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Evan Jones (tr.), C.P. Cavafy, The Barbarians Arrive Today: Poems and Prose. Manchester: Carcanet Classics, 2020. Pp. 338. 文·琼斯,卡瓦菲,《野蛮人今日抵达:诗歌与散文》。曼彻斯特:Carcanet Classics,2020。第338页。
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-09-23 DOI: 10.1017/byz.2021.24
Kyriaco Nikias
out in Ll-S’s masterly biography. There is perhaps a certain unifying logic that such an engrossing volume therefore ends just when Venizelos, and Greece itself, entered a turbulent era – a National Schism that was to define Venizelos’ later career and profoundly shape the life of the country. The second volume will be eagerly anticipated, but meanwhile the work already constitutes a major addition to the historiography.
在l- s精湛的传记中。在韦尼泽洛斯和希腊本身进入动荡时代的时候,这样一本引人入胜的书就结束了,这也许是一个统一的逻辑——国家分裂定义了韦尼泽洛斯后来的职业生涯,并深刻地塑造了这个国家的生活。第二卷将被热切期待,但同时,工作已经构成了一个主要的补充,史学。
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引用次数: 0
Trine Stauning Willert and Gerasimus Katsan (eds.), Retelling the Past in Contemporary Greek Literature, Film, and Popular Culture. Lanham: Lexington Books, Pp. 276.
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-09-07 DOI: 10.1017/byz.2021.21
E. Yannakakis
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引用次数: 0
An antidote to anarchy? Images of monarchy in Greece in the nineteenth and the twentieth centuries 无政府状态的解药?十九世纪和二十世纪希腊的君主制形象
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-13 DOI: 10.1017/byz.2021.6
Spyridon G. Ploumidis
Since Roman times the representation of monarchy as an antidote to anarchy was a strong form of legitimization for the monarchical institution. In modern Greece, this formula dates back to 1821. The Greek Revolution and its republican constitutions were identified by European statesmen with anarchy and demagogy. Thus, a foreign monarch, alien to Greece's internal factions, was deemed the ideal remedy for internecine strife, and the best guarantor of internal unity as well as stability in the Near East. This image of monarchy proved its usefulness again during the First World War, when a controversy between the premier Eleftherios Venizelos and King Constantine over foreign policy and constitutional issues led to the National Schism (1915–17).
自罗马时代以来,君主制作为无政府状态的解药,是君主制合法化的有力形式。在现代希腊,这个公式可以追溯到1821年。欧洲政治家认为希腊革命及其共和宪法具有无政府状态和煽动性。因此,一位与希腊内部派系格格不入的外国君主被认为是解决自相残杀的理想良方,也是内部团结和近东稳定的最佳保障。这种君主制的形象在第一次世界大战期间再次证明了它的有用性,当时总理Eleftherios Venizelos和国王Constantine之间在外交政策和宪法问题上的争议导致了国家分裂(1915-17)。
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引用次数: 0
E. McGreer (tr.), Byzantium in the Time of Troubles: The Continuation of the Chronicle of John Skylitzes (1057–1079). Leiden: Brill, 2020, Pp. xvi, 216. 麦格里尔,《动乱时期的拜占庭:约翰·斯凯利茨编年史续编》(1057-1079)。莱顿:布里尔,2020,第xvi页,216页。
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-12 DOI: 10.1017/BYZ.2021.19
Toby Bromige
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引用次数: 0
Narrative coherence in Digenes Akrites (G) Digenes Akrites的叙事连贯性(G)
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-06 DOI: 10.1017/byz.2021.14
M. Kulhánková
This article argues that coherence in medieval narratives was perceived differently than it is in modern literature, offering an analysis of coherence principles in Digenes Akrites which seem to have been more relevant for its original audiences. Drawing on contemporary narratology and recent research on comparable western works, the author does not search for one sole superordinate principle, but rather for so-called structures of mid-range coherence. The article contains some examples of such ‘centres of gravity’ – the schema, the scene and the meaning – in the G version.
本文认为,人们对中世纪叙事中的连贯性的看法与现代文学中的连贯性有所不同,并对《狄根尼斯·阿克里特》中的连贯性原则进行了分析,这些原则似乎与原著读者更相关。作者借鉴了当代叙事学和最近对西方同类作品的研究,并没有寻找一个唯一的最高原则,而是寻找所谓的中程连贯结构。这篇文章在G版本中包含了一些这样的“重心”的例子——图式、场景和意义。
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引用次数: 0
Catherine Vanderheyde, La Sculpture byzantine du IXe au XVe siècle: contexte – mise en oeuvre – décors. Paris: Éditions A. & J. Picard, 2020. Pp. 364, 193 figs. 凯瑟琳·范德海德,《9世纪至15世纪的拜占庭雕塑:背景——实施——装饰》。巴黎:A.和J.皮卡德版,2020年。第364、193页图。
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.1017/byz.2021.16
Henry P. Maguire
events of the late eleventh century, offering at times his thoughts and opinions on events and individuals. As noted by McGeer, ‘[Skylitzes] asserts that its value lies in his critical reading of earlier chronicles and histories, his selection and abridgement of their contents, and the distillation of his sources into essentials, “a history pure and simple” purged of the glorification, censure, or credulity that in his view distorted so many of the works he consulted’ (p. 4). This might explain why the Continuation is only a fifth of the length of Attaleiates’ History: Skylitzes saw it as his purpose to re-package and eliminate unnecessary sections of aggrandisement or harsh opinions on the part of the original authors. One of the most welcome features of this new edition is the concordance (pp. 193–197) that cross-references the historical episodes recorded by Skylitzes Continutatus with Attaleiates and Zonaras: this is extremely useful for students and scholars wishing to undertake comparative analysis of these extraordinary times. Also of considerable value are the introduction and detailed accompanying notes, which illuminate and inform the reader with nuanced explanations and prosopographical information. In the introduction, McGeer offers a detailed summary of the events of the late eleventh century, highlighting areas that may have affected the interpretations of the primary authors themselves, especially the DoukoiKomnenoi rivalry following the abdication of Isaac I Komnenos in 1057. The inclusion of images and a discussion of imperial seals draws attention to an often-overlooked form of evidence, sigillography; this, coupled with the prosopographical index (by John Nesbitt) for reference, helps the reader to contextualise the various characters by providing and explaining their ranks and titles. The translation of Skylitzes Continuatus into English will greatly aid readers interested in the Byzantine world of the eleventh century but unable to read it in the original Greek. This work of McGeer and Nesbitt deserves high praise for stripping away the curtain of inaccessibility, allowing scholars of all levels the chance to study this formative time in Byzantine history.
