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Sojourn 旅居
IF 0.4 4区 历史学 Q1 HISTORY Pub Date : 2024-08-16 DOI: 10.1353/scu.2024.a934710
Alexis Pauline Gumbs, Michelle Lanier, Johnica Rivers
<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span><p> <ul> <li><!-- html_title --> Sojourn <!-- /html_title --></li> <li> Alexis Pauline Gumbs (bio), Michelle Lanier (bio), and Johnica Rivers (bio) </li> </ul> <br/> Click for larger view<br/> View full resolution <p><em>Luminous and Suspicious Person #1</em>, by S. Erin Batiste, 2022. Mixed media collage, 9 × 10 in. All images from the <em>Major Arcana</em> series, which transforms early twentieth-century mugshots of Black women and girls (likely the only photographs from their lifetime), from the New Orleans Public Library archive.</p> <p></p> <p><strong>[End Page 2]</strong></p> <p><strong>SOMETIMES YOU CAN</strong> prepare for a sojourn. Plan your route. Gather resources. Train your breathing. Maybe you will visualize your success. Chant the names you will need to remember. Pray for strength. Some of us write a list of days. Notify our loved ones. Give away our excess. But what you cannot know at the beginning of a sojourn is who you will be on the other side. This is what we want for you.</p> <p>We do not know how Harriet Jacobs—or for that matter Harriet Tubman, Sojourner Truth, or any other freedom-seeking formerly enslaved woman—chanted our names, planned for our daring recklessness, gathered seeds we would one day plant. We do not know specifically what Harriet Jacobs saw during her fevered dreams as she almost died in the garret above her grandmother's rat-invaded storeroom. What Tubman saw in her dreams the night before she woke up and said, "My people are free." What Truth saw when she blinked and knew her name. But we do know that they committed to move from one state of being to another, even when that movement came through profound stillness. And we do know that their movement had an impact on us. The place we find <strong>[End Page 3]</strong></p> <br/> Click for larger view<br/> View full resolution <p><em>Luminous and Suspicious Person #4</em> by S. Erin Batiste, 2024. Mixed media collage, 9 × 10 in.</p> <p></p> <p><strong>[End Page 4]</strong> ourselves now. The place we lose ourselves constantly. This is where we meet you. In a multigenerational field of faith. A brave unknowing.</p> <p>And so, we hope that as you witness the gathered offerings, conversations, analytical texts, creative writing, and visual artistry here you will tarry and forget yourself. Find yourself in another possibility.</p> <p>When you sojourn "In the Swamp" with kai lumumba barrow and Lydia Pelot-Hobbs, will you remember that Harriet Jacobs slept among the water moccasins, hiding in a swampland, while her kin prepared a hiding place in the crevices of the home of (self-freed) Molly? Will you move toward what abolition requires without having to know what exactly you will personally lose?</p> <p>When you follow Beatrice J. Adams into "Habitual Return," will you hold the possibility that each time participants in the Great Migration returned, they returned to a diffe
