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Chelsea Birks (2021). Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film 切尔西-伯克斯（2021 年）。极限电影：当代全球电影中的越轨行为与非人形态
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0277
Augustin
Film-Philosophy, Volume 28, Issue 2, Page 409-412, June, 2024.
电影哲学》，第 28 卷第 2 期，第 409-412 页，2024 年 6 月。
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引用次数: 0
New Materialist Freedom in Chloé Zhao's Nomadland 赵克洛《游牧民族》中的新唯物主义自由
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0265
Randy Laist
Film-Philosophy, Volume 28, Issue 2, Page 181-201, June, 2024.
电影哲学》，第 28 卷第 2 期，第 181-201 页，2024 年 6 月。
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引用次数: 0
Even the Sea is Broken: Return and Loss in Razan AlSalah’s Video Works 连海都破碎了：拉赞-萨拉赫录像作品中的回归与失落
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0268
Samira Makki
Film-Philosophy, Volume 28, Issue 2, Page 248-268, June, 2024.
电影哲学》，第 28 卷第 2 期，第 248-268 页，2024 年 6 月。
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引用次数: 0
Anima(l) Moralia, or Righteous Anger: Agnieszka Holland’s Spoor Anima(l) Moralia，或正义的愤怒：阿格尼耶斯卡-霍兰的《斯波尔
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0266
Elżbieta Ostrowska
Film-Philosophy, Volume 28, Issue 2, Page 202-225, June, 2024.
电影哲学》，第 28 卷第 2 期，第 202-225 页，2024 年 6 月。
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引用次数: 0
Nietzschean Themes in Béla Tarr's The Turin Horse 贝拉-塔尔《都灵之马》中的尼采主题
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0267
Paolo Stellino
Film-Philosophy, Volume 28, Issue 2, Page 226-247, June, 2024.
电影哲学》，第 28 卷第 2 期，第 226-247 页，2024 年 6 月。
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引用次数: 0
Chiara Quaranta (2023). Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction Chiara Quaranta（2023 年）。欧洲电影中的偶像破坏：图像破坏的伦理与美学
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0274
Francesco Sticchi
Film-Philosophy, Volume 28, Issue 2, Page 395-399, June, 2024.
电影哲学》，第 28 卷第 2 期，第 395-399 页，2024 年 6 月。
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引用次数: 0
An Ambiguous World of Film: Cinematic Immersion beyond Early Heidegger 暧昧的电影世界超越早期海德格尔的电影沉浸
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0252
Ludo de Roo
Film-Philosophy, Volume 28, Issue 1, Page 11-30, February, 2024.
电影哲学》，第 28 卷第 1 期，第 11-30 页，2024 年 2 月。
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引用次数: 0
Cinematic Rehearsals of Phenomenology: On the Ontic-Ontological Schema and Heideggerian Film Theory 现象学的电影排演：论本体论模式与海德格尔电影理论
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0256
John Rhym
Film-Philosophy, Volume 28, Issue 1, Page 79-97, February, 2024.
电影哲学》，第 28 卷第 1 期，第 79-97 页，2024 年 2 月。
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引用次数: 0
Eugenie Brinkema (2022). Life-Destroying Diagrams 尤金妮-布林克玛（2022）。毁灭生命的图表
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0262
Archie Wolfman
Film-Philosophy, Volume 28, Issue 1, Page 144-147, February, 2024.
电影哲学》，第 28 卷第 1 期，第 144-147 页，2024 年 2 月。
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引用次数: 0
In the Mood for Heideggerian Boredom? Film Viewership as Being-in-the-World 海德格尔式的无聊情绪？作为世界存在的电影观众
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0253
Chiara Quaranta
Film-Philosophy, Volume 28, Issue 1, Page 31-46, February, 2024.
电影哲学》，第 28 卷第 1 期，第 31-46 页，2024 年 2 月。
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引用次数: 0
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