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Digitization and digital archiving: a practical guide for librarians, 2nd edition 数字化和数字归档:图书馆员实用指南,第2版
IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-02 DOI: 10.1080/23257962.2022.2045918
Adrian Brown
scientist and institutional science as an exchange with real consequence. Hetland identifies individual and collective motivations of amateurs and volunteers and reflects on how reciprocity may be operationalized in future designs for Citizen Science platforms. In Deductions Palmyre Pierroux reflects on the key insights from each contribution in the volume and gathers findings that cut across different disciplines and research methods, offering valuable insights about the evolution of participatory methods in museums, archives, and cultural heritage institutions. More importantly, Pierroux highlights how participatory modes intersect with research and practices in Citizen Sciences and Citizen Humanities. This book is an important and valuable contribution to the subject of participatory approaches in museums and archives. As well as offering a historical overview of the subject matter over the past few decades, it raises many relevant and timely questions about such approaches and strategies, at a crucial time when many heritage institutions are evaluating their own missions and values, and the role of citizens in shaping those in more meaningful ways beyond taking part in established outreach and community engagement programmes.
科学家和制度科学作为一种具有实际意义的交流。Hetland确定了业余爱好者和志愿者的个人和集体动机,并反思了在公民科学平台的未来设计中如何实现互惠。在《演绎》一书中,Palmyre Pierroux反思了该卷中每一篇文章的关键见解,并收集了跨越不同学科和研究方法的发现,为博物馆、档案馆和文化遗产机构参与方法的演变提供了宝贵的见解。更重要的是,Pierroux强调了参与模式如何与公民科学和公民人文学科的研究和实践相交叉。这本书是对博物馆和档案馆参与式方法主题的重要和有价值的贡献。它不仅对过去几十年的主题进行了历史概述,而且在许多遗产机构评估自己的使命和价值观的关键时刻,对这些方法和战略提出了许多相关和及时的问题,公民在以更有意义的方式塑造这些人方面的作用,而不仅仅是参加既定的外联和社区参与方案。
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引用次数: 0
Justus Wamukoya (1951 – 2021) Justus Wamukoya(1951-2021)
IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-02 DOI: 10.1080/23257962.2022.2045920
J. Lowry
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引用次数: 0
The social movement archive 社会运动档案
IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-02 DOI: 10.1080/23257962.2022.2050193
Kirsty Fife
The Social Movement Archive is a collection of interviews and reproductions of political ephemera from American social movements compiled by information workers and volunteers at the Interference Archive Jen Hoyer and Nora Almeida. The book aims to disrupt both the ‘formal limitations of a book’ and ‘the tensions the archive produces’ within activism (1). This text joins an extensive body of publications which challenge the colonial foundations on which traditions of professional practice are built and imagines/surfaces alternative forms of archival practice within communities. However, the authors make an original contribution to this body of literature precisely by resisting the academicization of this work. As the authors write,
《社会运动档案》是由干涉档案馆的信息工作者和志愿者珍·霍耶(Jen Hoyer)和诺拉·阿尔梅达(Nora Almeida)汇编的美国社会运动中短暂政治事件的采访和复制品。这本书旨在打破行动主义中“一本书的形式限制”和“档案产生的紧张关系”(1)。这篇文章加入了一个广泛的出版物机构,这些出版物挑战了殖民基础,在殖民基础上建立了专业实践的传统,并想象/表面了社区内档案实践的替代形式。然而,作者正是通过抵制这项工作的学术化,对这一文学体系做出了原创性贡献。正如作者所写,
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引用次数: 0
Audio-visual heritage preservation and the changing dynamics of Ghana’s historical film archives 音像遗产保护和加纳历史电影档案的动态变化
IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-12-20 DOI: 10.1080/23257962.2021.2012441
R. Ohene-Asah
ABSTRACT Current discourse on restitution and repatriation of Africa’s cultural heritage from Europe often eschews the large quantum of audio-visual materials kept in European archives. However, nation state sovereignty issues and concerns over easy access to film archives have attracted some level of scholarly attention, especially focussing on questions of ownership and its ramifications. From a historical perspective, this article draws attention to storage and preservation practices of Ghana’s audio-visual archives and suggests that current practices impede greatly on public access to film materials. Emphasis is placed on post- independent Ghanaian films, produced by the Ghana Film Industry Corporation and currently stored with a UK laboratory. rely on data from correspondence between the government of Ghana and storage organizations as well as interviews with key actors within the Ghana film industry to posit that in spite of debates in favour of digitization as the solution to access, the technology must be adopted cautiously where issues of ownership, copyright and the place of the tangible materials take centre stage beyond the digitization process for a sustainable access to Ghana’s archived audio-visual materials.
