This paper engages in a politeness-based investigation of cases when forms of interruption operate as ritualistic self-display. By “ritualistic self-display” we refer to instances of language use in which an interruption is a form of “showing off,” by means of which the interrupting person indicates their skill, power, social status, and so on. We point out that such instances of language use may not merely trigger complex evaluations. Even in hierarchical settings in which ritualistic self-display could be easily condoned, paradoxically it may be utilized by the interrupted person as an interactional resource to boost her or his self-image, i.e., ritualistic self-display is a leeway for a counter-display. As a case study, we examine an incident that took place in a Chinese institutional setting. Chinese data has particular relevance to the study of ritualistic self-display, considering that Chinese is often perceived as a linguaculture in which interruption is not tolerated due to prevailing social hierarchies.
{"title":"Ritualistic self-display: The Interruptions in a Chinese Academic Talk","authors":"Y. Tong, C. Xie","doi":"10.17646/kome.75672.34","DOIUrl":"https://doi.org/10.17646/kome.75672.34","url":null,"abstract":"This paper engages in a politeness-based investigation of cases when forms of interruption operate as ritualistic self-display. By “ritualistic self-display” we refer to instances of language use in which an interruption is a form of “showing off,” by means of which the interrupting person indicates their skill, power, social status, and so on. We point out that such instances of language use may not merely trigger complex evaluations. Even in hierarchical settings in which ritualistic self-display could be easily condoned, paradoxically it may be utilized by the interrupted person as an interactional resource to boost her or his self-image, i.e., ritualistic self-display is a leeway for a counter-display. As a case study, we examine an incident that took place in a Chinese institutional setting. Chinese data has particular relevance to the study of ritualistic self-display, considering that Chinese is often perceived as a linguaculture in which interruption is not tolerated due to prevailing social hierarchies.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76061146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ramón Sampedro, a former seaman and later poet, died in 1998. Now having passed the twentieth anniversary of his death, his work and life return to the spotlight with the attendant issues of disability, trauma, agency and end-of-life. The film Mar Adentro or, The Sea Inside (Amenábar, 2004), provides a lens with which to view some familial and cultural resonances of disability trauma. This paper critiques the ideological underpinnings of the film, suggesting that the film is haunted by ableist notions of the body. Garland-Thomson’s notion of the misfit (2011) is employed to illustrate how the central character is portrayed as a borderline figure between life and death. Kristeva’s abjection theory is used to illustrate how the beach is used as a borderline which demarcates the hero’s subject/abject position. This paper hypothesises that the use of the beach as metaphor and the use of Galicia as a ‘haunted’ space, encourages the audience to understand persons with disabilities as ‘neither here nor there’; rather, as ‘not quite human beings’.
Ramón Sampedro曾是一名海员，后来成为诗人，于1998年去世。如今，在他去世20周年之际，他的工作和生活又回到了聚光灯下，随之而来的是残疾、创伤、代理和生命终结等问题。电影《Mar Adentro or, The Sea Inside》(Amenábar, 2004)提供了一个观察残疾创伤的家庭和文化共鸣的镜头。本文批评了这部电影的意识形态基础，暗示这部电影被身体的ableist概念所困扰。Garland-Thomson的“不适应者”(2011)的概念被用来说明中心人物是如何被描绘成一个介于生与死之间的边缘人物的。Kristeva的落魄理论被用来说明海滩是如何被用作划分英雄主体/落魄位置的分界线的。本文假设使用海滩作为隐喻，使用加利西亚作为“闹鬼”的空间，鼓励观众理解残疾人“既不在这里也不在那里”;而是“不完全是人类”。
{"title":"Mar Adentro: Haunting Ability, Masculinity, and Human Rights","authors":"S. Flynn","doi":"10.17646/kome.2019.11","DOIUrl":"https://doi.org/10.17646/kome.2019.11","url":null,"abstract":"Ramón Sampedro, a former seaman and later poet, died in 1998. Now having passed the twentieth anniversary of his death, his work and life return to the spotlight with the attendant issues of disability, trauma, agency and end-of-life. The film Mar Adentro or, The Sea Inside (Amenábar, 2004), provides a lens with which to view some familial and cultural resonances of disability trauma. This paper critiques the ideological underpinnings of the film, suggesting that the film is haunted by ableist notions of the body. Garland-Thomson’s notion of the misfit (2011) is employed to illustrate how the central character is portrayed as a borderline figure between life and death. Kristeva’s abjection theory is used to illustrate how the beach is used as a borderline which demarcates the hero’s subject/abject position. This paper hypothesises that the use of the beach as metaphor and the use of Galicia as a ‘haunted’ space, encourages the audience to understand persons with disabilities as ‘neither here nor there’; rather, as ‘not quite human beings’.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79825471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
: The purpose of this study was to find out how much journalists receive and editors provide coaching and/or feedback and how. Empirical data were gathered by using a non-participant observation in a national daily newsroom and two participant observations in a national daily and in a local newspaper newsroom in Estonia – altogether 2 months and three days. The results showed that communication between experienced journalists and editors lacked constructive feedback and coaching. The editors tended to direct the work of a less experienced journalist; experienced journalists could work alone and decide independently how to solve situations within the news production process. All in all, not providing constructive feedback or coaching could have negative influences on journalists, especially when the working conditions are changing.
