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Angels, Guests and Sadists: On-Screen Poetry in the Cinema of Pier Paolo Pasolini 天使、客人和悲伤者：保罗·帕索里尼电影中的银幕诗歌
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0238
Thomas Allen
Film-Philosophy, Volume 27, Issue 3, Page 377-400, October, 2023.
《电影哲学》，第27卷第3期，第377-400页，2023年10月。
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引用次数: 0
When Sympathy Hesitates: An Empathetic Understanding of Cinematic Slowness in Stray Dogs 当同情犹豫不决：对《流浪狗》中电影缓慢的同情理解
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0245
Hui-Han Chen
Film-Philosophy, Volume 27, Issue 3, Page 531-552, October, 2023.
《电影哲学》，第27卷第3期，第531-552页，2023年10月。
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引用次数: 0
The Monstrous Mark of Cinema: Mulholland Drive, Spherology, and the “Virtual Space” of Filmic Fiction 电影的怪异印记：穆赫兰道、球面学与电影小说的“虚拟空间”
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0246
James Dutton
Film-Philosophy, Volume 27, Issue 3, Page 553-578, October, 2023.
《电影哲学》，第27卷第3期，第553-578页，2023年10月。
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引用次数: 0
Mary Ann Doane (2021) Bigger Than Life: The Close-up and Scale in the Cinema 玛丽·安·多恩（2021）《比生命更伟大：电影中的特写和尺度》
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0249
Alicia Byrnes
Film-Philosophy, Volume 27, Issue 3, Page 587-591, October, 2023.
《电影哲学》，第27卷第3期，第587-591页，2023年10月。
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引用次数: 0
Alyssa DeBlasio (2019) The Filmmaker’s Philosopher: Merab Mamardashvili and Russian Cinema Alyssa DeBlasio（2019）电影制作人的哲学家：Merab Mamardashvili与俄罗斯电影
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0248
Ilia Ryzhenko
Film-Philosophy, Volume 27, Issue 3, Page 583-586, October, 2023.
《电影哲学》，第27卷第3期，第583-586页，2023年10月。
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引用次数: 0
Martin P. Rossouw (2021) Transformational Ethics of Film: Thinking the Cinemakeover in the Film-Philosophy Debate Martin P.Rossouw（2021）电影的转型伦理：在电影哲学辩论中思考电影改造
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0247
Colin Davis
Film-Philosophy, Volume 27, Issue 3, Page 579-582, October, 2023.
《电影哲学》，第27卷第3期，第579-582页，2023年10月。
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引用次数: 0
The Intensive-Image and the Poetic Film Tradition: Notes on Ruiz, Deren, Pasolini, Buñuel and Deleuze 密集的影像与诗意的电影传统——鲁伊斯、德仁、帕索里尼、布努埃尔与德勒兹札记
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0240
Cristóbal Escobar
Film-Philosophy, Volume 27, Issue 3, Page 424-442, October, 2023.
《电影哲学》，第27卷第3期，第424-442页，2023年10月。
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引用次数: 0
Countering the Disadvantage: Stasis as an Emancipatory Minimalist Legacy in Chantal Akerman's Cinema 克服劣势：停滞是尚塔尔·阿克曼电影中的一个解放的极简主义遗产
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0243
Charlotte Wynant
Film-Philosophy, Volume 27, Issue 3, Page 488-506, October, 2023.
《电影哲学》，第27卷第3期，第488-506页，2023年10月。
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引用次数: 0
Black Cinematic Poethics 黑人电影诗人
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0239
William Brown
Film-Philosophy, Volume 27, Issue 3, Page 401-423, October, 2023.
《电影哲学》，第27卷第3期，第401-423页，2023年10月。
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引用次数: 0
Lost and Beautiful or the (Environmental) Ethics of the Lyric Essay Film 失落与美丽还是抒情小品电影的（环境）伦理
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2023-10-11 DOI: 10.3366/film.2023.0242
Laura Rascaroli, Paolo Saporito
Film-Philosophy, Volume 27, Issue 3, Page 464-487, October, 2023.
《电影哲学》，第27卷第3期，第464-487页，2023年10月。
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引用次数: 0
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