Pub Date : 2020-03-18DOI: 10.6092/ISSN.1973-9494/9990
S. Lorusso, A. M. Braida, A. Natali
The topic of attribution and authentication of works of art is a well known one, and is currently the subject of heated debate. What must be highlighted is the importance of the terminology used to distinguish the different degrees of certainty within the system of art work attribution, and in the context of the different possibilities of evaluating a work of art. It is also necessary to integrate historical-humanistic and technical-experimental skills which should necessarily lead to a subjective and objective evaluation in order to arrive at a univocal scientific truth. As an emblematic case, also owing to the uniqueness of the work, the Mona Lisa, prototype of the Renaissance genius of Leonardo da Vinci, is examined. At the same time, the versions and copies of the Mona Lisa are also studied, basing the examination on in-depth archival and bibliographic research, and taking into account the results of the historical-artistic and technical-material analyses from a methodological point of view.
{"title":"The Different Possibilities of Evaluating a Work of Art: Case Study of the Mona Lisa","authors":"S. Lorusso, A. M. Braida, A. Natali","doi":"10.6092/ISSN.1973-9494/9990","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/9990","url":null,"abstract":"The topic of attribution and authentication of works of art is a well known one, and is currently the subject of heated debate. What must be highlighted is the importance of the terminology used to distinguish the different degrees of certainty within the system of art work attribution, and in the context of the different possibilities of evaluating a work of art. It is also necessary to integrate historical-humanistic and technical-experimental skills which should necessarily lead to a subjective and objective evaluation in order to arrive at a univocal scientific truth. As an emblematic case, also owing to the uniqueness of the work, the Mona Lisa, prototype of the Renaissance genius of Leonardo da Vinci, is examined. At the same time, the versions and copies of the Mona Lisa are also studied, basing the examination on in-depth archival and bibliographic research, and taking into account the results of the historical-artistic and technical-material analyses from a methodological point of view.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"1 1","pages":"307-326"},"PeriodicalIF":0.2,"publicationDate":"2020-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89741735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-18DOI: 10.6092/ISSN.1973-9494/10347
Mara Silva, T. Rosado, Zita Dinis Lopes da Silva, Y. K. Nóbrega, D. Silveira, A. Candeias, A. T. Caldeira
Damage to buildings and monuments by microbiological growth is a cause of serious concern. Due to the necessity of treatment being assessed for in situ application, it is important to select a safe and effective strategy approach that safeguards both the environment and human beings. In the past decade the most frequently used and effective biocides have been banned due to their environmental and health hazards. This paper reports the development of remediation actions based on environmentally innocuous alternatives derived from active compounds produced by Bacillus sp. in conjugation with natural plant products from Brazilian Cerrado plant extracts.
{"title":"Green Bioactive Compounds: Mitigation Strategies for Cultural Heritage","authors":"Mara Silva, T. Rosado, Zita Dinis Lopes da Silva, Y. K. Nóbrega, D. Silveira, A. Candeias, A. T. Caldeira","doi":"10.6092/ISSN.1973-9494/10347","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/10347","url":null,"abstract":"Damage to buildings and monuments by microbiological growth is a cause of serious concern. Due to the necessity of treatment being assessed for in situ application, it is important to select a safe and effective strategy approach that safeguards both the environment and human beings. In the past decade the most frequently used and effective biocides have been banned due to their environmental and health hazards. This paper reports the development of remediation actions based on environmentally innocuous alternatives derived from active compounds produced by Bacillus sp. in conjugation with natural plant products from Brazilian Cerrado plant extracts.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"62 1","pages":"133-142"},"PeriodicalIF":0.2,"publicationDate":"2020-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79239622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-18DOI: 10.6092/ISSN.1973-9494/10346
Gianluigi Colalucci, D. Bartoletti
In 1897, the architect Ernesto Basile was commissioned to design the new Chamber in the Italian Parliament. Basile visualised a long painted frieze crowning the Chamber. The assignment was given to the painter Aristide Sartorio who executed it between 1908 and 1911. The frieze is 105 meters long, 3.75 high, and consists of 50 panels painted on canvas. In 1998 the frieze was examined closely and several problems regarding its state of conservation became evident, such as the loss of elasticity of the canvas and the widespread tendency of the paint film to become detached. In order to study the problem and plan the restoration for the entire frieze, it was decided to do a pilot restoration on only one of the 50 panels. The restoration was carried out in an equipped environment inside the Parliament, during the period 2003- 2004. Based on the studies carried out over the two years, it was possible to plan the restoration of the entire frieze, which was completed in one year: from 2006 to 2007. The panels were taken to a Roman studio exclusively dedicated to this restoration. It was not possible to do the restoration in situ as it would have created a disturbance in the working of the Parliament. The panels painted by Sartorio with a particular technique based on oil and wax, were treated with BEVA 371, reactivated with heat using a flat, low pressure table, and with a heated curved low pressure table specially designed by us. Using the same system and cloth bands, the edges of the panels were reinforced and then placed on their original frames. Finally, the veil of greasy particulate matter that had deposited over a century was removed. The restoration, directed by the Architectural Superintendency of Rome, was preceded and accompanied by numerous scientific research studies on the colors, canvas, color medium, wood and microclimate of the frieze. An extensive detailed color photographic documentation recorded all the phases of the restoration.
