The move to constitutional rule and deregulation of media ushered Ghana into the milieu of media globalization. As such local television is experiencing a balancing act between national autonomy and international commitments. Given the limited empirical scrutiny of the progress of local television in the globalization milieu, this study examines the globalized and dynamic environment within which local television functions in Ghana. This study reveals an industry that is characterized by changing notions of culture and shifting policies that attempt to accommodate contemporary global commitments, while at the same time give support to culturally authentic and nationally relevant contents.
{"title":"Television in Ghana: History, policy, culture and prospects in a globalized media ecology","authors":"Ramatu Mustapha Dadzie","doi":"10.1386/jams_00105_1","DOIUrl":"https://doi.org/10.1386/jams_00105_1","url":null,"abstract":"The move to constitutional rule and deregulation of media ushered Ghana into the milieu of media globalization. As such local television is experiencing a balancing act between national autonomy and international commitments. Given the limited empirical scrutiny of the progress of local television in the globalization milieu, this study examines the globalized and dynamic environment within which local television functions in Ghana. This study reveals an industry that is characterized by changing notions of culture and shifting policies that attempt to accommodate contemporary global commitments, while at the same time give support to culturally authentic and nationally relevant contents.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86186328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Martin Arvad Nicolaisen, Casper Andersen, Phillip Stenmann Baun, Jonas Aryee, A. S. Hansen
Two different media platforms played a key role in keeping Tema Port in Ghana afloat during the period immediately leading up to and during the three-week COVID-19 pandemic-related lockdown in late March–April of 2020. The one media platform, Eye on Port, is a weekly broadcast television show by the port’s authorities, which caters primarily to external commercial stakeholders of the port. The other platform is a closed WhatsApp forum used by stakeholders working at the operational level of the port. Both platforms served specific needs among their users, who had been restricted in their mobility but had to keep the port operational. Combining ‘scalable sociality’ with the concept of polymedia, we identify how the two media functioned to meet the different informational and conversational needs of their respective users. We argue that either medium alone could not fulfil the communicative needs necessary to keep the port operational during the early stage of the COVID-19 pandemic.
在2020年3月下旬至4月期间，在与COVID-19大流行相关的为期三周的封锁期间，两个不同的媒体平台在维持加纳特马港的运营方面发挥了关键作用。唯一的媒体平台“眼观港口”(Eye on Port)是由港口当局每周播出的电视节目，主要面向港口的外部商业利益相关者。另一个平台是一个封闭的WhatsApp论坛，供港口运营层面的利益相关者使用。这两个平台都满足了用户的特定需求，这些用户的行动受到限制，但必须保持端口的运行。结合“可扩展社交”和多媒体的概念，我们确定了这两种媒体是如何满足各自用户不同的信息和对话需求的。我们认为，在COVID-19大流行的早期阶段，仅靠这两种媒体都无法满足保持港口运营所需的沟通需求。
{"title":"Keeping the Port of Tema afloat during COVID-19: Media responses to user informational and conversational needs","authors":"Martin Arvad Nicolaisen, Casper Andersen, Phillip Stenmann Baun, Jonas Aryee, A. S. Hansen","doi":"10.1386/jams_00108_1","DOIUrl":"https://doi.org/10.1386/jams_00108_1","url":null,"abstract":"Two different media platforms played a key role in keeping Tema Port in Ghana afloat during the period immediately leading up to and during the three-week COVID-19 pandemic-related lockdown in late March–April of 2020. The one media platform, Eye on Port, is a weekly broadcast television show by the port’s authorities, which caters primarily to external commercial stakeholders of the port. The other platform is a closed WhatsApp forum used by stakeholders working at the operational level of the port. Both platforms served specific needs among their users, who had been restricted in their mobility but had to keep the port operational. Combining ‘scalable sociality’ with the concept of polymedia, we identify how the two media functioned to meet the different informational and conversational needs of their respective users. We argue that either medium alone could not fulfil the communicative needs necessary to keep the port operational during the early stage of the COVID-19 pandemic.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89008728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study focused on identity formation and media consumption among first-generation young Africans in the diaspora. It investigated what it means to be African and the impact of multiple identities and forms of belonging within diasporic communities. Emphasis was on how they experience the diaspora as liminal spaces and subsequently negotiate relationships with other Africans in indeterminate diasporic spaces to construct, redefine, negotiate and even contest identities. Using snowballing and purposive sampling, the study analysed first-hand accounts and interviews informed by personal histories and lived experiences of (1) what they know about Africa; (2) their sense of belonging to Africa; (3) how Africa is represented in the media and (4) their views/attitudes on markers of African identity. Findings indicate that young Africans in the diaspora have a strong sense of belonging to Africa and are actively engaged with different forms of African media such as music and films.
