{"title":"When the Wind Is Gently Rustling: Film and the Aesthetics of Natural Beauty","authors":"Julian Hanich","doi":"10.3366/film.2024.0264","DOIUrl":"https://doi.org/10.3366/film.2024.0264","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 2, Page 153-180, June, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140636058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Blue Boys: Maurice Pialat, Nicolas Poussin and the Work of Art","authors":"David A. Gerstner","doi":"10.3366/film.2024.0271","DOIUrl":"https://doi.org/10.3366/film.2024.0271","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 2, Page 322-349, June, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140636198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Filter and the Viewer: On Audience Discretion in Film Noir","authors":"Steven G. Smith","doi":"10.3366/film.2024.0273","DOIUrl":"https://doi.org/10.3366/film.2024.0273","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 2, Page 375-394, June, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140635997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Daniel Mourenza (2020). Walter Benjamin and the Aesthetics of Film","authors":"Hyojin Yoon","doi":"10.3366/film.2024.0276","DOIUrl":"https://doi.org/10.3366/film.2024.0276","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 2, Page 405-408, June, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140636120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}