This paper looks at the discursive construction of the concept of border and its interaction with identity in two exclusionary populist movements: Lega in Italy and Vox in Spain. The study, based on the analysis of an ad hoc selection of discourses by the two parties’ leaders, applies clause-based semantic text analysis to detect the main discursive representations of the “us” and the “others” as threatening ontological security and the performative role played by borders as the ultimate (de)Fence for identity. Results show that Matteo Salvini focuses his discourse on the manipulation of physical space, representing Italy as the space for Italians and proposing to “close the borders” as the only way to stop the “invasion”. Santiago Abascal, on his side, constructs Spanish identity as inherently and proudly “anti-Islamic”. Borders, therefore, are invalicable for those considered incompatible with local values, namely “Muslims”, represented as a “natural threat” to Spanish identity.
{"title":"Borders as the ultimate (de)Fence of Identity: an ontological security approach to exclusionary populism in Italy and Spain","authors":"L. Cervi, S. Tejedor","doi":"10.17646/kome.75672.83","DOIUrl":"https://doi.org/10.17646/kome.75672.83","url":null,"abstract":"This paper looks at the discursive construction of the concept of border and its interaction with identity in two exclusionary populist movements: Lega in Italy and Vox in Spain. The study, based on the analysis of an ad hoc selection of discourses by the two parties’ leaders, applies clause-based semantic text analysis to detect the main discursive representations of the “us” and the “others” as threatening ontological security and the performative role played by borders as the ultimate (de)Fence for identity. Results show that Matteo Salvini focuses his discourse on the manipulation of physical space, representing Italy as the space for Italians and proposing to “close the borders” as the only way to stop the “invasion”. Santiago Abascal, on his side, constructs Spanish identity as inherently and proudly “anti-Islamic”. Borders, therefore, are invalicable for those considered incompatible with local values, namely “Muslims”, represented as a “natural threat” to Spanish identity.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76111376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Contemporary social cultural and ethical discourse both in Slovakia and around the world is marked by the depth of the antagonism between conservatives and progressive liberals, with disputes characterized by mutual accusations of bigotry and prejudice, even extending to hatred. In such a climate, it would therefore be interesting to examine how the two sides of the ideological divide perceive the other and to identify the common internal reasons for the patterns of thought and behavior which they attribute to each other. This study investigates the issue using the classical attributive method on a sample of 543 newspaper opinion pieces (either editorials and columns) from conservative and liberal media sources in Slovakia. The texts are identified, quantified and compared based on “inputs” (the cultural-ethical themes of the articles), “outputs” (the attitudes of the authors) but especially the “attributes” themselves (the character traits attributed to the opposition). At the same time, the study also analyses the lexical-semantic aspect of the examined texts. The author combines qualitative and quantitative research methods in order to outline three general conclusions about the liberal-conservative relationship in Slovakia but also in a broader Central and Eastern European and global context: 1. the difference in perceptions of social and personal threats; 2. the integral role of the Church and Christianity in the dispute; 3. the division of the roles of older and younger “brother”.
{"title":"Pink vs. Brown : How Conservative Journalists Perceive Liberals and vice versa","authors":"Terézia Rončáková","doi":"10.17646/kome.75672.93","DOIUrl":"https://doi.org/10.17646/kome.75672.93","url":null,"abstract":"Contemporary social cultural and ethical discourse both in Slovakia and around the world is marked by the depth of the antagonism between conservatives and progressive liberals, with disputes characterized by mutual accusations of bigotry and prejudice, even extending to hatred. In such a climate, it would therefore be interesting to examine how the two sides of the ideological divide perceive the other and to identify the common internal reasons for the patterns of thought and behavior which they attribute to each other. This study investigates the issue using the classical attributive method on a sample of 543 newspaper opinion pieces (either editorials and columns) from conservative and liberal media sources in Slovakia. The texts are identified, quantified and compared based on “inputs” (the cultural-ethical themes of the articles), “outputs” (the attitudes of the authors) but especially the “attributes” themselves (the character traits attributed to the opposition). At the same time, the study also analyses the lexical-semantic aspect of the examined texts. The author combines qualitative and quantitative research methods in order to outline three general conclusions about the liberal-conservative relationship in Slovakia but also in a broader Central and Eastern European and global context: 1. the difference in perceptions of social and personal threats; 2. the integral role of the Church and Christianity in the dispute; 3. the division of the roles of older and younger “brother”.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79051290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study examines the power relations of the characters in dystopian-themed visual culture narratives. The study is based on the reasons that lead to the construction of the concept of hegemony, how a hegemonic system is processed in the dystopian narrative, and the effect of this system on the social norms among the characters. This study examines both how social norms enable the functioning of the hegemony system and how the characters are separated among themselves according to age, gender, power, and race differences. The study examines the young-adolescent TV series The Society (2019) in connection with the concept of hegemony. The main argument of this essay is the attempt made to theoretically contextualize and systematically analyze a contemporary TV series through a combination of political science, speculative fiction, and film studies to explore the concept of hegemony. The hegemony in the narrative is based on the existence of the sovereign power and is built through all the oppression and ideological devices held by this power.
