人”:多伦多公共图书馆对定居房屋运动的实验,1910 - 1930
IF 0.6 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.7560/ic56305
Elisa Sze
abstract:This article is a case study of Toronto Public Library's (TPL) early collaboration with social workers through its participation in the settlement house movement from the 1910s through the 1930s. While the image of the public library as a social equalizer is often attributed to its origins in the free libraries movement, and while the first chairman of its board characterized TPL as a "literary park" for "the rich and poor alike," historical efforts to extend the public library into social work–like activities remained short-term, ad hoc experiments that failed to generate transformational change. This article presents the challenges faced by a large Canadian urban public library as it attempted to position itself not only as an educational institution but also as a social service. TPL's activities in settlement neighborhoods reinforced rather than subverted the cultural status quo largely because it had no intentions to make radical program departures.
摘要:本文是对多伦多公共图书馆(TPL)从1910年代到1930年代通过参与安置房运动与社会工作者早期合作的案例研究。尽管公共图书馆作为社会均衡器的形象通常被归因于其起源于自由图书馆运动,尽管其第一任董事会主席将TPL描述为“富人和穷人”的“文学公园”,但将公共图书馆扩展到类似社会工作的活动的历史努力仍然是短期的,未能产生变革的临时实验。本文介绍了加拿大一家大型城市公共图书馆所面临的挑战,因为它试图将自己不仅定位为教育机构,而且定位为社会服务机构。TPL在定居点社区的活动加强而不是颠覆了文化现状,主要是因为它无意进行激进的项目偏离。
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引用次数: 0
Making and Debunking Myths about the Old West: A Case Study of Misinformation for Information Scholars 制造和揭穿旧西部的神话:信息学者对错误信息的案例研究
IF 0.6 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.7560/ic56302
William Aspray
abstract:This article, which draws from an extensive historical, literary, and cultural study of the Old West, identifies the main creators and debunkers of myths about the West in order to provide a case study to information scholars about misinformation. Myth creators include novels, dime westerns, magazines, films, television shows, painting, sculpture, photography, music, and the tourist industry. Myth debunkers include academic historians, professional societies, public historians, research centers, libraries, museums, teachers, and postwestern film and literature.
摘要:本文借鉴了对旧西方的广泛历史、文学和文化研究,确定了西方神话的主要创造者和揭穿者,以便为信息学者提供关于错误信息的案例研究。神话创造者包括小说、廉价西部片、杂志、电影、电视节目、绘画、雕塑、摄影、音乐和旅游业。揭穿神话的人包括学术历史学家、专业协会、公共历史学家、研究中心、图书馆、博物馆、教师以及后西方电影和文学。
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引用次数: 0
Image Objects: An Archaeology of Computer Graphics by Jacob Gaboury (review) 图像对象:计算机图形学的考古(Jacob Gaboury)
IF 0.6 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-08-03 DOI: 10.7551/mitpress/11077.001.0001
Nabeel Siddiqui
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引用次数: 12
Norms and Open Systems in Open Science 开放科学中的规范与开放系统
IF 0.6 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-06-24 DOI: 10.7560/IC56201
J. Cohoon, J. Howison
abstract:Through a review of studies of open science and open behaviors (data sharing, open access publishing, open source software development) and editorial writing that promotes open science, we identify two themes prominent in the advocacy of open science: normative (Mertonian) scientific values and the importance of open systems. We report examples of these themes and suggest that open science advocates understand the movement as a value-driven ethos pursuing improved science through the use of technology. We contend that a belief in the open ethos is distinct from participation in open behaviors and that, consequently, open systems are used by two ideologically distinct user groups. We conclude by discussing the implications of this characterization of open science, focusing on the consequences of different user groups using the same technological systems.
