Pub Date : 2024-05-10DOI: 10.1080/10486801.2024.2305430
Georgina Guy
This essay addresses how the collision of image, text, and speech in contemporary scripted performances discloses something significant about both being in and thinking about the theatre. It examin...
{"title":"Enacted Offstage Images, Reported Onstage Action, and Parallel Fictional Worlds in Dead Centre’s Chekhov’s First Play (2015) and Tim Crouch and Rachana Jadhav’s Total Immediate Collective Imminent Terrestrial Salvation (2019)","authors":"Georgina Guy","doi":"10.1080/10486801.2024.2305430","DOIUrl":"https://doi.org/10.1080/10486801.2024.2305430","url":null,"abstract":"This essay addresses how the collision of image, text, and speech in contemporary scripted performances discloses something significant about both being in and thinking about the theatre. It examin...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"72 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140915157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-10DOI: 10.1080/10486801.2023.2304988
Caridad Svich
Backpages is an opportunity for the academy to engage with theatre and performance practice with immediacy and insight, and for theatre workers and performance artists to engage critically and refl...
{"title":"Backpages 33.4","authors":"Caridad Svich","doi":"10.1080/10486801.2023.2304988","DOIUrl":"https://doi.org/10.1080/10486801.2023.2304988","url":null,"abstract":"Backpages is an opportunity for the academy to engage with theatre and performance practice with immediacy and insight, and for theatre workers and performance artists to engage critically and refl...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"2014 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141259994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-10DOI: 10.1080/10486801.2024.2305441
Georgina Guy, Walter Meierjohann
This dialogue explores the possibilities of binaural sound for contemporary theatre making and museum curation, situating sonic modes of practice in relation to particular formal experimentations d...
{"title":"A Dialogue with Walter Meierjohann on Theatre, Installation, and Binaural Sound","authors":"Georgina Guy, Walter Meierjohann","doi":"10.1080/10486801.2024.2305441","DOIUrl":"https://doi.org/10.1080/10486801.2024.2305441","url":null,"abstract":"This dialogue explores the possibilities of binaural sound for contemporary theatre making and museum curation, situating sonic modes of practice in relation to particular formal experimentations d...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"21 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141096797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-23DOI: 10.1080/10486801.2023.2222586
Sarah Bay-Cheng
Re-Readings is a space in which scholars use a review format to return to and reflect on a book that has influenced their thinking and scholarship; these books might be established or overlooked, a...
{"title":"Re-readings","authors":"Sarah Bay-Cheng","doi":"10.1080/10486801.2023.2222586","DOIUrl":"https://doi.org/10.1080/10486801.2023.2222586","url":null,"abstract":"Re-Readings is a space in which scholars use a review format to return to and reflect on a book that has influenced their thinking and scholarship; these books might be established or overlooked, a...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"53 3","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138438767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-23DOI: 10.1080/10486801.2023.2200179
Amadeo Dierickx
The relationship between theatre and the Anthropocene remains an understudied topic. First, there appears to be a tension between the Anthropocene as a concept that, by radically foregrounding a ho...
{"title":"Staging the Human Remnant in the Anthropocene: Breaking the First Wall in Bruno Latour and Frédérique Aït-Touati’s Inside","authors":"Amadeo Dierickx","doi":"10.1080/10486801.2023.2200179","DOIUrl":"https://doi.org/10.1080/10486801.2023.2200179","url":null,"abstract":"The relationship between theatre and the Anthropocene remains an understudied topic. First, there appears to be a tension between the Anthropocene as a concept that, by radically foregrounding a ho...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"53 4","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138438766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-23DOI: 10.1080/10486801.2023.2249395
Heunjung Lee
This article investigates how French playwright Florian Zeller positions his writing with respect to realism in his play The Father (Le Père, 2012) and what his dramaturgy of porosity adds to the r...
{"title":"Theatrical Affordances to Stage the Perceived-Experienced Reality of People with Dementia: Florian Zeller’s Dramaturgy of Porosity in The Father","authors":"Heunjung Lee","doi":"10.1080/10486801.2023.2249395","DOIUrl":"https://doi.org/10.1080/10486801.2023.2249395","url":null,"abstract":"This article investigates how French playwright Florian Zeller positions his writing with respect to realism in his play The Father (Le Père, 2012) and what his dramaturgy of porosity adds to the r...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"49 2","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138438795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-23DOI: 10.1080/10486801.2023.2200175
John Yves Pinder
In the wake of Brexit and COVID-19, this article looks back at resilience-building agendas in English publicly funded cultural production. The analysis examines the history of ‘resilience’ in arts ...
{"title":"Performance and the Critique of Resilience in Culture (England, 2004–2020)","authors":"John Yves Pinder","doi":"10.1080/10486801.2023.2200175","DOIUrl":"https://doi.org/10.1080/10486801.2023.2200175","url":null,"abstract":"In the wake of Brexit and COVID-19, this article looks back at resilience-building agendas in English publicly funded cultural production. The analysis examines the history of ‘resilience’ in arts ...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"112 2","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138455107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-23DOI: 10.1080/10486801.2023.2200177
Dirk Gindt
In February 2017, Sweden’s oldest and largest professional Sámi ensemble, Giron Sámi Teáhter, produced the politically outspoken production CO2lonialNATION – A Theatrical Truth and Reconciliation C...
{"title":"The Decolonial Labour and the Gift of Contemporary Sámi Performance","authors":"Dirk Gindt","doi":"10.1080/10486801.2023.2200177","DOIUrl":"https://doi.org/10.1080/10486801.2023.2200177","url":null,"abstract":"In February 2017, Sweden’s oldest and largest professional Sámi ensemble, Giron Sámi Teáhter, produced the politically outspoken production CO2lonialNATION – A Theatrical Truth and Reconciliation C...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"49 7","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138438792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-23DOI: 10.1080/10486801.2023.2200176
Freya Verlander
This article uses netnographic research methods, as a form of olfactory sensory mining, to investigate the smell-based experiences of audience members at Punchdrunk’s Sleep No More (2011). In doing...
本文使用网络学研究方法,作为嗅觉感官挖掘的一种形式,来调查Punchdrunk的Sleep No More(2011)的观众基于气味的体验。在做……
{"title":"On Scent in Theatre Audience Research: Sensory Mining and Olfactory Archives","authors":"Freya Verlander","doi":"10.1080/10486801.2023.2200176","DOIUrl":"https://doi.org/10.1080/10486801.2023.2200176","url":null,"abstract":"This article uses netnographic research methods, as a form of olfactory sensory mining, to investigate the smell-based experiences of audience members at Punchdrunk’s Sleep No More (2011). In doing...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"49 8","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138438791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}