{"title":"Young African diaspora: Global African narratives, media consumption and identity formation","authors":"L. L. Mukhongo, W. Mano, W. Chuma","doi":"10.1386/jams_00102_1","DOIUrl":"https://doi.org/10.1386/jams_00102_1","url":null,"abstract":"This study focused on identity formation and media consumption among first-generation young Africans in the diaspora. It investigated what it means to be African and the impact of multiple identities and forms of belonging within diasporic communities. Emphasis was on how they experience the diaspora as liminal spaces and subsequently negotiate relationships with other Africans in indeterminate diasporic spaces to construct, redefine, negotiate and even contest identities. Using snowballing and purposive sampling, the study analysed first-hand accounts and interviews informed by personal histories and lived experiences of (1) what they know about Africa; (2) their sense of belonging to Africa; (3) how Africa is represented in the media and (4) their views/attitudes on markers of African identity. Findings indicate that young Africans in the diaspora have a strong sense of belonging to Africa and are actively engaged with different forms of African media such as music and films.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86887133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Although some studies have previously indicated that the stereotypical western mainstream media narratives about Africa may be shifting, this Special Issue highlights the stickiness of the stereotypes, and some of the platforms on which they continue to be repeated. Some of these studies further show how African media are also responsible for ongoing circulation of the stereotypes. While the data are discouraging, there are pockets of hope on digital media (including social media), where women and youth are taking back the proverbial pen using storytelling and humour to show that Africa is neither monolithic, nor all doom and gloom. Even through the COVID-19 pandemic, Africans entertained the world with music, dancing and comedy, proving resilience and optimism, against Afro-pessimistic narratives.
{"title":"Beyond western Afro-pessimism: The African narrative in African and non-western countries","authors":"Rebecca Pointer","doi":"10.1386/jams_00097_2","DOIUrl":"https://doi.org/10.1386/jams_00097_2","url":null,"abstract":"Although some studies have previously indicated that the stereotypical western mainstream media narratives about Africa may be shifting, this Special Issue highlights the stickiness of the stereotypes, and some of the platforms on which they continue to be repeated. Some of these studies further show how African media are also responsible for ongoing circulation of the stereotypes. While the data are discouraging, there are pockets of hope on digital media (including social media), where women and youth are taking back the proverbial pen using storytelling and humour to show that Africa is neither monolithic, nor all doom and gloom. Even through the COVID-19 pandemic, Africans entertained the world with music, dancing and comedy, proving resilience and optimism, against Afro-pessimistic narratives.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82423266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyses how young African writers challenge stereotypes about the continent through their imagination of places in online short stories. These stories appear on the literary websites Brittle Paper, Jalada, Saraba, Flash Fiction Ghana, Adda and African Writer Magazine with a focus on cities and villages. Authored by ten writers from Ghana, Nigeria, Kenya, Malawi and Egypt, the stories contain elements of fiction that risk perpetuating negative stereotypes about Africa as they imagine their respective settings. However, textual analysis supported by an appreciation of context reveals how the writers use these stereotypes as basis to craft strong African narratives. By doing so, the writers emphasize the effect that places have on characters, theme, setting and the image of Africa. Ultimately, the roles that urban and rural spaces play in online fiction are multifaceted and enhance the African narrative in complex ways.
{"title":"Digital cities and villages: African writers and a sense of place in short online fiction","authors":"Kwabena Opoku-Agyemang","doi":"10.1386/jams_00101_1","DOIUrl":"https://doi.org/10.1386/jams_00101_1","url":null,"abstract":"This article analyses how young African writers challenge stereotypes about the continent through their imagination of places in online short stories. These stories appear on the literary websites Brittle Paper, Jalada, Saraba, Flash Fiction Ghana, Adda and African Writer Magazine with a focus on cities and villages. Authored by ten writers from Ghana, Nigeria, Kenya, Malawi and Egypt, the stories contain elements of fiction that risk perpetuating negative stereotypes about Africa as they imagine their respective settings. However, textual analysis supported by an appreciation of context reveals how the writers use these stereotypes as basis to craft strong African narratives. By doing so, the writers emphasize the effect that places have on characters, theme, setting and the image of Africa. Ultimately, the roles that urban and rural spaces play in online fiction are multifaceted and enhance the African narrative in complex ways.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79045721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study identifies who is talking about climate change in Africa, both in the mainstream media and on Twitter, and analyses the key messages emerging from the different platforms. For the mainstream media, we used Google’s Global Database of Events, Language and Tone (GDELT) platform to access articles using the search terms ‘climate change AND Africa’ or ‘climate change’ and the name of all 54 African countries. We then identified the top five countries with the most articles in the sample and using random sampling, undertook a frame analysis of the articles. Regarding Twitter, we downloaded tweets containing ‘climate change AND Africa’ or ‘climate change’ and the name of all 54 African countries, identified who was tweeting and what they were tweeting about. We also identified key African climate change activists and analysed their tweets. While the nature of mainstream media coverage varies across the top five countries, a slight shift towards articles focused on adaptation and mitigation was observed, away from purely disaster narratives. Worryingly, for Twitter, very few African voices are tweeting about climate change and what they are tweeting does not draw much attention to pertinent issues on the continent in respect of climate change.
