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Hold Fast the Reins and Be Guided: Embodied Expressions of Taqwā in Prophetic Hadith and Orations of ʿ⁠⁠Alī ibn Abī Ṭālib 抓住缰绳和被引导:Taqwā在先知圣训和诵经的具体表达的al -伊本·阿布·Ṭālib
3区 文学 0 ASIAN STUDIES Pub Date : 2023-10-31 DOI: 10.1163/1570064x-12341489
Erin Atwell
Abstract This essay examines the interplay of form and content in early Islamic expressions of taqwā (translated variously as piety, or fear or consciousness of God), with a primary focus on prophetic hadith and the orations of ʿ⁠Alī ibn Abī Ṭālib. Through this analysis, two major observations can be made. First, expressions of taqwā in these sources are indelibly corporeal, articulated through forms of bodily intimacy, whether between rider and mount, or as the cure for bodily sickness. Second, attention to both form and content and their interstices elucidates a picture of taqwā that expands our notion of embodiment to encompass the realm of the internal. Taqwā involves techniques of the limbs, tongue, eyes, and ears as well as techniques of the heart. To demonstrate this, I explore both the ways that believers are enjoined to seek taqwā as well as how taqwā is articulated as enacting transformations in/on those believers.
摘要本文考察了早期伊斯兰教taqwā(翻译为各种虔诚,或恐惧或真主的意识)表达形式和内容的相互作用,主要关注先知圣训和al -伊本·阿布·Ṭālib的演讲。通过这种分析,可以得出两个主要结论。首先,taqwā在这些来源中的表达是不可磨灭的肉体,通过身体亲密的形式来表达,无论是在骑手和坐骑之间,还是作为身体疾病的治疗。其次,对形式和内容及其间隙的关注阐明了taqwā的图景,将我们的体现概念扩展到包含内部领域。taqwawa包括四肢、舌头、眼睛和耳朵的技巧以及心脏的技巧。为了证明这一点,我探索了信徒被要求寻求taqwā的方式,以及taqwā是如何被表达为在这些信徒身上/身上实施转变的。
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引用次数: 0
Generations of Dissent: Intellectuals, Cultural Production, and the State in the Middle East and North Africa, written by Alexa Firat and R. Shareah Taleghani 《异议世代:中东和北非的知识分子、文化生产和国家》,作者:亚历克萨·弗拉特和r·沙拉·塔莱格哈尼
3区 文学 0 ASIAN STUDIES Pub Date : 2023-10-31 DOI: 10.1163/1570064x-12341496
Hannah Scott Deuchar
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引用次数: 0
Utopia and Civilisation in the Arab Nahda, written by Peter Hill 《阿拉伯复兴党的乌托邦与文明》,彼得·希尔著
3区 文学 0 ASIAN STUDIES Pub Date : 2023-10-31 DOI: 10.1163/1570064x-12341498
Ziad Dallal
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引用次数: 0
Arabic Disclosures: The Postcolonial Autobiographical Atlas, written by Muhsin J. al-Musawi 《阿拉伯揭秘:后殖民自传体地图集》,作者穆赫辛·j·穆萨维
3区 文学 0 ASIAN STUDIES Pub Date : 2023-10-31 DOI: 10.1163/1570064x-12341493
Karim Mattar
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引用次数: 0
The Rise of the Arabic Book, written by Beatrice Gruendler 《阿拉伯书的兴起》,作者比阿特丽斯·格伦德勒
3区 文学 0 ASIAN STUDIES Pub Date : 2023-10-31 DOI: 10.1163/1570064x-12341501
Jocelyn Sharlet
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引用次数: 0
Constructions of Masculinity in the Middle East and North Africa: Literature, Film, and National Discourse, edited by Mohja Kahf and Nadine Sinno 《中东和北非男性气质的建构:文学、电影和民族话语》,Mohja Kahf和Nadine Sinno主编
3区 文学 0 ASIAN STUDIES Pub Date : 2023-10-31 DOI: 10.1163/1570064x-12341495
Michelle Hartman
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引用次数: 0
The Shahrazād of Sablakh Speaks in Many Tongues Sablakh的Shahrazād会说多种语言
3区 文学 0 ASIAN STUDIES Pub Date : 2023-10-31 DOI: 10.1163/1570064x-12341491
Rachel Green
Abstract Shlūmū al-kurdī wa-anā wa-l-zaman (Shlūmū al-Kurdī, Myself and Time) (2004) is the final novel of Iraqi-Jewish author Samīr Naqqāsh. Considering the text in light of the cultural politics of memory and articulation, this article posits the novel as a true fabrication of a fictionalized memoir. By thematizing aspects of speech, movement and scriptural ecumenism within an Islamicate cultural memory, the text simultaneously narrates and mourns the WWI -era social collapse of multiconfessional Sablakh in Iranian Kurdistan. The narration employs a modified, self-amplifying tripartite narrative structure and a self-sustaining momentum born of the looping of prophetic and traumatic temporalities; together, such structural moves enable a cascade of witnessing of a marginal(ized) site of loss. The text thus intervenes in officially sanctioned genealogies of loss and overcoming while crafting an affirmative Eastern Jewish self-in-community beyond the linguistic, geographic, and epistemological confines of Mizrahi identity within the State of Israel.
