Pub Date : 2020-01-01DOI: 10.6092/ISSN.1973-9494/12801
T. Bakri, M. Mallah
The authors of this paper analyze the Dabkeh al Djoufieh (Dabkɛ ālǧwofyɛ) in its capacity as an inherent part of Jordanian folklore that has been seldom studied. Whereas contemporary Jordan has experienced a rapid burst of cultural globalization, the rural song and dance of Dabkeh al Djoufieh can be observed as a highly dynamic manifestation of belonging and as a symbol of national solidarity. One of the defining features of the Dabkeh al Djoufieh is that it is immanent in every social event in Arab communities. Secondly, as a sample of folk music, Dabkeh al Djoufieh continues to be a vibrant resource for contemporary audiences. The paper focuses on the main musical and poetic characteristics of Dabkeh al Djoufieh. The qualitative analysis applied integrates ideas concerning semantics as a representation of the social context and ethnic identities, whereas music is viewed as an indicator of local heritage. This paper probes the questions: What is Dabkeh Djoufieh? Where does it originate? And how is it implemented in Jordanian folklore culture? Furthermore, the study discusses the social power found within poetic folk verse, specifically, the role of the metaphor as a tool for expressing communal realities and individual experiences. Likewise, the study analyzes the musical features of the traditional Dabkeh al Djoufieh and how it moved across generations, sacred and social boundaries, becoming a symbol of Jordanian folk tradition.
本文的作者将Dabkeh al Djoufieh (Dabk æ ālǧwofy æ)作为约旦民间传说的一个固有组成部分进行分析，这一部分很少被研究。鉴于当代约旦经历了文化全球化的快速爆发，Dabkeh al Djoufieh的乡村歌舞可以被视为一种高度活跃的归属感表现和民族团结的象征。Dabkeh al Djoufieh的一个决定性特征是，它在阿拉伯社区的每一个社会事件中都是内在的。其次，作为民间音乐的一个样本，Dabkeh al Djoufieh仍然是当代观众的一个充满活力的资源。本文着重分析了《达科赫·乔菲耶》的主要音乐和诗歌特征。应用的定性分析整合了语义学作为社会背景和种族身份的表征的想法，而音乐被视为当地遗产的指标。本文探讨的问题是:什么是Dabkeh Djoufieh?它起源于哪里?它是如何在约旦民俗文化中实现的?此外，本文还探讨了民间诗歌中的社会力量，特别是隐喻作为表达社会现实和个人经验的工具所起的作用。同样，该研究分析了传统Dabkeh al Djoufieh的音乐特征，以及它如何跨越世代、神圣和社会界限，成为约旦民间传统的象征。
{"title":"Dabkeh al Djoufieh: Exploring the Sustainability of Jordanian Folklore","authors":"T. Bakri, M. Mallah","doi":"10.6092/ISSN.1973-9494/12801","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/12801","url":null,"abstract":"The authors of this paper analyze the Dabkeh al Djoufieh (Dabkɛ ālǧwofyɛ) in its capacity as an inherent part of Jordanian folklore that has been seldom studied. Whereas contemporary Jordan has experienced a rapid burst of cultural globalization, the rural song and dance of Dabkeh al Djoufieh can be observed as a highly dynamic manifestation of belonging and as a symbol of national solidarity. One of the defining features of the Dabkeh al Djoufieh is that it is immanent in every social event in Arab communities. Secondly, as a sample of folk music, Dabkeh al Djoufieh continues to be a vibrant resource for contemporary audiences. The paper focuses on the main musical and poetic characteristics of Dabkeh al Djoufieh. The qualitative analysis applied integrates ideas concerning semantics as a representation of the social context and ethnic identities, whereas music is viewed as an indicator of local heritage. This paper probes the questions: What is Dabkeh Djoufieh? Where does it originate? And how is it implemented in Jordanian folklore culture? Furthermore, the study discusses the social power found within poetic folk verse, specifically, the role of the metaphor as a tool for expressing communal realities and individual experiences. Likewise, the study analyzes the musical features of the traditional Dabkeh al Djoufieh and how it moved across generations, sacred and social boundaries, becoming a symbol of Jordanian folk tradition.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"63 1","pages":"227-245"},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82702704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.6092/ISSN.1973-9494/12802
Stepan Dychkovskyy, L. Liashenko
The article examines the study of skansens (open-air museums) in the system of intangible cultural heritage of the country (Ukraine). The research methodology is to apply the historical, bibliographic and analytical methods the authors investigated to write the article. The scientific novelty of the work is to substantiate the feasibility and application of a new model of open-air tourist activity in the system of intangible cultural heritage of different countries. Peculiarities in tourism development in post-industrial society have influenced the conceptual approach to the museum topos that has evolved from representative-decorative to the closed topos of public expositions, symbolic topos of the post-industrial era, to the open topos of skansens and the virtual topos of interactive museums. The spread of skansens as interactive open-air expositions pay attention to changes that have taken place in the cultural and socio-economic life of modern society. New trends in the development of active consumption in the social and economic spheres, globalization, and the appearance of cultural and creative branches have determined the new activities of Skansens, which have been transformed from museums that merely displayed ethnographic collections, to socio-cultural complexes, directed towards developing the recreational and aesthetic potential of leisure activities, the formation of a spiritual personality, and the strengthening of family values and traditions.
