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The Pleasure of Self-erasure: Malabou, (Sexual) Anarchy and Agnès Varda’s Sans toit ni loi 自娱自乐的快感：马拉博、（性）无政府状态和阿涅斯-瓦尔达的《Sans toit ni loi》（《Sans toit ni loi》）。
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-09-25 DOI: 10.3366/film.2024.0285
Monique Rooney
Film-Philosophy, Volume 28, Issue 3, Page 586-611, October, 2024.
电影哲学》，第 28 卷第 3 期，第 586-611 页，2024 年 10 月。
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引用次数: 0
Derivative Desires and Plastic Pedagogies: Malabou, Psychoanalysis and The Big Short 衍生欲望与塑料教学法：马拉博、精神分析和《大空头
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-09-25 DOI: 10.3366/film.2024.0284
Scott Krzych
Film-Philosophy, Volume 28, Issue 3, Page 561-585, October, 2024.
电影哲学》，第 28 卷第 3 期，第 561-585 页，2024 年 10 月。
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引用次数: 0
When the Wind Is Gently Rustling: Film and the Aesthetics of Natural Beauty 当风轻轻拂过：电影与自然美学
IF 0.2 3区 艺术学 Q2 Arts and Humanities
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0264
Julian Hanich
Film-Philosophy, Volume 28, Issue 2, Page 153-180, June, 2024.
电影哲学》，第 28 卷第 2 期，第 153-180 页，2024 年 6 月。
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引用次数: 0
David Martin-Jones (2022). Columbo: Paying Attention 24/7 大卫-马丁-琼斯（2022 年）。科伦坡全天候关注
IF 0.2 3区 艺术学 Q2 Arts and Humanities
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0275
Timna Rauch
Film-Philosophy, Volume 28, Issue 2, Page 400-404, June, 2024.
电影哲学》，第 28 卷第 2 期，第 400-404 页，2024 年 6 月。
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引用次数: 0
Home Movies as Reliquaries of Memory: A Phenomenological Perspective 作为记忆遗物的家庭电影：现象学视角
IF 0.2 3区 艺术学 Q2 Arts and Humanities
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0272
Lourdes Esqueda Verano
Film-Philosophy, Volume 28, Issue 2, Page 350-374, June, 2024.
电影哲学》，第 28 卷第 2 期，第 350-374 页，2024 年 6 月。
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引用次数: 0
Blue Boys: Maurice Pialat, Nicolas Poussin and the Work of Art 蓝色男孩：莫里斯-皮亚拉、尼古拉-普桑与艺术作品
IF 0.2 3区 艺术学 Q2 Arts and Humanities
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0271
David A. Gerstner
Film-Philosophy, Volume 28, Issue 2, Page 322-349, June, 2024.
电影哲学》，第 28 卷第 2 期，第 322-349 页，2024 年 6 月。
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引用次数: 0
Every Wholly Other: Postsecular Pluralism in Isabel Rocamora's Faith 每一个完全的他者：伊莎贝尔-罗卡莫拉信仰中的后世俗多元主义
IF 0.2 3区 艺术学 Q2 Arts and Humanities
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0269
Mark Cauchi
Film-Philosophy, Volume 28, Issue 2, Page 269-293, June, 2024.
电影哲学》，第 28 卷第 2 期，第 269-293 页，2024 年 6 月。
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引用次数: 0
Inauthenticity as a Disruption of Neoliberal Resilience Discourse in Brady Corbet's Vox Lux 布雷迪-科贝的《Vox Lux》中的非真实性是对新自由主义复原力话语的颠覆
IF 0.2 3区 艺术学 Q2 Arts and Humanities
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0270
Alice Pember
Film-Philosophy, Volume 28, Issue 2, Page 294-321, June, 2024.
电影哲学》，第 28 卷第 2 期，第 294-321 页，2024 年 6 月。
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引用次数: 0
The Filter and the Viewer: On Audience Discretion in Film Noir 过滤器与观众论黑色电影中的观众自由裁量权
IF 0.2 3区 艺术学 Q2 Arts and Humanities
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0273
Steven G. Smith
Film-Philosophy, Volume 28, Issue 2, Page 375-394, June, 2024.
电影哲学》，第 28 卷第 2 期，第 375-394 页，2024 年 6 月。
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引用次数: 0
Daniel Mourenza (2020). Walter Benjamin and the Aesthetics of Film 丹尼尔-穆伦扎（2020 年）。瓦尔特-本雅明与电影美学
IF 0.2 3区 艺术学 Q2 Arts and Humanities
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0276
Hyojin Yoon
Film-Philosophy, Volume 28, Issue 2, Page 405-408, June, 2024.
电影哲学》，第 28 卷第 2 期，第 405-408 页，2024 年 6 月。
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引用次数: 0
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