Korina Barišić, A. Žunić, Bojana Bojanić Obad Šćitaroci
The article examines different viewpoints on the museum’s role in the transformation of urban identity. The review of existing research aimed at mapping and exploring the museum-city interaction and its features throughout history. The selected studies were categorized and analysed according to the field they cover (urbanism and architecture, economy, sociology and museology). The analysis has shown that the interaction between the museum and the city can be traced throughout history and that it experienced its first rise in the mid- 1970s with the construction of the Pompidou Centre, and then in the late 20th and early 21st century, influenced by modern phenomena of globalization and migration. Due to the new way of interaction, museums have changed their architecture and purposes, repositioning themselves as a new tool for urban transformation. A tentative conceptual framework and methodology were set up based on research literature to evaluate the interaction between the museum and the city. Further research is necessary to explore and define those interactions and tools that will encourage the role of European museums in promoting and transforming urban areas.
{"title":"Interaction between a Museum and a City in Europe","authors":"Korina Barišić, A. Žunić, Bojana Bojanić Obad Šćitaroci","doi":"10.31522/p.31.1(65).6","DOIUrl":"https://doi.org/10.31522/p.31.1(65).6","url":null,"abstract":"The article examines different viewpoints on the museum’s role in the transformation of urban identity. The review of existing research aimed at mapping and exploring the museum-city interaction and its features throughout history. The selected studies were categorized and analysed according to the field they cover (urbanism and architecture, economy, sociology and museology). The analysis has shown that the interaction between the museum and the city can be traced throughout history and that it experienced its first rise in the mid- 1970s with the construction of the Pompidou Centre, and then in the late 20th and early 21st century, influenced by modern phenomena of globalization and migration. Due to the new way of interaction, museums have changed their architecture and purposes, repositioning themselves as a new tool for urban transformation. A tentative conceptual framework and methodology were set up based on research literature to evaluate the interaction between the museum and the city. Further research is necessary to explore and define those interactions and tools that will encourage the role of European museums in promoting and transforming urban areas.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45063169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A reduction in energy consumption and energy efficiency improvement in buildings have become one of the main objectives in national and international energy policies. In an optimization process, and in order to find the most influential parameters to achieve net zero energy, several ameliorations need to be made to residential buildings. In this paper, two measures are discussed; the effects of locally available glazing types and window-to-wall ratios, tested under three different Algerian climates; semi-arid, Mediterranean and arid-climate. For the purpose of calculating energy use intensity savings, optimal values and payback periods for each of the mentioned measures the building information modelling software Autodesk Revit® and the energy simulation plugin Sefaira have been used. According to the findings, double glazing with Argon has the greatest potential for lowering the energy use intensity, whereas the window-to-wall ratios has a significant effect on the energy consumption of buildings in the studied climates, and the optimal ratio for a given orientation varies according to the type of glazing used. Moreover, very high payback periods were found compared to other countries, and only a few studied variables could be achieved with profitability. This paper is helpful for professionals who are responsible for decision-making during the design process of energy-efficient residential buildings.
{"title":"The Impact of Glazing Types and Window-to-Wall Ratios on Energy Consumption in Semi-arid, Mediterranean and Arid Climates","authors":"Abdelhakim Walid Makhloufi, Samira Louafi","doi":"10.31522/p.30.2(64).1","DOIUrl":"https://doi.org/10.31522/p.30.2(64).1","url":null,"abstract":"A reduction in energy consumption and energy efficiency improvement in buildings have become one of the main objectives in national and international energy policies. In an optimization process, and in order to find the most influential parameters to achieve net zero energy, several ameliorations need to be made to residential buildings. In this paper, two measures are discussed; the effects of locally available glazing types and window-to-wall ratios, tested under three different Algerian climates; semi-arid, Mediterranean and arid-climate. For the purpose of calculating energy use intensity savings, optimal values and payback periods for each of the mentioned measures the building information modelling software Autodesk Revit® and the energy simulation plugin Sefaira have been used. According to the findings, double glazing with Argon has the greatest potential for lowering the energy use intensity, whereas the window-to-wall ratios has a significant effect on the energy consumption of buildings in the studied climates, and the optimal ratio for a given orientation varies according to the type of glazing used. Moreover, very high payback periods were found compared to other countries, and only a few studied variables could be achieved with profitability. This paper is helpful for professionals who are responsible for decision-making during the design process of energy-efficient residential buildings.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45394727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Public art plays a number of roles in the economic, social and cultural transformation of cities. The cultural policies of cities are significant for the interest in public art. The percent for art strategy as an important policy is one of the methods to promote public art in cities and finance artwork production. Many cities have been successfully implementing public art in their cultural policies. The cities of Chicago, Barcelona and Dublin can be mentioned as those which have different experiences in the implementation of this strategy. They can be taken as exemplars of cultural policies and public art strategies for the specific case of Izmir, Turkey. This article intends to discuss public art as part of cultural policies in Izmir, demonstrating how public art can find more space in the urban environment. In line with this purpose, the main question focuses on how the percent for art scheme can be applied as a method that ensures the realization of public art practices for Izmir. The resultant findings obtained from proposed models show that an alternative financial resource can be provided via the percent for art strategy in Izmir city. In the end, the percent for art program is believed to offer a range of opportunities which should increase the presence of public art in the city.