{"title":"Tourist Activity of Skansens in the System of Intangible Cultural Heritage","authors":"Stepan Dychkovskyy, L. Liashenko","doi":"10.6092/ISSN.1973-9494/12802","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/12802","url":null,"abstract":"The article examines the study of skansens (open-air museums) in the system of intangible cultural heritage of the country (Ukraine). The research methodology is to apply the historical, bibliographic and analytical methods the authors investigated to write the article. The scientific novelty of the work is to substantiate the feasibility and application of a new model of open-air tourist activity in the system of intangible cultural heritage of different countries. Peculiarities in tourism development in post-industrial society have influenced the conceptual approach to the museum topos that has evolved from representative-decorative to the closed topos of public expositions, symbolic topos of the post-industrial era, to the open topos of skansens and the virtual topos of interactive museums. The spread of skansens as interactive open-air expositions pay attention to changes that have taken place in the cultural and socio-economic life of modern society. New trends in the development of active consumption in the social and economic spheres, globalization, and the appearance of cultural and creative branches have determined the new activities of Skansens, which have been transformed from museums that merely displayed ethnographic collections, to socio-cultural complexes, directed towards developing the recreational and aesthetic potential of leisure activities, the formation of a spiritual personality, and the strengthening of family values and traditions.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"32 1","pages":"247-263"},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81460069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.6092/ISSN.1973-9494/12786
S. Lorusso, L. Colizzi
Representing a phenomenon of social aggregation, the settlements of the rock civilization of Fasano and Monopoli in Brindisi, Italy and their recovery, is one of the objectives pursued by the technical-scientific committee of the San Domenico Foundation, which involves experts at national and international level. This paper, presented at the 8th International Conference, intends to highlight how art, as a testimony of these settlements in the area of this rock civilization, is not attributable only to beauty, but also to ethics, and as such, is synonymous with identity. This leads to concepts and meanings deriving from interdisciplinarity, sustainability, planning, territorial development, as well as the need to train a specialized and multi-faceted professional figure who is qualified to operate in the field of the protection and valorisation of the past, in order to be able to competently pass it on through to the future
{"title":"Interdisciplinarity, Ethics and Territorial Planning","authors":"S. Lorusso, L. Colizzi","doi":"10.6092/ISSN.1973-9494/12786","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/12786","url":null,"abstract":"Representing a phenomenon of social aggregation, the settlements of the rock civilization of Fasano and Monopoli in Brindisi, Italy and their recovery, is one of the objectives pursued by the technical-scientific committee of the San Domenico Foundation, which involves experts at national and international level. This paper, presented at the 8th International Conference, intends to highlight how art, as a testimony of these settlements in the area of this rock civilization, is not attributable only to beauty, but also to ethics, and as such, is synonymous with identity. This leads to concepts and meanings deriving from interdisciplinarity, sustainability, planning, territorial development, as well as the need to train a specialized and multi-faceted professional figure who is qualified to operate in the field of the protection and valorisation of the past, in order to be able to competently pass it on through to the future","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"49 4 1","pages":"33-48"},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77328361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.6092/ISSN.1973-9494/12805
I. Gheorghe, I. Sârbu, Ionuţ Pecete, I. Blăjan, Irina Balotescu
