The “Boska” Department Store is a large building at the historical core of Banja Luka (Bosnia and Herzegovina). Its distinctive volume dominates the main city square, and it serves as one of the city symbols. It was built in 1978 as one of the large department stores that characterised Yugoslav cities. However, “Boska” and the less famous neighbouring The Worker’s Solidarity House are fragments of an extensive revitalisation project of the city centre and a new imagined megaform. This paper will portray the winning competition design project “Grad” (“City”) from 1973 by a team of eminent Yugoslav architects who envisioned a new urban landscape in Banja Luka’s centre that never materialised. The paper will interpret its design principles in the context of the period’s local and international architectural culture that pursued the new spatial synthesis of fixed and transient space, architecture and the city. Qualitative research is based on analysing the design project “Grad”, relevant journal articles from the period, and a recent interview with one of the authors.
{"title":"Towards the New Synthesis of Architecture and City","authors":"Marina Radulj, Nevena Novaković","doi":"10.31522/p.31.2(66).5","DOIUrl":"https://doi.org/10.31522/p.31.2(66).5","url":null,"abstract":"The “Boska” Department Store is a large building at the historical core of Banja Luka (Bosnia and Herzegovina). Its distinctive volume dominates the main city square, and it serves as one of the city symbols. It was built in 1978 as one of the large department stores that characterised Yugoslav cities. However, “Boska” and the less famous neighbouring The Worker’s Solidarity House are fragments of an extensive revitalisation project of the city centre and a new imagined megaform. This paper will portray the winning competition design project “Grad” (“City”) from 1973 by a team of eminent Yugoslav architects who envisioned a new urban landscape in Banja Luka’s centre that never materialised. The paper will interpret its design principles in the context of the period’s local and international architectural culture that pursued the new spatial synthesis of fixed and transient space, architecture and the city. Qualitative research is based on analysing the design project “Grad”, relevant journal articles from the period, and a recent interview with one of the authors.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":"47 4","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139154108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Environmental modelling software can be useful for evaluating design interventions and formulating strategies to achieve a specific purpose, such as providing outdoor thermal comfort. It is less commonly used in predicting the dispersion of street pollutants. The aim of this research is to test selected morphological patterns with respect to their influence on wind conditions and the transport of traffic pollutants, and to verify the results against previous studies. The objective of the research is to evaluate relations between building typology in interactions with urban atmosphere. The method utilises a wind tunnel simulation with a static line source of emissions. Experiment results show that the exposed urban morphology models display an impact on flow conditions and consequently on the dispersion of traffic pollutants. At the same time, the results highlight the importance of urban aerodynamic perspective, particularly of urban spaces that can be expected to be subject to higher traffic pollutants in terms of urban air pollution.
{"title":"Dispersion of Traffic Pollutants in the Built Environment","authors":"Kristijan Lavtizar, A. Fikfak, J. Grom","doi":"10.31522/p.31.1(65).3","DOIUrl":"https://doi.org/10.31522/p.31.1(65).3","url":null,"abstract":"Environmental modelling software can be useful for evaluating design interventions and formulating strategies to achieve a specific purpose, such as providing outdoor thermal comfort. It is less commonly used in predicting the dispersion of street pollutants. The aim of this research is to test selected morphological patterns with respect to their influence on wind conditions and the transport of traffic pollutants, and to verify the results against previous studies. The objective of the research is to evaluate relations between building typology in interactions with urban atmosphere. The method utilises a wind tunnel simulation with a static line source of emissions. Experiment results show that the exposed urban morphology models display an impact on flow conditions and consequently on the dispersion of traffic pollutants. At the same time, the results highlight the importance of urban aerodynamic perspective, particularly of urban spaces that can be expected to be subject to higher traffic pollutants in terms of urban air pollution.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46393896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research is based on the systematic literature review related to the definition of Privately Owned Public Spaces (POPS). POPS arise as a bonus of the urban planning concession resulting from negotiations between private investors and city administration. The question arises whether, during their formation, the urbanistic criteria that ensure public space quality are sufficiently represented, or the superior private interest results in critical urban quality aspects. By comparatively analyzing the definitions’ key features, nine specific POPS aspects have been identified and classified into two categories according to basic criteria: impact on investors and on broader urban contexts. The results show that a group of spatial criteria (usage impact, user’s perception, connectivity, urbanity and socialization) have been neglected or ignored in defining POPS. Current definitions do not consider the importance of POPS influence in a wider urban context and POPS is not, in any way, controlled or connected to the comprehensive process of urban planning, which can lead to a neglect of the fundamental roles and quality of public space. Further studies should focus on analyzing the impact of POPS in a broader urban context as well as defining mandatory urban planning criteria for insuring the quality of public space.
