Pub Date : 2020-07-16DOI: 10.15448/2526-8848.2020.1.34165
Juliana Maffeis
Aurora morre soterrada pelos objetos que guardava em casa. A narrativa integra uma serie de contos fragmentados de minha dissertacao em Escrita Criativa.
奥罗拉被留在家里的东西埋了。叙事整合了我的创意写作论文中的一系列支离破碎的故事。
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Pub Date : 2020-07-16DOI: 10.15448/2526-8848.2020.1.36117
Alexandre Pandolfo
This essay seeks to bring to light the contemporary elements of Henrique Schneider’s novel Setenta [Seventy], published in 2019, trying to point out some of the central images that the book exposes. The novel deconstructs the appeased consciousness of a state of affairs led to its repetition in this Brazilwhere we are living in, a country at once oligarchic and very poor. From the literary perspective, this essay approaches the narrative construction of the novel and the philosophical and historical problems underlying it, dialoguing with some national and international references on the subject of ethical memory and testimony. It focuses on the fragmentary trait of the novel to deal with the horror experienced in the recent past in Brazil and Latin America, from a critical consciousness about the theme, pointing to the aesthetic need to deal with the trauma caused in Brazilian society during this period
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Pub Date : 2020-07-16DOI: 10.15448/2526-8848.2020.1.36258
Junia Paula Saraiva Silva
This article refers to the book O livro dos Rios by the Angolan writer Jose Luandino Vieira, published in 2006. The novel tells the story of Kapapa, who became Kene Vua during the guerrilla war and is again Kapapa. The character narrator recounts his memories of traumas and war from his childhood to adulthood, through the course of the waters of the Angolan rivers, which become secondary charactersof history. In addition, the individual memories of the character intertwine with the collective memories of his country. The storyteller’s way of telling, through the water metaphor and the recreated language, fits the narrative of the novel into the aesthetic of the stranger proposed by Sigmund Freud, in his work The Stranger, when referring to a new way of thinking aesthetics. The waters participate in the narration of the novel. The character narrator blends languages and uses neologisms to tellabout the unspeakable experience of war and violence. The research proposes to analyze the elements within the scope of the stranger present in the book The bookof rivers, studying the narrative and the form of account of the narrator.
本文引用安哥拉作家Jose Luandino Vieira于2006年出版的《O livro dos Rios》一书。小说讲述了卡帕帕的故事，他在游击战中变成了凯内·瓦，后来又成为了卡帕帕。人物叙述者讲述了他从童年到成年的创伤和战争的记忆，通过安哥拉河流的水流，这成为了历史的次要角色。此外，人物的个人记忆与他的国家的集体记忆交织在一起。叙述者通过水的隐喻和再创造的语言的叙述方式，使小说的叙事符合西格蒙德·弗洛伊德在《陌生人》中提出的陌生人美学，这是一种新的美学思维方式。水参与了小说的叙述。角色叙述者混合语言并使用新词来讲述战争和暴力的难以形容的经历。本研究拟分析《江河之书》中出现的陌生人范围内的要素，研究叙述者的叙事和叙述形式。
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Pub Date : 2020-07-15DOI: 10.15448/2526-8848.2020.1.36448
M. Ayer
In a book elaborated from interviews given by Marguerite Duras to Michelle Porte, Les Lieux de Marguerite Duras (1977), published in a moment of Duras’s trajectory in which she is mainly dedicated to making films, the French author proposes a series of figures that constitute a kind of a personal mythology, in a process that can be recognized as similar to what Gaston Bachelard (2001b) called “material imagination”. This set of image-signs reappears with relative stability all along Duras’s work, and this allows the writer to refer to some of her works whose dates of publication are quite distant in time, but with some shared elements to which she gives a formulation. In this context, the mythical invention of female writing is closely related to notions such as music and madness, which are shown as imaginary paradigms of a poetics of porosity. A close reading of Duras & Porte’s book will allow to reveal the conceptual network that interweaves these formulations and to illuminate some central aspects of Duras’s poetics.