{"title":"Restoration of the Frieze by Aristide Sartorio in the Chamber of Deputies of the Italian Parliament","authors":"Gianluigi Colalucci, D. Bartoletti","doi":"10.6092/ISSN.1973-9494/10346","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/10346","url":null,"abstract":"In 1897, the architect Ernesto Basile was commissioned to design the new Chamber in the Italian Parliament. Basile visualised a long painted frieze crowning the Chamber. The assignment was given to the painter Aristide Sartorio who executed it between 1908 and 1911. The frieze is 105 meters long, 3.75 high, and consists of 50 panels painted on canvas. In 1998 the frieze was examined closely and several problems regarding its state of conservation became evident, such as the loss of elasticity of the canvas and the widespread tendency of the paint film to become detached. In order to study the problem and plan the restoration for the entire frieze, it was decided to do a pilot restoration on only one of the 50 panels. The restoration was carried out in an equipped environment inside the Parliament, during the period 2003- 2004. Based on the studies carried out over the two years, it was possible to plan the restoration of the entire frieze, which was completed in one year: from 2006 to 2007. The panels were taken to a Roman studio exclusively dedicated to this restoration. It was not possible to do the restoration in situ as it would have created a disturbance in the working of the Parliament. The panels painted by Sartorio with a particular technique based on oil and wax, were treated with BEVA 371, reactivated with heat using a flat, low pressure table, and with a heated curved low pressure table specially designed by us. Using the same system and cloth bands, the edges of the panels were reinforced and then placed on their original frames. Finally, the veil of greasy particulate matter that had deposited over a century was removed. The restoration, directed by the Architectural Superintendency of Rome, was preceded and accompanied by numerous scientific research studies on the colors, canvas, color medium, wood and microclimate of the frieze. An extensive detailed color photographic documentation recorded all the phases of the restoration.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"1 1","pages":"99-115"},"PeriodicalIF":0.2,"publicationDate":"2020-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89887377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-18DOI: 10.6092/ISSN.1973-9494/10671
M. Sawczak, Ewa Doleżyńska-Sewerniak
The paper presents the results from Raman spectroscopy (RS) analyses of the works of Szymon Czechowicz and his workshop ‒ the most important Polish baroque painter. RS was used for clarification and supplementation of results carried out by the methods: Infrared False Colour (IRFC), XRF, XRD, SEM-EDS, GC-MS, and ATR-FTIR. A complementary analysis of the artist’s work allowed the characterisation of the fillers and the binders of the grounds and the paint layers in his art. The presented results showed that RS was especially useful for identifying the pigments used in the mixtures. It allowed the presence of Prussian blue in the blue and green colours to be determined and made it possible to distinguish the types of iron pigments in the mixtures. The method was useful also for the identification of several types of black pigments in the samples and to identify the massicot in the ground layers which contained another lead pigment – lead white. Tables and figures show the summation of test results carried out by RS analysis, the indication of specific chemical compounds in the painting layers and grounds, all of which provide additional information about the workshop of the most important painter of Polish Baroque. The main conclusion is that without using RS, it would be impossible to achieve these precise research results, helpful in the authentication of Szymon Czechowicz’s works.