{"title":"Urban Planning Criteria for Defining Privately Owned Public Spaces (POPS)","authors":"Zejnulla Rexhepi, S. Gašparović, Tihomir Jukić","doi":"10.31522/p.31.1(65).10","DOIUrl":"https://doi.org/10.31522/p.31.1(65).10","url":null,"abstract":"This research is based on the systematic literature review related to the definition of Privately Owned Public Spaces (POPS). POPS arise as a bonus of the urban planning concession resulting from negotiations between private investors and city administration. The question arises whether, during their formation, the urbanistic criteria that ensure public space quality are sufficiently represented, or the superior private interest results in critical urban quality aspects. By comparatively analyzing the definitions’ key features, nine specific POPS aspects have been identified and classified into two categories according to basic criteria: impact on investors and on broader urban contexts. The results show that a group of spatial criteria (usage impact, user’s perception, connectivity, urbanity and socialization) have been neglected or ignored in defining POPS. Current definitions do not consider the importance of POPS influence in a wider urban context and POPS is not, in any way, controlled or connected to the comprehensive process of urban planning, which can lead to a neglect of the fundamental roles and quality of public space. Further studies should focus on analyzing the impact of POPS in a broader urban context as well as defining mandatory urban planning criteria for insuring the quality of public space.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42325055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The complex of medical institutions of the 1920s on Zeleni brijeg (Green Hill) in Zagreb was built as a kind of a stronghold of the pioneering programme of new institutional forms of primary health care, as conceived by Andrija Štampar and his associates. The Institute of Epidemiology, which was originally supposed to be built according to Drago Ibler›s project (1922), but it was later rejected. The construction of the Institute began in the autumn of 1924, according to the plans by Vasily Mikhailovich Androsov, one of the Russian architects employed in the Architectural Department of the Ministry of Construction in Belgrade, probably after a closed competition, hastened by the threat that substantial funds allocated by the Ministry of Public Health, the Hygiene Section of the League of Nations, and above all the Rockefeller Foundation, would be lost. An Androsov design also replaced another avant-garde design of Croatian and Yugoslav modernism: due to direct intervention by King Alexander Karađorđević, Androsov’s design for the Palace of the Main Post Office in Belgrade, in the spirit of academic mannerism, was chosen and built instead of Josip Pičman’s design that had taken the first prize in the relevant competition. Hence the title of this article, which draws attention to the creator of a block of buildings of medical institutions, the interesting history of which can now be discussed on the basis of more information.
{"title":"Institute of Epidemiology and Bacteriology on Zeleni Brijeg, Zagreb by Architect Vasily Mikhailovich Androsov","authors":"J. Belamarić","doi":"10.31522/p.31.1(65).2","DOIUrl":"https://doi.org/10.31522/p.31.1(65).2","url":null,"abstract":"The complex of medical institutions of the 1920s on Zeleni brijeg (Green Hill) in Zagreb was built as a kind of a stronghold of the pioneering programme of new institutional forms of primary health care, as conceived by Andrija Štampar and his associates. The Institute of Epidemiology, which was originally supposed to be built according to Drago Ibler›s project (1922), but it was later rejected. The construction of the Institute began in the autumn of 1924, according to the plans by Vasily Mikhailovich Androsov, one of the Russian architects employed in the Architectural Department of the Ministry of Construction in Belgrade, probably after a closed competition, hastened by the threat that substantial funds allocated by the Ministry of Public Health, the Hygiene Section of the League of Nations, and above all the Rockefeller Foundation, would be lost. An Androsov design also replaced another avant-garde design of Croatian and Yugoslav modernism: due to direct intervention by King Alexander Karađorđević, Androsov’s design for the Palace of the Main Post Office in Belgrade, in the spirit of academic mannerism, was chosen and built instead of Josip Pičman’s design that had taken the first prize in the relevant competition. Hence the title of this article, which draws attention to the creator of a block of buildings of medical institutions, the interesting history of which can now be discussed on the basis of more information.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49038922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper presents an excerpt from the extensive research on various museal spaces throughout human history. By re-evaluating the imaginative procedures involved in conceiving those spaces, the research in its broadest scope asks: how do we map, rethink and revive the historically valuable assets of architectural thought without “museumising” them? The excerpt is initially dedicated to the neoclassical museum space based upon the notion of the frame that was already adopted by the painting genre capriccio to induce the spectator’s mind into an architectural fantasy of juxtaposed real and fictitious buildings, archaeological ruins, urban and natural landscapes. In the neoclassical museum space, the capriccio “became alive” as an actual-size architectural fantasy that could be stepped into. Based upon multiple conceptual frames, the interconnected yet distinct architectural fragments illustrated the neoclassical worldview founded on inclusivity, synchronicity and bodily experience. This historical episode is further theorised into the capriccio museum, a new theoretical model that critically perceives multiple experience probabilities as distilled from the past and starts a process of conversion of that historical knowledge into transhistorical knowledge relevant for today.