以下是内容的简要摘录,以代替摘要: Sojourn Alexis Pauline Gumbs(简历)、Michelle Lanier(简历)和 Johnica Rivers(简历 点击查看大图 查看完整分辨率 S. Erin Batiste 创作的《发光的可疑人物 #1》,2022 年。混合媒介拼贴画,9 × 10 英寸。所有图片均来自新奥尔良公共图书馆档案中的 Major Arcana 系列,该系列将 20 世纪早期黑人妇女和女孩的大头照(可能是她们生前唯一的照片)进行了改造。 [末页 2] 有时候,你可以为旅行做好准备。规划路线。收集资源。训练呼吸。也许你会想象自己的成功。吟诵你需要记住的名字。祈求力量。有些人会写一份日子清单。通知我们的亲人。捐出多余的钱。但是,在旅途开始时,你无法知道的是,在旅途的另一端,你会成为什么样的人。这就是我们对你的期望。我们不知道哈丽雅-雅各布斯--或者说哈丽雅-塔布曼、索琼娜-真理,或者其他任何一位追求自由的前被奴役妇女是如何为我们取名,如何为我们的大胆鲁莽计划,如何为我们收集有朝一日会播下的种子。我们不知道哈丽雅特-雅各布斯在她几乎死在祖母老鼠出没的储藏室上的车库里时,在她的狂热梦境中具体看到了什么。塔布曼在醒来说 "我的人民自由了 "的前一晚的梦中看到了什么。当她眨了眨眼睛,知道自己的名字时,真理看到了什么。但我们确实知道,他们致力于从一种存在状态走向另一种存在状态,即使这种运动是通过深刻的静止来实现的。我们知道,他们的行动对我们产生了影响。我们找到的地方 [第 3 页完] 点击查看大图 查看完整分辨率 S. Erin Batiste 创作的《发光的可疑人物 #4》,2024 年。混合媒介拼贴画,9 × 10 英寸。 [第 4 页完我们不断迷失自我的地方。这就是我们与你相遇的地方。在多代人的信仰中。勇敢的未知。因此,我们希望,当你目睹这里汇聚的祭品、对话、分析文章、创意写作和视觉艺术时,你会驻足停留,忘记自己。在另一种可能性中找到自己。当你与凯-伦巴-巴罗和莉迪亚-佩洛特-霍布斯一起在 "沼泽地 "逗留时,你是否会想起哈丽雅特-雅各布斯躲在沼泽地里,睡在水貂中间,而她的亲戚则在莫莉(获得自我自由)家的缝隙中准备了藏身之处?你会朝着废除奴隶制所要求的方向前进,而不必知道你个人究竟会失去什么吗?当你跟随比阿特丽斯-亚当斯(Beatrice J. Adams)进入 "习惯性回归"(Habitual Return)时,你是否会认为大迁徙的参与者每次回归时,都是以不同的身份回到了同一个地方的不同版本?而你也可能以不同的方式回到这一页,可能对什么是离开、什么是你和你的家有不同的理解?当你驻足于乔凡娜-琼斯(Jovonna Jones)的 "流动女孩的寄宿之家 "时,想想你甚至不知道你要去的地方需要什么,你 "会惊讶于 "为你的到来已经做出的牺牲。当你聆听莱蒂西亚-哈克比与杰西卡-林恩的对话,讲述她在北卡罗来纳州埃登顿哈丽特-雅各布斯家附近的法院进行摄影创作时,你是否会想到自己的影子?如果你现在觉得自己只是一个影子的地方正是你应该接管的地方呢?如果你在聆听莱蒂西亚释放我们需要知道的东西时忘记了自己呢?你能听到吗?杰特-图默的文字在书页中叩击的声音?这是辫子上的珠子在炎热的天空中的节奏,从黑人女孩高高扬起的头上飞过,是乡村事物的城市化重演,是黑人南方亲属回归的编排。通过《小殖民地》,我们也被带到了她母亲的故乡--北得克萨斯州,通过潮湿、恙虫叮咬、照片和萦绕心头的疑问打开的认知之门。
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引用次数: 0
Taking Up Space 占用空间
IF 0.4 4区 历史学 Q1 HISTORY Pub Date : 2024-08-16 DOI: 10.1353/scu.2024.a934719
Regina N. Bradley
<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span><p> <ul> <li><!-- html_title --> Taking Up Space <!-- /html_title --></li> <li> Regina N. Bradley </li> </ul> <br/> Click for larger view<br/> View full resolution <p><em>Untitled</em>, by Minnie Evans, 1960. Colored pencil on paper, 11 3/4 × 8 3/4 in. North Carolina Museum of Art, Gift of Mr. and Mrs. D. H. McCollough and the North Carolina State Art Society (Robert F. P. Phifer Bequest, 87.2).</p> <p></p> <p><strong>[End Page 112]</strong></p> <p><strong>I'<small>m in edenton, north carolina</small></strong>. I'm here to do some sacred work. I slowly turn the bowl of white rose petals in my hands. They are moist from freshly fallen tears after hearing Lois Deloatch sing "It Is Well with My Soul." That was my Nana's favorite song, and it still broke me to hear it. It was approaching the two-year anniversary of Nana's death and her entering the ancestral realm. I turn the bowl again and look out at the water next to Molly Horniblow's resting place. Horniblow hid her granddaughter Harriet Jacobs in her attic for nearly seven years to protect her from the oppressions of slavery. Harriet Ann Jacobs was a freedom fighter, writer, and businesswoman and the author of the exceptional and heart-wrenching autobiography <em>Incidents in the Life of a Slave Girl</em> (1861). There's something special about a grandmother's love and protection. Hot tears fell as our grandmothers' loves overlapped.