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Nazi and Holocaust Representations in Anglo-American Popular Culture, 1945-2020: Irreverent Remembrance by Jeffrey Demsky (review) 纳粹和大屠杀在英美流行文化中的表现,1945-2020:不敬的纪念杰弗里·戴姆斯基
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-04-01 DOI: 10.1353/ajh.2022.0022
P. Lassner
But with Meeks’s help, Taylor hit upon a winning formula and also benefitted from a rapidly expanding children’s book market. Her first book was enormously successful, becoming a bestseller and earning critical acclaim. She went on to publish four more All-of-a-Kind Family books as well as a handful of other books for children. Two All-of-a-Kind books that Taylor had difficulty publishing in the 1950s because of their more realistic descriptions of hardships were later accepted in the 1970s. Taylor was not especially observant as a Jew. She and Ralph were initially married in a civil ceremony, but Taylor’s father Morris insisted that the couple have a proper Jewish wedding, and so they lived apart for two years until finally having a Jewish wedding. They were married for fifty years, until Taylor’s death. Their daughter, Jo, was raised in contexts that were more progressive than Jewish per se, attending the Bank Street Nursery School and the Little Red Schoolhouse in New York and the artsy-lefty Buck’s Rock summer camp (Jo needed to find a space for herself away from Camp Cejwin, where all the Brenner sisters worked). All in all, Cummins tells the story of a pioneering author who was also very much a human being, with flaws, biases, and weaknesses. This book was a labor of love for Cummins, who was writing it until her untimely death in 2018 from ALS. Alexandra Dunietz made revisions to the draft that Cummins managed to complete and prepared the manuscript for publication. The resulting book is a great tribute to Cummins as well as Taylor.
但在米克斯的帮助下,泰勒找到了一个成功的公式,并从快速扩张的儿童图书市场中受益。她的第一本书非常成功,成为畅销书并赢得了评论界的好评。她又出版了四本《全家人》的书,以及其他几本儿童读物。泰勒在20世纪50年代出版的两本《独一无二》书因其对苦难的更现实的描述而难以出版,后来在20世纪70年代被接受。泰勒作为一个犹太人并不是特别善于观察。泰勒和拉尔夫最初是在一个民事仪式上结婚的,但泰勒的父亲莫里斯坚持要求这对夫妇举行一场正式的犹太婚礼,所以他们分开住了两年,直到最后举行了一场犹太婚礼。他们结婚五十年,直到泰勒去世。他们的女儿乔(Jo)在比犹太人更进步的环境中长大,她就读于纽约的银行街幼儿园和小红校舍,以及艺术左翼的Buck's Rock夏令营(Jo需要在布伦纳姐妹都工作的Cejwin营之外为自己找一个地方)。总而言之,卡明斯告诉了一个开拓性作家的故事,他也是一个有缺陷、偏见和弱点的人。这本书是卡明斯热爱的劳动,她一直在写这本书,直到2018年因ALS英年早逝。Alexandra Dunietz对Cummins设法完成的草稿进行了修订,并准备出版手稿。由此产生的这本书是对卡明斯和泰勒的伟大致敬。
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引用次数: 0
Experience Leonard Cohen (review) 体验LeonardCohen(评论)
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-04-01 DOI: 10.1353/ajh.2022.0029
Oren Kroll-Zeldin
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引用次数: 0
Meir Kahane: The Public Life and Political Thought of an American Jewish Radical by Shaul Magid (review) 梅尔·卡汉:肖尔·马吉德的《美国犹太激进分子的公共生活与政治思想》(综述)
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-04-01 DOI: 10.1353/ajh.2022.0025
Michael E. Staub
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引用次数: 0
Yiddish Revolutionaries in Migration: The Transnational History of the Jewish Labour Bund by Frank Wolff (review) 《移民中的意第绪语革命者:犹太劳工外滩的跨国历史》,弗兰克·沃尔夫著(评论)
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-04-01 DOI: 10.1353/ajh.2022.0028
G. Estraikh
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引用次数: 0
The Viennese Rite and American Moderate Reform Judaism 维也纳仪式和美国温和改革犹太教
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-04-01 DOI: 10.1353/ajh.2022.0016
