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Bricoleurs de rites et artistes-ritualistes au Québec : figures de proue d’un régime religieux en émergence 魁北克的仪式工匠和仪式艺术家:一个新兴宗教政权的领袖
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2023-06-02 DOI: 10.1177/00084298231172208
Isabelle Kostecki, Géraldine Mossière
This article discusses the contemporary figures of the ritual bricoleur (amateur ritual crafter) and the ritualist artist. Distanced from religious institutions, these practitioners are creative and innovative in the ritualization of daily life and the life cycle. Based on two bodies of data from ethnographic research conducted in Quebec, the authors analyze the initiatives of these self-taught ritualists in an ascending order of virtuosity, drawing on Lévi-Strauss’s categorization of creative modalities in the field of culture (ideotypes of the bricoleur and the artist). Ethnographic exploration of these emerging ritual practices highlights the dynamics of a post-institutional type of religious regime associated with the rise of holistic spiritualities and personal growth. These new and seemingly disparate ritual practices aim at the transformation of the subjects’ interiority while reorganizing their relationship to the other, to the sacred and to the world according to a holistic, experiential and voluntarist approachy.
本文讨论了当代仪式工匠(业余仪式工匠)和仪式艺术家的形象。这些实践者远离宗教机构,在日常生活和生命周期的仪式化中具有创造性和创新性。基于在魁北克进行的人种学研究的两组数据,作者根据l斯蒂文·施特劳斯对文化领域创造性模式的分类(杂色匠和艺术家的观念型态),以精湛技艺的升序分析了这些自学成才的仪式主义者的主动性。对这些新兴仪式实践的民族志探索强调了与整体灵性和个人成长的兴起相关的后制度类型的宗教政权的动态。这些看似不同的新的仪式实践旨在改变主体的内在性,同时根据整体的、经验的和唯意志论的方法重新组织他们与他人、神圣和世界的关系。
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