The 17th to 19th century wooden and stone churches are an iconic symbol of Romanian national heritage. The present study investigates by qualitative and quantitative methods the microbial communities from the biodeteriorated surfaces of wooden and stone monument churches included in the cultural heritage list of local or national importance. From a total of twelve monuments, samples were taken with cotton sterile swabs, inoculated on specific culture and identified by classical, automated and molecular methods. A total of 133 strains belonging to Ascomycota phylum were identified and confirmed at species level from the wooden churches, amongst which, Penicillium spp. strains (mostly P. corylophylum, P. chrysogenum) were the most frequent, followed by Alternaria alternata and species of Trichoderma, Aspergillus, Rhizopus, Mucor, and Fusarium genera. From the stone churches a total of 100 strains belonging to Aspergillus, Alternaria, Mucor, Penicillium, Aspergillus, Trichoderma, Fusarium and Rhizopus genera were isolated. A total of 55 bacterial strains were isolated and identified as Bacillus, Artrobacter and Pseudomonas species. The microbial load of the samples ranged between 2.18x107 and 3x105 CFU/mL. A very small number of fungal strains (6/77) isolated from wooden churches (mostly A. alternata, followed by P. corylophilum and one Cladosporium spp. strain) and from stone churches (5/55) (mostly A. alternata, followed by A. versicolor, A. nidulans strain) were involved in biofilm formation. The results of this study can help to improve understanding of the microbial deterioration of Romanian heritage churches and allow more reliable decontamination, conservation and preservation tools to be defined.
{"title":"Multi-Level Characterization of Microbial Consortia Involved in the Biodeterioration of Wooden and Stone Romanian Heritage Churches","authors":"I. Gheorghe, I. Sârbu, Ionuţ Pecete, I. Blăjan, Irina Balotescu","doi":"10.6092/ISSN.1973-9494/12805","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/12805","url":null,"abstract":"The 17th to 19th century wooden and stone churches are an iconic symbol of Romanian national heritage. The present study investigates by qualitative and quantitative methods the microbial communities from the biodeteriorated surfaces of wooden and stone monument churches included in the cultural heritage list of local or national importance. From a total of twelve monuments, samples were taken with cotton sterile swabs, inoculated on specific culture and identified by classical, automated and molecular methods. A total of 133 strains belonging to Ascomycota phylum were identified and confirmed at species level from the wooden churches, amongst which, Penicillium spp. strains (mostly P. corylophylum, P. chrysogenum) were the most frequent, followed by Alternaria alternata and species of Trichoderma, Aspergillus, Rhizopus, Mucor, and Fusarium genera. From the stone churches a total of 100 strains belonging to Aspergillus, Alternaria, Mucor, Penicillium, Aspergillus, Trichoderma, Fusarium and Rhizopus genera were isolated. A total of 55 bacterial strains were isolated and identified as Bacillus, Artrobacter and Pseudomonas species. The microbial load of the samples ranged between 2.18x107 and 3x105 CFU/mL. A very small number of fungal strains (6/77) isolated from wooden churches (mostly A. alternata, followed by P. corylophilum and one Cladosporium spp. strain) and from stone churches (5/55) (mostly A. alternata, followed by A. versicolor, A. nidulans strain) were involved in biofilm formation. The results of this study can help to improve understanding of the microbial deterioration of Romanian heritage churches and allow more reliable decontamination, conservation and preservation tools to be defined.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"53 1","pages":"289-308"},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84533250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.6092/ISSN.1973-9494/12803
M. Lullulangi, Raeny Tenriola, Onesimus Sampebua
The location of this research is in the Pitu Ulunna Salu (PUS) region, Mamasa Regency, Indonesia. The aim is to examine and report on the function of the Andiriposi’ in traditional houses in the Pitu Ulunna Salu area in the past. The methodology involved carrying out a qualitative study by exploring all research areas. Data was collected by observation and in-depth interviews with the local elders who still have knowledge of the function of the Andiriposi' in traditional houses in the past. Data analysis involved qualitative analysis, which included data collection, data presentation, data reduction and drawing conclusions. The results showed that the function of the Andiriposi’ in traditional houses in the Pitu Ulunna Salu area was: 1) Structural: as the main pillar in the middle of the house and as the central point of the lower structure and the floor of the building; 2) Adats (customs): as a starting point for the construction of houses and as a seat for the traditional leader during the implementation of adat meetings; and 3) Practical function: as a mortar where rice is pounded in the house, and as a place to slaughter pigs, when there is a traditional ritual performed inside the traditional house.