{"title":"How are Africans talking about climate change and who is doing the talking?","authors":"Rebecca Pointer, S. Matsiko","doi":"10.1386/jams_00103_1","DOIUrl":"https://doi.org/10.1386/jams_00103_1","url":null,"abstract":"This study identifies who is talking about climate change in Africa, both in the mainstream media and on Twitter, and analyses the key messages emerging from the different platforms. For the mainstream media, we used Google’s Global Database of Events, Language and Tone (GDELT) platform to access articles using the search terms ‘climate change AND Africa’ or ‘climate change’ and the name of all 54 African countries. We then identified the top five countries with the most articles in the sample and using random sampling, undertook a frame analysis of the articles. Regarding Twitter, we downloaded tweets containing ‘climate change AND Africa’ or ‘climate change’ and the name of all 54 African countries, identified who was tweeting and what they were tweeting about. We also identified key African climate change activists and analysed their tweets. While the nature of mainstream media coverage varies across the top five countries, a slight shift towards articles focused on adaptation and mitigation was observed, away from purely disaster narratives. Worryingly, for Twitter, very few African voices are tweeting about climate change and what they are tweeting does not draw much attention to pertinent issues on the continent in respect of climate change.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81640391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Afropessimism, or the western media tradition of covering Africa in stereotypically negative ways, has continually served to strip the continent of representational nuance and agency. While Africa experienced its own COVID-19 challenges during the pandemic, the Afropessimistic outlook of total collapse and carnage did not become a reality. In fact, with the popular uptake of TikTok as the pandemic wore on, Africans began social media trends that kept many globally entertained as they navigated new lockdown realities. This study looks at three of these TikTok trends, namely #JerusalemaChallenge, #DontRushChallenge and #DontLeaveMeChallenge. Through textual analysis, the study explores if and how these trends provided counternarratives to Afropessimism. With dominant themes such as humour and dance emerging, findings suggest that these trends offered content that can be read as contributing to challenging Afropessimism through cultivating African digital agency and representation.
{"title":"This is Africa: How young African TikTok trends challenged Afropessimism during COVID-19","authors":"Fungai Machirori","doi":"10.1386/jams_00098_1","DOIUrl":"https://doi.org/10.1386/jams_00098_1","url":null,"abstract":"Afropessimism, or the western media tradition of covering Africa in stereotypically negative ways, has continually served to strip the continent of representational nuance and agency. While Africa experienced its own COVID-19 challenges during the pandemic, the Afropessimistic outlook of total collapse and carnage did not become a reality. In fact, with the popular uptake of TikTok as the pandemic wore on, Africans began social media trends that kept many globally entertained as they navigated new lockdown realities. This study looks at three of these TikTok trends, namely #JerusalemaChallenge, #DontRushChallenge and #DontLeaveMeChallenge. Through textual analysis, the study explores if and how these trends provided counternarratives to Afropessimism. With dominant themes such as humour and dance emerging, findings suggest that these trends offered content that can be read as contributing to challenging Afropessimism through cultivating African digital agency and representation.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82679352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The issue of African narratives has attracted significant attention in traditional media studies. On social media in general, and on Facebook in particular, little is known about these narratives. This study addresses the public’s concerns about African narratives on social media by meeting the demand for empirical data on African narratives from an alternative media perspective in Africa. The study follows these debates on Facebook, which are frequently used to raise public awareness and sway public opinion on important issues. The study used thematic content analysis to determine the most prevalent themes covered in the selected posts as well as the sentiments expressed in the comments. To make sense of the data, the study applied critical alternative media theory. The study revealed that topical issues about politics and international affairs, domestic conflict and death, sports and health dominated the media, and sentiments in the comments viewed Africans as a solution to Africa’s problems. Furthermore, the study established that negative stories elicited negative responses, and Africans regarded other African countries as crucial to the continent’s growth. As a result, the study shows that Facebook has evolved into an essential platform for media to share alternative African narratives.
