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The Nineteenth Century 19世纪
Pub Date : 2020-10-08 DOI: 10.1093/oxfordhb/9780198831464.013.5
Timothy Larsen
While Christmas was already a popular feast day at the start of the nineteenth century, the holiday was transformed and greatly expanded over the course of the Victorian age. One reason for this was that many Reformed and Dissenting Protestants went from opposing Christmas to celebrating it. Christians in the United States from Episcopalians to the Salvation Army also promoted the rise of Santa Claus as a surreptitious gift bearer. The holiday experienced a significant domestication: for many people Christmas was no longer primarily an open-air event, nor an ecclesial one, but one focused on home and family, especially children. The Christmas tree was a German Protestant tradition that become popular in numerous countries. The British gave the world the Christmas card. Finally, new forms of charity rose side-by-side with new forms of commercialism, as well as new forms of devotion such as the Lessons and Carols service.
虽然圣诞节在19世纪初已经是一个受欢迎的节日,但在维多利亚时代,这个节日发生了变化,并大大扩展了。其中一个原因是,许多改革宗和持不同政见者从反对圣诞节转变为庆祝圣诞节。美国的基督徒,从圣公会教徒到救世军,也推动了圣诞老人作为秘密送礼者的兴起。这个节日经历了重大的驯化:对许多人来说,圣诞节不再主要是一个露天活动,也不是一个教会活动,而是一个专注于家庭和家庭,尤其是孩子的节日。圣诞树是德国新教的传统,在许多国家都很流行。英国人把圣诞卡送给了全世界。最后,新形式的慈善与新形式的商业主义,以及新形式的奉献,如课程和颂歌服务,并行不悖。
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引用次数: 0
Film and Television 电影电视
Pub Date : 2020-10-08 DOI: 10.1093/oxfordhb/9780198831464.013.33
Mark Connelly
The global phenomenon that Christmas has become has been inspired by the twin forces of commercialism and its ubiquitous visual image through film and television, encapsulated by the Hallmark Channel. Although much of the imagery has foregrounded spiritual values over materialist consumerism, cinema and television have done much to promote the season as one of lavish consumption. From its earliest days, cinema picked up on the season as something it could both interpret and use as a tool to draw in audiences, though Santa Claus was a surprisingly late arrival to this media. Hollywood’s adoption of Christmas then created images which have become icons around the globe, and also promoted the celebration of Thanksgiving around the world. Cinema and television have been potent advocates for the alleged father of the modern Christmas, Charles Dickens, with A Christmas Carol having been produced in many versions over the years. In turn, this has helped maintain the image of Christmas as the key family festival, which was then promoted in the overwhelming majority of Christmas film and television productions.
圣诞节之所以成为一种全球现象,是受到商业主义和电影电视中无处不在的视觉形象这两股力量的启发,而贺曼频道(Hallmark Channel)就是其中的缩影。尽管许多节日的意象都强调精神价值,而不是物质消费主义,但电影和电视已经做了很多工作,把圣诞节宣传为一个奢侈消费的季节。从一开始,电影就抓住了这个季节,把它当作既可以解释又可以用来吸引观众的工具,尽管圣诞老人在这个媒体上的出现令人惊讶地晚了。好莱坞对圣诞节的采用创造了全球偶像的形象,也促进了世界各地的感恩节庆祝活动。电影和电视一直是所谓的现代圣诞节之父查尔斯·狄更斯的有力拥护者,多年来,他的《圣诞颂歌》被制作成许多版本。反过来,这有助于保持圣诞节作为重要家庭节日的形象,然后在绝大多数圣诞电影和电视作品中得到宣传。
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引用次数: 0
The Middle Ages 中世纪
Pub Date : 2020-10-08 DOI: 10.1093/oxfordhb/9780198831464.013.3
K. Ihnat
The High Middle Ages witnessed Christmas emerge as a major Christian feast in western Europe, a time of merriment and miracles. Always intended to celebrate the Incarnation, Christmas became a time to honour the little baby in the manger and his loving mother, as part of a spiritual shift towards remembering the human Jesus. Although Kalends traditions continued on from Antiquity, which engaged the lay population in carnivalesque revelries that included mumming, games, and feasting, clerics developed new practices that infused ecclesiastical celebrations with the same sense of inversion and fun. Feasts of Fools, Boy Bishops, and extravagant liturgical dramas allowed reformers to channel festive energy in ways that showcased developments in the arts, especially in the large churches of north-western Europe, without losing the joyful character that came with honouring the paradox of God made man.