</p> <p>It is well with their souls, and mine is working on it. I throw petals into the water. Prayers, blessings, tears. Prayers, blessings, release. A hand gently supports my lower back. I breathe out and let go of the rest of my flower petals. A duck swims by, head high, slowing down enough to watch our ritual of love and attention to the ancestors and grandmothers. She wades through the flowers like they belong to her.</p> <p>Asé.</p> <h2>_______</h2> <p><strong><small>later that day</small></strong>, I stood in front of a True Value hardware store. The two-story brick building sported a sign and an unremarkable concrete parking lot with an equally unremarkable wooden fence. Or so I thought.</p> <p>The site was where Molly Horniblow's house once stood. "Had the least suspicion rested on my grandmother's house, it would have burned to the ground," Jacobs wrote. "But it was the last place they thought of. Yet there was no place where slavery existed that could have afforded me <strong>[End Page 113]</strong> so good a place of concealment." I just couldn't imagine how Jacobs endured such a daunting space. The stifling lack of movement of her body and the air, the vermin that crawled on and around her, and the rigidity of the wooden garret that refused to bow to the world rotating around it had to be a Herculean task. Her concealment was life and death. Her grandmother's and her family's love also hid her and sustained her through the ordeal.<sup>1</sup></p> <p>Now, there was n
作为摘要,以下是内容的简要摘录: 占用空间》 Regina N. Bradley 点击放大 查看完整分辨率 《无题》,米妮-埃文斯,1960 年。纸上彩色铅笔,11 3/4 × 8 3/4 英寸。北卡罗来纳州艺术博物馆,D. H. McCollough 夫妇和北卡罗来纳州艺术协会赠与(Robert F. P. Phifer 遗赠,87.2)。 [第112页完] 我在北卡罗来纳州的埃丹顿。我在这里做一些神圣的工作。我慢慢翻动手中的白玫瑰花瓣。在听完洛伊斯-德洛阿奇演唱的 "我的灵魂安好 "后,花瓣被刚流下的泪水浸湿了。这是我奶奶最喜欢的一首歌,现在听来仍让我心碎。娜娜去世和她进入祖先世界的两周年纪念日快到了。我再次转过碗,望着莫莉-霍尼布洛(Molly Horniblow)安息之地旁边的水域。为了保护孙女哈丽特-雅各布斯免受奴隶制的压迫,霍尼布洛将她藏在自家阁楼里将近七年。哈丽特-安-雅各布斯是一位自由斗士、作家和女商人,著有《一个女奴生活中的事件》(1861 年)这本杰出而令人心碎的自传。祖母的爱和保护是与众不同的。当我们祖母的爱重叠在一起时,热泪落下。她们的灵魂安好,我的灵魂也在努力。我将花瓣抛入水中。祈祷、祝福、泪水。祈祷、祝福、释放。一只手轻轻地支撑着我的腰部。我呼出一口气,放开剩下的花瓣。一只鸭子昂首游过,放慢了脚步,看着我们向祖先和祖母表达爱意的仪式。她徜徉在花丛中,就像这些花属于她一样。阿塞。_______ 那天晚些时候,我站在一家 True Value 五金店前。这栋两层的砖楼挂着一个招牌,还有一个不起眼的水泥停车场和一个同样不起眼的木栅栏。我是这么想的。莫莉-霍尼布罗的房子曾经就在这里。"雅各布斯写道:"如果我祖母的房子受到一点怀疑,它就会被烧成灰烬。"但这是他们最后想到的地方。然而,在奴隶制存在的地方,没有一个地方能为我提供 [第113页完] 这么好的藏身之处"。我实在无法想象雅各布斯是如何忍受如此令人生畏的空间的。她的身体和空气都无法流动,害虫在她身上和周围爬来爬去,木制的阁楼坚硬无比,拒绝向周围旋转的世界低头,这一切都必须是一项艰巨的任务。她的隐蔽是生与死的抉择。祖母和家人的爱也将她藏了起来,支撑着她度过难关。1 现在,没有遮掩,只有柏油、砖块和记忆。"唉......"我叹了口气。如此壮观的抵抗行动怎么会被身体抹去呢?北卡罗来纳州历史遗址管理处主任米歇尔-拉尼尔(Michelle Lanier)身着手工染制的靛蓝色连衣裙,站在木栅栏旁,向我的参观团招手。拉尼尔的存在感很强,但并不令人生畏。她很有号召力。我们对雅各布斯的藏身之处已不复存在感到失望,拉尼尔敏捷地化解了我们的失望。她面带微笑,指着栅栏上的一个小洞,鼓励我们走近她,进入她创造的世界。她让我们把栅栏上的洞想象成雅各布斯在栅栏上的同一个地方自己用铰刀钻出的洞。每一个洞都代表着雅各布斯看到世界的一种可能性,也许最渴望看到的是她的孩子们。每一个钻孔都是雅各布斯坚定而有意地选择反击压迫,是她争取自主权的机会。精神世界和物质世界、过去世界和现在世界的重叠,是一次想象力和意志力的强大旅行。拉尼尔鼓励人们重新想象栅栏上的洞,这是她所称的 "女性主义制图学 "的一种实践,"通过渲染黑人妇女和女性,重新定位她们......"。
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引用次数: 0
Down South 南下
IF 0.4 4区 历史学 Q1 HISTORY Pub Date : 2024-08-16 DOI: 10.1353/scu.2024.a934718
Jet Toomer

