{"title":"Becoming a Child of the Future","authors":"James Schiavoni","doi":"10.3828/EXTR.2019.9","DOIUrl":"https://doi.org/10.3828/EXTR.2019.9","url":null,"abstract":"","PeriodicalId":42992,"journal":{"name":"EXTRAPOLATION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/EXTR.2019.9","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47486948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Noting that the motif of rape frequently appears in fantasy literature, this essay investigates its use in A Song of Ice and Fire by George R. R. Martin and The Liveship Traders by Robin Hobb. Read...
{"title":"Representation of Rape in George R. R. Martin’sA Song of Ice and Fireand Robin Hobb’sLiveship Traders","authors":"Sylwia Borowska‐Szerszun","doi":"10.3828/EXTR.2019.2","DOIUrl":"https://doi.org/10.3828/EXTR.2019.2","url":null,"abstract":"Noting that the motif of rape frequently appears in fantasy literature, this essay investigates its use in A Song of Ice and Fire by George R. R. Martin and The Liveship Traders by Robin Hobb. Read...","PeriodicalId":42992,"journal":{"name":"EXTRAPOLATION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/EXTR.2019.2","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47334947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay provides a close reading of Hirotaka Tobi’s short story “Autogenic Dreaming,” concentrating on its nuanced engagement with the trajectory of Japanese literary sensibilities in a present ...
{"title":"Viral Affects and Economies of Desire in Hirotaka Tobi’s “Autogenic Dreaming”","authors":"R. Dumas","doi":"10.3828/EXTR.2019.3","DOIUrl":"https://doi.org/10.3828/EXTR.2019.3","url":null,"abstract":"This essay provides a close reading of Hirotaka Tobi’s short story “Autogenic Dreaming,” concentrating on its nuanced engagement with the trajectory of Japanese literary sensibilities in a present ...","PeriodicalId":42992,"journal":{"name":"EXTRAPOLATION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/EXTR.2019.3","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43512895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Transmedia: A Star Wars Story: Review of Star Wars and the History of Transmedia Storytelling","authors":"R. Yeates","doi":"10.3828/EXTR.2019.13","DOIUrl":"https://doi.org/10.3828/EXTR.2019.13","url":null,"abstract":"","PeriodicalId":42992,"journal":{"name":"EXTRAPOLATION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70510148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay examines how a modernist sense of space, often linked to the movies, made its way into sf pulp literature during the pre-war and early postwar period. It focuses on Henry Kuttner’s Tony ...
{"title":"The Cinematic Gaze and Kuttner’s “Man with a Movie Camera”","authors":"J. P. Telotte","doi":"10.3828/EXTR.2018.15","DOIUrl":"https://doi.org/10.3828/EXTR.2018.15","url":null,"abstract":"This essay examines how a modernist sense of space, often linked to the movies, made its way into sf pulp literature during the pre-war and early postwar period. It focuses on Henry Kuttner’s Tony ...","PeriodicalId":42992,"journal":{"name":"EXTRAPOLATION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/EXTR.2018.15","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48157791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay explores elements of queerness and homophobia in Robin Hobb’s Farseer trilogies. The essay demonstrates how the first trilogy presents its main protagonist, FitzChivalry Farseer, as a ch...
{"title":"Queerness and Homophobia in Robin Hobb's Farseer Trilogies","authors":"Peter Melville","doi":"10.3828/extr.2018.17","DOIUrl":"https://doi.org/10.3828/extr.2018.17","url":null,"abstract":"This essay explores elements of queerness and homophobia in Robin Hobb’s Farseer trilogies. The essay demonstrates how the first trilogy presents its main protagonist, FitzChivalry Farseer, as a ch...","PeriodicalId":42992,"journal":{"name":"EXTRAPOLATION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/extr.2018.17","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48803468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Erika Gottlieb and E. J. Brown have both argued that Huxley’s Brave New World (1932) and Orwell’s Nineteen Eighty-Four (1949) owe varying degrees of debt to Zamyatin’s dystopian novel We (1921). In...
{"title":"Cities of Destruction","authors":"M. Gibson","doi":"10.3828/extr.2018.9","DOIUrl":"https://doi.org/10.3828/extr.2018.9","url":null,"abstract":"Erika Gottlieb and E. J. Brown have both argued that Huxley’s Brave New World (1932) and Orwell’s Nineteen Eighty-Four (1949) owe varying degrees of debt to Zamyatin’s dystopian novel We (1921). In...","PeriodicalId":42992,"journal":{"name":"EXTRAPOLATION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/extr.2018.9","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42659731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this paper I revisit Ursula K. Le Guin’s “Omelas” by situating it between the often-opposed genres of utopia and fantasy. I explore Le Guin’s critical writings to show how she has already involved these genres—and “Omelas”—in an artistic dialogue which can be brought to bear fruitfully on the utopian concerns of “Omelas” and the scholarship surrounding it. In doing so, I reverse a common reading of “Omelas” as “anti-utopian” by showing that the utopian elements of the story are in fact heightened when it is read according to the definitions of fantasy that Le Guin develops in her essay “From Elfland to Poughkeepsie” and other nonfiction writings.
{"title":"Walking Towards Elfland","authors":"Gabriel Mamola","doi":"10.3828/EXTR.2018.10","DOIUrl":"https://doi.org/10.3828/EXTR.2018.10","url":null,"abstract":"In this paper I revisit Ursula K. Le Guin’s “Omelas” by situating it between the often-opposed genres of utopia and fantasy. I explore Le Guin’s critical writings to show how she has already involved these genres—and “Omelas”—in an artistic dialogue which can be brought to bear fruitfully on the utopian concerns of “Omelas” and the scholarship surrounding it. In doing so, I reverse a common reading of “Omelas” as “anti-utopian” by showing that the utopian elements of the story are in fact heightened when it is read according to the definitions of fantasy that Le Guin develops in her essay “From Elfland to Poughkeepsie” and other nonfiction writings.","PeriodicalId":42992,"journal":{"name":"EXTRAPOLATION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/EXTR.2018.10","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45043633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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