{"title":"The Free Individual in a Tale of Democracy: Hegemony and Dystopia in Visual Narratives","authors":"Hasan Gürkan, İlkim Ergene","doi":"10.17646/kome.75672.90","DOIUrl":"https://doi.org/10.17646/kome.75672.90","url":null,"abstract":"This study examines the power relations of the characters in dystopian-themed visual culture narratives. The study is based on the reasons that lead to the construction of the concept of hegemony, how a hegemonic system is processed in the dystopian narrative, and the effect of this system on the social norms among the characters. This study examines both how social norms enable the functioning of the hegemony system and how the characters are separated among themselves according to age, gender, power, and race differences. The study examines the young-adolescent TV series The Society (2019) in connection with the concept of hegemony. The main argument of this essay is the attempt made to theoretically contextualize and systematically analyze a contemporary TV series through a combination of political science, speculative fiction, and film studies to explore the concept of hegemony. The hegemony in the narrative is based on the existence of the sovereign power and is built through all the oppression and ideological devices held by this power.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78766391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this conceptual study is to explore the major tenets of the spiral of silence theory (i.e., fear of isolation, willingness to speak out, quasi-statistical sense) within social media environments, where users are predominantly shown content that aligns with their views and interests. In this environment of algorithmic-suggested content, the researchers offer several propositions as to how the spiral of silence tenets operate relative to the perceived anonymity, tie strengths, and the postings suggested by programmed algorithms used by social media platforms. New research directions on spiral of silence theory, social media communication, and opinion polarization are also discussed. Finally, implications for researchers, policymakers, and social media practitioners are addressed.
{"title":"Spiral of Silence in an Algorithm-Driven Social Media Content Environment: Conceptual Framework and Research Propositions","authors":"H. Cheong, Sufyan M. Baksh, I. Ju","doi":"10.17646/kome.75672.86","DOIUrl":"https://doi.org/10.17646/kome.75672.86","url":null,"abstract":"The aim of this conceptual study is to explore the major tenets of the spiral of silence theory (i.e., fear of isolation, willingness to speak out, quasi-statistical sense) within social media environments, where users are predominantly shown content that aligns with their views and interests. In this environment of algorithmic-suggested content, the researchers offer several propositions as to how the spiral of silence tenets operate relative to the perceived anonymity, tie strengths, and the postings suggested by programmed algorithms used by social media platforms. New research directions on spiral of silence theory, social media communication, and opinion polarization are also discussed. Finally, implications for researchers, policymakers, and social media practitioners are addressed.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84314864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Bajnok Andrea, Kriskó Edina, Tari András, Demeter Márton
Communication education has a long history in most Western societies, but its development dates back only a few decades in Central and Eastern Europe. Taking Hungary as a case study, this paper investigates how young communication scholars perceive the quality of their education, the norms of their academic field and their future career prospects. Building on 15 semi-structured interviews, our study found that young Hungarian academics perceive severe contradictions within the field of communication studies and, most importantly, contradictions between international and regional habitus and norms. The perceived struggle between international and regional norms and habitus forms an ambivalent field in which family background, international mobility, financial circumstances and future career plans play a more crucial role in habitus formation than formal education.
{"title":"Habitus formation and perceived academic norms of Hungarian communication scholars","authors":"Bajnok Andrea, Kriskó Edina, Tari András, Demeter Márton","doi":"10.17646/kome.75672.87","DOIUrl":"https://doi.org/10.17646/kome.75672.87","url":null,"abstract":"Communication education has a long history in most Western societies, but its development dates back only a few decades in Central and Eastern Europe. Taking Hungary as a case study, this paper investigates how young communication scholars perceive the quality of their education, the norms of their academic field and their future career prospects. Building on 15 semi-structured interviews, our study found that young Hungarian academics perceive severe contradictions within the field of communication studies and, most importantly, contradictions between international and regional habitus and norms. The perceived struggle between international and regional norms and habitus forms an ambivalent field in which family background, international mobility, financial circumstances and future career plans play a more crucial role in habitus formation than formal education.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89089203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Building on previous research exploring effects of spokesperson type and gender on audience perceptions of spokesperson and message credibility, this study focused on effects of news sources specifically for radio news. This was one of the first studies to explore the effects of source type (journalist or outside expert) and gender on perceptions of source and message credibility, and message importance for the general U.S. population. A 2 x 2 experiment was performed with 900 participants, and analysis found that source type and gender had significant impact on audience perceptions of source and the message. We further analyzed these effects breaking down the audience based on generations and gender and found similar results. The results of the analyses reveal some interesting findings, especially in the areas of choice of media for news, sexism in the news, etc., that need to be further explored.