{"title":"Public Art and Percent for Art Strategy","authors":"Bengin Polat, Ş. Gökçen","doi":"10.31522/p.30.2(64).5","DOIUrl":"https://doi.org/10.31522/p.30.2(64).5","url":null,"abstract":"Public art plays a number of roles in the economic, social and cultural transformation of cities. The cultural policies of cities are significant for the interest in public art. The percent for art strategy as an important policy is one of the methods to promote public art in cities and finance artwork production. Many cities have been successfully implementing public art in their cultural policies. The cities of Chicago, Barcelona and Dublin can be mentioned as those which have different experiences in the implementation of this strategy. They can be taken as exemplars of cultural policies and public art strategies for the specific case of Izmir, Turkey. This article intends to discuss public art as part of cultural policies in Izmir, demonstrating how public art can find more space in the urban environment. In line with this purpose, the main question focuses on how the percent for art scheme can be applied as a method that ensures the realization of public art practices for Izmir. The resultant findings obtained from proposed models show that an alternative financial resource can be provided via the percent for art strategy in Izmir city. In the end, the percent for art program is believed to offer a range of opportunities which should increase the presence of public art in the city.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46971016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Academic literature lacks an unambiguous term to describe architectural and urban planning projects that are borderline feasible, firmly bound to reality but simultaneously also liberated from it, representing an inevitable component of the development of architecture as a discipline. This paper analyses the most commonly used terms in literature, illustrating them with examples and setting forth logical relationships between them as well as the context within which they are positioned. At the same time, the research sets the relationship between Croatian and international experimental architectural practices.
{"title":"Conceptual Definition of the Term Experimental Architecture","authors":"Tonči Čerina, Tihomir Jukić, Mojca Smode Cvitanović","doi":"10.31522/p.30.2(64).3","DOIUrl":"https://doi.org/10.31522/p.30.2(64).3","url":null,"abstract":"Academic literature lacks an unambiguous term to describe architectural and urban planning projects that are borderline feasible, firmly bound to reality but simultaneously also liberated from it, representing an inevitable component of the development of architecture as a discipline. This paper analyses the most commonly used terms in literature, illustrating them with examples and setting forth logical relationships between them as well as the context within which they are positioned. At the same time, the research sets the relationship between Croatian and international experimental architectural practices.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42032074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
With the proclamation of the Republic, Atatürk, the founder of Modern Turkey, wanted a new model of politics that would bring about the establishment of the “nation state”, also symbolized by architecture. Having decided to make a transition to modern architecture in Turkey, Atatürk invited academics from Germany and Vienna to achieve this. Consequently, by the 1930s, architecture followed a functionalistrationalist path in both public buildings and in residences. Another architectural style that wielded a lot of influence on the trends in the Modern Movement in this period was Art Déco. The plastic effect of mass in Art Déco was accompanied by purism. The purpose of th is article is to explore the characteristics of the Art Déco style in modern Turkish architecture, tracing it back to the 1930s, the time when a culture of architecture first began to form in Turkey, as Art Déco, in combination with rationalism, proved to be an influential force in Republican Turkey. The effect of this style on the composition of structural masses shall be described through examples of public and residential buildings. At the same time, an attempt shall be made to explore the connotations of contemporaneity, progress, technology, and industry as expressed in the vocabulary of the Republican ideology that embraced the mass aesthetic of the formal style that was Art Déco.