中世纪盛期见证了圣诞节在西欧成为一个主要的基督教节日,一个充满欢乐和奇迹的时刻。为了庆祝耶稣的化身,圣诞节变成了一个纪念马槽里的小婴儿和他慈爱的母亲的日子,作为纪念人类耶稣的精神转变的一部分。虽然历年的传统从古代延续下来,让俗人参与到包括木乃伊、游戏和宴会在内的狂欢节狂欢中,但神职人员发展了新的做法,为教会庆祝活动注入了同样的倒置感和乐趣。愚人节、小主教节和奢华的礼仪剧让改革者们能够以展示艺术发展的方式来引导节日的能量,尤其是在西北欧的大型教堂里,同时又不失尊重上帝造人悖论的快乐特征。
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引用次数: 0
Poetry 诗歌
Pub Date : 2020-10-08 DOI: 10.1093/oxfordhb/9780198831464.013.31
E. Mason
This chapter suggests that Christmas poetry offers readers a way to become intimate with a loving, elegiac, mysterious, and communal emotional experience particular to the season. With reference to poems by Maya Angelou, e. e. cummings, Toi Derricotte, T. S. Eliot, Martín Espada, Robert Frost, Gerard Manley Hopkins, Langston Hughes, Elizabeth Jennings, Peter Larkin, W. S. Merwin, Christina Rossetti, Evie Shockley, Sufjan Stevens, and W. B. Yeats, the chapter argues that only poetry can capture the magical, incantatory, and holy spirit of the Annunciation, Advent, Christmas trees, Christmas Eve, Epiphany, and Christmas Day. Poetry’s oblique and indirect expression is ideally suited to a series of feasts and fasts that culminate in an event that replaces our desire for empirical reason and reassurance with the joy, wonder, and love of uncertainty and faith.
这一章表明,圣诞诗歌为读者提供了一种与这个季节特有的爱、挽歌、神秘和公共情感体验亲密接触的方式。通过引用玛雅·安杰洛、e·e·卡明斯、托伊·德里克特、t·s·艾略特、Martín埃斯帕达、罗伯特·弗罗斯特、杰拉德·曼利·霍普金斯、兰斯顿·休斯、伊丽莎白·詹宁斯、彼得·拉金、w·s·默温、克里斯蒂娜·罗塞蒂、伊维·肖克利、苏夫扬·史蒂文斯和w·b·叶芝的诗歌,本章认为只有诗歌才能捕捉到天使报、降临节、圣诞树、平安夜、主显节和圣诞节的神奇、咒语和圣灵。诗歌的倾斜和间接的表达非常适合于一系列的盛宴和禁食,这些盛宴和禁食在一个事件中达到高潮,用喜悦、惊奇和对不确定性和信仰的热爱取代了我们对经验理性和安慰的渴望。
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引用次数: 0
Eastern Orthodoxy 东正教
Pub Date : 2020-10-08 DOI: 10.1093/oxfordhb/9780198831464.013.11
M. Cunningham
Christmas in the Eastern Orthodox Churches (limited to, for the purpose of this chapter, those patriarchates and jurisdictions that accept the Council of Chalcedon) is celebrated with liturgical services and feasting. The liturgical offices have changed little since the late Byzantine period: the hymnography for the feast contains prophetic, typological, and historical celebration of the birth of Jesus Christ in Bethlehem. The feast celebrates the Incarnation of Jesus Christ, which is understood to offer renewal to a fallen creation, along with the hope of eternal life. Patristic homilies, which inspired the hymns that are still used in churches today, stress the joy that is felt not only by humans but also by the whole of creation at the liturgical celebration of Christ’s Incarnation. The fasting that precedes the feast causes Orthodox Christians to appreciate the food and celebration on Christmas Day all the more. This chapter examines three main topics: 1) the liturgical services and their theological meaning; 2) the meaning of a standard Orthodox icon of the Nativity; 3) the celebration of Christmas in Orthodox communities, with special focus on Serbia and a mountain village in Greece. Whereas separate Orthodox jurisdictions celebrate the same liturgical services (albeit in different languages), local customs that are carried out in homes and villages throughout the Orthodox world show considerable variation.