{"title":"A Theory towards a Built-in-Variety in Museum Design: The \"Capriccio Museum\"","authors":"Meri Batakoja","doi":"10.31522/p.31.1(65).1","DOIUrl":"https://doi.org/10.31522/p.31.1(65).1","url":null,"abstract":"The paper presents an excerpt from the extensive research on various museal spaces throughout human history. By re-evaluating the imaginative procedures involved in conceiving those spaces, the research in its broadest scope asks: how do we map, rethink and revive the historically valuable assets of architectural thought without “museumising” them? The excerpt is initially dedicated to the neoclassical museum space based upon the notion of the frame that was already adopted by the painting genre capriccio to induce the spectator’s mind into an architectural fantasy of juxtaposed real and fictitious buildings, archaeological ruins, urban and natural landscapes. In the neoclassical museum space, the capriccio “became alive” as an actual-size architectural fantasy that could be stepped into. Based upon multiple conceptual frames, the interconnected yet distinct architectural fragments illustrated the neoclassical worldview founded on inclusivity, synchronicity and bodily experience. This historical episode is further theorised into the capriccio museum, a new theoretical model that critically perceives multiple experience probabilities as distilled from the past and starts a process of conversion of that historical knowledge into transhistorical knowledge relevant for today.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45320625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The urban configuration of Algerian cities reflects the influence of French colonization (1883-1962). This is characterized by a collection of contrasts and overlays of different forms of architecture and urbanism. In all urban agglomerations in Algeria, the colonial section remains the most prominent and structured. This legacy of colonial architecture and urban planning has ignited a national debate in political and academic circles regarding its classification as heritage. This current study contributes to the debate by adopting a neutral and scientific approach in order to smooth things out and shed light on the role and creation of urban form and its image, specifically through the example of Jijel. The notion of urban image is explored through colonial architectural achievements, urban planning, and artistic endeavours that were emblematic of the city during the colonial period and continue to be so today. This article showcases various works created during the colonial period in Jijel, those that still convey an identity that defines the city. The concern for this identity is substantiated by a research project that seeks to identify the city's image through significant architectural works across different epochs and determine those that accurately convey the city's identity within the country.
{"title":"Forging the City Image during the French Colonial Period (1883-1962) in the Case of Jijel (Algeria)","authors":"Rachid Mohdeb, Abdelghani Attar, Selma Saraoui","doi":"10.31522/p.31.1(65).9","DOIUrl":"https://doi.org/10.31522/p.31.1(65).9","url":null,"abstract":"The urban configuration of Algerian cities reflects the influence of French colonization (1883-1962). This is characterized by a collection of contrasts and overlays of different forms of architecture and urbanism. In all urban agglomerations in Algeria, the colonial section remains the most prominent and structured. This legacy of colonial architecture and urban planning has ignited a national debate in political and academic circles regarding its classification as heritage. This current study contributes to the debate by adopting a neutral and scientific approach in order to smooth things out and shed light on the role and creation of urban form and its image, specifically through the example of Jijel. The notion of urban image is explored through colonial architectural achievements, urban planning, and artistic endeavours that were emblematic of the city during the colonial period and continue to be so today. This article showcases various works created during the colonial period in Jijel, those that still convey an identity that defines the city. The concern for this identity is substantiated by a research project that seeks to identify the city's image through significant architectural works across different epochs and determine those that accurately convey the city's identity within the country.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44954801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Faced with the transformations of cities due to the introduction of new technologies and the shift in value from infrastructure to services, city managers are in search of new urban economic models. The current paper examines the development of business model frameworks as a practical tool to assist two cities in assessing business model efficiency by adapting Business Model Canvas (BMC) components to operationalize sustainable cities. This article defines the business models and their usefulness, presents the requalification of the city of Jijel (Algeria) and the selection of the Canvas business model, explains the model selected for the city of Naples (Italy), and, through these two examples, extrapolates the approach towards the generalization of the tool and the approach, which can be adapted to the local context of each city. That is why the models can act as a management strategy and decision-making support tool with a scientific basis. The findings demonstrate that these business models are a practical tool incorporating all actions and a thorough organizational structure that considers all operations and choices. They offer a framework that facilitates effective communication and sustainable growth. Furthermore, they may promote innovative approaches to the creation of sustainable value.