Abstract:

This personal essay uses narration to explore a northern descendant's direct connection to the legacy of the Great Migration though the lenses of her southern family's homelands, traditions, and family lineages. Memory and storytelling are the tools the author uses to weave through time and place, from her and her parents' youths through adulthoods, in both the North and South, to lay claim upon a heritage that has been erased, obfuscated, and undervalued chiefly because of systemic discrimination and secondarily because of intergenerational silences tied to racialized violence, poverty, and grief. With the intent to expand beyond the limitations of biased and incomplete accounts of Black histories, the prose therein culls through the author's memories and tethers them to those of her ancestors aiming to reconcile the dissonance between her northern upbringing and her southern roots.

摘要:这篇个人散文以叙述的方式,通过其南方家族的故乡、传统和家系,探讨了一位北方后裔与大迁徙遗产的直接联系。作者以记忆和讲故事为工具,穿越时空,从她和父母的青年时代到成年时期,从北方到南方,对被抹杀、模糊和低估的遗产提出诉求,这主要是由于系统性的歧视,其次是由于与种族暴力、贫困和悲伤相关的代际沉默。为了超越对黑人历史的偏见和不完整描述的局限,这篇散文通过作者的记忆,将其与祖先的记忆联系在一起,旨在调和她的北方成长经历与南方根基之间的矛盾。
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引用次数: 0
The Rhetoric and the Reality of the New Southern Strategy: Courtland Cox, Nsé Ufot, and Charles V. Taylor Jr. in Conversation 新南方战略的言辞与现实:考特兰德-考克斯、恩塞-乌弗特和小查尔斯-泰勒的对话
IF 0.4 4区 历史学 Q1 HISTORY Pub Date : 2024-03-13 DOI: 10.1353/scu.2024.a922024
Emilye Crosby

Abstract:

This article is an edited intergenerational conversation among Courtland Cox, a member of the Student Nonviolent Coordinating Committee (SNCC) in the 1960s; Nsé Ufot, former executive director of the New Georgia Project; and Charles V. Taylor Jr., executive director of the Mississippi State NAACP, on April 7, 2023. This discussion explores key issues in today's national politics, especially the role of southern Black and Brown voters and strategists, and calls for the emergence of a New Southern Strategy. Cox drew on his work with SNCC in Lowndes County, Alabama, in the 1960s, which focused on voter registration and the development of the Lowndes County Freedom Party, while Ufot discussed her work leading the New Georgia Project as they transformed Georgia's electorate, and Taylor highlighted his work on the 2015 Better Schools, Better Jobs Ballot Initiative 42 in Mississippi.

摘要:本文是 2023 年 4 月 7 日,20 世纪 60 年代 "学生非暴力协调委员会"(SNCC)成员考特兰德-考克斯(Courtland Cox)、"新乔治亚项目"(New Georgia Project)前执行主任恩塞-乌弗特(Nsé Ufot)和密西西比州有色人种协进会执行主任小查尔斯-泰勒(Charles V. Taylor Jr.讨论探讨了当今国家政治中的关键问题,特别是南方黑人和棕色选民及战略家的作用,并呼吁制定新南方战略。考克斯介绍了他 20 世纪 60 年代在阿拉巴马州洛恩德斯县的 SNCC 工作情况,工作重点是选民登记和洛恩德斯县自由党的发展;乌福特则讨论了她领导 "新佐治亚项目"(New Georgia Project)改造佐治亚州选民的工作情况;泰勒则重点介绍了他在密西西比州 2015 年 "更好的学校、更好的工作 "第 42 号选票倡议中的工作情况。
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引用次数: 0
A Real Evidence of Community: Poll Worker Portraits in the North Carolina Piedmont 社区的真实证据:北卡罗来纳州皮德蒙特的投票站工作人员肖像
IF 0.4 4区 历史学 Q1 HISTORY Pub Date : 2024-03-13 DOI: 10.1353/scu.2024.a922020
Kate Medley

Abstract:

Georgia poll workers came under fire for alleged election fraud in the 2020 presidential election, but the accusations stood in stark contrast to the author's own experiences as a poll worker in North Carolina during the same election. The author, a photographer, visited a few precincts in central North Carolina to ask volunteers why they became poll workers and to discuss their duty to ensure all voters who showed up were able to cast a ballot and have it counted. Some poll workers talked about voting rights; many described their own voting history and the changes they've witnessed. Others talked about misinformation and the news media. All mentioned integrity, asking themselves: As a citizen and as a poll worker, what can I do to help ensure that each person in my community has the opportunity to vote on Election Day and have that vote counted?