Bruce L. Ruben, Julia L. Mickenberg, Mira Katzburg-Yungman, M. K. Bauman, Samantha M. Cooper, Phyllis Lassner, C. Fink, S. Reinharz, Michael E. Staub, T. Kushner, Andrew Porwancher, G. Estraikh, Oren Kroll-Zeldin, M. Miller
In the mid-nineteenth century, a group of immigrant rabbis, including Isaac Mayer Wise and Max Lilienthal, believed that they could unite the majority of American Jews around moderate Reform. In the 1870s, after decades of effort, they succeeded, and they established the enduring institutions of Reform Judaism: the Union of American Hebrew Congregations, Hebrew Union College, and, ultimately, the Central Conference of American Rabbis. To achieve this unity, Wise and Lilienthal used elements of the Viennese Rite, particularly the music of Salomon Sulzer. The Viennese Rite had developed in the early nineteenth century when Isaac Noah Mannheimer and Sulzer, his cantor, unified the polarized Viennese community through a moderate liturgy, increased decorum, and a new musical treatment of nusach Ashkenaz (a local chant tradition). Its leaders successfully found a middle way between the advocates of radical reform from Berlin and Hamburg and the traditionalists, who wanted nothing changed. I will argue that this moderate reform approach was transferred from Europe and successfully adapted in mid-nineteenth century America. In 1976, Leon Jick challenged the view that rabbinic elites created American Reform in his important book, The Americanization of the Synagogue. It was Americanization that was the basis for the success of Reform Judaism in America. Only after Jews had learned English, climbed the socioeconomic ladder, and adapted to local norms did they create a Reform Judaism that matched their new American values. Reform came
19世纪中期,包括Isaac Mayer Wise和Max Lilienthal在内的一群移民拉比认为,他们可以将大多数美国犹太人团结在温和的改革周围。19世纪70年代,经过几十年的努力,他们取得了成功,并建立了改革犹太教的持久机构:美国希伯来公理会联盟、希伯来联合学院,以及最终的美国拉比中央会议。为了实现这种统一,怀斯和利林塔尔使用了维也纳仪式的元素,尤其是所罗门·苏尔寿的音乐。维也纳仪式发展于19世纪初,当时艾萨克·诺亚·曼海默和他的康师苏尔泽通过适度的礼拜仪式、增加礼仪和对nusach Ashkenaz(当地的圣歌传统)的新音乐处理,统一了两极分化的维也纳社区。其领导人成功地在柏林和汉堡激进改革的倡导者和不希望任何改变的传统主义者之间找到了一条中间道路。我认为,这种温和的改革方法是从欧洲转移过来的,并在19世纪中期成功地适应了美国。1976年,Leon Jick在他的重要著作《犹太教堂的美国化》中挑战了拉比精英创造了美国改革的观点。美国化是改革犹太教在美国取得成功的基础。只有在犹太人学会了英语,登上了社会经济阶梯,适应了当地的规范之后,他们才创建了一个符合他们新的美国价值观的改革犹太教。改革来了
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引用次数: 0
The Hebrew Orient: Palestine in Jewish American Visual Culture, 1901-1938 by Jessica L. Carr (review) 《希伯来东方:犹太裔美国视觉文化中的巴勒斯坦,1901-1938》,Jessica L.Carr著(综述)
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-04-01 DOI: 10.1353/ajh.2022.0018
Mira Katzburg-Yungman
Jessica L. Carr’s highly analytic book aims at understanding Jewish Americans’ self-image from the beginning of the twentieth century up to the Second World War through their visual culture of the “Hebrew Orient,” the term she uses for Jewish Americans’ view of Palestine. The author assumes that the self-image is well reflected through viewing others and aims to explore multiple self-images and identities, particularly in terms of cultural and gender identities. A broad systematic introduction depicting the analytic approach of the author explains the aims, major terms, and concepts used in the book. It is here that the term “visual culture” is defined as “everything that the eye can see, as well as mental processes brought at the moment of seeing” (13). The book is full of illustrations, photographs, and other images presented and analyzed in depth. Chapter 