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Skills for the edge of extinction 濒临灭绝的技能
IF 0.4 3区 艺术学 N/A DANCE Pub Date : 2024-07-10 DOI: 10.1080/19443927.2024.2322952
Sandra Reeve
Move into Life with Sandra Reeve, based in West Dorset, UK is a foundation programme in embodiment and teaches the art of being in movement. Addressing the relevance of performance training at the ...
与位于英国西多塞特郡的桑德拉-里夫一起 "迈向生活 "是一项关于 "体现 "的基础课程,教授运动中的 "存在 "艺术。该课程将表演训练与......
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引用次数: 0
Pushing the boundaries: How the actor training practices of Monika Pagneux and Philippe Gaulier may engender experiences of agency and empowerment in older theatre-makers 突破界限:Monika Pagneux 和 Philippe Gaulier 的演员培训实践如何为老年戏剧创作者带来代理和赋权体验
IF 0.4 3区 艺术学 N/A DANCE Pub Date : 2024-07-08 DOI: 10.1080/19443927.2024.2335647
Sarah Kemp
This article examines the role of actor training, based on the practices of Monika Pagneux and Philippe Gaulier, in the development of older people’s creativity, empowerment and agency, against a b...
本文以莫妮卡-帕涅克斯(Monika Pagneux)和菲利普-高利埃(Philippe Gaulier)的实践为基础,探讨了演员培训在发展老年人的创造力、赋权和能动性方面的作用。
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引用次数: 0
Finding agency in the imagined body through Unreal Engine’s Live Link performance capture 通过虚幻引擎的实时链接性能捕捉在想象的身体中寻找代理权
IF 0.4 3区 艺术学 N/A DANCE Pub Date : 2024-07-08 DOI: 10.1080/19443927.2024.2366115
Darren Daly
Published in Theatre, Dance and Performance Training (Ahead of Print, 2024)
发表于《戏剧、舞蹈和表演培训》(2024 年,提前出版)
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引用次数: 0
Building a culture of collaboration with rules, norms, and community agreements 通过规则、规范和社区协议建立合作文化
IF 0.4 3区 艺术学 N/A DANCE Pub Date : 2024-07-08 DOI: 10.1080/19443927.2024.2366120
Kim Shively, Susanne Shawyer
Published in Theatre, Dance and Performance Training (Ahead of Print, 2024)
发表于《戏剧、舞蹈和表演培训》(2024 年,提前出版)
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引用次数: 0
Are you scared of me? – The power of demeanour in teaching actors 你害怕我吗?- 演员教学中举止的力量
IF 0.4 3区 艺术学 N/A DANCE Pub Date : 2024-07-08 DOI: 10.1080/19443927.2024.2366121
Lauren S. Williams
Published in Theatre, Dance and Performance Training (Ahead of Print, 2024)
发表于《戏剧、舞蹈和表演培训》(2024 年,提前出版)
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引用次数: 0
Mind over matter 心智高于物质
IF 0.4 3区 艺术学 N/A DANCE Pub Date : 2024-07-08 DOI: 10.1080/19443927.2024.2366125
Lydia Perfitt
Published in Theatre, Dance and Performance Training (Ahead of Print, 2024)
发表于《戏剧、舞蹈和表演培训》(2024 年,提前出版)
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引用次数: 0
‘Call Me by My Name’: inclusive actor training for second language users 呼唤我的名字":为第二语言使用者提供包容性演员培训
IF 0.4 3区 艺术学 N/A DANCE Pub Date : 2024-07-08 DOI: 10.1080/19443927.2024.2335649
Evi Stamatiou
Among efforts to decolonise and decenter the actor training studio, practitioners and scholars consider the barriers for students who speak English as a Second Language (ESL) and undertake text-bas...
在对演员培训工作室进行去殖民化和去中心化的努力中,从业人员和学者考虑了将英语作为第二语言(ESL)的学生在进行基于文本的培训时遇到的障碍。
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引用次数: 0
Spaces of agency: exploring text-bodyworld hybrids 代理空间:探索文本与身体世界的混合体
IF 0.4 3区 艺术学 N/A DANCE Pub Date : 2024-07-08 DOI: 10.1080/19443927.2024.2335630
Electa Behrens
How might ‘agency’ be practiced in the meeting of performer and text? What are the ethical concerns of how these two materials might merge? The analysis draws on the author’s research at the Norweg...
在表演者与文本的交汇中,"能动性 "是如何实现的?这两种材料的融合会带来哪些伦理问题?该分析借鉴了作者在挪威艺术学院(Norweg...
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引用次数: 0
‘Yes, and’ and ‘No, although’: Inviting dissent and difference towards agency as part of multi-representative practice in actor training 是,而且 "和 "不,尽管":作为演员培训中多重代表实践的一部分,邀请异议和差异走向代理权
IF 0.4 3区 艺术学 N/A DANCE Pub Date : 2024-07-05 DOI: 10.1080/19443927.2024.2335640
Dana Blackstone
UK based actor trainings often emphasise the acceptance of offers from others, ensconced in the common facilitation of ‘yes, and’. Additionally, there is frequently an assumption that trainings wil...
英国的演员培训通常强调接受他人的提议,并以 "是的,并且 "为常见的促进方式。此外,还经常假设培训将......
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引用次数: 0
The Nomadic Studio – dream-weaving a proposal for performer training 游牧工作室--编织表演者培训方案的梦想
IF 0.4 3区 艺术学 N/A DANCE Pub Date : 2024-06-22 DOI: 10.1080/19443927.2024.2366116
Mark Evans
Published in Theatre, Dance and Performance Training (Ahead of Print, 2024)
发表于《戏剧、舞蹈和表演培训》(2024 年,提前出版)
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引用次数: 0
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