当前关于非洲文化遗产从欧洲归还和遣返的讨论往往回避了欧洲档案馆中保存的大量视听资料。然而,民族国家主权问题和对电影档案容易获取的关注吸引了一定程度的学术关注,特别是关注所有权及其后果的问题。从历史的角度来看,本文关注加纳视听档案的储存和保存做法,并指出目前的做法极大地阻碍了公众获取电影资料。重点放在独立后的加纳电影,由加纳电影工业公司制作,目前储存在英国实验室。根据加纳政府与存储组织之间的通信数据,以及对加纳电影行业主要参与者的采访,本文认为,尽管支持数字化作为访问的解决方案存在争议,但在所有权、版权和有形材料的位置问题成为数字化过程之外的中心问题时,必须谨慎采用该技术,以实现对加纳存档视听材料的可持续访问。
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引用次数: 0
Records as records: excavating the DJ’s sonic archive 记录为记录:挖掘DJ的声音档案
IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.1080/23257962.2021.2001319
Liam Maloney, J. Schofield
ABSTRACT This paper uses four vinyl record collections to identify and infer the praxis of DJs and the evidential value of their sonic archives. The work positions the DJs’ vinyl records as a document of dance music culture while defining the DJ as the arbiter and transmitter of that record. The work adopts an archaeological perspective, questioning how to understand a DJ’s praxis from the material culture of their vinyl records, viewing these records as artefacts which together form an assemblage warranting ‘excavation,’ analysis and curation. A framework of evidence is proposed and applied to the four vinyl collections, focusing on what can be learnt from such close archaeological scrutiny. The work concludes with a discussion of themes suggested by the analysis and proposes a proactive approach to planning for the preservation of DJ archives.
摘要本文使用四个黑胶唱片收藏来识别和推断DJ的实践及其声音档案的证据价值。该作品将DJ的黑胶唱片定位为舞曲文化的文献,同时将DJ定义为该唱片的仲裁者和传播者。这部作品采用了考古学的视角,质疑如何从黑胶唱片的物质文化中理解DJ的实践,将这些唱片视为人工制品,它们共同形成了一个集合,值得“挖掘”、分析和策展。提出了一个证据框架,并将其应用于四个乙烯基藏品,重点是从如此密切的考古审查中可以学到什么。工作最后对分析提出的主题进行了讨论,并提出了一种积极主动的方法来规划DJ档案的保存。
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引用次数: 1
Re-framing archival thought in Jamaica and South Africa: challenging racist structures, generating new narratives 重塑牙买加和南非的档案思想:挑战种族主义结构,产生新的叙事
IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-16 DOI: 10.1080/23257962.2021.2002137
Stanley H. Griffin, Scott Timcke
ABSTRACT This paper compares and contrasts the relative successes and failures in Jamaican and South African national archival systems. It does so to provide international perspectives on Britain’s colonial legacy on archives. Although local differences greatly matter, Jamaica and South Africa have histories of extended British settler-colonialism which encoded white supremacy in social relations, bureaucracies, and social epistemology which in turn shaped ‘institutional gaze’ that guided the appraisal of collections, preservation efforts and state-recording keeping practices. Archivists in these societies are acutely aware of these problems, and so the paper examines how they have addressed questions around racism and redress to try adequately ‘unsilence the past.’ Through comparison we identify what practices have been useful in generating new narratives of belonging, value, and dignity. And finally, we assess which kinds of archival thought can cross-pollinate between Jamaica and South Africa to develop more equitable democratic spaces that can instantiate what this paper calls the hospitality of archival difference. The paper ends by arguing that thought and practice heeding this principle may be conducive to ‘ground up’ approaches to issues of memory, education, and research.
摘要本文比较和对比了牙买加和南非国家档案系统的相对成功和失败。它这样做是为了提供关于英国殖民遗产档案的国际视角。尽管地方差异非常重要,但牙买加和南非有着长期的英国定居者殖民主义的历史,这些殖民主义在社会关系、官僚机构和社会认识论中体现了白人至上主义,而社会认识论反过来又塑造了“制度凝视”,指导藏品评估、保存工作和国家记录保存实践。这些社会的档案工作者敏锐地意识到了这些问题,因此本文研究了他们如何解决种族主义和补救问题,以充分“玷污过去”通过比较,我们确定了哪些实践在产生关于归属、价值和尊严的新叙事方面是有用的。最后,我们评估了哪种档案思想可以在牙买加和南非之间交叉传播,以发展更公平的民主空间,从而体现本文所说的档案差异的好客。论文最后认为,注意这一原则的思想和实践可能有助于对记忆、教育和研究问题采取“脚踏实地”的方法。
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引用次数: 0
Economic considerations for libraries, archives and museums 图书馆、档案馆和博物馆的经济考虑
IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-09-23 DOI: 10.1080/23257962.2023.2166472
Louis Ray
books in Norway and Sweden. Gullick presents his conclusions on the place of origin of the fragments, developed through close inspection of their content and appearance. The work is a fitting end to a fine collection, demonstrating what can be learned through careful study of surviving evidence but also highlighting future avenues of research. The volume is particularly well illustrated with many good quality colour reproductions, including some fascinating examples of multispectral imaging. The usual scholarly apparatus is also present, such as a particularly useful index of manuscripts. The authors of the essays are often required to draw conclusions and develop narratives from fragmentary evidence. This sometimes requires them to utilize very detailed analysis of, for example, scribal hands, orthography, and the measurements of written areas. A very minor criticism of some of the essays is that they contain a lot of technical information which some general readers may find off-putting. In such cases, the length of the essays – all between 10 and 22 pages long – means that they end just as interesting wider discussions are developing. However, this criticism is so small as to be insignificant. The title of this volume is deceptively simple in its suggested scope. Through careful investigations, it looks past the manuscripts to reveal much about life in the Anglo-Saxon kingdoms and beyond.
