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Scribes (šōṭerîm) in Deuteronomy 申命记中的抄写员(šōṭerîm)
IF 0.2 3区 哲学 0 RELIGION Pub Date : 2023-01-02 DOI: 10.1080/09018328.2023.2222038
D. Edelman
ABSTRACT A review of the seven uses of šōṭēr in Deuteronomy and the eighteen occurrences elsewhere in the Hebrew Bible indicates that the best translation in all cases is “scribe.” By the Hellenistic period and the writing of Chronicles, šōṭerîm were classified as Levites, i.e. those “bound” by oath to royal or imperial service but based in principle in the temple, even though, like judges and possibly some gate-keepers, many worked “externally.” The temple cult is of little interest to those whose ideology is reflected in most of Deuteronomy. Nevertheless, it is possible to suggest that the Levites, who may contrast with the priests and the Levitical priests in the book, were conceived of more specifically as scribes, šōṭerîm, by profession.
摘要šō的七种用法综述ṭ在《申命记》和《希伯来圣经》其他地方的18次出现表明,在所有情况下,最好的翻译是“抄写员”ṭ埃尔姆被归类为利未人,即那些通过宣誓“约束”王室或帝国服务但原则上以神庙为基础的人,尽管像法官和可能的一些守门人一样,许多人都是“外部”工作的。神庙崇拜对那些意识形态反映在《申命记》中的人来说兴趣不大。然而,有可能认为,利未人可能与书中的牧师和利未人牧师形成对比,他们被认为是更具体的抄写员ṭ呃îm,专业。
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引用次数: 0
Deuteronomy in Genesis: King Abimelech’s Obedience to the Torah (Genesis 20) 创世纪申命记:亚比米勒王对托拉的顺从(创世纪20)
IF 0.2 3区 哲学 0 RELIGION Pub Date : 2023-01-02 DOI: 10.1080/09018328.2023.2222043
C. Levin
ABSTRACT Gen 20 is the youngest example among the three wife-sister narratives in the Book of Genesis. This time the incident has been narrated according to the rules of the Torah. God reveals to Abimelech in a dream the law of Deut 22,22, and the king, following the precept of Deut 31,10-13, calls his servants together and proclaims it. The servants then fear God, as did the Israelites under Moses. Later editors saw in the narrative an interesting case of “guiltless guilt,” comparable to the problem of collective punishment dealt with in Gen 18,22b-33a. Even later, the narrative was interpreted as evidence of Abraham’s guilt. This allowed one to explain why God put Abraham to such a severe test in Gen 22. In the youngest phase of the narrative’s reworking, Abraham was finally portrayed as a prophet, similar to how Moses was considered a prophet in the late period.
摘要《创世纪》中的“第20代”是三个妻子姐妹故事中最年轻的一个。这一次事件是根据《托拉》的规则叙述的。神在梦中启示亚比米勒申22,22的律法,王就照着申31,10-13的训诫,召他的仆人来,宣告这律法。仆人就敬畏神,正如摩西手下的以色列人一样。后来的编辑们在叙述中看到了一个有趣的“无罪”案例,与第18、22b-33a代中处理的集体惩罚问题相当。甚至在后来,这个故事被解读为亚伯拉罕有罪的证据。这就可以解释为什么上帝在第22代对亚伯拉罕进行了如此严峻的考验。在故事改编的最年轻阶段,亚伯拉罕最终被描绘成一个先知,类似于摩西在后期被视为先知。
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引用次数: 0
Back to Reason: Minimalism in Biblical Studies 回归理性:圣经研究中的极简主义
IF 0.2 3区 哲学 0 RELIGION Pub Date : 2022-07-03 DOI: 10.1080/09018328.2022.2117895
Jim West
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引用次数: 0
Follow the Words: What’s in a King’s Name? 言行一致:国王的名字里有什么?
IF 0.2 3区 哲学 0 RELIGION Pub Date : 2022-07-03 DOI: 10.1080/09018328.2022.2114192
G. Auld
ABSTRACT The names of several of David’s successors are related in both meaning and narrative situation: Ahaziah and Ahaz, Rehoboam and Jeroboam, Joash and Josiah, Amaziah and Hezekiah. Components of other names (Azariah, Uzziah, and Jotham) are also uniquely anticipated in the synoptic record. When the names of prophets and northern kings are also reviewed, the total impression is of artistic narrative more than historical record.