{"title":"Raman Spectroscopy of the Works of Szymon Czechowicz (1689-1775)","authors":"M. Sawczak, Ewa Doleżyńska-Sewerniak","doi":"10.6092/ISSN.1973-9494/10671","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/10671","url":null,"abstract":"The paper presents the results from Raman spectroscopy (RS) analyses of the works of Szymon Czechowicz and his workshop ‒ the most important Polish baroque painter. RS was used for clarification and supplementation of results carried out by the methods: Infrared False Colour (IRFC), XRF, XRD, SEM-EDS, GC-MS, and ATR-FTIR. A complementary analysis of the artist’s work allowed the characterisation of the fillers and the binders of the grounds and the paint layers in his art. The presented results showed that RS was especially useful for identifying the pigments used in the mixtures. It allowed the presence of Prussian blue in the blue and green colours to be determined and made it possible to distinguish the types of iron pigments in the mixtures. The method was useful also for the identification of several types of black pigments in the samples and to identify the massicot in the ground layers which contained another lead pigment – lead white. Tables and figures show the summation of test results carried out by RS analysis, the indication of specific chemical compounds in the painting layers and grounds, all of which provide additional information about the workshop of the most important painter of Polish Baroque. The main conclusion is that without using RS, it would be impossible to achieve these precise research results, helpful in the authentication of Szymon Czechowicz’s works.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"52 1","pages":"231-249"},"PeriodicalIF":0.2,"publicationDate":"2020-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87609828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-18DOI: 10.6092/ISSN.1973-9494/10674
L. Guerriero, M. Cicala, N. Chiacchio, B. Bisceglia
The experimental work described in this paper is aimed at evaluating the possibility of applying microwave heating to a restoration project. The technique involves the application of microwaves to stone surfaces affected by biodeterioration. Results showed that the pests were completely devitalised. The materials chosen for the survey were yellow and grey tuff. Samples of both tuffs were taken in the area of agro nocerino-sarnese and samples of lime mortar and brick were taken from a ruin located in Saint Eustachio (AV). The methodology consists of two phases: in the first, samples of material are placed in a reverberation chamber and treated by varying the parameters of power and exposure time; in the second, they underwent chemical-physical analysis aimed at establishing whether the treatment had induced aesthetic and/or structural alterations. The procedure was performed both on intact samples and on powdered samples for further analysis. Specifically selected and treated samples were subjected to colorimetric analysis, thermogravimetric analysis, of x-ray diffraction, infrared spectroscopy, SEM, and analysis of transport properties and compressive strength. Results from the chemical and structural analyses relating to the samples treated with the protocol showed no differences between the treated and untreated material. The only difference between the two types of material used related to the absorption capacity of water after treatment. From this, it can be deduced that the heating of stone materials using microwaves devitalizes pests, while leaving the substrate unaltered and the microstructure unaffected by any change.