在玛格丽特·杜拉斯(Marguerite Duras)接受米歇尔·波特(Michelle Porte)采访后撰写的一本书《Les Lieux de Marguerite Duras》(1977)中，这位法国作家提出了一系列人物，这些人物构成了一种个人神话，这一过程可以被认为类似于加斯顿·巴什拉(Gaston Bachelard, 2001b)所说的“物质想象”。在杜拉斯主要致力于拍摄电影的轨迹中，这本书出版了。这组图像符号在杜拉斯的作品中相对稳定地重复出现，这使得作者可以参考她的一些作品，这些作品的出版日期在时间上相当遥远，但有一些共同的元素，她给出了一个公式。在这种背景下，女性写作的神话发明与音乐和疯狂等概念密切相关，这些概念表现为多孔诗学的想象范式。仔细阅读杜拉斯和波特的书，可以揭示这些公式交织在一起的概念网络，并阐明杜拉斯诗学的一些核心方面。
{"title":"Lugares perpassados: música e loucura como paradigmas da escrita no imaginário material de Marguerite Duras","authors":"M. Ayer","doi":"10.15448/2526-8848.2020.1.36448","DOIUrl":"https://doi.org/10.15448/2526-8848.2020.1.36448","url":null,"abstract":"In a book elaborated from interviews given by Marguerite Duras to Michelle Porte, Les Lieux de Marguerite Duras (1977), published in a moment of Duras’s trajectory in which she is mainly dedicated to making films, the French author proposes a series of figures that constitute a kind of a personal mythology, in a process that can be recognized as similar to what Gaston Bachelard (2001b) called “material imagination”. This set of image-signs reappears with relative stability all along Duras’s work, and this allows the writer to refer to some of her works whose dates of publication are quite distant in time, but with some shared elements to which she gives a formulation. In this context, the mythical invention of female writing is closely related to notions such as music and madness, which are shown as imaginary paradigms of a poetics of porosity. A close reading of Duras & Porte’s book will allow to reveal the conceptual network that interweaves these formulations and to illuminate some central aspects of Duras’s poetics.","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77008260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-07-15DOI: 10.15448/2526-8848.2020.1.36295
F. Breda
In an interview conducted in 2004, Chico Buarque punctuated a certainagony of the song form in Brazil due to the emergence of rap in the music scene. In the artist’s view, less than the impossibility of making songs, what would be at stake would be the decline of a certain form of Brazilian sociability that would be within the formation of the Brazilian song system. It is the intention of this work to think about the management that Chico Buarque seeks to mobilize from the Brazilia song system, as well as the outputs that it seeks to elaborate in the literature. In this sense, what is under discussion are the specificities that the Brazilian song tradition would offer to deal with the Brazilian historical matter when compared with thepossibilities offered by the local literary system. To this end, we will try to analyze such systems (and their respective possibilities) by crossing part of the critical fortune interested in debating their respective historical specificities, as well as the perspective that Chico Buarque raised in the 2004 interview and at other times.
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Pub Date : 2020-07-15DOI: 10.15448/2526-8848.2020.1.36412
Icaro Carvalho, B. Dariva
The present work aims to study the way the British youth from the early 2000s is portrayed through lyrics of the debut album by the English band Arctic Monkeys. On January 23 in the year of 2006, when a group formed by four young men, who were 19 years old, released an album called Whatever People Say I Am, That’s What I’m Not, the CD surprisingly became the fastest selling debut album in the British music history. The choice of this album as study corpus is based not only on account of the commercial success mentioned above, but also on the compositions’ precise and literary portraying of current aspects of the British youth in the first decade of the millenium. By analysing the excerpts, which portray the routine of a generation, the work aims to contribute to a more informed understanding of the social habits that made this atmosphere possible.
本次作品旨在通过英国乐队“北极猴子”的首张专辑的歌词，研究21世纪初的英国青年是如何被描绘出来的。2006年1月23日，由四个19岁的年轻人组成的乐队发行了一张名为《Whatever People Say I Am, That 's What I 'm Not》的专辑，这张CD出人意料地成为英国音乐史上销量最快的首张专辑。选择这张专辑作为研究语料库不仅是因为上面提到的商业上的成功，还因为它的作品精确而文学地描绘了本世纪头十年英国青年的现状。通过分析这些描述一代人日常生活的片段，这项工作旨在帮助人们更深入地了解使这种氛围成为可能的社会习惯。
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Pub Date : 2020-01-25DOI: 10.2966/SCRIP.170120.152
Jiahong Chen
{"title":"Data Localization Laws and Policy: The EU Data Protection International Transfers Restriction Through a Cloud Computing Lens","authors":"Jiahong Chen","doi":"10.2966/SCRIP.170120.152","DOIUrl":"https://doi.org/10.2966/SCRIP.170120.152","url":null,"abstract":"","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88275449","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-25DOI: 10.2966/SCRIP.170120.125
Katie Atkinson
{"title":"Autonomous cars: A driving force for change in motor liability and insurance","authors":"Katie Atkinson","doi":"10.2966/SCRIP.170120.125","DOIUrl":"https://doi.org/10.2966/SCRIP.170120.125","url":null,"abstract":"","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77923663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"No man is an island: A critical analysis of the UK’s implementation of the Marrakesh Treaty","authors":"Jade Kouletakis","doi":"10.2966/SCRIP.170120.54","DOIUrl":"https://doi.org/10.2966/SCRIP.170120.54","url":null,"abstract":"","PeriodicalId":43374,"journal":{"name":"SCRIPTORIUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76759248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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