大卫的几个继承人的名字在意义和叙事情境上都是相关的:亚哈谢和亚哈斯,罗波安和耶罗波安,约阿施和约西亚,亚玛谢和希西家。其他名字的组成部分(亚撒利雅、乌西雅和约坦)也在符类记录中有独特的预测。当先知和北方国王的名字也被回顾时,总的印象是艺术叙事多于历史记录。
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引用次数: 0
YHWH: A Storm-God of Hosea? The Beginning of Yahwism in Light of the Book of Hosea 耶和华:何西阿的暴风神?从《何西阿书》看耶和华崇拜的开始
IF 0.2 3区 哲学 0 RELIGION Pub Date : 2022-07-03 DOI: 10.1080/09018328.2022.2114186
S. Kató
ABSTRACT The original profile of YHWH is a much-discussed issue of research, YHWH being defined mostly as either an El-like or a Baal-like deity. Scholars are investigating older texts of the Hebrew Bible that might reflect relevant imagery. The Book of Hosea is a neglected corpus in this discussion. However, the book contains North-Israelite traditions and concepts from the 8th century BCE that preserve and reflect an earlier stage of the YHWH-cult. If the imagery of the book could be traced back to a single, fundamental god-type, that could be a hint at the original character of YHWH. This article ventures to catalog, analyze, and evaluate the imagery of the book, to ultimately propose an original god-type for YHWH.
YHWH的原始轮廓是一个备受讨论的研究问题,YHWH主要被定义为类似El或类似Baal的神。学者们正在调查希伯来圣经中可能反映相关意象的旧文本。何西阿的书在这场讨论中被忽略了。然而,这本书包含了公元前8世纪的北以色列传统和概念,这些传统和概念保存并反映了YHWH邪教的早期阶段。如果这本书的意象可以追溯到一个单一的、基本的神类型,那么这可能是YHWH最初性格的暗示。本文尝试对这本书的意象进行编目、分析和评价,最终为YHWH提出一种原始的神型。
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引用次数: 0
Rescinding the Rewritten: Receiving the Death of Josiah in Paraleipomena 拯救重写:在Paraleipomena接受Josiah之死
IF 0.2 3区 哲学 0 RELIGION Pub Date : 2022-07-03 DOI: 10.1080/09018328.2022.2114193
D. M. Smiley
ABSTRACT The reception history of Josiah’s encounter with Pharaoh Necho is a complicated issue that has yet to be fully explored. Many scholars stop with the transmission from the Masoretic text (MT) of Kings to the MT of Chronicles; however, the Greek translator(s) of 2 Chronicles 35, also known as 2 Paraleipomena 35, inserted specific textual variants that deviate from the MT. There has been little done on Paraleipomena, and even fewer works that factor in the complex theological history surrounding the death of Josiah. This paper hopes to follow the reception of the final events of Josiah by combining both literary and text critical methodologies.
摘要约西亚与法老内哥相遇的接待历史是一个复杂的问题,尚待充分探讨。许多学者停止了从国王的共济会文本(MT)到编年史的MT的传播;然而,《编年史2》35的希腊语译者,也被称为《Paraleipomena 2》35,插入了偏离MT的特定文本变体。关于Paraleipomna的研究很少,涉及围绕约西亚之死的复杂神学史的著作更少。本文希望通过文学批评和文本批评相结合的方法来跟踪对约西亚最后事件的接受。
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引用次数: 0
Ezekiel as a Surrealist Author: 20th Century Art as a Key to a 6th Century BC Prophet 作为超现实主义作家的以西结:20世纪的艺术是了解公元前6世纪先知的关键
IF 0.2 3区 哲学 0 RELIGION Pub Date : 2022-07-03 DOI: 10.1080/09018328.2022.2114191
Hans van den Herik, K. Spronk
ABSTRACT In Ezekiel’s extensive vision reports, reality is combined with the supra-mundane world in a way which resembles modern surrealism, especially as a literary art form. The comparison with surrealism helps to get a better understanding of the visions. The combination of realistic and surrealistic images has a shocking affect and revolutionizes human understanding and experience. In this way, the audience is challenged to remodel its understanding of reality.