{"title":"Microwave Treatment of Stone Surfaces for the Devitalization of Biodeteriogens","authors":"L. Guerriero, M. Cicala, N. Chiacchio, B. Bisceglia","doi":"10.6092/ISSN.1973-9494/10674","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/10674","url":null,"abstract":"The experimental work described in this paper is aimed at evaluating the possibility of applying microwave heating to a restoration project. The technique involves the application of microwaves to stone surfaces affected by biodeterioration. Results showed that the pests were completely devitalised. The materials chosen for the survey were yellow and grey tuff. Samples of both tuffs were taken in the area of agro nocerino-sarnese and samples of lime mortar and brick were taken from a ruin located in Saint Eustachio (AV). The methodology consists of two phases: in the first, samples of material are placed in a reverberation chamber and treated by varying the parameters of power and exposure time; in the second, they underwent chemical-physical analysis aimed at establishing whether the treatment had induced aesthetic and/or structural alterations. The procedure was performed both on intact samples and on powdered samples for further analysis. Specifically selected and treated samples were subjected to colorimetric analysis, thermogravimetric analysis, of x-ray diffraction, infrared spectroscopy, SEM, and analysis of transport properties and compressive strength. Results from the chemical and structural analyses relating to the samples treated with the protocol showed no differences between the treated and untreated material. The only difference between the two types of material used related to the absorption capacity of water after treatment. From this, it can be deduced that the heating of stone materials using microwaves devitalizes pests, while leaving the substrate unaltered and the microstructure unaffected by any change.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"32 1","pages":"267-282"},"PeriodicalIF":0.2,"publicationDate":"2020-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83126238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-18DOI: 10.6092/ISSN.1973-9494/10350
A. Bosco, R. Bosco, L. Guerriero
In the borough of Casolla, near Caserta, a large number of proto-industrial buildings still exist that were used for the production of animal glue between the end of the 18th century and the beginning of the 20th century. The driers, an integral part of these structures, characterise the urban landscape, emerging with their long, high volumes from the mass of traditional buildings. The position and orientation of the driers of the glue factories (known as collere ), as they can still be seen today, were chosen solely for the purpose of achieving a very specific natural regime for the internal microclimate, aimed at maximising air flow and speed in order to accelerate the glue drying process. These formal aspects have been preserved until today, despite the changes made by the owners in order to transform the old driers into modern houses. The glue factories of Casolla, with their driers, constitute a " unicum " from an architectural point of view. A partial and updated re-proposal of the ancient production processes would be unimaginable for conservative purposes, because of their harmfulness to human health and their negative impact on the surrounding environment. That is why their conservation may only take place through refunctionalisation, respecting the typological characteristics and material consistency of the old factories. This type of strategy would be particularly effective due to the specific characteristics of the driers, as it would allow these special characteristics of the cultural landscape of the Caserta area to be preserved.
{"title":"The Glue Factories of Casolla: Archaeology of the Structures of a Proto-Industrial Bioclimatic System","authors":"A. Bosco, R. Bosco, L. Guerriero","doi":"10.6092/ISSN.1973-9494/10350","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/10350","url":null,"abstract":"In the borough of Casolla, near Caserta, a large number of proto-industrial buildings still exist that were used for the production of animal glue between the end of the 18th century and the beginning of the 20th century. The driers, an integral part of these structures, characterise the urban landscape, emerging with their long, high volumes from the mass of traditional buildings. The position and orientation of the driers of the glue factories (known as collere ), as they can still be seen today, were chosen solely for the purpose of achieving a very specific natural regime for the internal microclimate, aimed at maximising air flow and speed in order to accelerate the glue drying process. These formal aspects have been preserved until today, despite the changes made by the owners in order to transform the old driers into modern houses. The glue factories of Casolla, with their driers, constitute a \" unicum \" from an architectural point of view. A partial and updated re-proposal of the ancient production processes would be unimaginable for conservative purposes, because of their harmfulness to human health and their negative impact on the surrounding environment. That is why their conservation may only take place through refunctionalisation, respecting the typological characteristics and material consistency of the old factories. This type of strategy would be particularly effective due to the specific characteristics of the driers, as it would allow these special characteristics of the cultural landscape of the Caserta area to be preserved.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"249 7 1","pages":"177-189"},"PeriodicalIF":0.2,"publicationDate":"2020-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90786359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-18DOI: 10.6092/ISSN.1973-9494/10626
A. Dastgerdi, G. Luca
Historic quarters have been a significant component in creating the identity of historical cities in Iran. In the contemporary era, many of these historic landscapes have faced the collapse of their traditional and social foundations and been subjected to the degradation of their cultural, social and physical values. Given the dominant role of religion in the orientation of the political system in Iran, this article examines how religious differences have created significant spatial transformations in historic urban landscapes for religious minorities. Selecting the historic Armenian quarter in Isfahan (Julfa) as the case study, a new model for the preservation of historic landscapes in ghettos on a national scale has been proposed after having carried out the relevant research. Given the capacities in the constitution of the Islamic Republic of Iran, the findings of this research show that the model of federalism, if integrated into public policy, can promote the social freedom and rights of religious minorities in Iran by increasing the participation of local community and consequently, result in the sustainability of historic urban landscapes in the planning process.
