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IF 0.2 4区 历史学 Q3 Arts and Humanities Pub Date : 2020-06-10 DOI: 10.30965/18763316-04701012
Charles J. Halperin
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引用次数: 0
“S” is for “Seriously?” The Staritskii Plots as “Disorienting Defense” “S”代表“真的吗?”Staritskii阴谋是“定向防御”
IF 0.2 4区 历史学 Q3 Arts and Humanities Pub Date : 2020-06-10 DOI: 10.30965/18763316-04701005
A. Kleimola
The role of the succession question in court politics during the reign of Ivan iv has been a recurrent theme in Muscovite historiography, with particular focus on the “dynastic crisis” of 1553 as the first in a series of plots by Ivan’s cousin Vladimir Staritskii to gain the throne. But the true instigator, according to our sole source (interpolations in the Tsarstvennaia kniga segment of the Illuminated Chronicle), was Vladimir’s mother Evfrosin’ia. Somehow she was behind all the treasonous plots involving her son, and indirectly a guiding force behind all Ivan’s problems with disloyalty among the Muscovite elite. How she managed this is not at all clear, given the circumscribed role of women in Muscovy and her own absence from the capital. But the internal logic of the narrative clearly had a powerful appeal, and her image as the wicked witch of Muscovite domestic politics became the basis of “alternative facts” that have deflected historians from considering other explanations of Ivan’s dealings with his court.
在伊凡四世统治时期,继承问题在宫廷政治中的作用一直是莫斯科史学中反复出现的主题,尤其是1553年的“王朝危机”,这是伊凡的堂兄弗拉基米尔·斯塔利茨基(Vladimir Staritskii)为获得王位而进行的一系列阴谋中的第一次。但是,根据我们唯一的消息来源(《照亮编年史》中《沙皇骑士》部分的插补),真正的煽动者是弗拉基米尔的母亲埃夫弗罗申科。在某种程度上,她是所有涉及她儿子的叛国阴谋的幕后推手,并且间接地成为伊凡与莫斯科精英不忠的所有问题背后的主导力量。考虑到女性在莫斯科的角色受到限制,以及她本人不在首都,她是如何做到这一点的根本不清楚。但叙事的内在逻辑显然具有强大的吸引力,她作为莫斯科国内政治的邪恶女巫的形象成为“另类事实”的基础,使历史学家们无法考虑伊凡与他的宫廷打交道的其他解释。
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引用次数: 0
The Oprichnina as a Carnival of Violence: Ivan the Terrible and Muscovite Popular Culture 暴力的狂欢:伊凡雷帝与莫斯科的流行文化
IF 0.2 4区 历史学 Q3 Arts and Humanities Pub Date : 2020-06-10 DOI: 10.30965/18763316-04701009
Maureen Perrie
This essay takes issue with Charles Halperin’s assertion, in his book on Ivan the Terrible, that the state terror imposed by the tsar in the period of the oprichnina bore no relation to the concept of carnival employed by Mikhail Bakhtin. The reviewer argues that, on the contrary, Ivan’s behaviour was heavily influenced by aspects of the “comic world” of early Rus’ identified by D.S. Likhachev and A.M. Panchenko as the Muscovite equivalent of the Western European “carnivalesque”. She examines the deposition and ritual humiliation of Metropolitan Filipp of Moscow and Archbishops Pimen and Leonid of Novgorod, and the murder of the boyar I.P. Fedorov-Cheliadnin, and shows that these had much in common with forms of popular culture. Similarly, the oprichniki themselves in some respects resembled mummers, and their monastery at Aleksandrovskaia Sloboda was carnivalesque. The oprichnina terror displayed some of the gruesome rituals of retribution found in popular uprisings of the period: this suggests that the tsar had internalized much of the imagery of popular culture; and his appropriation of its idioms may have helped to gain popular support for his public executions.
本文对查尔斯·哈尔佩林在他关于伊凡雷帝的书中提出的观点提出质疑,他认为沙皇在奥普里契纳时期实施的国家恐怖与米哈伊尔·巴赫金所使用的狂欢节概念毫无关系。评论者认为,与此相反,伊万的行为在很大程度上受到了D.S.利哈乔夫(D.S. Likhachev)和A.M.确定的早期罗斯“喜剧世界”的影响潘琴科被认为是莫斯科的西欧“狂欢节”。她研究了莫斯科大主教菲利普、诺夫哥罗德大主教皮门和列昂尼德的罢免和仪式羞辱,以及波雅尔费多罗夫-切利亚德宁的谋杀,并表明这些与流行文化的形式有很多共同点。同样地,奥普里契尼奇自己在某些方面也很像戏子,他们在斯洛博达的修道院就像狂欢节一样。oprichnina恐怖事件展示了一些在这一时期的民众起义中发现的可怕的报复仪式:这表明沙皇已经内化了许多流行文化的意象;他对其习语的挪用可能有助于赢得公众对他公开处决的支持。
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引用次数: 0
A Riddle Wrapped in a Mystery Inside an Enigma: Ivan the Terrible 谜中之谜:伊凡雷帝
IF 0.2 4区 历史学 Q3 Arts and Humanities Pub Date : 2020-06-10 DOI: 10.30965/18763316-04701011
C. Halperin
Nine of the ten articles in this Forum critique and/or expand upon themes, conclusions, or interpretations in Charles J. Halperin’s Ivan the Terrible: Free to Reward and Free to Punish (2019), albeit in greatly varying proportion. The tenth addresses how to teach from the book. The quality of the articles speaks for itself. The range of the themes addressed speaks to the scope of Ivan’s reign. All the contributions to the Forum constitute valuable contributions to scholarship on Ivan, but to further discussion the remarks below concentrate on areas of disagreement. Much research remains to be done, but it is doubtful that historians will ever fully understand Ivan the Terrible and his reign. Ivan will always remain “a riddle wrapped in a mystery inside an enigma,” and consensus among historians will forever remain an elusive dream.