本研究地点在印度尼西亚马马萨摄政的Pitu Ulunna Salu (PUS)地区。目的是检查和报告过去在Pitu Ulunna Salu地区传统房屋中Andiriposi '的功能。该方法涉及通过探索所有研究领域进行定性研究。通过观察和对当地长老的深入访谈收集数据，这些长老仍然了解过去Andiriposi'在传统房屋中的作用。数据分析涉及定性分析，包括数据收集、数据呈现、数据简化和得出结论。结果表明:“Andiriposi”在Pitu Ulunna Salu地区传统民居中的作用是:1)结构:作为房屋中间的主要支柱，作为建筑下部结构和楼板的中心点;2) Adats(海关):作为房屋建设的起点，在adat会议的实施过程中作为传统领导人的座位;(3)实用功能:在房子里作为捣米的臼，在传统的房子里举行传统的仪式时，作为宰猪的地方。
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Pub Date : 2020-01-01DOI: 10.6092/ISSN.1973-9494/12795
Piergiorgio Tupini
Human activities and the exploitation of natural resources cause the loss of biodiversity and a scarcity of drinking water, as well as the spread of serious and unknown diseases. Therefore, the WHO has raised the alarm regarding the premature deaths in the world caused by environmental pollution. In Northern Italy, as in China, the high level of PM10 pollutants have contributed to the virulent spread of the Covid 19 epidemic. This is further support for the philosophy of insecurity that defends the fragility of "zero risk". In addition to the many painful deaths, the current pandemic has also created a general and profound economic crisis, putting the survival of the weakest populations at risk. In Italy it has heavily affected both the production sector and that of cultural heritage, a key element in the country's global image, as well as in the agri-food sector. The priority for intervention has now been transferred from the healthcare system to the sectors of economics and politics, which must adopt appropriate measures for a hopefully rapid recovery in production and, with that, a return to work, with income, health safety, and the safeguard of the environment and cultural heritage.
{"title":"ENVIRONMENT, FOOD, CULTURE: COVID-19","authors":"Piergiorgio Tupini","doi":"10.6092/ISSN.1973-9494/12795","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/12795","url":null,"abstract":"Human activities and the exploitation of natural resources cause the loss of biodiversity and a scarcity of drinking water, as well as the spread of serious and unknown diseases. Therefore, the WHO has raised the alarm regarding the premature deaths in the world caused by environmental pollution. In Northern Italy, as in China, the high level of PM10 pollutants have contributed to the virulent spread of the Covid 19 epidemic. This is further support for the philosophy of insecurity that defends the fragility of \"zero risk\". In addition to the many painful deaths, the current pandemic has also created a general and profound economic crisis, putting the survival of the weakest populations at risk. In Italy it has heavily affected both the production sector and that of cultural heritage, a key element in the country's global image, as well as in the agri-food sector. The priority for intervention has now been transferred from the healthcare system to the sectors of economics and politics, which must adopt appropriate measures for a hopefully rapid recovery in production and, with that, a return to work, with income, health safety, and the safeguard of the environment and cultural heritage.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"89 1","pages":"139-145"},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81482030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.6092/ISSN.1973-9494/12796
Mohamed Tewfik Bouroumi, M. Kacemi, Lamia Khadidja Beghdoud
The sea strongly contributes to the identity of coastline areas. Moreover, it has been demonstrated that the coastline is a geographical entity which calls for specific organization. From an architectural point of view, design elements have been associated with the assets (or constraints) of the site. Thus, the view is associated with the bow window, protection against the climate with canopies and protruding roofs, and quality of the soil and bedrock. Integration into the site is also highly desirable, both in form (ship) and in construction materials. The urbanization of coastal areas in Algeria is a colonial fact. In pre-colonial times, little importance was given to these areas, whereas later they became a priority: port sites, the speed of communications with Europe, rich agricultural plains, a mild climate and welcoming beaches. The developments and seaside constructions carried out during this period were part of the logic of attractiveness to welcome more European settlers and promote the sedentarization and growth of those already living in Algeria. After independence, political and economic choices did not unfortunately take into account the geographical and climatic specificity of Algeria’s coastal zones. Thus, population growth and rural depopulation have led to a sharp increase in the demand for real estate, which has resulted in unbridled urbanization, regardless of the seaside vocation of these territories. In this article, based on the case of the seaside resort of Ain El Turc, which has colonial architectural production of an exceptional quality that takes into account the specificities of the coastline and the presence of the sea, the aim is to assess and verify if this architecture was perpetuated after independence. To this end, we have highlighted, through bibliographic research, the characteristics of seaside architecture from the 19th and 20th centuries and those of the contemporary time. An analysis of all the dwellings located in the Saint Rock district in the municipality of Ain El Turc consisted in identifying these characteristics and establishing a classification of these constructions.
