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Film-Philosophy最新文献

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Vivian L. Huang (2022). Surface Relations: Queer Forms of Asian American Inscrutability 黄丽娟（2022）。表面关系：亚裔美国人不可思议的奇怪形式
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-05-27 DOI: 10.3366/film.2025.0317
Max Casey
Film-Philosophy, Volume 29, Issue 2, Page 516-519, June, 2025.
电影哲学，第29卷，第2期，第516-519页，2025年6月。
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引用次数: 0
Rizvana Bradley (2023). Anteaesthetics: Black Aesthesis and the Critique of Form 里兹瓦娜·布拉德利（2023）。前美学：黑人美学与形式批判
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-05-27 DOI: 10.3366/film.2025.0315
Claire Qing Cao
Film-Philosophy, Volume 29, Issue 2, Page 507-511, June, 2025.
电影哲学，29卷，第2期，507-511页，2025年6月。
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引用次数: 0
Towards the Right to Cinematic Opacity: Navigating Transparency, Migration and Whiteness in Europe 走向电影不透明的权利：在欧洲导航透明度，迁移和白色
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-05-27 DOI: 10.3366/film.2025.0309
Nadica Denić
Film-Philosophy, Volume 29, Issue 2, Page 356-379, June, 2025.
电影哲学，29卷，第2期，356-379页，2025年6月。
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引用次数: 0
Salar Mameni (2023). Terracene: A Crude Aesthetics
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-05-27 DOI: 10.3366/film.2025.0318
Jasmine Sanau
Film-Philosophy, Volume 29, Issue 2, Page 520-523, June, 2025.
电影哲学，29卷，第2期，520-523页，2025年6月。
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引用次数: 0
Introduction: Critical Race Theory and Film-Philosophy 导论：批判种族理论与电影哲学
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-05-27 DOI: 10.3366/film.2025.0306
William Brown, Mila Zuo
Film-Philosophy, Volume 29, Issue 2, Page 301-311, June, 2025.
电影哲学，29卷，第2期，301-311页，2025年6月。
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引用次数: 0
Can the West Speak? (Picturing the Quilting Point in Cambodian and Palestinian Films) 西方会说话吗？（描绘柬埔寨和巴勒斯坦电影中的绗缝点）
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-05-27 DOI: 10.3366/film.2025.0314
Mila Zuo
Film-Philosophy, Volume 29, Issue 2, Page 479-506, June, 2025.
电影哲学，29卷，第2期，第479-506页，2025年6月。
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引用次数: 0
Existential and Phenomenological Horror in Les Diaboliques 《恶魔》中的存在主义与现象学恐怖
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0291
Daniel Tilsley
Film-Philosophy, Volume 29, Issue 1, Page 23-45, February, 2025.
《电影哲学》，第29卷第1期，第23-45页，2025年2月。
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引用次数: 0
Dwelling in the Abyss: Society in Werner Herzog and Martin Heidegger 《居住在深渊：赫尔佐格和海德格尔的社会》
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0296
Haotian Wu
Film-Philosophy, Volume 29, Issue 1, Page 144-168, February, 2025.
电影哲学，第29卷，第1期，第144-168页，2025年2月。
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引用次数: 0
Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood 谦逊的芭比：理想、真实和对真实自我的追求
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0290
John Michael Corrigan, Justin Prystash
Film-Philosophy, Volume 29, Issue 1, Page 1-22, February, 2025.
《电影哲学》，第29卷，第1期，第1-22页，2025年2月。
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引用次数: 0
Eternity Descending into Time: Badiou and the Cinematic Temporality of Love 永恒降入时间：巴迪欧与爱情的电影时间性
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0299
Lu Zeng
Film-Philosophy, Volume 29, Issue 1, Page 221-243, February, 2025.
电影哲学，29卷，第1期，221-243页，2025年2月。
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引用次数: 0
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