{"title":"Religious Differences and Radical Spatial Transformations in Historic Urban Landscape","authors":"A. Dastgerdi, G. Luca","doi":"10.6092/ISSN.1973-9494/10626","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/10626","url":null,"abstract":"Historic quarters have been a significant component in creating the identity of historical cities in Iran. In the contemporary era, many of these historic landscapes have faced the collapse of their traditional and social foundations and been subjected to the degradation of their cultural, social and physical values. Given the dominant role of religion in the orientation of the political system in Iran, this article examines how religious differences have created significant spatial transformations in historic urban landscapes for religious minorities. Selecting the historic Armenian quarter in Isfahan (Julfa) as the case study, a new model for the preservation of historic landscapes in ghettos on a national scale has been proposed after having carried out the relevant research. Given the capacities in the constitution of the Islamic Republic of Iran, the findings of this research show that the model of federalism, if integrated into public policy, can promote the social freedom and rights of religious minorities in Iran by increasing the participation of local community and consequently, result in the sustainability of historic urban landscapes in the planning process.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"75 1","pages":"191-203"},"PeriodicalIF":0.2,"publicationDate":"2020-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83797264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-18DOI: 10.6092/ISSN.1973-9494/9947
F. Bouzid, Malika Kacemi Maghfour, Emmanuel Ammougou Mballa
La conservazione delle citta storiche e limitata, in molti Paesi, alla valorizzazione e alla salvaguardia che viene eseguita utilizzando diversi tipi di interventi. Molti Paesi, consapevoli dell'importanza del loro patrimonio nello sviluppo della vita umana, sono attualmente interessati al ruolo partecipativo dei loro abitanti nella conservazione. Le citta storiche in Algeria non sono immuni da questo fatto. Oggigiorno, particolare attenzione e rivolta alla qualita della vita nelle citta storiche algerine che sono in continua trasformazione. Analizzare lo stato di queste citta storiche e diventato un problema urgente. Lo scopo di questo articolo e di progettare una metodologia di analisi di abitabilita al fine di interpretare la qualita della vita e comprendere gli standard di vivibilita ideale. La metodologia adottata e divisa in due parti: la griglia e la sua proiezione e analisi. L'applicazione della griglia richiede dati molto diversi e un settore di studio. A tal fine, sono stati utilizzati diversi strumenti: un questionario, misurazioni sul campo e analisi diretta. Per il positivo risultato della ricerca e essenziale il lavoro sul campo: il caso studio presentato e relativo alla citta di Mostaganem.
{"title":"Towards an Analytical Habitability Grid for Heritage: the Medina of Mostaganem as a Case Study","authors":"F. Bouzid, Malika Kacemi Maghfour, Emmanuel Ammougou Mballa","doi":"10.6092/ISSN.1973-9494/9947","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/9947","url":null,"abstract":"La conservazione delle citta storiche e limitata, in molti Paesi, alla valorizzazione e alla salvaguardia che viene eseguita utilizzando diversi tipi di interventi. Molti Paesi, consapevoli dell'importanza del loro patrimonio nello sviluppo della vita umana, sono attualmente interessati al ruolo partecipativo dei loro abitanti nella conservazione. Le citta storiche in Algeria non sono immuni da questo fatto. Oggigiorno, particolare attenzione e rivolta alla qualita della vita nelle citta storiche algerine che sono in continua trasformazione. Analizzare lo stato di queste citta storiche e diventato un problema urgente. Lo scopo di questo articolo e di progettare una metodologia di analisi di abitabilita al fine di interpretare la qualita della vita e comprendere gli standard di vivibilita ideale. La metodologia adottata e divisa in due parti: la griglia e la sua proiezione e analisi. L'applicazione della griglia richiede dati molto diversi e un settore di studio. A tal fine, sono stati utilizzati diversi strumenti: un questionario, misurazioni sul campo e analisi diretta. Per il positivo risultato della ricerca e essenziale il lavoro sul campo: il caso studio presentato e relativo alla citta di Mostaganem.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"15 1","pages":"81-98"},"PeriodicalIF":0.2,"publicationDate":"2020-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79213964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-18DOI: 10.6092/ISSN.1973-9494/10669
E. Palla, Alejandro Gonzalez Lopez, David Avilés, Maria Angeles Sanchez Martinez
Based on the model of the “escape room” game, the activity proposed in this paper centres on the historical site of one of the fiercest battles of the Spanish Civil War (February 1937). The battle site is in the area of Rivas-vaciamadrid, the focal point of the Francoist and Republican camps, which connected the centre of Madrid with one of the city’s most important logistics and military facilities, Alcala de Henares. The study proposes a new way to use the site and, in particular, proposes a live game aimed at involving different types of participants, aligning it with their specific profiles, whether children, adults or scholars. Its main aim is to propose an activity for the sustainable valorization of this heritage and to raise awareness in participants about this significant piece of history as well as its preservation in the long-term. It should be kept in mind that “ Los pueblos que desconocen su Historia estan condenados a repetirla ”, i.e. “Those who do not know their history are doomed to repeat it”. The Rivas-vaciamadrid site is also a source of information and study regarding geological, natural and historical-artistic aspects. One example is the Porphyrio porphiyrio (western swamphen), present in the ecosystem of Rivas-vaciamadrid, which has a noteworthy past having been depicted in the mosaics of both the "Villa Romana del Casale" in Sicily and the Church of "San Vitale", in Ravenna, Italy as well as being reported in writings by Aristotle and Pliny the Elder.