摘要:通过对开放科学和开放行为(数据共享、开放获取出版、开源软件开发)的研究以及促进开放科学的社论写作的回顾,我们确定了倡导开放科学的两个突出主题:规范(默顿)科学价值和开放系统的重要性。我们报告了这些主题的例子,并建议开放科学的倡导者将这一运动理解为一种价值驱动的精神,通过使用技术来追求改进的科学。我们认为,对开放精神的信仰与参与开放行为是不同的,因此,开放系统由两个意识形态不同的用户群体使用。最后,我们讨论了开放科学的这种特征的含义,重点讨论了使用相同技术系统的不同用户群体的后果。
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引用次数: 6
Leveraging Secrets: Displaced Archives, Information Asymmetries, and Ba'thist Chronophagy in Iraq 利用秘密:伊拉克流离失所的档案、信息不对称和复兴党的年代记忆
IF 0.6 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-06-24 DOI: 10.7560/IC56203
Michael Degerald
abstract:During ruptures in state power in both 1991 and 2003, varying groups and individuals seized many Iraqi state archival records, with some later taken outside of the country. Different Iraqi groups gathered unprotected archival records, as did US troops in 2003, while other records were destroyed on the ground in Iraq, likely by state employees, to maintain the records' secrets. Would the information in these records be revealed, destroyed, or used by others to leverage power? Using the concept of information asymmetry, this article explores the battle over information held in Iraqi state archival records by tracing the shifting power relations and attempts to write Iraqi history based on the information the records contain. Accordingly, this article takes up the question of scholarly engagement with the displaced records.
在1991年和2003年的国家权力破裂期间,不同的团体和个人夺取了许多伊拉克国家档案记录,其中一些后来被带到国外。不同的伊拉克组织收集未受保护的档案记录,正如2003年美国军队所做的那样,而其他记录则在伊拉克被销毁,可能是由政府雇员销毁,以保持记录的秘密。这些记录中的信息是否会被泄露、销毁,或被他人利用来撬动权力?本文运用信息不对称的概念,透过追踪权力关系的变迁,探讨伊拉克国家档案记录中所持有的信息之争,并尝试根据记录所包含的信息来书写伊拉克历史。因此,这篇文章讨论了与流离失所的记录进行学术接触的问题。
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引用次数: 3
Minding the Gap: Creating Meaning from Missing and Anomalous Data 注意差距:从缺失和异常数据中创造意义
IF 0.6 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-06-24 DOI: 10.7560/IC56204
Ciaran B. Trace, Yan Zhang
abstract:Complicating the notion that personal surveillance is always ubiquitous and pervasive, this article investigates the macro-, meso-, and microlevel "gaps" that confound the study of self-tracking. Literature from human-computer interaction, critical data studies, and archival science, as well as insights from qualitative research by the authors into the long-term value of self-tracking data, is used to expand a typology of "gaps" that exist as part of the activities, behaviors, technologies, and data practices of self-tracking. In this article an emphasis is placed on elucidating microlevel accountable and expressive gaps, articulating how people respond to and make sense of the temporal absences in their own self-tracking data. In the process, the authors argue for self-tracking research to reorient from a perspective that seeks to mitigate all data gaps to one in which data gaps are viewed as an opportunity to connect individuals with meaningful changes in the patterns of life.
将个人监控始终无处不在和无所不在的概念复杂化,本文研究了宏观、中观和微观层面的“差距”,这些“差距”混淆了自我跟踪的研究。来自人机交互、关键数据研究和档案科学的文献,以及作者对自我跟踪数据的长期价值的定性研究的见解,被用来扩展作为自我跟踪的活动、行为、技术和数据实践的一部分存在的“差距”类型。在本文中,重点放在阐明微观层面的可解释和表达差距,阐明人们如何回应和理解他们自己的自我跟踪数据中的暂时缺失。在这个过程中,作者主张自我跟踪研究应该从一个寻求减轻所有数据差距的角度重新定位,在这个角度中,数据差距被视为一个将个人与生活模式中有意义的变化联系起来的机会。
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引用次数: 3
Processing Mad Men: Media Studies, Legitimation, and Archival Description 处理广告狂人:媒体研究、合法化和档案描述
IF 0.6 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-06-24 DOI: 10.7560/IC56202
K. Cronin
abstract:Media scholars and historians are well aware of major gaps within the archival record, gaps that have fundamentally shaped the theories and methodologies of media studies as a discipline. However, much of the valuable media studies research that has been done to interrogate ideological work within "the archive" is actually research into the politics of one specific archival process: acquisition. This article focuses instead on the process of archival description. Comparing the rhetorical strategies present in the press surrounding the Harry Ransom Center's (HRC) acquisition of Matthew Weiner's Mad Men materials with the HRC finding aid's description of the collection itself, this article demonstrates a historiographical imperative for media scholars to cultivate basic archival literacies drawn from the archival disciplines themselves. I argue that by better valuing the intellectual labor of archivists, media scholars will be well-positioned to make use of the considerable archival record that does remain.