摘要:在2020年总统大选中,佐治亚州的投票站工作人员因涉嫌选举舞弊而备受指责,但这些指责与作者本人在北卡罗来纳州担任投票站工作人员的经历形成了鲜明对比。作者是一名摄影师,他走访了北卡罗来纳州中部的几个选区,询问志愿者为何成为投票站工作人员,并讨论了他们的职责,即确保所有到场的选民都能投票并得到计票。一些投票站工作人员谈到了投票权;许多人介绍了自己的投票历史以及他们目睹的变化。还有人谈到了错误信息和新闻媒体。所有人都提到了诚信,扪心自问:作为一名公民和投票站工作人员,我能做些什么来帮助确保我所在社区的每个人都有机会在选举日投票并将选票计算在内?
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引用次数: 0
The Voting Rights Act beyond the Headlines 标题之外的《投票权法案
IF 0.4 4区 历史学 Q1 HISTORY Pub Date : 2024-03-13 DOI: 10.1353/scu.2024.a922019
Emilye Crosby, Judy Richardson

Abstract:

This article introduces readers to the ongoing African American struggle for full voting rights from Reconstruction to the present. It explains some of the significant ways white supremacists (mis)used the legal and political system, along with violence and economic terrorism, to suppress the Black vote. The essay gives particular attention to the collective work of African Americans to secure voting rights during the modern Civil Rights Movement, with a focus on the organizing work of the Student Nonviolent Coordinating Committee (SNCC), mentored by Ella Baker. While many people give well-known leaders like Dr. Martin Luther King Jr. and President Lyndon Johnson credit for the Voting Rights Act of 1965, SNCC workers immersed themselves in communities for bottom-up organizing to demand the vote and make it impossible for the country to continue to ignore the violent suppression of Black rights. The article concludes with contemporary voting rights challenges.

摘要:本文向读者介绍了从重建时期至今非裔美国人为争取充分投票权而进行的持续斗争。文章解释了白人至上主义者(错误)利用法律和政治制度以及暴力和经济恐怖主义压制黑人投票权的一些重要方式。文章特别关注非裔美国人为在现代民权运动中获得投票权所做的集体努力,重点介绍了由埃拉-贝克指导的学生非暴力协调委员会(SNCC)的组织工作。虽然许多人将 1965 年《投票权法案》归功于小马丁-路德-金博士和林登-约翰逊总统等知名领袖,但学生非暴力协调委员会的工作人员却深入社区,开展自下而上的组织工作,要求获得投票权,使国家无法继续忽视对黑人权利的暴力压制。文章最后介绍了当代投票权面临的挑战。
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引用次数: 0
Sea Turtle Sonnet 海龟十四行诗
IF 0.4 4区 历史学 Q1 HISTORY Pub Date : 2024-03-13 DOI: 10.1353/scu.2024.a922027
Zeina Hashem Beck
In lieu of an abstract, here is a brief excerpt of the content:

  • Sea Turtle Sonnet
  • Zeina Hashem Beck (bio)

After Cairokee

Our parents stayed during the civil war.Don't say we escaped, just that we too failed.We left Beirut on the verge of collapse& revolution. That clearing of hope,where would we be without it? Ask Ziad,who put the city on a stage & laughedat its slow ways of killing us with pillsor memory. So many of us screamin concerts & sleep. When in doubt, try kohl.The artist with Cairo in his name sings"This is a cause," friend, "& that's another:"save sea turtles & ignore oppression,poppies. When the dark times come, try yoga.Don't say we betrayed, just that we too feared. [End Page 134] Don't say we betrayed, just that we too fearedpoppies. When the dark times come, try yoga,save sea turtles & ignore oppression."This is a cause," friend, "& that's another."The artist with Cairo in his name singsin concerts & sleep. When in doubt, try kohlor memory—so many of us screamat its slow ways of killing us with pills.Who put the city on a stage & laughed?Where would we be without it? Ask Ziad& revolution, that clearing of hope.We left Beirut, on the verge of collapse.Don't say we escaped, just that we too failedour parents, stayed during the civil war.

Zeina Hashem Beck

zeina hashem beck is a Lebanese poet. Her third poetry collection, titled O, was published by Penguin Books in July 2022. It won the 2023 Arab American Book Award for Poetry and was named a Best Book 2022 by Lit Hub and the New York Public Library.

notes

This sonnet references a song by "Cairokee," and the line This is a cause, and that's another is quoted directly from it. The song also mentions sea turtles as follows: They save sea turtles, they kill human animals. Cairokee, "Telk Qadeya (This Cause)," CairokeeOfficial channel on YouTube, November 2023, https://www.youtube.com/watch?v=Zf3BvhjWTKg.

Ziad refers to Ziad Rahbani, Lebanese musician and playwright. "That clearing of hope" is a nod to a line by Al-Tughra'i, a line which Ziad satirizes in one of his plays.