{"title":"Communication between editors and reporters: Feedback and coaching in Estonian dailies’ newsrooms","authors":"S. Ivask","doi":"10.17646/kome.75698.98","DOIUrl":"https://doi.org/10.17646/kome.75698.98","url":null,"abstract":": The purpose of this study was to find out how much journalists receive and editors provide coaching and/or feedback and how. Empirical data were gathered by using a non-participant observation in a national daily newsroom and two participant observations in a national daily and in a local newspaper newsroom in Estonia – altogether 2 months and three days. The results showed that communication between experienced journalists and editors lacked constructive feedback and coaching. The editors tended to direct the work of a less experienced journalist; experienced journalists could work alone and decide independently how to solve situations within the news production process. All in all, not providing constructive feedback or coaching could have negative influences on journalists, especially when the working conditions are changing.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88844732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ricardo Vizcaino-Laorga, E. M. Pastor, Isabel Serrano Maíllo
Children have gone from being consumers of advertising to being creators of advertising. This article provides an overview of the different lines of research on advertising and minors in Spain over the last 10 years and uses it as a basis to argue that the concept of the minor needs to be clarified and multiple regulations need to be unified, which should also be applied to new trends (such as kidgamers and YouTubers). This study highlights the need to find, on a global level, more specialized research lines that are more relevant to current realities, such as the YouTuber advertising that kids are exposed to today.
{"title":"Just Within the Limits of the Law: Minors from Consumers of Advertising to Creators of Advertising in Spain","authors":"Ricardo Vizcaino-Laorga, E. M. Pastor, Isabel Serrano Maíllo","doi":"10.17646/kome.75698.99","DOIUrl":"https://doi.org/10.17646/kome.75698.99","url":null,"abstract":"Children have gone from being consumers of advertising to being creators of advertising. This article provides an overview of the different lines of research on advertising and minors in Spain over the last 10 years and uses it as a basis to argue that the concept of the minor needs to be clarified and multiple regulations need to be unified, which should also be applied to new trends (such as kidgamers and YouTubers). This study highlights the need to find, on a global level, more specialized research lines that are more relevant to current realities, such as the YouTuber advertising that kids are exposed to today.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80045965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
: This article reports findings from a qualitative thematic analysis of 142 Slovak theatre reviews published from 2000 to 2017 about 25 Holocaust dramas staged in Slovakia. Until 2015, most Holocaust dramas employed the “Brechtian” estrangement effect, but since the beginning of 2015, Slovak theatre has shifted towards the use of realistic representation. Dramas employing the estrangement effect were in their reviews considered to be original artworks, and the social value of these plays was emphasized, while realistic representation was considered to be outdated and unoriginal. With the emergence of unoriginality in reviews, the attributed social value of these dramas diminished and the interest of reviewers in the Holocaust drama faded. The subsequent quantitative analysis supports these conclusions.
{"title":"The Holocaust May Be Important, But It’s No Longer Original: Representations of the Holocaust in Slovak Theatre Reviews from 2000 to 2017","authors":"Lucia Mihálová, Marek Urban","doi":"10.17646/KOME.75698.61","DOIUrl":"https://doi.org/10.17646/KOME.75698.61","url":null,"abstract":": This article reports findings from a qualitative thematic analysis of 142 Slovak theatre reviews published from 2000 to 2017 about 25 Holocaust dramas staged in Slovakia. Until 2015, most Holocaust dramas employed the “Brechtian” estrangement effect, but since the beginning of 2015, Slovak theatre has shifted towards the use of realistic representation. Dramas employing the estrangement effect were in their reviews considered to be original artworks, and the social value of these plays was emphasized, while realistic representation was considered to be outdated and unoriginal. With the emergence of unoriginality in reviews, the attributed social value of these dramas diminished and the interest of reviewers in the Holocaust drama faded. The subsequent quantitative analysis supports these conclusions.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81137928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Karyotakis Minos-Athanasios, N. Antonopoulos, Theodora Saridou
This study is concerned with Article 3 of the Greek Constitution and the relations between the State and the Church in Greece. The scientific views expressed regarding the Third Article of the Constitution were examined with emphasis on the public debate that developed around the interpretation of the terms ‘prevailing religion’ and ‘holy canons’. Moreover, the results of two studies carried out are presented in order to approach the issue from a journalistic perspective. The first research was conducted on websites to see how media are contributing to the debate on what Article 3 stipulates. The second research looked at how citizens directly related to journalism and communication perceive the stipulations of this Article. The results revealed how Article 3 of the Constitution is in question in its current form and how, in the future, it could be fairer to all Greek citizens via an open and multidimensional dialogue.