{"title":"Who said that? Impact of source expertise: A generations focused experiment on the perception of radio news sources’ gender, ethos and expertise.","authors":"Sufyan M. Baksh, Howard D. Fisher, Sara Magee","doi":"10.17646/kome.75672.92","DOIUrl":"https://doi.org/10.17646/kome.75672.92","url":null,"abstract":"Building on previous research exploring effects of spokesperson type and gender on audience perceptions of spokesperson and message credibility, this study focused on effects of news sources specifically for radio news. This was one of the first studies to explore the effects of source type (journalist or outside expert) and gender on perceptions of source and message credibility, and message importance for the general U.S. population. A 2 x 2 experiment was performed with 900 participants, and analysis found that source type and gender had significant impact on audience perceptions of source and the message. We further analyzed these effects breaking down the audience based on generations and gender and found similar results. The results of the analyses reveal some interesting findings, especially in the areas of choice of media for news, sexism in the news, etc., that need to be further explored.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90851969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The study examined Israeli youths’ sense of group climate in online and offline educational settings, i.e., in Instant Messaging (IM) groups organized by homeroom teachers for their respective students and in the physical classroom environment. Participants included 550 students (152 boys, 398 girls), of ages 10-18, who completed an online survey. The findings reveal that the students perceived the classroom climate to be more positive than that of the IM group in which the homeroom teacher is present. Furthermore, the more positive the perceived face-to-face (FtF) classroom climate was, the more positive the perceived IM group climate. In addition, when both class and IM group climates were perceived to be highly positive, a sense of non-violence among the participants was found to be the highest. These findings shed light on the unique phenomena of homeroom teachers who participate with their students in IM groups. Based on the findings, implications for educators and school counsellors are discussed.
{"title":"Beyond the Classroom Walls: The Case of Israeli Youths’ Sense of Group Climate in Online and Offline Educational Environments","authors":"Noam Lapidot-Lefler, Michal Dolev-Cohen","doi":"10.17646/kome.75672.67","DOIUrl":"https://doi.org/10.17646/kome.75672.67","url":null,"abstract":"The study examined Israeli youths’ sense of group climate in online and offline educational settings, i.e., in Instant Messaging (IM) groups organized by homeroom teachers for their respective students and in the physical classroom environment. Participants included 550 students (152 boys, 398 girls), of ages 10-18, who completed an online survey. The findings reveal that the students perceived the classroom climate to be more positive than that of the IM group in which the homeroom teacher is present. Furthermore, the more positive the perceived face-to-face (FtF) classroom climate was, the more positive the perceived IM group climate. In addition, when both class and IM group climates were perceived to be highly positive, a sense of non-violence among the participants was found to be the highest. These findings shed light on the unique phenomena of homeroom teachers who participate with their students in IM groups. Based on the findings, implications for educators and school counsellors are discussed.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75964569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper investigates how the notion of “superhero” in popular imagination, evident in the multiple live-action adaptations of Detective Comic’s and Marvel Cinematic Universe’s comic book heroes for their commercial value, has been debunked by Alejandro Inarritu’s 2014 Birdman. While the aforementioned dream factories affirm the fantasmatic “flight” inherent to these cinematic creations, especially symbolised by the aviating capacities of most of their superheroes, it is Inarritu’s Birdman, although not commercially comparable, that is theoretically significant here: the “flight” motif paradoxically gestures to the “capture” that is the very cinematic essence. Working with some key psychoanalytic theorists of the apparatus and later the suture, I shall argue that the messianic in this film, embodied by the male lead, whose waning career is resurrected from oblivion given Keaton’s subsequent work acknowledgement despite his Oscar nonsuccess, is revealed by this author to be ultimately the cinematographic apparatus that gives us Baudry’s transcendental subject, a concept arguably bound to his cinematic effect, a term with epistemological import. This paper will also redirect attention to the interpretative liberation associated with “flight", insisting that Baudry’s discussion of the cinematic dispositif is among the first to address the real, albeit with an emphasis on intelligibility, so that release from what I call the “cinematic capture”, a term that Todd McGowan defines as “uncritical subjectivity”, can be enacted. This thesis asserts that Birdman, proposed here as a case for psychoanalytic film theory, unintentionally exposes the traumatic real within the imaginary because of cinematic capture, thus leading to this discussion of the gaze, identification, narration, control and desire. In addition, it will appraise what Baudry calls the “knowledge effect” by responding to the following inquiries that encapsulate the critical stake here. How can one call this effect “knowledge” when the “subjective” of the transcendental subject becomes more pronounced with the other title of Baudry’s apparatus theory, which is suture theory? What can one say about the “reality effect” of the apparatus theory in an age of digitisation the emphasis of which is virtuality and, last but not least, can one argue that Inarritu’s Birdman is an illustrative intervention of the digitised post-cinematic?