在以西结广泛的视觉报告中,现实与超世俗世界以一种类似现代超现实主义的方式结合在一起,尤其是作为一种文学艺术形式。与超现实主义的比较有助于更好地理解视觉。现实主义和超现实主义图像的结合具有令人震惊的影响,并彻底改变了人类的理解和经验。这样,观众就面临着重塑对现实的理解的挑战。
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引用次数: 0
Maskils and Musicals: Biblical Narrative and Attic Theatre, Part I 面具与音乐:圣经叙事与阁楼剧场,第一部分
IF 0.2 3区 哲学 0 RELIGION Pub Date : 2022-07-03 DOI: 10.1080/09018328.2022.2114183
Lisa Marie Haasbroek
ABSTRACT In support of recent scholarship which proposes a Hellenistic date for biblical literature, this study proposes that portions of the Bible are written in the style of Attic theatre plays. Part I provides a comprehensive analysis of motifs shared between biblical literature and Attic theatre, with subheadings listed in the style of the Aarne-Thompson-Uther Index.
摘要为了支持最近的学者提出的圣经文学的希腊化日期,本研究提出《圣经》的部分内容是以阿提克戏剧的风格写成的。第一部分对圣经文学和阿提克戏剧之间的主题进行了全面分析,副标题以Aarne-Thompson-Uther索引的风格列出。
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引用次数: 0
The Eighth Day: The Appointment of Adam as Priest in Eden and the Priestly Profile of Genesis 2-3 第八天:亚当被任命为伊甸园牧师和创世纪2-3的牧师简介
IF 0.2 3区 哲学 0 RELIGION Pub Date : 2022-07-03 DOI: 10.1080/09018328.2022.2114188
B. Kilchör
ABSTRACT While it has often been observed within the framework of classic source criticism that Genesis 1 and Exodus 25-40 are conceptually related in the Priestergrundschrift (Creation and Tabernacle), it is argued here that Genesis 2-3 is associated too with the priestly sanctuary concept and has parallels especially in Leviticus 9-10. In Genesis 2, Adam and Eve are appointed as priests in the Garden of Eden like Aaron and his sons in Leviticus 9. The death of Adab and Nabihu in Leviticus 10 mirrors the fall of Adam and Eve in Genesis 3. Since there are parallels both in conception and in language between Genesis 2-3 and P, it is argued that the distinction of P and non-P in Genesis 1-3 is questionable.
摘要尽管在经典文献批评的框架内,人们经常观察到《创世纪》1和《出埃及记》25-40在概念上与《创世纪与帐幕》有关联,但这里有人认为《创世纪2-3》也与祭司避难所的概念有关联,尤其是在《利未记》9-10中。在创世纪2中,亚当和夏娃被任命为伊甸园的牧师,就像利未记9中亚伦和他的儿子一样。《利未记》第10章中阿达布和纳比胡的死反映了《创世纪》第3章中亚当和夏娃的堕落。由于创世纪2-3和P在概念和语言上都有相似之处,有人认为创世纪1-3中P和非P的区别是值得怀疑的。
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引用次数: 0
Maskils and Musicals: Biblical Narrative and Attic Theatre, Part II 面具与音乐:圣经叙事与阁楼剧场,第二部分
IF 0.2 3区 哲学 0 RELIGION Pub Date : 2022-07-03 DOI: 10.1080/09018328.2022.2120287
Lisa Marie Haasbroek
ABSTRACT In support of scholarship which proposes a Hellenistic date for biblical literature, this study proposes that portions of the Bible are written in the style of Attic theatre plays. Part II demonstrates the ways in which biblical literature meets all criteria for Attic tragedies in Aristotle’s Poetics, using the Book of Samuel as an example. This approach offers new ways to interpret biblical literature.
摘要为了支持学术界提出的圣经文学的希腊化日期,本研究提出《圣经》的部分内容是以阿提克戏剧的风格写成的。第二部分以《撒母耳记》为例,论证了圣经文学如何满足亚里士多德诗学中阿提克悲剧的所有标准。这种方法为解读圣经文学提供了新的途径。
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Scandinavian Journal of the Old Testament
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