本论坛的十篇文章中有九篇批评和/或扩展了查尔斯·j·哈尔佩林的《伊凡雷王:自由赏与自由罚》(2019)中的主题、结论或解释,尽管比例差异很大。第十章讲的是如何照本宣科。这些商品的质量说明了一切。这些主题的范围反映了伊凡统治的范围。对论坛的所有贡献都构成了对Ivan学术研究的宝贵贡献,但为了进一步讨论,下面的评论集中在分歧的领域。还有很多研究要做,但历史学家是否能完全理解伊凡雷帝和他的统治是值得怀疑的。伊万将永远是“一个包裹在谜中谜中的谜”,历史学家之间的共识将永远是一个难以捉摸的梦想。
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引用次数: 0
Ransoming Russians from Tatars: Justification and Practice 从鞑靼人手中赎回俄罗斯人:理由与实践
IF 0.2 4区 历史学 Q3 Arts and Humanities Pub Date : 2020-06-10 DOI: 10.30965/18763316-04701008
D. Ostrowski
The early modern Russian government and Russian Orthodox Church identified as one of their main duties the ransoming of Russian Christians from Muslim Tatar captors. The process of ransoming could be an involved one with negotiations being carried on by different agents and by the potential ransomees themselves. Different amounts of ransom were paid on a sliding scale depending upon the ransomee’s social status, gender, and age. One of our main sources for the justification of this practice was the Stoglav (100 Chapters) Church Council in 1551, which discussed the issue of ransom in some detail. The Law Code (Ulozhenie) of 1649 specifies the conditions and amounts to be paid to redeem captives. Church writers justified the ransoming of Christian captives of the Muslim Tatars by citing Scripture, and they also specified that the government should pay the ransom out of its own treasury.
现代早期的俄罗斯政府和俄罗斯东正教将从穆斯林鞑靼人手中勒索俄罗斯基督徒确定为其主要职责之一。赎金的过程可能是一个复杂的过程,不同的代理人和潜在的赎金本身正在进行谈判。根据被勒索者的社会地位、性别和年龄,按比例支付不同数额的赎金。我们为这种做法辩护的主要来源之一是1551年的Stoglav(100章)教会理事会,该理事会详细讨论了赎金问题。1649年的《法典》(Ulozhenie)规定了赎回俘虏的条件和金额。教会作家引用《圣经》为勒索穆斯林鞑靼人的基督徒俘虏辩护,他们还明确指出政府应该从自己的金库中支付赎金。
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引用次数: 0
Ivan the Terrible and Historians Testing the Limits of a Sixteenth-Century Biography 伊凡雷帝与历史学家对16世纪传记极限的考验
IF 0.2 4区 历史学 Q3 Arts and Humanities Pub Date : 2020-06-10 DOI: 10.30965/18763316-04701006
M. Krom
This essay focuses upon the limitations to Ivan iv’s biography set by the extant sources. Due to these limitations, some important episodes of the tsar’s life, including his participation in the administrative reforms carried out during his reign, remain unknown. Moreover, these lacunae cannot be filled in with mere logical conjectures. However, the situation is not totally hopeless. For instance, Ivan’s major concerns during the oprichnina can be revealed with the help of the marginal notes in the Royal Archive’s inventory which fixed the tsar’s uses of the documents. Apart from careful reexamination of the available sources, hopes for further insights into Ivan’s biography and reign are pinned on the applying of the emic approach, history of concepts and historical comparison.
本文主要探讨现存资料对伊凡四世传记的局限性。由于这些限制,沙皇生活中的一些重要事件,包括他在统治期间参与的行政改革,仍然不为人所知。此外,这些空白不能仅仅用逻辑推测来填补。然而,情况并非完全没有希望。例如,伊凡在奥普里契纳期间的主要关注点可以通过皇家档案馆清单的边缘注释来揭示,这些清单确定了沙皇对文件的使用。除了对现有资料进行仔细的重新审查之外,对伊凡生平和统治的进一步了解还依赖于主位方法、概念史和历史比较的应用。
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引用次数: 0
The Trojan War at the Court of Ivan the Terrible 伊凡雷帝的特洛伊战争
IF 0.2 4区 历史学 Q3 Arts and Humanities Pub Date : 2020-06-10 DOI: 10.30965/18763316-04701003
Paul Bushkovitch
The Illustrated Chronicle Compilation, one of the great projects of Ivan the Terrible’s reign, included a full Russian translation of the History of the Destruction of Troy by the thirteenth century Sicilian judge, Guido delle Colonne. A prose version of a French romance of chivalry, the text fits poorly with our conceptions of sixteenth century Russian culture. Was it history or fiction? Was it secular, or is that term not useful? Partial answers come from references to the text by the boyar V. M. Tuchkov, Ivan himself, and the use of the text by later authors after the Time of Troubles.