摘要:媒体学者和历史学家非常清楚档案记录中的主要空白,这些空白从根本上塑造了媒体研究作为一门学科的理论和方法。然而,为质疑“档案”中的意识形态工作而进行的许多有价值的媒体研究实际上是对一个特定档案过程的政治研究:获取。本文转而关注档案描述的过程。本文将哈里·兰索姆中心(HRC)收购马修·韦纳(Matthew Weiner)的《广告狂人》(Mad Men)材料的媒体修辞策略与HRC调查援助机构对藏品本身的描述进行了比较,表明媒体学者培养从档案学科中提取的基本档案文献在历史上是必要的。我认为,通过更好地重视档案工作者的智力劳动,媒体学者将能够很好地利用现有的大量档案记录。
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引用次数: 1
The Gentrification of the Internet: How to Reclaim Our Digital Freedom by Jessa Lingel (review) 《互联网的士绅化:如何重拾数字自由》作者:Jessa Lingel
IF 0.6 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-05-18 DOI: 10.1525/9780520975705
Kimberly Anastácio
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引用次数: 7
Curating China's Cultural Revolution (1966–1976): CR/10 as a Warburgian Memory Atlas and Digital Humanities Interface 策展中国文化大革命(1966-1976):CR/10作为沃伯格记忆图谱和数字人文界面
IF 0.6 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-04-04 DOI: 10.7560/ic57103
Rongqian Ma
abstract:CR/10 is a digital oral history platform that aims to collect and preserve cultural memories of China's Cultural Revolution (1966–76). With a rhetorical analysis of the design features and curation processes of the CR/10 website, this article discusses the functions of CR/10 as a Warburgian memory atlas that shape the nonlinear, multifaceted narratives of a historical incident. Alongside this rhetorical analysis, I also conducted three sets of user experience studies with over thirty participants both within and outside the academy, including an ethnographic conference observation, a virtual ethnography of an online book group, and several semi-structured interviews, to examine CR/10's usability and propose new design opportunities to empower the interface. This article offers a strong case for the datafication of cultural memories and contributes to digital archives and humanities interface design with an innovative theoretical lens.
CR/10是一个旨在收集和保存中国文化大革命(1966 - 1976)文化记忆的数字口述历史平台。本文通过对CR/10网站的设计特点和策展过程的修辞分析,讨论了CR/10作为沃伯格记忆图谱的功能,它塑造了历史事件的非线性、多面叙事。除了这种修辞分析,我还与学院内外的30多名参与者进行了三组用户体验研究,包括人种学会议观察,在线图书小组的虚拟人种学,以及几次半结构化访谈,以检查CR/10的可用性并提出新的设计机会来增强界面。本文为文化记忆的数据化提供了强有力的案例,并以创新的理论视角为数字档案和人文界面设计做出了贡献。
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引用次数: 1
Hegel and Knowledge Organization, or Why the Dewey Decimal Classification Is Not Hegelian 黑格尔与知识组织,或杜威十进分类法为何不是黑格尔
IF 0.6 4区 管理学 Q2 Arts and Humanities Pub Date : 2021-03-05 DOI: 10.7560/IC56102
S. F. Kislev
ABSTRACT:It has been argued that the Dewey Decimal Classification system—the DDC—is Hegelian, that the primary division of the system is based on Hegel’s philosophy. This article argues against this claim. It demonstrates that the underlying principle for the distribution of subjects in the DDC is not Hegelian and that the support for this idea was always weak. It also demonstrates that, as a classification principle, the supposed philosophy underlying the DDC is inconsequential and implies a reactionary image of knowledge. Fortunately, the DDC makes very little, if any, use of this philosophy. Hegel’s philosophy involves a sophisticated and detailed method for knowledge organization that has been completely unexplored. This article clears the ground for such exploration by disentangling Hegelian philosophy from the dated metaphysics allegedly underlying the DDC.
摘要:杜威十进分类法(Dewey Decimal Classification system, ddc)一直被认为是黑格尔的分类法,该分类法的主要划分是基于黑格尔的哲学思想。这篇文章反驳了这种说法。它表明,DDC中主体分配的基本原则不是黑格尔式的,而且对这一观点的支持总是很弱。它还表明,作为一种分类原则,DDC背后的所谓哲学是无关紧要的,暗示了一种反动的知识形象。幸运的是,DDC很少(如果有的话)使用这种理念。黑格尔的哲学包含了一种复杂而详细的知识组织方法,这是完全未被探索过的。本文通过将黑格尔哲学从据称是DDC基础的过时形而上学中分离出来,为这种探索扫清了基础。
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Information & Culture
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