1, “ ‘The Orient’ as Jewish Heritage” discusses the book’s key term “Hebrew (or Jewish) Orient” in vast detail. The author highlights the “Hebrew Orient” as a tool to reveal American Jews’ cultural self-image through viewing their understanding of their “Hebrew Oriental” Jewish heritage and the contemporary inhabitants (pioneers, Mizrahim, and Arabs) of Palestine. This is the raison d’être of the author’s preference for using the term Hebrew Orient rather than Palestine. Carr acknowledges her inability to include all Jewish American groups of the time under examination (1901-1938) and consequently decided to choose five representatives, or case studies. The book’s chapters are constructed accordingly: Chapter Two explores the Orientalist visual culture of the Zionist Organization of America (ZOA—initially, the Federation of American Zionists) as reflected in its publications. The third chapter explores the visual culture of the “Hebrew Orient” of the Reform National Federation of Temple Sisterhood (NFTS) through the lens of the NFTS’s chapter conferences, yearbooks, letters, posters, and newsletters. Here and in other places in the book the author exceeds her declared aim and reaches additional valuable conclusions. In this case she analyzes among other things how the organization’s women “created a new space for themselves in the practice of Reform Judaism without challenging traditional roles of men” (25). Chapter Four focuses
Jessica L.Carr的这本极具分析性的书旨在通过犹太裔美国人对“希伯来人东方”的视觉文化来理解从20世纪初到第二次世界大战的犹太裔美国人的自我形象,她用这个词来形容犹太裔美国人对于巴勒斯坦的看法。作者认为,自我形象通过观察他人得到了很好的反映,并旨在探索多种自我形象和身份,特别是在文化和性别身份方面。一个广泛系统的介绍描述了作者的分析方法,解释了书中使用的目的、主要术语和概念。正是在这里,“视觉文化”一词被定义为“眼睛能看到的一切,以及在看到的那一刻带来的心理过程”(13)。这本书充满了插图、照片和其他深入呈现和分析的图像。第一章“作为犹太遗产的东方”详细讨论了该书的关键术语“希伯来语(或犹太)东方”。作者强调,“希伯来语东方”是一种工具,通过观察美国犹太人对其“希伯来语-东方”犹太遗产和巴勒斯坦当代居民(先驱、米兹拉希姆和阿拉伯人)的理解,来揭示他们的文化自己形象。这就是作者倾向于使用希伯来语-东方而不是巴勒斯坦这个术语的存在理由。卡尔承认,她无法将当时(1901-1938)的所有犹太裔美国人群体都包括在内,因此决定选择五名代表或案例研究。本书的章节也相应地构建:第二章探讨了美国犹太复国主义组织(ZOA,最初是美国犹太复国者联合会)的东方主义视觉文化,正如其出版物所反映的那样。第三章通过全国寺庙姐妹会改革联合会(NFTS)分会会议、年鉴、信件、海报和时事通讯的镜头,探讨了“希伯来东方”的视觉文化。在这里和书中的其他地方,作者超越了她宣称的目标,得出了更多有价值的结论。在这种情况下,她分析了该组织的女性如何“在不挑战男性传统角色的情况下,在改革犹太教的实践中为自己创造了一个新的空间”(25)。第四章重点
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引用次数: 0
Dara E. Goldman (1971–2022): Caribbean Studies, Latin American Studies, Jewish Studies, Gender and Sexuality Studies Dara E. Goldman(1971-2022):加勒比研究、拉丁美洲研究、犹太研究、性别与性研究
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-04-01 DOI: 10.1353/ajh.2022.0030
M. Miller
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引用次数: 0
From Sarah to Sydney: The Woman Behind All-of-a-Kind Family by June Cummins (review) 《从萨拉到悉尼:独一无二的家庭背后的女人》琼·康明斯著(书评)
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-04-01 DOI: 10.1353/ajh.2022.0017
Julia L. Mickenberg
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引用次数: 0
Emma Goldman, An Anarchist at the Opera 埃玛·戈德曼,歌剧院的无政府主义者
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-04-01 DOI: 10.1353/ajh.2022.0020
Samantha M. Cooper
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引用次数: 0
To Repair a Broken World: The Life of Henrietta Szold, Founder of Hadassah by Dvora Hacohen (review) 修复破碎的世界:Hadassah创始人Henrietta Szold的一生,作者:Dvora Hacohen(评论)
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-04-01 DOI: 10.1353/ajh.2022.0024
S. Reinharz
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引用次数: 0
期刊
AMERICAN JEWISH HISTORY
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