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Nietzschean Themes in Béla Tarr's The Turin Horse 贝拉-塔尔《都灵之马》中的尼采主题
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0267
Paolo Stellino
Film-Philosophy, Volume 28, Issue 2, Page 226-247, June, 2024.
电影哲学》，第 28 卷第 2 期，第 226-247 页，2024 年 6 月。
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引用次数: 0
Chiara Quaranta (2023). Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction Chiara Quaranta（2023 年）。欧洲电影中的偶像破坏：图像破坏的伦理与美学
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-04-22 DOI: 10.3366/film.2024.0274
Francesco Sticchi
Film-Philosophy, Volume 28, Issue 2, Page 395-399, June, 2024.
电影哲学》，第 28 卷第 2 期，第 395-399 页，2024 年 6 月。
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引用次数: 0
An Ambiguous World of Film: Cinematic Immersion beyond Early Heidegger 暧昧的电影世界超越早期海德格尔的电影沉浸
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0252
Ludo de Roo
Film-Philosophy, Volume 28, Issue 1, Page 11-30, February, 2024.
电影哲学》，第 28 卷第 1 期，第 11-30 页，2024 年 2 月。
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引用次数: 0
Cinematic Rehearsals of Phenomenology: On the Ontic-Ontological Schema and Heideggerian Film Theory 现象学的电影排演：论本体论模式与海德格尔电影理论
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0256
John Rhym
Film-Philosophy, Volume 28, Issue 1, Page 79-97, February, 2024.
电影哲学》，第 28 卷第 1 期，第 79-97 页，2024 年 2 月。
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引用次数: 0
Eugenie Brinkema (2022). Life-Destroying Diagrams 尤金妮-布林克玛（2022）。毁灭生命的图表
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0262
Archie Wolfman
Film-Philosophy, Volume 28, Issue 1, Page 144-147, February, 2024.
电影哲学》，第 28 卷第 1 期，第 144-147 页，2024 年 2 月。
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引用次数: 0
In the Mood for Heideggerian Boredom? Film Viewership as Being-in-the-World 海德格尔式的无聊情绪？作为世界存在的电影观众
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0253
Chiara Quaranta
Film-Philosophy, Volume 28, Issue 1, Page 31-46, February, 2024.
电影哲学》，第 28 卷第 1 期，第 31-46 页，2024 年 2 月。
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引用次数: 0
Padraic Killeen (2022). The Dark Interval: Film Noir, Iconography, and Affect Padraic Killeen（2022 年）。黑暗的间歇：黑色电影、图像学与情感
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0261
William B. Covey
Film-Philosophy, Volume 28, Issue 1, Page 140-143, February, 2024.
电影哲学》，第 28 卷第 1 期，第 140-143 页，2024 年 2 月。
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引用次数: 0
Dasein and the Question of the Heterogenous Film Viewer: A Commentary on Loht’s Heideggerian Phenomenology of Film Dasein 与异质电影观众问题：对洛特的海德格尔电影现象学的评论
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0255
Annie Sandrussi
Film-Philosophy, Volume 28, Issue 1, Page 62-78, February, 2024.
电影哲学》，第 28 卷第 1 期，第 62-78 页，2024 年 2 月。
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引用次数: 0
Kelli Fuery (2022). Ambiguous Cinema: From Simone de Beauvoir to Feminist Film Phenomenology Kelli Fuery（2022 年）。暧昧电影：从西蒙娜-德-波伏娃到女性主义电影现象学
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0260
Kate Ince
Film-Philosophy, Volume 28, Issue 1, Page 136-139, February, 2024.
电影哲学》，第 28 卷第 1 期，第 136-139 页，2024 年 2 月。
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引用次数: 0
Introduction: Heidegger and the Phenomenology of Film 导言：海德格尔与电影现象学
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2024-01-09 DOI: 10.3366/film.2024.0251
Robert Sinnerbrink
Film-Philosophy, Volume 28, Issue 1, Page 1-10, February, 2024.
电影哲学》，第 28 卷，第 1 期，第 1-10 页，2024 年 2 月。
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引用次数: 0
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