Copyright © 2024 Center for the Study of the American South Indexed in Humanities International Complete ...

以下是内容的简要摘录,以代替摘要: 海龟十四行诗 Zeina Hashem Beck (bio) After Cairokee 我们的父母在内战期间留了下来。不要说我们逃脱了,只是我们也失败了。如果没有希望之光,我们会在哪里?问问齐亚德吧,他把这座城市搬上舞台,嘲笑它用药片或记忆慢慢杀死我们。我们中的许多人在音乐会和睡眠中尖叫。这位以开罗为名的艺术家唱道:"这是一项事业,"朋友,"& 那是另一项事业:"拯救海龟& 无视压迫,罂粟花。不要说我们背叛,只说我们也害怕。[不要说我们背叛,只是我们也害怕罂粟花。当黑暗来临时,试试瑜伽,拯救海龟& 忽略压迫。"这是一个原因,"朋友,"& 那是另一个原因。"名字里有开罗的艺术家在音乐会上唱歌& 睡觉。当有疑问时,不妨试试开罗的记忆--我们中的许多人都在尖叫,它用缓慢的方式用药丸杀死了我们。"是谁把这座城市搬上舞台的?我们离开了濒临崩溃的贝鲁特。不要说我们是逃出来的,只是我们也辜负了我们的父母,在内战期间留了下来。Zeina Hashem Beck Zeina Hashem Beck 是黎巴嫩诗人。她的第三部诗集《O》于 2022 年 7 月由企鹅出版社出版。该诗集荣获 2023 年阿拉伯裔美国人诗歌图书奖,并被 Lit Hub 和纽约公共图书馆评为 2022 年最佳图书。注释 这首十四行诗引用了 "Cairokee "的一首歌,其中的 "This is a cause, and that's another"(这是一个原因,那是另一个原因)直接引自这首歌。这首歌还提到了海龟,内容如下他们拯救海龟,他们杀害人类动物。Cairokee,"Telk Qadeya (This Cause)",YouTube 上的 Cairokee 官方频道,2023 年 11 月,https://www.youtube.com/watch?v=Zf3BvhjWTKg。Ziad 指黎巴嫩音乐家和剧作家 Ziad Rahbani。"希望之光 "是对 Al-Tughra'i 的一句台词的点赞,Ziad 在他的一部剧作中对这句台词进行了讽刺。版权所有 © 2024 美国南方研究中心 在《国际人文科学》中索引完整 ...
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引用次数: 0
"Blocks for Freedom": Sewing for Voting in Post-Jim Crow Mississippi "自由的积木后吉姆-克劳时代密西西比州为投票而缝制的衣服
IF 0.4 4区 历史学 Q1 HISTORY Pub Date : 2024-03-13 DOI: 10.1353/scu.2024.a922021
William Sturkey

Abstract:

This article examines a voting rights campaign known as "Blocks for Freedom" that was launched in 1966 to help a group of rural African American women in Clay County, Mississippi, protect their right to vote. These Black women faced significant obstacles to vote even after the passage of the 1965 Voting Rights Act. Local white vigilantes and county administrators used violence and the threat of informal economic sanctions to punish Black citizens who registered to vote. "Blocks for Freedom" sought to circumvent these limitations by creating jobs for Black women that would offer a living wage and protect their ability to cast ballots. Led by poor women in Mississippi and civil rights advocates in New York City, this innovative campaign shows how grassroots activists encountered voter suppression techniques employed to dilute the Black vote after the Civil Rights Movement.

