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A model of Buddhist-Somatic practice in Thai performer training 泰国表演者培训中的佛学-心理学实践模式
IF 0.4 3区 艺术学 N/A DANCE Pub Date : 2024-06-21 DOI: 10.1080/19443927.2024.2347972
Tanatchaporn Kittikong
This research project explores a possible performer training model of Buddhist-Somatic as a training method and approach to performance making. Using Thai Theravada Buddhist philosophy and its prac...
本研究项目探讨了一种可能的表演者培训模式--将佛教-体能作为一种培训方法和表演制作方法。该研究利用泰国上座部佛教哲学及其实践,对表演者进行培训。
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引用次数: 0
Sanctuary on the fault line: environmental dance practice as liminal critique and refuge 断层线上的避难所:作为边缘批判和避难所的环境舞蹈实践
IF 0.4 3区 艺术学 Q1 Arts and Humanities Pub Date : 2024-06-13 DOI: 10.1080/19443927.2024.2312296
Andrew Sanger
This article argues that the COVID-19 pandemic engendered a sort of global, yet unequal, liminal phenomenon. Further, ritual and performance may occur as responses to such liminal crises and act as...
本文认为,COVID-19 大流行产生了一种全球性但不平等的边缘现象。此外,仪式和表演可以作为对这种边缘危机的回应,并作为......
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引用次数: 0
The use of Body-Mind Centering® to support training in Michael Chekhov’s acting technique 使用身心灵中心法®支持迈克尔-契诃夫的表演技巧培训
IF 0.4 3区 艺术学 Q1 Arts and Humanities Pub Date : 2024-03-20 DOI: 10.1080/19443927.2023.2297896
Luciana Paula Castilho Barone
This article discusses the confluence of Body-Mind Centering (BMC)® practices with elements of Michael Chekhov’s technique as foundations for an integrated psychophysical approach to acting that do...
本文讨论了身心灵中心法 (BMC)® 实践与迈克尔-契诃夫技巧元素的融合,以此作为综合心理物理学方法的基础,从而在表演中做到...
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引用次数: 0
Architectures of access 接入架构
IF 0.4 3区 艺术学 Q1 Arts and Humanities Pub Date : 2024-03-20 DOI: 10.1080/19443927.2024.2305566
Lucy Curtis
Published in Theatre, Dance and Performance Training (Vol. 15, No. 1, 2024)
发表于《戏剧、舞蹈和表演培训》(第 15 卷第 1 期,2024 年)
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引用次数: 0
Access and imagination 获取和想象
IF 0.4 3区 艺术学 Q1 Arts and Humanities Pub Date : 2024-03-20 DOI: 10.1080/19443927.2024.2311488
Jeni Seo
Published in Theatre, Dance and Performance Training (Vol. 15, No. 1, 2024)
发表于《戏剧、舞蹈和表演培训》(第 15 卷第 1 期,2024 年)
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引用次数: 0
Interview with Padma Shri S. R. D. Prasad: On the Martial Art Form of Kalarippayattu 采访 Padma Shri S. R. D. Prasad:关于 Kalarippayattu 的武术形式
IF 0.4 3区 艺术学 Q1 Arts and Humanities Pub Date : 2024-03-20 DOI: 10.1080/19443927.2024.2305569
Aparna Nandha, Aneesh V. Suresh
Published in Theatre, Dance and Performance Training (Vol. 15, No. 1, 2024)
发表于《戏剧、舞蹈和表演培训》(第 15 卷第 1 期,2024 年)
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引用次数: 0
Mental health & the acting studio 心理健康与表演工作室
IF 0.4 3区 艺术学 Q1 Arts and Humanities Pub Date : 2024-03-20 DOI: 10.1080/19443927.2024.2310959
Rob Roznowski
Published in Theatre, Dance and Performance Training (Vol. 15, No. 1, 2024)
发表于《戏剧、舞蹈和表演培训》(第 15 卷第 1 期,2024 年)
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引用次数: 0
‘Training and access’ 培训和使用
IF 0.4 3区 艺术学 Q1 Arts and Humanities Pub Date : 2024-03-20 DOI: 10.1080/19443927.2024.2295739
Jane Streeton
Published in Theatre, Dance and Performance Training (Vol. 15, No. 1, 2024)
发表于《戏剧、舞蹈和表演培训》(第 15 卷第 1 期,2024 年)
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引用次数: 0
An actor and a monk: discovering and navigating impulses 一个演员和一个僧侣:发现和驾驭冲动
IF 0.4 3区 艺术学 Q1 Arts and Humanities Pub Date : 2024-03-20 DOI: 10.1080/19443927.2024.2311485
Jeni Seo
Published in Theatre, Dance and Performance Training (Vol. 15, No. 1, 2024)
发表于《戏剧、舞蹈和表演培训》(第 15 卷第 1 期,2024 年)
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引用次数: 0
Postcard 明信片
IF 0.4 3区 艺术学 Q1 Arts and Humanities Pub Date : 2024-03-20 DOI: 10.1080/19443927.2024.2305568
Rob Roznowski
Published in Theatre, Dance and Performance Training (Vol. 15, No. 1, 2024)
发表于《戏剧、舞蹈和表演培训》(第 15 卷第 1 期,2024 年)
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引用次数: 0
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Theatre Dance and Performance Training
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