{"title":"The Art Déco Influence in the Modern Turkish Architecture of the Early Republican Period","authors":"A. Erarslan","doi":"10.31522/p.30.2(64).2","DOIUrl":"https://doi.org/10.31522/p.30.2(64).2","url":null,"abstract":"With the proclamation of the Republic, Atatürk, the founder of Modern Turkey, wanted a new model of politics that would bring about the establishment of the “nation state”, also symbolized by architecture. Having decided to make a transition to modern architecture in Turkey, Atatürk invited academics from Germany and Vienna to achieve this. Consequently, by the 1930s, architecture followed a functionalistrationalist path in both public buildings and in residences. Another architectural style that wielded a lot of influence on the trends in the Modern Movement in this period was Art Déco. The plastic effect of mass in Art Déco was accompanied by purism. The purpose of th is article is to explore the characteristics of the Art Déco style in modern Turkish architecture, tracing it back to the 1930s, the time when a culture of architecture first began to form in Turkey, as Art Déco, in combination with rationalism, proved to be an influential force in Republican Turkey. The effect of this style on the composition of structural masses shall be described through examples of public and residential buildings. At the same time, an attempt shall be made to explore the connotations of contemporaneity, progress, technology, and industry as expressed in the vocabulary of the Republican ideology that embraced the mass aesthetic of the formal style that was Art Déco.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43669332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ivana Krmpotić Romić, Bojana Bojanić Obad Šćitaroci
Insufficient research on the typology of temporary urban interventions, which has become a common tool for pointing out possible scenarios in the development of unused and neglected urban areas in recent 21st century projects, indicate the relevance of the article’s topic. A literature review has allowed for a definition and analysis of the typology of temporary urban interventions in order to determine their basic characteristics, the relationship between the intervention and public space, and the establishing initiatives. The paper determines the formative period through an analysis of architectural and artistic events in 20th century and distinguishes three direct predecessors: events in public space, experimental architectural projects of the 60s, and art installations in public space in the second half of 20th century. A synthesis of collected data is an important prerequisite for understanding the role and impact of temporary urban interventions on future public space. Based on the obtained results, the research emphasizes the importance of the relationship between temporary urban interventions and public space for the creation of contemporary urban space in 21st century.
{"title":"Temporary Urban Interventions in Public Space","authors":"Ivana Krmpotić Romić, Bojana Bojanić Obad Šćitaroci","doi":"10.31522/p.30.2(64).4","DOIUrl":"https://doi.org/10.31522/p.30.2(64).4","url":null,"abstract":"Insufficient research on the typology of temporary urban interventions, which has become a common tool for pointing out possible scenarios in the development of unused and neglected urban areas in recent 21st century projects, indicate the relevance of the article’s topic. A literature review has allowed for a definition and analysis of the typology of temporary urban interventions in order to determine their basic characteristics, the relationship between the intervention and public space, and the establishing initiatives. The paper determines the formative period through an analysis of architectural and artistic events in 20th century and distinguishes three direct predecessors: events in public space, experimental architectural projects of the 60s, and art installations in public space in the second half of 20th century. A synthesis of collected data is an important prerequisite for understanding the role and impact of temporary urban interventions on future public space. Based on the obtained results, the research emphasizes the importance of the relationship between temporary urban interventions and public space for the creation of contemporary urban space in 21st century.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45345786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study aims to demonstrate the acculturation of Seljuk architecture and construction techniques by tracing the development of peripheral walls in Seljuk wooden hypostyle mosques built in 13th and 14th centuries. To track the exchange of construction knowledge two Seljuk mosques (the Hanönü Mosque in Kastamonu and the Ahi Elvan Mosque in Ankara) are selected for comparison in this study. The main difference between the two mosques is their structural systems: one has a wooden peripheral wall and wooden skeleton system, while the other has a masonry peripheral wall and wooden pillars. In this study, a comparison of the structural systems and performances of these examples of wooden mosques exhibiting different wall systems was made together with structural analyses under basic loads. A series of structural analyses provides significant data about the structural behaviour of these types of structures, indicating acculturation of elements from Asia and Byzantium within Seljuk architecture and construction techniques.
