{"title":"A Phenomenology of Sonic Displacement in Film Noir","authors":"Thomas Goodchild","doi":"10.3366/film.2026.0333","DOIUrl":"https://doi.org/10.3366/film.2026.0333","url":null,"abstract":"Film-Philosophy, Volume 30, Issue 1, Page 45-66, February, 2026. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"58 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146101931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Craig Fox and Britt Harrison (Eds.) (2023). Philosophy of Film Without Theory","authors":"Ashish Dwivedi","doi":"10.3366/film.2025.0331","DOIUrl":"https://doi.org/10.3366/film.2025.0331","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 3, Page 809-811, October, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"30 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145289527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Attention and ambience in The Zone of Interest","authors":"Emilija Talijan","doi":"10.3366/film.2025.0320","DOIUrl":"https://doi.org/10.3366/film.2025.0320","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 3, Page 551-574, October, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145289497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Phenomenological Juxtaposition in the Experimental Cinema of Stan Brakhage and Manuela de Laborde","authors":"Ahmet Emin Bülbül","doi":"10.3366/film.2025.0328","DOIUrl":"https://doi.org/10.3366/film.2025.0328","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 3, Page 753-777, October, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"116 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145289507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Radu Jude, Richard Rorty and the Barbarians: Art, Irony and Solidarity in a Hypernormalised World","authors":"Joshua J. Taylor","doi":"10.3366/film.2025.0324","DOIUrl":"https://doi.org/10.3366/film.2025.0324","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 3, Page 654-676, October, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"84 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145289502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Meek’s Cutoff, Hobbes and the Ambiguities of Political Foundation: An Alternative Political Philosophy of the Western","authors":"Christopher Holman","doi":"10.3366/film.2025.0326","DOIUrl":"https://doi.org/10.3366/film.2025.0326","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 3, Page 701-730, October, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145289506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Balkan Transits: Becoming-Other in Theo Angelopoulos’s The Suspended Step of the Stork","authors":"Konstantinos Retsikas","doi":"10.3366/film.2025.0323","DOIUrl":"https://doi.org/10.3366/film.2025.0323","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 3, Page 630-653, October, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"97 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145289498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Finding Sunbeams in the Darkness: Michel Serres's Analogical Thinking and the Ethics of Listening in The Zone of Interest","authors":"Kevin Hunt","doi":"10.3366/film.2025.0321","DOIUrl":"https://doi.org/10.3366/film.2025.0321","url":null,"abstract":"Film-Philosophy, Volume 29, Issue 3, Page 575-599, October, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"25 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145289500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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