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AMERICAN JEWISH HISTORY最新文献

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IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-10-01 DOI: 10.1353/ajh.0.0054
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引用次数: 0
Affiliated Identities in Jewish American Literature by David Hadar (review) 美国犹太文学中的附属身份
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-10-01 DOI: 10.1353/ajh.2022.a899292
N. Taub
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引用次数: 0
Immigration, Ideology, and Public Activity from an American Jewish Perspective: A Journey Across Three Continents by Zohar Segev (review) 从美国犹太人的角度看移民、意识形态和公共活动:穿越三大洲之旅(综述)
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-10-01 DOI: 10.1353/ajh.2022.a899294
M. Keren
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引用次数: 0
Sources of Jewish Music: Active and Passive Assimilation Revisited 犹太音乐的来源:主动与被动同化再探
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-10-01 DOI: 10.1353/ajh.2022.a899289
Jonathan L. Friedmann
General theories are scarce in the current field of Jewish music research. Most attempts at all-encompassing rules or principles have proven untenable due to the complexity of the terms involved—“Jewish” and “music”—as well as the overwhelming historical and regional diversity of Jewish music cultures. Past efforts to draw maps or timelines connecting the various forms, styles, and contexts have invariably led to what Israeli musicologist Edwin Seroussi calls “unfortunate overgeneralizations.” According to Seroussi, the central flaw of such theories—whether they seek to connect various strands of musical expression to a single, longago source (commonly the Second Temple) or search for a “stable,” “unilinear,” or “authentic” musical expression—is the “ontological notion of ‘tradition,’” which “assumes the existence of unambiguous boundaries separating sonic spaces” while ignoring the complex roles of individual contributors, performance contexts, cross-cultural contacts, shifting tastes, historical circumstances, and other shaping forces. The elusiveness of a stable or definable tradition speaks to challenges in musicological inquiry more generally, where attempts at empirical or objective claims often clash with the experiential and subjective nature of the subject matter.
在当前的犹太音乐研究领域,一般的理论很少。由于所涉及的术语——“犹太”和“音乐”——的复杂性,以及犹太音乐文化压倒性的历史和地区多样性,大多数包罗万象的规则或原则的尝试都被证明是站不住脚的。过去绘制连接各种形式、风格和背景的地图或时间线的努力总是导致以色列音乐学家Edwin Seroussi所说的“不幸的过度概括”,很久以前的来源(通常是第二圣殿)或寻找“稳定的”、“非线性的”或“真实的”音乐表达——是“传统的本体论概念”,它“假设存在着分隔声音空间的明确边界”,而忽略了个人贡献者的复杂角色、表演背景、跨文化接触、不断变化的品味,历史环境和其他形成力量。一个稳定或可定义的传统的难以捉摸说明了音乐学研究中更普遍的挑战,在这种情况下,对经验或客观主张的尝试往往与主题的经验和主观性质相冲突。
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引用次数: 0
Elaine Black Yoneda: Jewish Immigration, Labor Activism, and Japanese Exclusion and Incarceration by Rachel Schreiber (review) Elaine Black Yoneda:Rachel Schreiber的《犹太移民、劳工活动主义与日本的排斥和监禁》(评论)
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-10-01 DOI: 10.1353/ajh.2022.a899293
Paul C. Mishler
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引用次数: 0
Mutual Empowerment in the "Power Era": US Jews and American Indians in the Post–Civil Rights Movement United States “权力时代”的相互赋权:后民权运动时期的美国犹太人和印第安人
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-10-01 DOI: 10.1353/ajh.2022.a899287
Avery Weinman
On December 7, 1969, Joel Brooks and Rabbi Roger E. Herst—two US Jews representing the northern California division of the American Jewish Congress (AJCongress), a major institution of organized Jewish life in the United States—moored the newly rechristened boat Shalom I to the crags of Alcatraz Island in the heart of the San Francisco Bay. Brooks and Herst had sailed to the island to answer a public call for donations and support issued by Indians of All Tribes (IAT), the American Indian activist group who began their occupation of Alcatraz, the notorious former federal penitentiary ominously nicknamed “The Rock,” a month earlier in order to call attention to the United States’ violations of tribes’ treaty rights. Over the course of nineteen months, from November 20, 1969 to June 11, 1971, IAT’s Alcatraz occupation electrified a rapt public already thrumming with anti-establishment radicalism. For American Indians, Alcatraz came to symbolize core tenets of Red Power: full-throated rejection of assimilation, renewed interest in tribal sociocultural and linguistic traditions, and staunch advocacy for American Indian self-determination and legal autonomy on ancestral lands.
