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Globalne translatio : "wynalezienie" komparatystyki literackiej, Stambuł, 1933
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2018-01-01 DOI: 10.18318/pl.2018.2.4
Emily Apter
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引用次数: 0
„Hardzi miedzy prostaki, że nic nie umiemy”. Kochanowski w pułapce sceptycyzmu
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2018-01-01 DOI: 10.18318/pl.2018.4.5
J. Sokolski
JACEK SOKOLSKI University of Wrocław “HARDZI MIEDZY PROSTAKI, ŻE NIC NIE UMIEMY [WE, IN OUR ARROGANCE, PRETEND TO HIGHER FACULTIES]” KOCHANOWSKI IN THE TRAP OF SCEPTICISM The subject of the article is a detailed analysis of the second part of Jan Kochanowski’s Tren XI (Lament XI). Contrary to the so far acceptable opinions expressed by former researchers, the poet in the piece by no means mocks the pride of men who persistently attempt to climb to heaven and spy on the Creator’s secrets, but conversely, he claims the stance of the ancient sceptics referring to the saying “I know that I know nothing” attributed to Socrates to be manifestation of pride and testimony of wisdom of those who credit that a man is unable to pronounce any judgement on the surrounding reality.
但相反地,他声称古代怀疑论者的立场是指苏格拉底所说的“我知道我什么都不知道”,这是那些认为一个人无法对周围的现实作出任何判断的人的骄傲和智慧的表现。
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引用次数: 0
Opowiadanie zwizualizować pismem. O pracy Oskara Kolberga nad tekstami ludowymi
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2018-01-01 DOI: 10.18318/pl.2018.1.10
Izabela Kotlarska
iZaBeLa kotLarSka adam mickiewicz University, Poznań ViSUaLiSinG Story aS WritinG on oSkar koLBerG’S Work on FoLk teXtS the subject of the paper are folk tales presented here as a complex and multilayer cultural palimpsest which combines orality and textuality, folk creation, and high culture conventions demonstrated in a work of a folklorist – collector and editor. the issue of diverse understanding of fidelity of recording the folklore texts in the 19th c. is discussed here – as based on the analyses of field records the effects of spoken words transcriptions are reconstructed. the paper also accounts for many various performative aspects (e.g. the character of situation, tone of voice and gestures), then it the specificity of the work of folklorist-editor who wanted to most generously offer the reader what he saw and heard. the article’s goal is finding the context of kolberg’s fables creation, namely all that accompanies telling the stories but lies outside the word.
iZaBeLa kotLarSka adam mickiewicz University, poznaz,对oSkar koLBerG关于民间文本的作品的可视化故事这篇论文的主题是民间故事,它是一个复杂的多层文化重写本,结合了口头和文本,民间创作,以及在一个民俗学家、收藏家和编辑的作品中展示的高级文化习俗。本文讨论了对19世纪民间文学文本记录保真度的不同理解问题,并在实地记录分析的基础上重构了口语抄写的效果。本文还解释了许多不同的表演方面(例如,情况的特点,语气和手势),然后它的民俗学编辑谁想要最慷慨地向读者提供他所看到和听到的作品的特殊性。这篇文章的目标是找到科尔伯格的寓言创作的背景,即所有伴随着讲故事但在世界之外的东西。
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引用次数: 0
„Sen o różnoistotności Fortuny i Cnoty” Jana Dantyszka w świetle listu „Somnium de fortuna” Eneasza Sylwiusza Piccolominiego
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2018-01-01 DOI: 10.18318/pl.2018.4.1
E. Drzewiecka
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引用次数: 0
W poszukiwaniu nowego spojrzenia na wczesnonowożytną ukraińską kulturę religijną. Uwagi na marginesie książki. Rec.: Natala Jakowenko, U poszukach nowoho neba. Żyttia i teksty Joanykija Galatowskoho. Kyjiw 2017
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2018-01-01 DOI: 10.18318/pl.2018.2.10
M. Korzo
MARgARITA A. KORzO Institute of philosophy – Russian Academy of Sciences,
MARgARITA A. KORzO俄罗斯科学院哲学研究所,
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引用次数: 0
Krótka historia „O!” (wokół utworu Julii Hartwig)
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2018-01-01 DOI: 10.18318/PL.2018.3.9
W. Sadowski
WitoLd sadoWski University of Warsaw a sHort History oF “o!” (aroUnd jULia HartWig’s PoeM) the paper presents the main evolutionary stages of the exclamation “o!” in european poetry from antiquity to modern times. a pretext for the research is julia Hartwig’s poem “o!” in which “o” is both an initial element of the proper text and the sole word in the title. However, the article can also be read otherwise, in which case the analysis of Hartwig’s O! is considered as the main topic whereas the repertoire of meanings and functions of “o”, as preserved in the literary tradition, serves as its pre-text. semantic variants of “o!” in greek and Latin literature are also indicated and seen as variants derived from a division into two functions, namely an appeal to the addressee, and an appeal to the superaddressee. next follows an outline of a process through which autonomy from national languages was granted to “o!,” thanks to which the word became an international lexeme of poetic language. the illustrative material is taken from english, French, german, italian, Polish, and Provençal literatures.
华沙WitoLd sadoWski大学“o!”(围绕jULia HartWig的诗)本文呈现了感叹词“o!在从古代到现代的欧洲诗歌中。这项研究的一个借口是茱莉亚·哈特威格的诗“哦!,其中“o”既是适当文本的初始元素,也是标题中的唯一单词。然而,这篇文章也可以以其他方式阅读,在这种情况下,对Hartwig的O!被认为是主题,而文学传统中保留的“o”的意义和功能则是它的前文本。“o!”在希腊和拉丁文学中,这个词也被视为两种功能的变体,即对收件人的呼吁和对超级收件人的呼吁。接下来是一个过程的概要,通过这个过程,“o!”,因此,这个词成为了一个国际性的诗歌语言词汇。说明性材料取自英语、法语、德语、意大利语、波兰语和普罗旺斯文学。
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引用次数: 1
To nie jest kraj dla ludzi myślących inaczej. O problemie konsolidacji wspólnoty narodowej na przykładzie „Omyłki” Bolesława Prusa
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2017-01-01 DOI: 10.18318/pl.2017.2.1
Bogusław Grodzki
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引用次数: 0
Listy Józefa Wittlina do Czesława Miłosza
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2017-01-01 DOI: 10.18318/PL.2017.1.8
R. Zajączkowski
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引用次数: 1
Jan Józef Lipski w Instytucie Badań Literackich. Część 3: Między KOR-em a "Ursusem" (1976-1982)
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2017-01-01 DOI: 10.18318/PL.2017.2.10
Łukasz Garbal
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引用次数: 0
Otwartość na rozmowę "Oblicza hermeneutyki" Pawła Dybla
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2017-01-01 DOI: 10.18318/PL.2017.1.14
Michał Piętniewicz
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引用次数: 0
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PAMIETNIK LITERACKI
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