《画报编年史汇编》是伊凡雷帝统治时期最伟大的项目之一,其中包括13世纪西西里法官圭多·德尔·科隆尼(Guido delle Colonne)对《特洛伊毁灭史》的完整俄文翻译。这是一部法国骑士传奇的散文版本,与我们对16世纪俄罗斯文化的理解极不相符。这是历史还是虚构?它是世俗的,还是这个词没有用?部分答案来自波雅尔v·m·图奇科夫、伊万本人对文本的引用,以及动乱时期之后的作者对文本的使用。
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引用次数: 0
Where is Russia Headed, and What is to Be Done? Anders Åslund’s New Book on Russian Political Economy 俄罗斯将何去何从?该做些什么?安德斯Åslund关于俄罗斯政治经济的新书
IF 0.2 4区 历史学 Q3 Arts and Humanities Pub Date : 2019-12-23 DOI: 10.1163/18763316-04604007
S. Sokhey
In Russia’s Crony Capitalism, Åslund focuses on Putin’s political and economic strategy in the 2000s. The book draws on Åslund’s deep expertise on Russian politics, detailing the role of Putin’s close associates and businesspeople in establishing the economic system we see in the 2000s in Russia. While making an important contribution to our understanding of Russian political economy, the book overlooks the important issue of economic inequality and variation across the regions of Russia. Åslund sometimes offers policy recommendations that, while perhaps admirable in principle, are unlikely to be politically feasible in the near term in Russia. Nonetheless, Åslund’s perspective is one of the best informed on Russian politics today and a vital part of the ongoing discussion about how, when, and why the Putin era of Russian politics will continue to work and how it will come to an end.
在《俄罗斯的裙带资本主义》一书中,Åslund关注的是普京在2000年代的政治和经济战略。这本书借鉴了Åslund对俄罗斯政治的深厚专业知识,详细描述了普京的亲信和商人在建立我们在21世纪初看到的俄罗斯经济体系中的作用。在对我们理解俄罗斯政治经济做出重要贡献的同时,这本书忽略了俄罗斯各地区经济不平等和差异的重要问题。Åslund有时会提出一些政策建议,尽管这些建议在原则上或许令人钦佩,但在俄罗斯短期内不太可能在政治上可行。尽管如此,Åslund的观点是当今最了解俄罗斯政治的观点之一,也是正在进行的关于普京时代的俄罗斯政治将如何、何时、为何继续运作以及如何结束的讨论的重要组成部分。
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引用次数: 0
Out of the Deep Woods and Into the Light: The Invention of Snegurochka as a Representation of Russian National Identity 走出森林深处,走向光明:斯涅古罗奇卡的发明作为俄罗斯民族认同的代表
IF 0.2 4区 历史学 Q3 Arts and Humanities Pub Date : 2019-12-23 DOI: 10.1163/18763316-04604004
Ludmila Piters-Hofmann
The character of Snegurochka [Snow Maiden] has her origin in Russian folktales and is now part of an annual national tradition. The article considers her popularity as a result of different processes of inventing and reinventing national identity and the reflection on cultural heritage initiated through the Russian intelligentsia in the nineteenth and early twentieth centuries. Since her breakthrough as the main character of Nikolai Rimsky-Korsakov’s opera Snegurochka (1882), based on Alexander Ostrovsky’s play in verse of the same name (1873), the amalgamation of different artistic interpretations facilitated her transformation into a representation of national identity, perceived as a product of national community and therefore of the people.
雪女(Snegurochka)这个角色起源于俄罗斯民间故事,现在已成为一年一度的民族传统的一部分。文章认为,她的受欢迎是十九世纪和二十世纪初俄罗斯知识界发明和重塑民族身份的不同过程以及对文化遗产的反思的结果。自从她突破成为尼古拉·里姆斯基·科尔萨科夫的歌剧《Snegurochka》(1882年)的主角以来,不同艺术诠释的融合促进了她转变为民族身份的代表,被视为民族共同体的产物,因此也是人民的产物。
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引用次数: 2
Artistic Communities and Educational Approaches in Nineteenth- and Early Twentieth-Century Russia 19世纪和20世纪初俄罗斯的艺术共同体与教育方法
IF 0.2 4区 历史学 Q3 Arts and Humanities Pub Date : 2019-12-23 DOI: 10.1163/18763316-04604001
Ludmila Piters-Hofmann, Isabel Wünsche
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引用次数: 0
期刊
RUSSIAN HISTORY-HISTOIRE RUSSE
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