十一世纪后期的事件,有时提供他对事件和个人的想法和见解。正如麦吉尔所指出的,“[Skylitzes]断言,它的价值在于他对早期编年史和历史的批判性阅读,对其内容的选择和删节,以及将其来源提炼成精华,“一部纯粹的历史”,清除了在他看来扭曲了他查阅的许多作品的美化、谴责或轻信”(第4页)。这也许可以解释为什么《续编》只有阿塔莱亚特斯历史的五分之一:斯凯利茨认为,他的目的是重新包装和消除原作者不必要的夸大或严厉意见。新版最受欢迎的特点之一是将Skylitzes Continutatus与Attaleiates和Zonaras记录的历史事件相互引用的一致性(第193-197页):这对希望对这些非常时期进行比较分析的学生和学者非常有用。同样具有相当价值的还有引言和详细的附注,它们用细致入微的解释和韵律信息阐明并告知读者。在引言中,麦吉尔对11世纪末的事件进行了详细的总结,强调了可能影响主要作者自己解释的领域,特别是1057年伊萨克一世·科姆内诺斯退位后的Doukoi Komnenoi竞争。图像的加入和对皇家印章的讨论引起了人们对一种经常被忽视的证据形式——象形文字的关注;这一点,再加上可供参考的韵律学索引(John Nesbitt),有助于读者通过提供和解释各种人物的等级和头衔来了解他们的背景。将Skylitzes Continuatus翻译成英语将极大地帮助对11世纪拜占庭世界感兴趣但无法阅读希腊原文的读者。麦吉尔和奈斯比特的这部作品值得高度赞扬,因为它揭开了难以接近的帷幕,让各级学者都有机会研究拜占庭历史上这一形成时期。
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引用次数: 0
Στέφανος Κακλαμάνης, Ἡ Κρητικὴ ποίηση στὰ χρόνια τῆς Ἀναγέννησης (14ος – 17ος αἰ.), 3 volumes, Athens: Μορφωτικὸ Ἵδρυμα Ἐθνικῆς Τραπέζης, 2019–20. Stefanos Kaklanis,《文艺复兴时期的克里特诗歌(14-17世纪)》,3卷,雅典:国家银行教育基金会,2019-20。
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.1017/byz.2021.17
Kostas Yiavis
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引用次数: 0
Alexander Kitroeff, The Greeks and the Making of Modern Egypt. Cairo: The American University in Cairo Press, 2019. Pp 249 亚历山大·基特罗夫:《希腊人和现代埃及的形成》。开罗:开罗美国大学出版社,2019。页249
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.1017/byz.2021.18
George Vassiadis
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引用次数: 0
Gonda van Steen, Adoption, Memory and the Cold War: Kid pro quo? Ann Arbor: The University of Michigan Press, 2019. Pp. 330, xx. 冈达·范·斯蒂恩:《收养、记忆与冷战:孩子的交换条件?》安娜堡:密歇根大学出版社,2019年。第330页,xx页。
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.1017/byz.2021.15
M. Kenna
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引用次数: 0
The Rebellious 1960s via the Prosperous 1990s: Youth, Modernity and Consumption in Antonis Kokkinos’ Τέλος εποχής (End of an Era) (1994) 从叛逆的20世纪60年代到繁荣的20世纪90年代:Antonis Kokkinos的《一个时代的终结》(1994)中的青年、现代性和消费
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.1017/byz.2021.8
P. Zestanakis
This article explores the movie Τέλος εποχής (End of an Era) by Antonis Kokkinos (1994), a key film in the regeneration of Greek cinema in the mid-late 1990s. The film constitutes a form of public history construing and problematizing relations between the images and the historical past, exploring the dictatorship (1967–74) through the consumer-oriented values of the 1990s. By scrutinizing historical (dis)continuities (similarities, differences, and transformations in consumer politics and sexuality in particular) between the dictatorship and the 1990s, the article argues that, focusing on 1960s youth, End of an Era underplayed the dictatorship's authoritarianism and (re)defined politics through the availability (or not) of consumer choices, expressing the relaxed ideological climate of the 1990s.
本文探讨了Antonis Kokkinos(1994)的电影《时代的终结》,这是20世纪90年代中后期希腊电影复兴的关键电影。这部电影构成了一种公共历史的形式,对图像和历史过去之间的关系进行了解释和问题化,通过20世纪90年代以消费者为导向的价值观探索独裁统治(1967–74)。通过仔细研究独裁统治和20世纪90年代之间的历史(差异)连续性(消费者政治,尤其是性方面的相似性、差异性和转变),文章认为,以20世纪60年代的年轻人为中心,《时代的终结》低估了独裁统治的威权主义,并通过消费者选择的可用性(或不可用性)重新定义了政治,表达了20世纪90年代宽松的意识形态氛围。
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BYZANTINE AND MODERN GREEK STUDIES
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