{"title":"Structural Behaviour of 13th and 14th Century Seljuk Mosques and Acculturation of Construction Knowledge","authors":"Aslı Er Akan","doi":"10.31522/p.30.1(63).4","DOIUrl":"https://doi.org/10.31522/p.30.1(63).4","url":null,"abstract":"This study aims to demonstrate the acculturation of Seljuk architecture and construction techniques by tracing the development of peripheral walls in Seljuk wooden hypostyle mosques built in 13th and 14th centuries. To track the exchange of construction knowledge two Seljuk mosques (the Hanönü Mosque in Kastamonu and the Ahi Elvan Mosque in Ankara) are selected for comparison in this study. The main difference between the two mosques is their structural systems: one has a wooden peripheral wall and wooden skeleton system, while the other has a masonry peripheral wall and wooden pillars. In this study, a comparison of the structural systems and performances of these examples of wooden mosques exhibiting different wall systems was made together with structural analyses under basic loads. A series of structural analyses provides significant data about the structural behaviour of these types of structures, indicating acculturation of elements from Asia and Byzantium within Seljuk architecture and construction techniques.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45449554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The research examines and compares the various roles of governmental and non-governmental organizations (NGOs) in Turkey and the United States, aiming to assess how they shaped the preservation field and their potential knowledge transfer values. The study was conducted in governmental archives, official websites of related organizations and through oral communication and literature surveys related to preservation foundations, NGOs, and waqfs in both countries - with different national, historic, religious, and cultural characteristics. The parameters used as cross-cultural comparison included primary actors and main legislations in preservation both in history and at present. The research has revealed that the waqf system in Turkey has a deep-rooted historic, religious, and socio-cultural context, and differs from the preservation foundations in the USA in many respects. Yet, the foundations established in and after the 20th century in Turkey and the preservation activities of foundations in both countries also share similar motives, stimuli, and objectives to preserve both natural/cultural heritage and cross-cultural comparisons suggest that they may learn from each other by knowledge transfer.
{"title":"Historic Preservation in Turkey and the United States: a Cross-Cultural Comparison","authors":"Gülşen Dişli","doi":"10.31522/p.30.1(63).7","DOIUrl":"https://doi.org/10.31522/p.30.1(63).7","url":null,"abstract":"The research examines and compares the various roles of governmental and non-governmental organizations (NGOs) in Turkey and the United States, aiming to assess how they shaped the preservation field and their potential knowledge transfer values. The study was conducted in governmental archives, official websites of related organizations and through oral communication and literature surveys related to preservation foundations, NGOs, and waqfs in both countries - with different national, historic, religious, and cultural characteristics. The parameters used as cross-cultural comparison included primary actors and main legislations in preservation both in history and at present. The research has revealed that the waqf system in Turkey has a deep-rooted historic, religious, and socio-cultural context, and differs from the preservation foundations in the USA in many respects. Yet, the foundations established in and after the 20th century in Turkey and the preservation activities of foundations in both countries also share similar motives, stimuli, and objectives to preserve both natural/cultural heritage and cross-cultural comparisons suggest that they may learn from each other by knowledge transfer.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42723835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M. Marić, Franko Ćorić, Mladen Obad Šćitaroci, Marin Duić
This research deals with projects for a residence on the island of Lokrum by Archduke Maximilian I of Habsburg (1832-1867). In the short period of owning the island (1859-1867), Maximilian ordered three different designs for Lokrum. The subject of research in this paper is the first phase of the project, dating from 1860 to 1866, when the general plan of the island, Maximilian’s residence, farm building and court chapel were designed. The research is based on an analysis of primary archival sources while the contemporary models for the project have been found through literature review. Twenty archival drafts have been described textually and graphically published. Maximilian actively participated in the planning and design process, but the author of the projects was Thomas Friedrich. After the general plan of the island from 1860 came sixteen preserved plans of Maximilian’s residence, which are with this research dated to the period from 1862 to 1864. The drafts for the farm building, court chapel and altar date back to the period from 1864 to 1866. Although in terms of architecture it was only partially built (only the landscape part of the project was executed), the Lokrum project from 1860 to 1866 shows Maximilian’s original idea of the island before the later grandiose plans of transformation into an imperial residence.