本文调查了大众想象中的“超级英雄”概念是如何被亚历桑德罗·伊纳里多(Alejandro Inarritu) 2014年的《鸟人》(Birdman)揭穿的，这种概念在《侦探漫画》(Detective Comic)和漫威电影宇宙(Marvel movie Universe)漫画英雄的商业价值的多部真人电影中很明显。虽然前面提到的梦工厂肯定了这些电影创作中固有的梦幻般的“飞行”，尤其是以他们的大多数超级英雄的飞行能力为象征，但伊纳里图的《鸟人》虽然在商业上没有可比性，但在理论上具有重要意义:“飞行”的主题矛盾地暗示了“捕获”，这是电影的本质。处理设备的一些关键的精神分析理论家和后来的缝合,我认为弥赛亚在这部影片中,男主角的体现,其减弱职业复活从遗忘鉴于基顿的后续工作承认尽管他奥斯卡nonsuccess,揭示了作者是最终的电影设备给我们Baudry先验主体的概念可以说是绑定到他的电影效果,一个术语与认识论的导入。本文还将把人们的注意力转移到与“逃跑”相关的解释性解放上，坚持认为鲍德里对电影处理的讨论是第一个解决现实问题的，尽管强调可理解性，所以从我所谓的“电影捕捉”中释放出来，托德·麦高恩将这个术语定义为“不批判的主观性”，可以实施。本文认为，作为精神分析电影理论的一个案例，《鸟人》无意中暴露了想象中的创伤真实，因为电影捕捉，从而导致了对凝视、认同、叙述、控制和欲望的讨论。此外，它将通过回答以下问题来评估Baudry所说的“知识效应”，这些问题概括了这里的关键利害关系。当先验主体的“主观性”随着鲍德里的装置理论的另一个标题——缝合理论——而变得更加明显时，我们怎么能把这种效果称为“知识”呢?在一个强调虚拟的数字化时代，我们能对装置理论的“现实效应”说些什么呢?最后但并非最不重要的是，我们能说伊纳里图的《鸟人》是对数字化后电影的一种说明性干预吗?
{"title":"A Case for Psychoanalytic Visual Dispositif? : Birdman after the “Cinematographic Capture”","authors":"Constance Goh","doi":"10.17646/KOME.75672.62","DOIUrl":"https://doi.org/10.17646/KOME.75672.62","url":null,"abstract":"This paper investigates how the notion of “superhero” in popular imagination, evident in the multiple live-action adaptations of Detective Comic’s and Marvel Cinematic Universe’s comic book heroes for their commercial value, has been debunked by Alejandro Inarritu’s 2014 Birdman. While the aforementioned dream factories affirm the fantasmatic “flight” inherent to these cinematic creations, especially symbolised by the aviating capacities of most of their superheroes, it is Inarritu’s Birdman, although not commercially comparable, that is theoretically significant here: the “flight” motif paradoxically gestures to the “capture” that is the very cinematic essence. Working with some key psychoanalytic theorists of the apparatus and later the suture, I shall argue that the messianic in this film, embodied by the male lead, whose waning career is resurrected from oblivion given Keaton’s subsequent work acknowledgement despite his Oscar nonsuccess, is revealed by this author to be ultimately the cinematographic apparatus that gives us Baudry’s transcendental subject, a concept arguably bound to his cinematic effect, a term with epistemological import. This paper will also redirect attention to the interpretative liberation associated with “flight\", insisting that Baudry’s discussion of the cinematic dispositif is among the first to address the real, albeit with an emphasis on intelligibility, so that release from what I call the “cinematic capture”, a term that Todd McGowan defines as “uncritical subjectivity”, can be enacted. This thesis asserts that Birdman, proposed here as a case for psychoanalytic film theory, unintentionally exposes the traumatic real within the imaginary because of cinematic capture, thus leading to this discussion of the gaze, identification, narration, control and desire. In addition, it will appraise what Baudry calls the “knowledge effect” by responding to the following inquiries that encapsulate the critical stake here. How can one call this effect “knowledge” when the “subjective” of the transcendental subject becomes more pronounced with the other title of Baudry’s apparatus theory, which is suture theory? What can one say about the “reality effect” of the apparatus theory in an age of digitisation the emphasis of which is virtuality and, last but not least, can one argue that Inarritu’s Birdman is an illustrative intervention of the digitised post-cinematic?","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76024602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyses the role of social media as a transnational discursive space and the impact of networked communication on the formation of the traditional mass media agenda regarding political protests that began in June 2019 in Hong Kong. The aim of the present research was to indicate the degree of impact of the dominant themes in networked communication during the anti-extradition bill protests in the transnational network discourse and the impact on the news media agenda, taking into account the activity of user-generated network traffic around the published content. The research was based on two theories shaping the perception of political protests in an international context - theory on transnational discursive spaces and theories of agenda setting. The research was carried out using quantitative content analysis and confirmed that global social networking sites Facebook and Twitter are important channels in creating transnational discursive spaces that affect the news media's agenda. Findings show that social media plays an important role in organizing political protests, and is a tool for establishing transnational discursive spaces; despite the fact that the protesters used applications protecting their data for communication, with the assistance of information and integrated collaboration by other entities. The results obtained contribute to the research on media studies which highlight the role and importance of social media in the process of communicating about political protests.