{"title":"Unveiling African narratives on Facebook: Media posts and audience engagement","authors":"D. O. Ong'ong'a","doi":"10.1386/jams_00100_1","DOIUrl":"https://doi.org/10.1386/jams_00100_1","url":null,"abstract":"The issue of African narratives has attracted significant attention in traditional media studies. On social media in general, and on Facebook in particular, little is known about these narratives. This study addresses the public’s concerns about African narratives on social media by meeting the demand for empirical data on African narratives from an alternative media perspective in Africa. The study follows these debates on Facebook, which are frequently used to raise public awareness and sway public opinion on important issues. The study used thematic content analysis to determine the most prevalent themes covered in the selected posts as well as the sentiments expressed in the comments. To make sense of the data, the study applied critical alternative media theory. The study revealed that topical issues about politics and international affairs, domestic conflict and death, sports and health dominated the media, and sentiments in the comments viewed Africans as a solution to Africa’s problems. Furthermore, the study established that negative stories elicited negative responses, and Africans regarded other African countries as crucial to the continent’s growth. As a result, the study shows that Facebook has evolved into an essential platform for media to share alternative African narratives.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76921056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines the constructions of Africa in COVID-19-related stories that were produced by African news media. Dominant scholarship indicates that western media generally reproduce and perpetuate harmful stereotypes on Africa. Given that there is scant literature on how African media covers Africa, this article uses the COVID-19 pandemic as an entry point to explore the disease narratives on Africa. Drawing on Afrokology as decolonial perspective, this article examines the discourses and narratives on Africa that were produced by African news organizations. Data were drawn from ten news organizations from Ghana, Tanzania, Zimbabwe, South Africa and Egypt. A quantitative corpus analysis and a qualitative critical discourse analysis were used to analyse the COVID-19-related stories. Findings demonstrate that harmful disease stereotypes about Africa as a place of danger, darkness, tragedy and human rights abuses were reproduced by the African media.
{"title":"COVID-19 and the constructions of Africa in African news media","authors":"Mphathisi Ndlovu, Maame Nikabs","doi":"10.1386/jams_00099_1","DOIUrl":"https://doi.org/10.1386/jams_00099_1","url":null,"abstract":"This article examines the constructions of Africa in COVID-19-related stories that were produced by African news media. Dominant scholarship indicates that western media generally reproduce and perpetuate harmful stereotypes on Africa. Given that there is scant literature on how African media covers Africa, this article uses the COVID-19 pandemic as an entry point to explore the disease narratives on Africa. Drawing on Afrokology as decolonial perspective, this article examines the discourses and narratives on Africa that were produced by African news organizations. Data were drawn from ten news organizations from Ghana, Tanzania, Zimbabwe, South Africa and Egypt. A quantitative corpus analysis and a qualitative critical discourse analysis were used to analyse the COVID-19-related stories. Findings demonstrate that harmful disease stereotypes about Africa as a place of danger, darkness, tragedy and human rights abuses were reproduced by the African media.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81701418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article aims to empirically analyse and theoretically reflect on how the appropriation of new information and communication technologies in everyday life interrelates with continuous renegotiations of contemporary social and family relations in Kenya. Various changes in the locally specific communication ecologies in Kenya occur simultaneously with similar important societal changes related to migration, wage labour, marketization and increased access to education. Consequently, people’s basic living conditions in everyday life have changed in terms of connectivity, knowledge, power, time and space, with traditional family relations being challenged, re-bargained and re-established in a complex synthesis between continuity and change. Taking theoretical reflections on patriarchy, power and communication ecologies as its point of departure, the article conducts empirical analyses grounded in semi-structured ethnographic interviews and observations. The article presents an account of how the new diverse communication ecologies interrelate with continuous negotiations of family relations in a re-bargaining of patriarchy.
{"title":"New media and re-bargaining patriarchy in Kenyan families","authors":"P. Nielsen, S. Chebii","doi":"10.1386/jams_00092_1","DOIUrl":"https://doi.org/10.1386/jams_00092_1","url":null,"abstract":"This article aims to empirically analyse and theoretically reflect on how the appropriation of new information and communication technologies in everyday life interrelates with continuous renegotiations of contemporary social and family relations in Kenya. Various changes in the locally specific communication ecologies in Kenya occur simultaneously with similar important societal changes related to migration, wage labour, marketization and increased access to education. Consequently, people’s basic living conditions in everyday life have changed in terms of connectivity, knowledge, power, time and space, with traditional family relations being challenged, re-bargained and re-established in a complex synthesis between continuity and change. Taking theoretical reflections on patriarchy, power and communication ecologies as its point of departure, the article conducts empirical analyses grounded in semi-structured ethnographic interviews and observations. The article presents an account of how the new diverse communication ecologies interrelate with continuous negotiations of family relations in a re-bargaining of patriarchy.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82384118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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