摘要:本文探讨了 1966 年发起的名为 "自由街区 "的投票权运动,该运动旨在帮助密西西比州克莱县的一群农村非裔美国妇女保护她们的投票权。即使在 1965 年《投票权法案》通过之后,这些黑人妇女在投票时也面临着巨大的障碍。当地的白人治安维持会和县行政人员使用暴力和非正式经济制裁的威胁来惩罚登记投票的黑人公民。"自由街区 "试图通过为黑人妇女创造工作机会来规避这些限制,这些工作既能提供生活工资,又能保护她们的投票能力。在密西西比州贫困妇女和纽约市民权倡导者的领导下,这场创新运动展示了基层活动家如何在民权运动后遭遇用来稀释黑人选票的选民压制手段。
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引用次数: 0
These Are Revolutionary Times 这是革命的时代
IF 0.4 4区 历史学 Q1 HISTORY Pub Date : 2024-03-13 DOI: 10.1353/scu.2024.a922026
Marcie Cohen Ferris
<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span><p> <ul> <li><!-- html_title --> These <em>Are</em> Revolutionary Times <!-- /html_title --></li> <li> Marcie Cohen Ferris </li> </ul> <br/> Click for larger view<br/> View full resolution <p>"We who believe in freedom cannot rest (Ella Baker)," by Amos Paul Kennedy Jr. Letterpress, Kennedy Prints! 2012. Courtesy of the Library of Congress.</p> <p></p> <p><strong>[End Page 128]</strong></p> <p><strong><small>as we move through</small></strong> these fraught days in America, watching with horror the incomprehensible destruction and death in Israel, Gaza, and Ukraine, I ponder if we are living in <em>more</em> historic, troubling times than generations before us. Certainly not, but the constant bombardment of images and breaking news on social media certainly make it feel that way in the face of rising global nationalism and far-right terrorism; a broken, illegitimate Supreme Court; the reemergence of colonizing "projects"; flooding, fires, and the hottest year on record; the attack on women's reproductive rights; the constant assault on Black voting rights, so powerfully explored in this issue; and soaring acts of Jewish hate.</p> <p>In December 2023, I watched brilliant Jewish Studies scholar Pamela Nadell, cochair of my doctoral committee, testify before a congressional committee about the history of antisemitism in America and at its universities. In that same hearing, which functioned more as a kangaroo court, the women presidents of Harvard, UPenn, and <small>mit</small> were interrogated and called to "atone" for what Representative Virginia Foxx (R-NC) described as the "intellectual and moral rot" at universities. <strong>[End Page 129]</strong></p> <p>Foxx and her colleagues used antisemitism and free speech in a circular attack on America's elite educational institutions as she called out the "race-based ideology of the radical left." <em>New York Times</em> journalist Naomi Klein describes this "doppelgänger politics" of the right who use antisemitism as a "weapon to wage war on the left." Within a month of the hearing, the first Black female president of Harvard, Claudine Gay, and UPenn's president, Elizabeth Magill, resigned from their positions.<sup>1</sup></p> <p>These <em>are</em> revolutionary times. As Emilye Crosby and Judy Richardson note in their essay on the history of the Voting Rights Act, "We are in the midst of a tremendous battle. Will our democracy hold? Will we be able to obtain voting rights for all?" Benjamin Barber positions the continued Republican attack on southern voting rights—the cuts to early voting, strict photo ID requirements, restrictions on absentee voting, and more—within a campaign to demolish democracy, including the systemic undermining of the legitimacy of the electoral process. Yet, he reminds us that years of local organizing and efforts to counter voter suppression have steadily increased the number of people
以下是内容的简要摘录,以代替摘要: 这些都是革命性的时代 Marcie Cohen Ferris 点击放大 查看完整分辨率 "我们相信自由不能休息(艾拉-贝克)",作者:小阿莫斯-保罗-肯尼迪,凸版印刷,肯尼迪版画!2012.美国国会图书馆提供。 [第 128 页结束语]当我们在美国度过这些令人不安的日子,惊恐地看着以色列、加沙和乌克兰发生的令人难以理解的破坏和死亡时,我在思考,我们是否生活在比我们前几代人更具历史性、更令人不安的时代。当然不是,但社交媒体上不断轰炸的图片和爆炸性新闻肯定会让人有这种感觉,因为我们面对的是日益高涨的全球民族主义和极右恐怖主义;一个残缺不全、不合法的最高法院;殖民化 "项目 "的再次出现;洪水、火灾和有记录以来最热的一年;对妇女生育权的攻击;对黑人投票权的不断攻击(本期杂志对此进行了有力的探讨);以及对犹太人仇恨行为的飙升。2023 年 12 月,我目睹了杰出的犹太研究学者帕梅拉-纳德尔(Pamela Nadell)在国会委员会就美国及其大学的反犹太主义历史作证,她是我的博士生委员会的共同主席。在同一次听证会上,哈佛大学、宾夕法尼亚大学和密歇根大学的女校长们受到了审问,并被要求为众议员弗吉尼亚-福克斯(Virginia Foxx)所说的大学 "知识和道德上的腐朽""赎罪"。[福克斯和她的同事们利用反犹太主义和言论自由对美国的精英教育机构进行了循环攻击,同时她还抨击了 "激进左派基于种族的意识形态"。纽约时报》记者纳奥米-克莱因(Naomi Klein)描述了右派的这种 "二重唱政治",他们利用反犹太主义作为 "向左派发动战争的武器"。听证会后一个月内,哈佛大学首位黑人女校长克劳迪娜-盖伊(Claudine Gay)和宾夕法尼亚大学校长伊丽莎白-马吉尔(Elizabeth Magill)辞去了职务。正如艾米莉-克罗斯比(Emilye Crosby)和朱迪-理查德森(Judy Richardson)在其关于《投票权法案》历史的文章中所指出的,"我们正处于一场巨大的战斗之中。我们的民主还能维持吗?我们能否为所有人争取到投票权?本杰明-巴伯(Benjamin Barber)将共和党对南部投票权的持续攻击--削减提前投票、严格的身份证照片要求、限制缺席投票等--归结为一场摧毁民主的运动,包括对选举程序合法性的系统性破坏。然而,他提醒我们,多年来地方组织和反对压制选民的努力已稳步增加了南方有色人种的投票人数。安吉拉-佩吉-罗宾斯(Angela Page Robbins)撰写了一篇关于北卡罗来纳州的迪莉娅-迪克森-卡罗尔(Delia Dixon-Carroll)博士的精彩文章,在我们思考二十世纪初南方白人为维护白人至上地位所做的努力时,我被历史的韵律所震撼。迪克森-卡罗尔是小托马斯-迪克森的妹妹,1915 年,小托马斯-迪克森的反黑人小说《族人》被改编成了引发白人歇斯底里的电影《一个国家的诞生》,迪克森-卡罗尔争取妇女选举权,以维护白人至上主义和 "民主理想"。她认为白人妇女是 "新南方的潜在救世主,是新的选民",她们的人数超过黑人选民,将确保白人的统治和 "他们的生活方式"。本期聚焦南方投票权活动家和民权时代的纪录片导演,让人想起我丈夫比尔-费里斯(Bill Ferris)的《我是一个男人》(I am a man)一书中捕捉到的令人难忘的画面:1960-1970年民权运动的照片》中拍摄的令人难忘的画面。这本书的书名向 1968 年田纳西州孟菲斯市克莱伯恩寺前环卫工人集会声援游行的标志性画面致敬。抗议者手持的标语牌蔚为壮观,其简洁明了的信息令人不寒而栗:"我是一个男人"。这一信息在今天仍能引起共鸣,提醒我们摒弃复杂 [第 130 页结束] 点击查看大图 查看完整分辨率 "Stop voter suppression (DeForest Soaries)",作者:小阿莫斯-保罗-肯尼迪(Amos Paul Kennedy Jr. Letterpress, Kennedy Prints!美国国会图书馆提供。 [在这个复杂的时代。当巴勒斯坦儿童继续死于毁灭性的轰炸和加沙绝望的生活条件时,我们不禁要问:难道所有的生命都不宝贵吗?难道不是所有人都应...
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引用次数: 0
Voting Rights in Georgia: A Short History 佐治亚州的投票权:佐治亚州投票权简史
IF 0.4 4区 历史学 Q1 HISTORY Pub Date : 2024-03-13 DOI: 10.1353/scu.2024.a922023
Orville Vernon Burton, Peter Eisenstadt

