{"title":"Eine zu Unrecht vergessene Novelle Werner Bergengruens: „Der Strom“ als Rezeptionsmedium mittelalterlicher Literatur im zwanzigsten Jahrhundert","authors":"A. Classen","doi":"10.1111/oli.12362","DOIUrl":"https://doi.org/10.1111/oli.12362","url":null,"abstract":"","PeriodicalId":42582,"journal":{"name":"ORBIS LITTERARUM","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43122609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The house the poet built","authors":"Wit Píetrzak","doi":"10.1111/oli.12364","DOIUrl":"https://doi.org/10.1111/oli.12364","url":null,"abstract":"","PeriodicalId":42582,"journal":{"name":"ORBIS LITTERARUM","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45944747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L’inférence dans les romans judiciaires d’Émile Gaboriau","authors":"D. Ventura","doi":"10.1111/oli.12360","DOIUrl":"https://doi.org/10.1111/oli.12360","url":null,"abstract":"","PeriodicalId":42582,"journal":{"name":"ORBIS LITTERARUM","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43751544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Architecture in the mind","authors":"K. Jaklewicz","doi":"10.1111/oli.12359","DOIUrl":"https://doi.org/10.1111/oli.12359","url":null,"abstract":"","PeriodicalId":42582,"journal":{"name":"ORBIS LITTERARUM","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41590568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The crisis of love in Michel Houellebecq’s\u0000 Sérotonine","authors":"Christian Refsum","doi":"10.1111/oli.12358","DOIUrl":"https://doi.org/10.1111/oli.12358","url":null,"abstract":"","PeriodicalId":42582,"journal":{"name":"ORBIS LITTERARUM","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44750974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Harold Pinter's\u0000 Old Times\u0000 and the play of indistinction","authors":"Ulla Kallenbach","doi":"10.1111/oli.12357","DOIUrl":"https://doi.org/10.1111/oli.12357","url":null,"abstract":"","PeriodicalId":42582,"journal":{"name":"ORBIS LITTERARUM","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49583725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this work I propose to examine the linguistic characterisation of the characters in Galdós’s last play, Santa Juana de Castilla (Saint Joanna of Castile, 1918). The analysis will show that in addition to the use of archaic language, the purpose of which may be to evoke the era, the linguistic style of the play is characterised by the use of colloquial forms or those that replicate spontaneous oral conversation. The oral and the colloquial contribute to the modernity of the work and also seem to be a kind of implicit criticism of the melodramatic elements of the drama. The linguistic style seen in the work is coherent with its interpretation as a reflection on the history of Spain and its future, and as a final synthesis of Galdosian thought. The analysis also reveals that Galdós upheld his intention to revitalise literary language through the spoken word until the very end.
{"title":"The linguistic characterisation of Galdós’s characters in his last play, Santa Juana de Castilla","authors":"Miguel Á. Perdomo-Batista","doi":"10.1111/oli.12348","DOIUrl":"https://doi.org/10.1111/oli.12348","url":null,"abstract":"In this work I propose to examine the linguistic characterisation of the characters in Galdós’s last play, <i>Santa Juana de Castilla</i> (<i>Saint Joanna of Castile</i>, 1918). The analysis will show that in addition to the use of archaic language, the purpose of which may be to evoke the era, the linguistic style of the play is characterised by the use of colloquial forms or those that replicate spontaneous oral conversation. The oral and the colloquial contribute to the modernity of the work and also seem to be a kind of implicit criticism of the melodramatic elements of the drama. The linguistic style seen in the work is coherent with its interpretation as a reflection on the history of Spain and its future, and as a final synthesis of Galdosian thought. The analysis also reveals that Galdós upheld his intention to revitalise literary language through the spoken word until the very end.","PeriodicalId":42582,"journal":{"name":"ORBIS LITTERARUM","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138537314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Monstrosity in P. B. Shelley's\u0000 The Triumph of Life\u0000 through Akkerman’s\u0000 Citadel‐to‐Garden\u0000 trajectory","authors":"Roohollah Datli Beigi, Pyeaam Abbasi, Zahra Jannessari Ladani","doi":"10.1111/oli.12347","DOIUrl":"https://doi.org/10.1111/oli.12347","url":null,"abstract":"","PeriodicalId":42582,"journal":{"name":"ORBIS LITTERARUM","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47498553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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