{"title":"A case study in news articles, users comments and a Facebook group for Article 3 of the Greek Constitution","authors":"Karyotakis Minos-Athanasios, N. Antonopoulos, Theodora Saridou","doi":"10.17646/KOME.75672.31","DOIUrl":"https://doi.org/10.17646/KOME.75672.31","url":null,"abstract":"This study is concerned with Article 3 of the Greek Constitution and the relations between the State and the Church in Greece. The scientific views expressed regarding the Third Article of the Constitution were examined with emphasis on the public debate that developed around the interpretation of the terms ‘prevailing religion’ and ‘holy canons’. Moreover, the results of two studies carried out are presented in order to approach the issue from a journalistic perspective. The first research was conducted on websites to see how media are contributing to the debate on what Article 3 stipulates. The second research looked at how citizens directly related to journalism and communication perceive the stipulations of this Article. The results revealed how Article 3 of the Constitution is in question in its current form and how, in the future, it could be fairer to all Greek citizens via an open and multidimensional dialogue.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85391392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Graduation-on-Time or a Daydream","authors":"Yasaman Parsia, S. Sorooshian","doi":"10.17646/kome.75692.92","DOIUrl":"https://doi.org/10.17646/kome.75692.92","url":null,"abstract":"","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2018-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91091079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The outbreak of misinformation and computational propaganda added to the invasion of fake news and the prominence of audiences on social networks becomes a hallmark of the political and media agenda. The publication of the Sentence of the Supreme Court that sanctions the rebellion of independent politicians during the Procés of Catalonia provokes citizen mobilizations that occupy the front pages of the media. The general objective is to know the number and theme of hoaxes spread about the riots on different digital platforms. We apply a content analysis methodology to a general sample (n1=4.500) of hoaxes reported by factchecking agencies (Maldito Bulo, Newtral, Verificat) and news (n2=190) published in the national and international press (El País/el Mundo, El Periódico/Ara, The Guardian/Le Monde). The results confirm that private users are the main authors of fake news and that journalists use verification codes to combat misinformation.
错误信息和计算机宣传的爆发加剧了假新闻的入侵，受众在社交网络上的突出地位成为政治和媒体议程的一个标志。最高法院公布了对加泰罗尼亚运动期间独立政治人物造反进行制裁的判决书，激起了占据媒体头版的公民动员。总体目标是了解在不同数字平台上传播的关于骚乱的恶作剧的数量和主题。我们将内容分析方法应用于事实核查机构(Maldito Bulo, Newtral, Verificat)报道的一般样本(n1=4.500)和国内和国际媒体(El País/ El Mundo, El Periódico/Ara, the Guardian/Le Monde)发布的新闻(n2=190)。结果证实，私人用户是假新闻的主要作者，记者使用验证码来打击错误信息。
{"title":"Misinformation and Fact-checking on the disturbances of the Procés of Catalonia : Digital impact on Public and Media","authors":"C. Curiel, Xosé Rúas-Araújo, A. Barrientos-Báez","doi":"10.17646/kome.75672.88","DOIUrl":"https://doi.org/10.17646/kome.75672.88","url":null,"abstract":"The outbreak of misinformation and computational propaganda added to the invasion of fake news and the prominence of audiences on social networks becomes a hallmark of the political and media agenda. The publication of the Sentence of the Supreme Court that sanctions the rebellion of independent politicians during the Procés of Catalonia provokes citizen mobilizations that occupy the front pages of the media. The general objective is to know the number and theme of hoaxes spread about the riots on different digital platforms. We apply a content analysis methodology to a general sample (n1=4.500) of hoaxes reported by factchecking agencies (Maldito Bulo, Newtral, Verificat) and news (n2=190) published in the national and international press (El País/el Mundo, El Periódico/Ara, The Guardian/Le Monde). The results confirm that private users are the main authors of fake news and that journalists use verification codes to combat misinformation.","PeriodicalId":42384,"journal":{"name":"KOME-An International Journal of Pure Communication Inquiry","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84948080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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