圣诞节在东正教教堂(限于,为本章的目的,那些宗主教区和司法管辖区接受安理会的迦克墩)是庆祝礼仪服务和盛宴。自拜占庭晚期以来,礼仪办公室几乎没有改变:节日的赞歌包含预言,预表和历史庆祝耶稣基督在伯利恒的诞生。节日庆祝耶稣基督的化身,这被理解为提供更新堕落的创造,以及永生的希望。教父的讲道,启发了至今仍在教堂中使用的赞美诗,强调了不仅是人类,而且是整个受造界在庆祝基督道成肉身的礼仪中所感受到的喜悦。节日前的禁食使东正教徒更加欣赏圣诞节的食物和庆祝活动。本章主要探讨三个主题:1)礼仪服务及其神学意义;2)标准东正教圣像的意义;3)东正教社区的圣诞节庆祝活动,特别是在塞尔维亚和希腊的一个山村。虽然不同的东正教管辖区庆祝相同的礼拜仪式(尽管使用不同的语言),但在整个东正教世界的家庭和村庄中进行的当地习俗显示出相当大的差异。
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引用次数: 0
Fiction 小说
Pub Date : 2020-10-08 DOI: 10.1093/oxfordhb/9780198831464.013.32
N. Mcknight
The most lasting Christmas fiction tends to use Christmas as a setting not as the main subject and to draw from the warmth and sensory onslaught of the holidays and on friends and families gathering, not on the specific religious origins of the holiday. Yet religious themes persist in Christmas fiction right up to the present day, even when the stories take place in fantasy worlds, such as in J. K. Rowling’s Harry Potter stories and C. S. Lewis’ Narnia. This chapter is not comprehensive in its coverage but instead focuses on those works that seem to have had the greatest cultural impact, including those of Washington Irving, Charles Dickens, E. T. A. Hoffmann, Hans Christian Andersen, and Louisa May Alcott.
最经久不衰的圣诞小说往往把圣诞节作为一个背景,而不是作为主要主题,从节日的温暖和感官冲击中汲取灵感,从朋友和家人的聚会中汲取灵感,而不是从节日的具体宗教起源中汲取灵感。然而,宗教主题一直存在于圣诞小说中,直到今天,即使故事发生在幻想世界,比如j·k·罗琳的《哈利·波特》和c·s·刘易斯的《纳尼亚》。本章的内容并不全面,而是着重于那些似乎对文化影响最大的作品,包括华盛顿·欧文、查尔斯·狄更斯、e·t·a·霍夫曼、汉斯·克里斯蒂安·安徒生和路易莎·梅·奥尔科特的作品。
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引用次数: 0
Paintings 绘画
Pub Date : 2020-10-08 DOI: 10.1093/oxfordhb/9780198831464.013.29
Barbara von Barghahn
The historical Christmas story begins with the Incarnation of Christ in Nazareth and concludes with the return of the Holy Family to Galilee. This chapter focuses upon twelve select paintings from the Renaissance to the Baroque period which illustrate the events recorded in Gospel and Apocryphal narrative accounts. Included in the iconographical analysis of art is a consideration of the ‘journey’ theme, which runs as a refrain through Jesus’s life. So many individuals travel home during the Yuletide season to be with family and friends. It is worthwhile during such a joyful time of the year to recollect the itinerary taken centuries ago by the Christ Child, Mary, and Joseph from their homeland and back.
历史上的圣诞节故事以基督在拿撒勒的化身开始,以圣家返回加利利结束。本章重点介绍从文艺复兴时期到巴洛克时期的12幅精选画作,这些画作说明了福音书和伪经叙述中记录的事件。在对艺术的图像分析中,包含了对“旅程”主题的考虑,这是贯穿耶稣一生的重复。许多人在圣诞季回家与家人和朋友团聚。在这样一个欢乐的日子里,回忆几个世纪前圣婴耶稣、玛利亚和约瑟从他们的家乡回来的旅程是值得的。
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引用次数: 0
Food and Drink 食物和饮料
Pub Date : 2020-10-08 DOI: 10.1093/oxfordhb/9780198831464.013.26
P. Freedman
Christmas food traditions around the world differ, both as to what foods and drinks are consumed and when the main festive meal takes place (Christmas Day, Christmas Eve, or Epiphany). Charles Dickens can be credited or blamed for many aspects of what are now regarded as age-old Christmas foods and ceremonies. The countries with the greatest international influence have been Germany and Britain, providing models especially for sweet cakes and biscuits. Christmas food tends to evoke a more-or-less medieval precedent, one emphasizing good cheer rather than religious adoration. Spicy and sugary treats such as gingerbread, and food or drink seldom eaten at other times (eggnog, plum pudding) give the occasion a special quality, connected to an imagined past.