Shlūmū al-kurd ā wa-anā wa-l-zaman (Shlūmū al-kurd ā, Myself and Time)(2004)是伊拉克犹太裔作家samurr Naqqāsh的最后一部小说。从记忆和表达的文化政治角度来考虑文本,本文认为这部小说是一部真正的虚构回忆录。通过在伊斯兰文化记忆中主题化言论、运动和圣经的普世主义,文本同时叙述和哀悼第一次世界大战时期伊朗库尔德斯坦多教派的萨布拉克社会崩溃。叙事采用了一种改良的、自我放大的三方叙事结构,以及一种由预言性和创伤性暂时性的循环而产生的自我维持的势头;总之,这样的结构性变动使人们能够目睹一个边缘(化)的损失地点。因此,这篇文章介入了官方认可的失落和克服的谱系,同时在以色列的米兹拉希身份的语言、地理和认识论范围之外,塑造了一个积极的东方犹太人自我社区。
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引用次数: 0
A Culture of Ambiguity: An Alternative History of Islam, written by Bauer, Thomas 《一种模棱两可的文化:伊斯兰教的另一种历史》,作者:托马斯·鲍尔
3区 文学 0 ASIAN STUDIES Pub Date : 2023-10-31 DOI: 10.1163/1570064x-12341502
Mònica Colominas Aparicio
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引用次数: 0
The Cooing of the Dove and the Cawing of the Crow: Late ʿAbbāsid Poetics in Abū al-ʿAlāʾ al-Maʿarrī’s Saqṭ al-Zand and Luzūm Mā Lā Yalzam, written by Suzanne Pinckney Stetkevych 鸽子的咕咕声和乌鸦的鸣叫:后期的阿卜杜拉Abbāsid《阿卜杜拉·阿尔·阿尔·阿尔·马·阿尔·阿尔·萨哈·阿尔·赞德》和《Luzūm阿卜杜拉·阿尔·雅尔赞德》的诗学,苏珊娜·平克尼·斯特克维奇著
3区 文学 0 ASIAN STUDIES Pub Date : 2023-10-31 DOI: 10.1163/1570064x-12341504
Stefan Sperl
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引用次数: 0
A Contrarian Muʿtazilite Theologian/Poet’s Guide to Fine Poetry: Al-Nāshiʾ al-Akbar (d. 293/906) and How to Write Inimitable Poems 一个反正统的Mu - tazilite神学家/诗人的好诗指南:Al-Nāshi al-Akbar (d. 293/906)和如何写独特的诗
3区 文学 0 ASIAN STUDIES Pub Date : 2023-10-31 DOI: 10.1163/1570064x-12341488
Hacı Osman Gündüz
Abstract Boasting of one’s poetic talents was hardly an uncommon feature in Arabic poetry. Poets sang praises for their craft and exalted themselves over their rivals. They sometimes moved beyond braggadocio, however, explaining the particular attributes that made their poetry of unmatched quality. Al-Nāshiʾ al-Akbar (d. 293/906) was one such poet who declared his poetry to be an inimitable product defined by standards that he outlined in his didactic poems. He also penned at least one book on the criticism of poetry which only survives now as excerpts in a number of fourth/eleventh century works of adab . Fine poetry, according to al-Nāshiʾ, is the harmonious articulation of sounds and meanings presented in an accessible way to its audience but is impossible to reproduce. In this respect, I propose that, in expounding the standards of excellent poetry, al-Nāshiʾ alluded to theories of inimitability ( iʿjāz ) based on composition ( naẓm ) and divine prevention ( ṣarfah ). He was a Muʿtazilite theologian who was both celebrated and vilified by his contemporaries, and later scholars. His theological writings have been examined; however, his literary persona is still little-known. In contrast to most considerations of him, this study examines al-Nāshiʾ as a poet and critic foremost.
在阿拉伯诗歌中,夸耀自己的诗歌才能并不罕见。诗人歌颂自己的技艺,把自己抬高到对手之上。然而,他们有时会超越自夸,解释使他们的诗歌具有无与伦比品质的特殊属性。Al-Nāshi al-Akbar(公元293/906年)就是这样一位诗人,他宣称自己的诗歌是由他在说教诗中概述的标准定义的独特产品。他还写了至少一本关于诗歌批评的书,这些书现在只作为四、十一世纪阿达布作品的节选流传下来。根据al-Nāshi的说法,好的诗歌是声音和意义的和谐表达,以一种易于理解的方式呈现给观众,但不可能复制。在这方面,我建议,在阐述优秀诗歌的标准时,al-Nāshi - l提到了基于构成(naẓm)和神圣预防(ṣarfah)的不可模仿理论(I - l jāz)。他是一位Mu - tazilite神学家,他的同时代人和后来的学者对他既推崇又诋毁。他的神学著作已被审查;然而,他的文学形象仍然鲜为人知。与对他的大多数考虑不同,本研究首先将al-Nāshi作为诗人和评论家进行考察。
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引用次数: 0
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JOURNAL OF ARABIC LITERATURE
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