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Home Movies as Reliquaries of Memory: A Phenomenological Perspective 作为记忆遗物的家庭电影：现象学视角
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0272
Lourdes Esqueda Verano
Film-Philosophy, Volume 28, Issue 2, Page 350-374, June, 2024.
电影哲学》，第 28 卷第 2 期，第 350-374 页，2024 年 6 月。
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引用次数: 0
Every Wholly Other: Postsecular Pluralism in Isabel Rocamora's Faith 每一个完全的他者：伊莎贝尔-罗卡莫拉信仰中的后世俗多元主义
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0269
Mark Cauchi
Film-Philosophy, Volume 28, Issue 2, Page 269-293, June, 2024.
电影哲学》，第 28 卷第 2 期，第 269-293 页，2024 年 6 月。
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引用次数: 0
Blue Boys: Maurice Pialat, Nicolas Poussin and the Work of Art 蓝色男孩：莫里斯-皮亚拉、尼古拉-普桑与艺术作品
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0271
David A. Gerstner
Film-Philosophy, Volume 28, Issue 2, Page 322-349, June, 2024.
电影哲学》，第 28 卷第 2 期，第 322-349 页，2024 年 6 月。
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引用次数: 0
Inauthenticity as a Disruption of Neoliberal Resilience Discourse in Brady Corbet's Vox Lux 布雷迪-科贝的《Vox Lux》中的非真实性是对新自由主义复原力话语的颠覆
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0270
Alice Pember
Film-Philosophy, Volume 28, Issue 2, Page 294-321, June, 2024.
电影哲学》，第 28 卷第 2 期，第 294-321 页，2024 年 6 月。
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引用次数: 0
The Filter and the Viewer: On Audience Discretion in Film Noir 过滤器与观众论黑色电影中的观众自由裁量权
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0273
Steven G. Smith
Film-Philosophy, Volume 28, Issue 2, Page 375-394, June, 2024.
电影哲学》，第 28 卷第 2 期，第 375-394 页，2024 年 6 月。
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引用次数: 0
Daniel Mourenza (2020). Walter Benjamin and the Aesthetics of Film 丹尼尔-穆伦扎（2020 年）。瓦尔特-本雅明与电影美学
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0276
Hyojin Yoon
Film-Philosophy, Volume 28, Issue 2, Page 405-408, June, 2024.
电影哲学》，第 28 卷第 2 期，第 405-408 页，2024 年 6 月。
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引用次数: 0
Chelsea Birks (2021). Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film 切尔西-伯克斯（2021 年）。极限电影：当代全球电影中的越轨行为与非人形态
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0277
Augustin
Film-Philosophy, Volume 28, Issue 2, Page 409-412, June, 2024.
电影哲学》，第 28 卷第 2 期，第 409-412 页，2024 年 6 月。
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引用次数: 0
New Materialist Freedom in Chloé Zhao's Nomadland 赵克洛《游牧民族》中的新唯物主义自由
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0265
Randy Laist
Film-Philosophy, Volume 28, Issue 2, Page 181-201, June, 2024.
电影哲学》，第 28 卷第 2 期，第 181-201 页，2024 年 6 月。
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引用次数: 0
Even the Sea is Broken: Return and Loss in Razan AlSalah’s Video Works 连海都破碎了：拉赞-萨拉赫录像作品中的回归与失落
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0268
Samira Makki
Film-Philosophy, Volume 28, Issue 2, Page 248-268, June, 2024.
电影哲学》，第 28 卷第 2 期，第 248-268 页，2024 年 6 月。
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引用次数: 0
Anima(l) Moralia, or Righteous Anger: Agnieszka Holland’s Spoor Anima(l) Moralia，或正义的愤怒：阿格尼耶斯卡-霍兰的《斯波尔
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0266
Elżbieta Ostrowska
Film-Philosophy, Volume 28, Issue 2, Page 202-225, June, 2024.
电影哲学》，第 28 卷第 2 期，第 202-225 页，2024 年 6 月。
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引用次数: 0
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