大海强烈地塑造了海岸线地区的特征。此外，海岸线是一个地理实体，需要具体的组织。从体系结构的角度来看，设计元素与站点的资产(或约束)相关联。因此，景观与弓形窗户、遮阳篷和突出的屋顶以及土壤和基岩的质量相关联。在形式(船舶)和建筑材料方面，与场地的融合也是非常可取的。阿尔及利亚沿海地区的城市化是一个殖民事实。在前殖民时期，人们对这些地区的重视程度并不高，但后来它们成为了优先考虑的因素:港口地点、与欧洲的通讯速度、富饶的农业平原、温和的气候和宜人的海滩。在此期间进行的开发和海边建设是吸引更多欧洲移民和促进已经居住在阿尔及利亚的人定居和增长的逻辑的一部分。不幸的是，独立后的政治和经济选择没有考虑到阿尔及利亚沿海地区的地理和气候特点。因此，人口增长和农村人口减少导致房地产需求急剧增加，这导致了肆无忌惮的城市化，而不顾这些地区的海滨度假。在本文中，以Ain El Turc海滨度假胜地为例，考虑到海岸线的特殊性和海洋的存在，该度假胜地的殖民建筑生产具有卓越的品质，目的是评估和验证这种建筑是否在独立后得以延续。为此，我们通过书目研究，突出了19世纪和20世纪以及当代海滨建筑的特点。对Ain El Turc市Saint Rock区的所有住宅进行了分析，确定了这些特征，并对这些建筑进行了分类。
{"title":"Mutation of the Seaside Architecture in Algeria and its Impact on Coastal Landspace. A Case Study: Ain El Turc, Algeria","authors":"Mohamed Tewfik Bouroumi, M. Kacemi, Lamia Khadidja Beghdoud","doi":"10.6092/ISSN.1973-9494/12796","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/12796","url":null,"abstract":"The sea strongly contributes to the identity of coastline areas. Moreover, it has been demonstrated that the coastline is a geographical entity which calls for specific organization. From an architectural point of view, design elements have been associated with the assets (or constraints) of the site. Thus, the view is associated with the bow window, protection against the climate with canopies and protruding roofs, and quality of the soil and bedrock. Integration into the site is also highly desirable, both in form (ship) and in construction materials. The urbanization of coastal areas in Algeria is a colonial fact. In pre-colonial times, little importance was given to these areas, whereas later they became a priority: port sites, the speed of communications with Europe, rich agricultural plains, a mild climate and welcoming beaches. The developments and seaside constructions carried out during this period were part of the logic of attractiveness to welcome more European settlers and promote the sedentarization and growth of those already living in Algeria. After independence, political and economic choices did not unfortunately take into account the geographical and climatic specificity of Algeria’s coastal zones. Thus, population growth and rural depopulation have led to a sharp increase in the demand for real estate, which has resulted in unbridled urbanization, regardless of the seaside vocation of these territories. In this article, based on the case of the seaside resort of Ain El Turc, which has colonial architectural production of an exceptional quality that takes into account the specificities of the coastline and the presence of the sea, the aim is to assess and verify if this architecture was perpetuated after independence. To this end, we have highlighted, through bibliographic research, the characteristics of seaside architecture from the 19th and 20th centuries and those of the contemporary time. An analysis of all the dwellings located in the Saint Rock district in the municipality of Ain El Turc consisted in identifying these characteristics and establishing a classification of these constructions.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"12 1","pages":"147-165"},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87747065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.6092/ISSN.1973-9494/12807
S. Lorusso, Mauro Mantovani, L. Colizzi
"We are not living an epoch of change so much as an epochal change”, to quote Pope Francis. And in this new world full of new challenges, difficult to understand, the pandemic has prevented us from having direct and indirect contact, from sharing, from alterity. And in art, a well-known introspective tool for exploring the soul and the body, what are the responses and reactions in considering the present dramatic and lasting pandemic moment? And can faith offer a new perspective in a world where the main social projects have proved inadequate? That is to say the same faith from which the need to develop research, in all its forms and levels, starting with scientific research, as a service and as a way to invest in "construction".