基于“密室逃脱”游戏的模型，本文提出的活动以西班牙内战(1937年2月)最激烈的战斗之一的历史遗址为中心。战斗地点位于里瓦斯-瓦奇亚马德里地区，这里是佛朗哥和共和党阵营的中心，连接着马德里市中心和该市最重要的后勤和军事设施之一阿尔卡拉·德埃纳雷斯。该研究提出了一种使用该网站的新方式，特别是提出了一种针对不同类型参与者的实时游戏，使其与儿童，成人或学者的特定资料保持一致。其主要目的是提出一项活动，以促进该遗产的可持续增值，并提高参与者对这段重要历史的认识，以及对其长期保护的认识。应当铭记“Los pueblos que desconocen su Historia estan conconados a repetila”，即“不了解自己历史的人注定要重蹈覆辙”。里瓦斯-瓦奇马德里遗址也是地质、自然和历史艺术方面的信息和研究来源。其中一个例子是Porphyrio porphiyrio(西部沼泽)，存在于里瓦斯-瓦基亚马德里的生态系统中，它有一个值得注意的过去，在西西里岛的“罗马别墅”和意大利拉文纳的“圣维塔莱”教堂的马赛克中都有描绘，亚里士多德和老普林尼的著作中也有报道。
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Pub Date : 2020-01-01DOI: 10.6092/ISSN.1973-9494/12804
Judit Péterfi
In Europe and in Hungary, there are a large number of built heritage assets. Nowadays castles can be reused as schools, common lodging houses, hospitals or residential buildings. The optimal way to reuse them is as museums, hotels and event venues for tourist purposes. The current study aims to present and evaluate the adaptive reuse of castles as hotels and assess the interest of local residents, leaders and castle-owners. The research focuses on the advantages and disadvantages of castle hotels in the life of the settlements. The case studies were conducted in Somogy County, where several castle hotels are located. Interviews and surveys are essential research methods. The research emphasizes the need for co-operation, which is indispensable for reusing the castles as hotels, to satisfy all stakeholders.
{"title":"The Adaptive Reuse of Castles in Tourism and Settlement Development – Primary Impact Assessment of Somogy County’s Castle Hotels, Hungary","authors":"Judit Péterfi","doi":"10.6092/ISSN.1973-9494/12804","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/12804","url":null,"abstract":"In Europe and in Hungary, there are a large number of built heritage assets. Nowadays castles can be reused as schools, common lodging houses, hospitals or residential buildings. The optimal way to reuse them is as museums, hotels and event venues for tourist purposes. The current study aims to present and evaluate the adaptive reuse of castles as hotels and assess the interest of local residents, leaders and castle-owners. The research focuses on the advantages and disadvantages of castle hotels in the life of the settlements. The case studies were conducted in Somogy County, where several castle hotels are located. Interviews and surveys are essential research methods. The research emphasizes the need for co-operation, which is indispensable for reusing the castles as hotels, to satisfy all stakeholders.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"14 1","pages":"275-288"},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82897487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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