{"title":"Business Models as a Decision Support Tool for City Management","authors":"Bernia Zehioua Hecham, Nawel Alioua","doi":"10.31522/p.31.1(65).7","DOIUrl":"https://doi.org/10.31522/p.31.1(65).7","url":null,"abstract":"Faced with the transformations of cities due to the introduction of new technologies and the shift in value from infrastructure to services, city managers are in search of new urban economic models. The current paper examines the development of business model frameworks as a practical tool to assist two cities in assessing business model efficiency by adapting Business Model Canvas (BMC) components to operationalize sustainable cities. This article defines the business models and their usefulness, presents the requalification of the city of Jijel (Algeria) and the selection of the Canvas business model, explains the model selected for the city of Naples (Italy), and, through these two examples, extrapolates the approach towards the generalization of the tool and the approach, which can be adapted to the local context of each city. That is why the models can act as a management strategy and decision-making support tool with a scientific basis. The findings demonstrate that these business models are a practical tool incorporating all actions and a thorough organizational structure that considers all operations and choices. They offer a framework that facilitates effective communication and sustainable growth. Furthermore, they may promote innovative approaches to the creation of sustainable value.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45099978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In an attempt to revisit two architectural pieces of commemoration designed by two influential architects, the Garden of Exile by Daniel Libeskind and the Memorial for the Murdered Jews of Europe by Peter Eisenman, it is worthwhile to recall Sigmund Freud’s 1925 essay “A Note Upon the ‘Mystic Writing-Pad”. This paper elaborates on the association between writing and memory and introduces how these architects use topography while placing gigantic rectangular blocks as a peculiar analogy to Freud’s technique per se, that is, ‘writing on a surface.’ This argument opens up the discussion on the longitudinal cross sections and the experiential qualities of these projects concentrating on their particular internalization of memory and time. Then comes Walter Benjamin and his notion of allegory into the picture to claim that Libeskind’s concept of ‘reading the note’ may differ from Eisenman’s in a reasonably crucial way. The latter’s architecture expands the idea of memory and it’s further functioning and places it in the realm of allegorical experience.
{"title":"Designing a Mystic Writing Pad after Auschwitz: Daniel Libeskind and Peter Eisenman","authors":"Pelin Yoncacı-Arslan","doi":"10.31522/p.31.1(65).5","DOIUrl":"https://doi.org/10.31522/p.31.1(65).5","url":null,"abstract":"In an attempt to revisit two architectural pieces of commemoration designed by two influential architects, the Garden of Exile by Daniel Libeskind and the Memorial for the Murdered Jews of Europe by Peter Eisenman, it is worthwhile to recall Sigmund Freud’s 1925 essay “A Note Upon the ‘Mystic Writing-Pad”. This paper elaborates on the association between writing and memory and introduces how these architects use topography while placing gigantic rectangular blocks as a peculiar analogy to Freud’s technique per se, that is, ‘writing on a surface.’ This argument opens up the discussion on the longitudinal cross sections and the experiential qualities of these projects concentrating on their particular internalization of memory and time. Then comes Walter Benjamin and his notion of allegory into the picture to claim that Libeskind’s concept of ‘reading the note’ may differ from Eisenman’s in a reasonably crucial way. The latter’s architecture expands the idea of memory and it’s further functioning and places it in the realm of allegorical experience.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48366614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
European Commission has obliged Horizon 2020 and Horizon Europe beneficiaries to specify the dissemination and exploitation of their funded activities’ outcomes. In this way, research results can be extended to benefit the wider society. However, beneficiaries have difficulties meeting these goals due to the overlap between dissemination and exploitation and the uncertainty of how to translate research activities and outputs into socio-economic benefits for the society. This paper developed a framework based on the business model canvas to operationalise an approach to exploitation. The framework was tested within the EU-funded research project C3Places in the fields of urban planning and sustainable spatial development. The resulting reference framework can be used as a guideline for the design and development of research project exploitation plans. It is especially valuable for projects in the fields which usually do not have ‘sellable’ or even marketable outcomes and products but rather result in soft measures and recommendations for public policies. Accordingly, it can support the decision-making processes of both policymakers and private organisations.