Abstract:

This article is a brief history of the struggle for Black voting rights and against determined opposition in Georgia since the end of the Civil War. After a brief period during Reconstruction when there was significant Black voting and Black representation in the Georgia legislature, Black people were systematically denied both voting rights and representation in the state of Georgia. After 1944, when the US Supreme Court ruled against the all-white primary, and especially after 1965, with the passage of the Voting Rights Act, white Georgia politicians tried any number of strategies to limit minority voting strength, from efforts to limit Black registration, to manipulating election districts and voting rules to keep African Americans from winning elective office. These efforts continued, and in many ways increased after the Supreme Court in 2013 ended the preclearance provisions of the Voting Rights Act. Nonetheless, the increasing demographic power of metro Atlanta, with its large minority population, was a key in 2020 to the narrow victory of Joseph Biden in the presidential race in Georgia, and the election of two liberal Democratic US Senators, including the first African American and Jew elected in the state's history.

摘要:本文简要介绍了自南北战争结束以来佐治亚州黑人争取投票权和反对坚决斗争的历史。在重建时期的一个短暂时期内,佐治亚州立法机构中有大量黑人投票和黑人代表,此后黑人在佐治亚州被系统地剥夺了投票权和代表权。1944 年,美国最高法院裁定反对全白人初选,此后,尤其是 1965 年《选举权法案》通过之后,佐治亚州的白人政客尝试了各种策略来限制少数族裔的投票权,从限制黑人登记,到操纵选区和投票规则,以阻止非洲裔美国人赢得选举职位。这些努力仍在继续,而且在2013年最高法院终止了《投票权法案》的预先审查条款后,这些努力在很多方面都有增无减。尽管如此,拥有大量少数民族人口的亚特兰大大都会区人口力量不断增强,成为 2020 年约瑟夫-拜登(Joseph Biden)在佐治亚州总统竞选中以微弱优势获胜的关键,也是两位自由派民主党美国参议员当选的关键,其中包括该州历史上第一位当选的非裔美国人和犹太人。
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引用次数: 0
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