{"title":"Projects for Ferme Ornée on the Island of Lokrum by Archduke Ferdinand Maximilian of Habsburg","authors":"M. Marić, Franko Ćorić, Mladen Obad Šćitaroci, Marin Duić","doi":"10.31522/p.29.2(62).1","DOIUrl":"https://doi.org/10.31522/p.29.2(62).1","url":null,"abstract":"This research deals with projects for a residence on the island of Lokrum by Archduke Maximilian I of Habsburg (1832-1867). In the short period of owning the island (1859-1867), Maximilian ordered three different designs for Lokrum. The subject of research in this paper is the first phase of the project, dating from 1860 to 1866, when the general plan of the island, Maximilian’s residence, farm building and court chapel were designed. The research is based on an analysis of primary archival sources while the contemporary models for the project have been found through literature review. Twenty archival drafts have been described textually and graphically published. Maximilian actively participated in the planning and design process, but the author of the projects was Thomas Friedrich. After the general plan of the island from 1860 came sixteen preserved plans of Maximilian’s residence, which are with this research dated to the period from 1862 to 1864. The drafts for the farm building, court chapel and altar date back to the period from 1864 to 1866. Although in terms of architecture it was only partially built (only the landscape part of the project was executed), the Lokrum project from 1860 to 1866 shows Maximilian’s original idea of the island before the later grandiose plans of transformation into an imperial residence.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47544079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Palaces of the Ottoman era, the Golden age of Islamic civilization, bear witness to a prestigious know-how, drawing its rules from a way of life governed by the Islamic Sharia, the socio-cultural context of the Berber-Arab population and the climate-physical environment. The palace of Khdewedj El Amia is one of the majestic palaces located at the Casbah of Algiers and constitutes the subject of this article whose objective is to decode its genome in order to understand the social logic of a space inhabited and designed by a princess who lost her sight. Hence the name El Amia, which means blind in Arabic. The decoding of this building used the space syntax approach via a visibility graph analysis (VGA) performed by the Depthmap tool and a quantitative analysis of the graph justified by the Agraph tool. It is about taking into account the way in which vernacular architecture can stimulate the direct perception of space and participate in the construction of the user’s path. It was found that the palace is made up of two entities; one is of public order highlighting the resident/alien interface, and another intended for the private apartments, the harem of the princess, isolated from the outside world.
奥斯曼时代的宫殿，即伊斯兰文明的黄金时代，见证了一种著名的技术，其规则来自伊斯兰教法、柏柏尔阿拉伯人口的社会文化背景和气候物理环境所支配的生活方式。Khdewedj El Amia宫殿是位于阿尔及尔卡斯巴的宏伟宫殿之一，也是本文的主题，本文的目的是解码其基因组，以了解失明公主居住和设计的空间的社会逻辑。因此得名El Amia，在阿拉伯语中的意思是盲人。该建筑的解码使用了空间语法方法，通过Depthmap工具执行的可见性图分析（VGA）和Agraph工具对图进行的定量分析。它是关于考虑乡土建筑如何激发对空间的直接感知，并参与用户路径的构建。人们发现，这座宫殿由两个实体组成；一个是公共秩序，突出了居民/外国人的界面，另一个是私人公寓，公主的后宫，与外界隔绝。
{"title":"Decoding the Spatial Configuration of the Ottoman Palace “Khdewedj El Amia” in Algiers (Algeria) through Space Syntax","authors":"Lamia Benyahia, Abida Hamouda, Narimene Moffok","doi":"10.31522/p.29.2(62).4","DOIUrl":"https://doi.org/10.31522/p.29.2(62).4","url":null,"abstract":"Palaces of the Ottoman era, the Golden age of Islamic civilization, bear witness to a prestigious know-how, drawing its rules from a way of life governed by the Islamic Sharia, the socio-cultural context of the Berber-Arab population and the climate-physical environment. The palace of Khdewedj El Amia is one of the majestic palaces located at the Casbah of Algiers and constitutes the subject of this article whose objective is to decode its genome in order to understand the social logic of a space inhabited and designed by a princess who lost her sight. Hence the name El Amia, which means blind in Arabic. The decoding of this building used the space syntax approach via a visibility graph analysis (VGA) performed by the Depthmap tool and a quantitative analysis of the graph justified by the Agraph tool. It is about taking into account the way in which vernacular architecture can stimulate the direct perception of space and participate in the construction of the user’s path. It was found that the palace is made up of two entities; one is of public order highlighting the resident/alien interface, and another intended for the private apartments, the harem of the princess, isolated from the outside world.","PeriodicalId":42738,"journal":{"name":"Prostor","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46199099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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