{"title":"Understanding the Exploitation Plan and Business Model in EU-funded Research Projects by Applying the Business Model Canvas Approach in Public Space","authors":"Vita Žlender, Ina Šuklje Erjavec","doi":"10.31522/p.31.1(65).8","DOIUrl":"https://doi.org/10.31522/p.31.1(65).8","url":null,"abstract":"European Commission has obliged Horizon 2020 and Horizon Europe beneficiaries to specify the dissemination and exploitation of their funded activities’ outcomes. In this way, research results can be extended to benefit the wider society. However, beneficiaries have difficulties meeting these goals due to the overlap between dissemination and exploitation and the uncertainty of how to translate research activities and outputs into socio-economic benefits for the society. This paper developed a framework based on the business model canvas to operationalise an approach to exploitation. The framework was tested within the EU-funded research project C3Places in the fields of urban planning and sustainable spatial development. The resulting reference framework can be used as a guideline for the design and development of research project exploitation plans. It is especially valuable for projects in the fields which usually do not have ‘sellable’ or even marketable outcomes and products but rather result in soft measures and recommendations for public policies. Accordingly, it can support the decision-making processes of both policymakers and private organisations.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41780619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this study, academic staff residential buildings were studied as part of a university campus located in a hot and humid climate zone in Türkiye. Within the scope of the study, the energy efficient architectural and landscape design decisions of the buildings built in 1976 were examined. The aim was to determine the energy performance of buildings built about 50 years ago and to quantify the effect of changing landscape conditions on thermal comfort. In this aim, the outdoor thermal comfort level was determined by creating microclimate simulations for the hottest day and time of the year. Microclimatic analyses were performed with ENVI-met software and thermal comfort was evaluated with two metrics, average PMV and ASHRAE scale. The energy performance of the buildings was determined using ecological design parameters. An approach to global environmental problems is the use of ecological design principles, including architectural and landscape design principles. It is important to consider both architectural design criteria and landscape design criteria when discussing ecological design in the built environment. Architectural and landscape design decisions for hot and humid climate regions together increased energy efficiency by 51.1% to 75.5%. It was found that although the plant design improves energy performance in buildings by that range value, it improved outdoor thermal comfort by 15% to 22%. As a result, the study evaluated climate-balanced plant design with building energy performance in order to improve outdoor thermal comfort.
{"title":"Holistic Approach to Ecological Design Parameters of Building and Landscape Design on Outdoor Thermal Comfort in Hot, Humid Climate","authors":"Yelda Durgun Şahin, Ceren Altunkasa","doi":"10.31522/p.31.1(65).4","DOIUrl":"https://doi.org/10.31522/p.31.1(65).4","url":null,"abstract":"In this study, academic staff residential buildings were studied as part of a university campus located in a hot and humid climate zone in Türkiye. Within the scope of the study, the energy efficient architectural and landscape design decisions of the buildings built in 1976 were examined. The aim was to determine the energy performance of buildings built about 50 years ago and to quantify the effect of changing landscape conditions on thermal comfort. In this aim, the outdoor thermal comfort level was determined by creating microclimate simulations for the hottest day and time of the year. Microclimatic analyses were performed with ENVI-met software and thermal comfort was evaluated with two metrics, average PMV and ASHRAE scale. The energy performance of the buildings was determined using ecological design parameters. An approach to global environmental problems is the use of ecological design principles, including architectural and landscape design principles. It is important to consider both architectural design criteria and landscape design criteria when discussing ecological design in the built environment. Architectural and landscape design decisions for hot and humid climate regions together increased energy efficiency by 51.1% to 75.5%. It was found that although the plant design improves energy performance in buildings by that range value, it improved outdoor thermal comfort by 15% to 22%. As a result, the study evaluated climate-balanced plant design with building energy performance in order to improve outdoor thermal comfort.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43847154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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