{"title":"The transnational discourse of political protests: setting the agenda through social media","authors":"G. Piechota","doi":"10.17646/kome.75672.53","DOIUrl":"https://doi.org/10.17646/kome.75672.53","url":null,"abstract":"This article analyses the role of social media as a transnational discursive space and the impact of networked communication on the formation of the traditional mass media agenda regarding political protests that began in June 2019 in Hong Kong. The aim of the present research was to indicate the degree of impact of the dominant themes in networked communication during the anti-extradition bill protests in the transnational network discourse and the impact on the news media agenda, taking into account the activity of user-generated network traffic around the published content. The research was based on two theories shaping the perception of political protests in an international context - theory on transnational discursive spaces and theories of agenda setting. The research was carried out using quantitative content analysis and confirmed that global social networking sites Facebook and Twitter are important channels in creating transnational discursive spaces that affect the news media's agenda. Findings show that social media plays an important role in organizing political protests, and is a tool for establishing transnational discursive spaces; despite the fact that the protesters used applications protecting their data for communication, with the assistance of information and integrated collaboration by other entities. The results obtained contribute to the research on media studies which highlight the role and importance of social media in the process of communicating about political protests.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89996403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Hate the most recent season of a television show? Create a viral petition! Better yet, find an old tweet of a cast member to publicly shame them. These are examples of audience participation and expectations when it comes to television. Audiences react to several types of fiction, but this article mostly focuses on the impacts of television shows and audience reception. Analyzing audience and critical reception of certain TV shows may reveal motivations for subsequent creative decisions by the creators. On shows like Roseanne, audience reception has influenced decisions concerning creative control. Audience demands help sway the market and have opened up diversity initiatives in speculative media. The theoretical base for this article is formed from reception theoryand primary research of Twitter posts. To further explore the phenomenon of audience sway over artistic ownership, two television shows, Girlsand The 100, will be examined in context with audience and critical reception, cancelculture, and diversity initiatives across media.
{"title":"Tug of War: Social Media, Cancel Culture, and Diversity for Girls and The 100","authors":"Jonina Anderson-Lopez, R. Lambert, Allison Budaj","doi":"10.17646/KOME.75672.59","DOIUrl":"https://doi.org/10.17646/KOME.75672.59","url":null,"abstract":"Hate the most recent season of a television show? Create a viral petition! Better yet, find an old tweet of a cast member to publicly shame them. These are examples of audience participation and expectations when it comes to television. Audiences react to several types of fiction, but this article mostly focuses on the impacts of television shows and audience reception. Analyzing audience and critical reception of certain TV shows may reveal motivations for subsequent creative decisions by the creators. On shows like Roseanne, audience reception has influenced decisions concerning creative control. Audience demands help sway the market and have opened up diversity initiatives in speculative media. The theoretical base for this article is formed from reception theoryand primary research of Twitter posts. To further explore the phenomenon of audience sway over artistic ownership, two television shows, Girlsand The 100, will be examined in context with audience and critical reception, cancelculture, and diversity initiatives across media.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75236878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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