Pub Date : 2024-03-13DOI: 10.1080/17450918.2024.2323480
Robert W. Jones
Published in Shakespeare (Ahead of Print, 2024)
发表于《莎士比亚》（2024 年，提前出版）
{"title":"Shakespeare, Hogarth and Garrick: plays, painting and performance","authors":"Robert W. Jones","doi":"10.1080/17450918.2024.2323480","DOIUrl":"https://doi.org/10.1080/17450918.2024.2323480","url":null,"abstract":"Published in Shakespeare (Ahead of Print, 2024)","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140129902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-12DOI: 10.1080/17450918.2024.2315062
Eleanor Rycroft, Maria Shmygol
Published in Shakespeare (Ahead of Print, 2024)
发表于《莎士比亚》（2024 年，提前出版）
{"title":"Shakespeare in Action","authors":"Eleanor Rycroft, Maria Shmygol","doi":"10.1080/17450918.2024.2315062","DOIUrl":"https://doi.org/10.1080/17450918.2024.2315062","url":null,"abstract":"Published in Shakespeare (Ahead of Print, 2024)","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140116878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-19DOI: 10.1080/17450918.2023.2274958
Miranda Fay Thomas, Gabriel Egan
Published in Shakespeare (Ahead of Print, 2024)
发表于《莎士比亚》（2024 年，提前出版）
{"title":"Introduction: To the Reader; or, What’s in a Folio?","authors":"Miranda Fay Thomas, Gabriel Egan","doi":"10.1080/17450918.2023.2274958","DOIUrl":"https://doi.org/10.1080/17450918.2023.2274958","url":null,"abstract":"Published in Shakespeare (Ahead of Print, 2024)","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139910404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-01DOI: 10.1080/17450918.2024.2309896
Jason Eng Hun Lee
{"title":"Hamlet\u0000 at the Himalayan Border: Frontier Imaginaries in Hu Xuehua’s\u0000 Prince of the Himalayas\u0000 and Vishal Bhardwaj’s\u0000 Haider","authors":"Jason Eng Hun Lee","doi":"10.1080/17450918.2024.2309896","DOIUrl":"https://doi.org/10.1080/17450918.2024.2309896","url":null,"abstract":"","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139833381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-01DOI: 10.1080/17450918.2024.2309896
Jason Eng Hun Lee
{"title":"Hamlet\u0000 at the Himalayan Border: Frontier Imaginaries in Hu Xuehua’s\u0000 Prince of the Himalayas\u0000 and Vishal Bhardwaj’s\u0000 Haider","authors":"Jason Eng Hun Lee","doi":"10.1080/17450918.2024.2309896","DOIUrl":"https://doi.org/10.1080/17450918.2024.2309896","url":null,"abstract":"","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139893160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-29DOI: 10.1080/17450918.2024.2305794
Pamela Pierro
Published in Shakespeare (Ahead of Print, 2024)
发表于《莎士比亚》（2024 年，提前出版）
{"title":"Review of John Fletcher’s The Faithful Shepherdess (Directed by Lizzie Conrad Hughes for Shake-Scene Shakespeare), Zoom, 26 November 2023","authors":"Pamela Pierro","doi":"10.1080/17450918.2024.2305794","DOIUrl":"https://doi.org/10.1080/17450918.2024.2305794","url":null,"abstract":"Published in Shakespeare (Ahead of Print, 2024)","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139580876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-18DOI: 10.1080/17450918.2024.2304029
Bradley J. Irish
It is a critical commonplace that Othello is informed by the early modern stereotype that understood Moors to be particularly inclined to jealousy. This article contextualises this stereotype, by p...
{"title":"Just How Remarkable was the ‘Jealous Moor’? Othello, Jealousy and Early Modern Racial Stereotypes","authors":"Bradley J. Irish","doi":"10.1080/17450918.2024.2304029","DOIUrl":"https://doi.org/10.1080/17450918.2024.2304029","url":null,"abstract":"It is a critical commonplace that Othello is informed by the early modern stereotype that understood Moors to be particularly inclined to jealousy. This article contextualises this stereotype, by p...","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-01-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139518301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-18DOI: 10.1080/17450918.2024.2305796
Lisa Hopkins
Published in Shakespeare (Ahead of Print, 2024)
发表于《莎士比亚》（2024 年，提前出版）
{"title":"Shakespeare’s tercentenary: staging nations and performing identities in 1916","authors":"Lisa Hopkins","doi":"10.1080/17450918.2024.2305796","DOIUrl":"https://doi.org/10.1080/17450918.2024.2305796","url":null,"abstract":"Published in Shakespeare (Ahead of Print, 2024)","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-01-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139518205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-11DOI: 10.1080/17450918.2024.2302609
Yeliz Biber Vangölü, Florentina Gümüş
This article explores the diverse ways in which gender reversal is exploited in the adaptations of Shakespeare plays streamed online by the National Theatre at Home platform within its first year o...
本文探讨了 "国家剧院在家里 "平台在线流播的莎士比亚戏剧改编作品中利用性别反转的各种方式。
{"title":"Gender Reversals in Contemporary Shakespeare Adaptations: The Case of the National Theatre at Home During the Pandemic","authors":"Yeliz Biber Vangölü, Florentina Gümüş","doi":"10.1080/17450918.2024.2302609","DOIUrl":"https://doi.org/10.1080/17450918.2024.2302609","url":null,"abstract":"This article explores the diverse ways in which gender reversal is exploited in the adaptations of Shakespeare plays streamed online by the National Theatre at Home platform within its first year o...","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139465306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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