1969年12月7日,乔尔·布鲁克斯和拉比罗杰·e·赫斯特——两位代表美国犹太人大会(AJCongress)北加州分部的美国犹太人,AJCongress是美国犹太人生活的主要组织机构——将新命名的船“沙洛姆1号”停泊在旧金山湾中心的恶魔岛的悬崖上。布鲁克斯和赫斯特是为了响应“全部落印第安人”(Indian of All Tribes,简称IAT)发起的公众募捐和支持呼吁而前往该岛的。IAT是一个美洲印第安人激进组织,一个月前,他们开始占领恶名昭彰的前联邦监狱“恶魔岛”(Alcatraz),以引起人们对美国侵犯部落条约权利的关注。从1969年11月20日到1971年6月11日,在19个月的时间里,IAT对恶魔岛的占领激怒了已经被反政府激进主义激怒的全神贯注的公众。对于美洲印第安人来说,恶魔岛象征着红色力量的核心原则:大声反对同化,重新关注部落社会文化和语言传统,坚定地倡导美洲印第安人在祖先土地上的自决和法律自治。
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引用次数: 0
Unwelcome Guests: A History of Access to American Higher Education by Harold S. Weschler and Steven J. Diner (review) 《不受欢迎的客人:接受美国高等教育的历史》作者:哈罗德·s·韦斯切勒、史蒂文·j·迪纳
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-10-01 DOI: 10.1353/ajh.2022.a899295
Shira Kohn
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引用次数: 0
An Unrealized Vision: The "American Jewish Historical Exhibition" of 1901–1902 一个未实现的愿景:1901-1902年的“美国犹太人历史展览”
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-10-01 DOI: 10.1353/ajh.2022.a899288
J. Shandler
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引用次数: 0
Lee Shai Weissbach (1947–2022) 李·谢·魏斯巴赫(1947–2022)
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-10-01 DOI: 10.1353/ajh.2022.a899290
Janice W. Fernheimer
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引用次数: 0
I'll Have What She's Having: The Jewish Deli by Cate Thurston, Laura Mart, and Lara Rabinovitch (review) Cate Thurston、Laura Mart和Lara Rabinovitch的《我会拥有她所拥有的:犹太熟食店》(评论)
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-07-01 DOI: 10.1353/ajh.2022.0047
S. Benor
I’ll Have What She’s Having: The Jewish Deli. Curated by Cate Thurston, Laura Mart, and Lara Rabinovitch. Skirball Cultural Center, Los Angeles, California (April 14–September 4, 2022). https://www.skirball. org/exhibitions/ill-have-what-shes-having-jewish-deli. Additional venues: New York Historical Society (November 11, 2022 –April 2, 2023), Holocaust Museum, Houston, Texas (May 4–August 13, 2023), and Illinois Holocaust Museum and Education Center, Skokie, IL (October 22, 2023–April 14, 2024).
我会拥有她所拥有的:犹太熟食店。由Cate Thurston、Laura Mart和Lara Rabinovitch策划。Skirball文化中心,加利福尼亚州洛杉矶(2022年4月14日至9月4日)。https://www.skirball.org/displays/ill have what she have犹太熟食店。其他场地:纽约历史学会(2022年11月11日至2023年4月2日)、德克萨斯州休斯顿大屠杀博物馆(2023年5月4日至8月13日)和伊利诺伊州斯科基伊利诺伊大屠杀博物馆和教育中心(2023月22日至2024年4月14日)。
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引用次数: 0
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AMERICAN JEWISH HISTORY
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