世界各地的圣诞食物传统各不相同,包括吃什么和喝什么,以及什么时候吃主要的节日大餐(圣诞节、平安夜或主显节)。查尔斯·狄更斯在许多方面都被认为是古老的圣诞食物和仪式的创造者。国际影响力最大的国家是德国和英国,尤其为甜蛋糕和饼干提供了样板。圣诞食品往往会唤起或多或少中世纪的先例,强调快乐而不是宗教崇拜。姜饼等辛辣的甜食,以及平时很少吃的食物或饮料(蛋奶酒、葡萄干布丁),给这个场合增添了一种特殊的质感,让人联想到想象中的过去。
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引用次数: 0
The Holy Family 神圣家族
Pub Date : 2020-10-08 DOI: 10.1093/oxfordhb/9780198831464.013.15
H. T. Coolman
The Holy Family, as such, is all but absent in Christian imagination and devotion for the first thousand years of the Church’s existence. In close connection to the cult of St Joseph, the Holy Family gains new prominence toward the end of the medieval period, and then grows dramatically in importance in the early modern period. Traditions in the New World such as Las Posadas are also discussed in this chapter. Especially important in Catholic thought and practice, the Holy Family has come to have central symbolic importance for all Christians in contemporary Christmas celebrations such as children’s Nativity plays and pageants.
在教会存在的最初一千年里,在基督教的想象和奉献中,神圣家族几乎是缺席的。与圣约瑟夫的崇拜密切相关,圣家族在中世纪末期获得了新的突出地位,然后在近代早期的重要性急剧增长。新世界的传统,如拉斯波萨达斯,也在本章中讨论。在天主教的思想和实践中尤其重要的是,在当代的圣诞节庆祝活动中,如儿童的耶稣诞生剧和游行,圣家对所有基督徒来说都具有中心的象征意义。
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引用次数: 0
Latin America and the Caribbean 拉丁美洲和加勒比地区
Pub Date : 2020-03-26 DOI: 10.1080/04597237808460464
D. T. Orique
This chapter presents the process of the Christian theological inculturation of Christmas in Latin America and the Caribbean: the celebration of the birth of Christ—of God Incarnate. To this end, selected Catholic Christmas celebrations are examined, including the liturgy of the Mass and extra-liturgical observances such as dance, that manifest the influence of three distinct cultural traditions: European—principally Spanish and Portuguese—as well as the diverse and complex Indigenous and African expressions. These observances are first contextualized with the earliest instances of the celebration of the Christmas Mass and season in the so-called New World. Discernible components in Christmas festivities are then presented to demonstrate the presence of cultural blending and the pervasiveness of cultural accommodations. This chapter highlights the diversity of the inculturated celebrations of Christmas and the feast’s liturgical manifestations, and contends that these differences are rooted in the fact that enslaved Africans came from different regions of their continent, and that the Indigenous reflected a wide range of pre-contact American hemispheric populations. Indeed, a tremendous religio-cultural-linguistic compression resulted as various groups encountered and appropriated Christianity and its celebrations in distinctive ways. This study concludes by considering the impact of globalization, pluralization, secularization, and commercialization in Latin America and the Caribbean on the celebration of Christmas—an observance of the eternal and unchanging divine message of the Incarnation that continues to capture the imagination of many in this part of the globe, as they participate in traditional expressions of the theological meaning of the birth of Jesus Christ.
本章介绍了圣诞节在拉丁美洲和加勒比地区的基督教神学文化化过程:庆祝基督--上帝的化身诞生。为此,本章选取了部分天主教圣诞节庆祝活动进行研究,包括弥撒礼仪和礼仪外的庆祝活动,如舞蹈,这些活动体现了三种不同文化传统的影响:这些庆祝活动体现了三种不同文化传统的影响:欧洲--主要是西班牙和葡萄牙--以及多样而复杂的土著和非洲表达方式。这些庆祝活动的背景首先是所谓的新大陆最早的圣诞弥撒和圣诞季庆祝活动。然后,介绍圣诞节庆祝活动中可辨别的组成部分,以展示文化交融的存在和文化包容的普遍性。本章强调了圣诞节文化庆祝活动和节日礼仪表现形式的多样性,并认为这些差异的根源在于被奴役的非洲人来自非洲大陆的不同地区,而土著人则反映了与外界接触前美洲半球人口的广泛性。事实上,随着不同群体以独特的方式接触和利用基督教及其庆祝活动,宗教、文化和语言发生了巨大的压缩。本研究最后探讨了全球化、多元化、世俗化和商业化在拉丁美洲和加勒比地区对圣诞节庆祝活动的影响--圣诞节是对道成肉身这一永恒不变的神圣信息的纪念,在这一地区,当许多人以传统方式表达耶稣基督降生的神学意义时,圣诞节仍然吸引着他们的想象力。
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引用次数: 0
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The Oxford Handbook of Christmas
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