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Pub Date : 2020-01-01DOI: 10.6092/ISSN.1973-9494/12800
I. Putra
Spaces in the traditional Balinese house were not only places for accommodating domestic and socio-cultural activities, but also locations for handing down traditions. In this transmission process, people taught and learned by participating in collaborative activities where the young generation observed, helped or imitated their elders. Central to this argument is an exploration of how the old generations transfer their traditions to the next, based on new conditions. This transmission was a learning process which started from an early age in which parents and grandparents played a predominant role. However, along with the growth of tourism, there are now known to be a substantial number of houses that have been transformed into tourist facilities by demolishing and relocating social and ceremonial spaces in the house. As a cultural phenomenon, the transformation involves an interrelated complexity of aspects and gives rise to the question about the continuity of the transmission process in these new settings. Using visual documentation and interviews, dynamic cultural activities over time could be collected and inventoried to reconstruct the transformation of the house and contextualize the handing down process of traditions. This article found that the transformation has happened in various ways, both as physical and socio-cultural aspects. The change in the tourist industry has meant the space and the time people dedicate to voluntary work to perform traditions is limited, so that their preservation is at risk. It is an indication of the process of waning traditions in the traditional house and is likely to affect the continuity of Balinese culture in the future.
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Pub Date : 2020-01-01DOI: 10.6092/ISSN.1973-9494/12798
E. Putra, Rosa Karnita
This article provides a glimpse into the story and meaning of the Bebegig Sukamantri Mask which is used in the art of a sustainable and fast-growing folk carnival in West Java, Indonesia. The masks used in the carnival are unique and are an expression of the cultural heritage left by the ancestors of the ancient Sundanese people in West Java. Each mask creation, in various colors and shapes, derives from the face of Batarakala, who is a very well-known figure in Hindu culture and represents the god of anger. Based on the various shapes and colors of the masks, there are three groups, which are believed to relate to the mythology of the existence of astral creatures that protected ancient Sundanese people, namely Rakshasa for the nobility, Detya for the common people and Denawa for the clergy. The existence of these astral beings is found in the 15th-century ancient manuscript entitled Sanghyang Siksa Kanda ing Karesian (a clue to Reshi). Preserving the Bebegig Sukamantri mask as part of ancient Sundanese cultural heritage is a worthwhile goal because of its uniqueness and its significance for future generations. It is, moreover, greatly appreciated as a cultural carnival event at both national and international level.
这篇文章提供了一个关于Bebegig Sukamantri面具的故事和意义的一瞥，这个面具在印度尼西亚西爪哇一个持续发展和快速增长的民间狂欢节中被使用。狂欢节中使用的面具是独一无二的，是西爪哇古代巽他人祖先留下的文化遗产的表达。每个面具都有不同的颜色和形状，都来自于巴塔拉卡拉的脸，他是印度文化中非常著名的人物，代表着愤怒之神。根据面具的各种形状和颜色，有三组，这被认为与保护古代巽他人的星体生物存在的神话有关，即贵族的Rakshasa，普通人的Detya和神职人员的Denawa。这些星体的存在是在15世纪的古代手稿《Sanghyang Siksa Kanda ing Karesian》(Reshi的线索)中发现的。保存Bebegig Sukamantri面具作为古代巽他文化遗产的一部分是一个有价值的目标，因为它的独特性和对后代的重要性。此外，它作为一项文化狂欢活动在国内和国际上都受到高度赞赏。
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