挪威和瑞典的书籍。古利克通过仔细检查碎片的内容和外观,得出了碎片来源的结论。这项工作是一个很好的收藏的恰当结局,展示了通过仔细研究现存证据可以学到什么,同时也突出了未来的研究途径。该卷以许多高质量的彩色复制品进行了特别好的说明,包括一些引人入胜的多光谱成像示例。通常的学术工具也存在,比如一个特别有用的手稿索引。这些文章的作者经常被要求从零碎的证据中得出结论并发展叙述。这有时需要他们使用非常详细的分析,例如书写手、正字法和书写区域的测量。对一些文章的一个很小的批评是,它们包含了大量的技术信息,一些普通读者可能会感到不快。在这种情况下,这些文章的长度都在10到22页之间,这意味着它们的结束与更广泛的有趣讨论正在发展一样。然而,这种批评是微不足道的。本卷的标题在建议的范围内看似简单。通过仔细的调查,它超越了手稿,揭示了盎格鲁撒克逊王国及其他地区的生活。
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引用次数: 0
Making ‘slave ownership’ visible in the archival catalogue: findings from a pilot project 让“奴隶所有权”在档案目录中可见:一个试点项目的发现
IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-09-02 DOI: 10.1080/23257962.2021.1985443
Miriam Buncombe, J. Prest
ABSTRACT This article outlines a pilot project aimed at making ‘slave ownership’ more visible in archival catalogues. The project began with the premise that it is incumbent upon academic communities and record-keepers to make known Britain’s slaving past and the ongoing legacies of that past as part of a drive to dismantle systemic (and often invisible) racism across the sector. Specifically, it explored different ways of cross-referencing the Legacies of British Slave-ownership database (https://www.ucl.ac.uk/lbs//) with the Special Collections catalogue at the University of St Andrews with a view to updating the information provided in the latter. Six methods of identifying matches were trialled, each of which is presented and reflected upon here. Although some methods produced more matches than others, the collective results point towards the need for a multifaceted approach. Our findings also raise important questions about types of involvement in enslavement (direct/indirect), how different levels of certainty regarding the identity of certain individuals might be indicated in the record, and how collection-level and item-level descriptions might be updated. The project also highlights how our own assumptions about who is — and is not — likely to have ‘owned’ enslaved people can influence our very methods for uncovering those people.
本文概述了一个试点项目,旨在使“奴隶所有权”在档案目录中更加明显。这个项目开始的前提是,学术界和记录保持者有责任让人们了解英国的奴隶制历史,以及那段历史遗留下来的遗产,作为消除整个学术界系统性(通常是无形的)种族主义的一部分。具体而言,它探索了将英国奴隶所有权遗产数据库(https://www.ucl.ac.uk/lbs//)与圣安德鲁斯大学的特别馆藏目录交叉对照的不同方法,以期更新后者提供的信息。我们尝试了六种识别匹配的方法,在此逐一介绍和回顾。虽然有些方法比其他方法产生更多的匹配,但总体结果表明需要采取多方面的方法。我们的研究结果还提出了一些重要的问题,包括参与奴役的类型(直接/间接),关于某些个体身份的不同确定程度如何在记录中显示,以及如何更新收集级别和项目级别的描述。该项目还强调了我们自己对谁可能“拥有”或不可能“拥有”被奴役的人的假设如何影响我们揭露这些人的方法。
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引用次数: 1
Book conservation and digitization: the challenges of dialogue and collaboration 图书保护与数字化:对话与合作的挑战
IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-09-02 DOI: 10.1080/23257962.2021.1998767
Zoë Reid
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引用次数: 5
Using Twitter to build communities: a primer for libraries, archives, and museums 使用Twitter建立社区:图书馆、档案馆和博物馆入门
IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-09-02 DOI: 10.1080/23257962.2021.1995344
Heidi McIntosh
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引用次数: 0
期刊
Archives and Records-The Journal of the Archives and Records Association
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