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Enacted Offstage Images, Reported Onstage Action, and Parallel Fictional Worlds in Dead Centre’s Chekhov’s First Play (2015) and Tim Crouch and Rachana Jadhav’s Total Immediate Collective Imminent Terrestrial Salvation (2019) 在死亡中心的《契诃夫的第一部戏剧》(2015)和蒂姆-克劳奇与拉差娜-贾达夫的《立即集体立即地球救赎》(2019)中上演的台下影像、报告的台上行动和平行的虚构世界
IF 0.3 2区 艺术学 Q2 Arts and Humanities Pub Date : 2024-05-10 DOI: 10.1080/10486801.2024.2305430
Georgina Guy
This essay addresses how the collision of image, text, and speech in contemporary scripted performances discloses something significant about both being in and thinking about the theatre. It examin...
这篇文章论述了当代剧本表演中图像、文字和语言的碰撞如何揭示了戏剧中的一些重要现象以及对戏剧的思考。文章探讨了当代剧本表演中图像、文字和言语的碰撞如何揭示了戏剧的存在和思考的重要意义。
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引用次数: 0
Backpages 33.4 Backpages 33.4
IF 0.3 2区 艺术学 Q2 Arts and Humanities Pub Date : 2024-05-10 DOI: 10.1080/10486801.2023.2304988
Caridad Svich
Backpages is an opportunity for the academy to engage with theatre and performance practice with immediacy and insight, and for theatre workers and performance artists to engage critically and refl...
Backpages》为学术界提供了一个机会,使他们能够以直接和深刻的方式参与戏剧和表演实践,也为戏剧工作者和表演艺术家提供了一个机会,使他们能够以批判和反思的方式参与戏剧和表演实践。
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引用次数: 0
A Dialogue with Walter Meierjohann on Theatre, Installation, and Binaural Sound 与 Walter Meierjohann 对话:剧院、装置和双耳声音
IF 0.3 2区 艺术学 Q2 Arts and Humanities Pub Date : 2024-05-10 DOI: 10.1080/10486801.2024.2305441
Georgina Guy, Walter Meierjohann
This dialogue explores the possibilities of binaural sound for contemporary theatre making and museum curation, situating sonic modes of practice in relation to particular formal experimentations d...
这篇对话探讨了双声道声音在当代戏剧制作和博物馆策展中的可能性,将声学实践模式与特定的形式实验联系起来。
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引用次数: 0
Re-readings 再次阅读
IF 0.3 2区 艺术学 Q2 Arts and Humanities Pub Date : 2023-11-23 DOI: 10.1080/10486801.2023.2222586
Sarah Bay-Cheng
Re-Readings is a space in which scholars use a review format to return to and reflect on a book that has influenced their thinking and scholarship; these books might be established or overlooked, a...
“重新阅读”是一个空间,在这里,学者们使用评论的形式来回顾和反思对他们的思想和学术产生影响的书籍;这些书可能是公认的,也可能是被忽视的。
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引用次数: 0
Staging the Human Remnant in the Anthropocene: Breaking the First Wall in Bruno Latour and Frédérique Aït-Touati’s Inside 在布鲁诺·拉图尔和弗莱姆·萨伊克Aït-Touati的《内心》中展示人类残余:打破第一堵墙
IF 0.3 2区 艺术学 Q2 Arts and Humanities Pub Date : 2023-11-23 DOI: 10.1080/10486801.2023.2200179
Amadeo Dierickx
The relationship between theatre and the Anthropocene remains an understudied topic. First, there appears to be a tension between the Anthropocene as a concept that, by radically foregrounding a ho...
戏剧与人类世之间的关系仍然是一个未被充分研究的话题。首先,人类世作为一个概念似乎存在一种紧张关系,即通过激进地强调地球…
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引用次数: 0
Theatrical Affordances to Stage the Perceived-Experienced Reality of People with Dementia: Florian Zeller’s Dramaturgy of Porosity in The Father 舞台上对痴呆症患者感知-体验现实的戏剧支持:弗洛里安·泽勒在《父亲》中对多孔性的戏剧处理
IF 0.3 2区 艺术学 Q2 Arts and Humanities Pub Date : 2023-11-23 DOI: 10.1080/10486801.2023.2249395
Heunjung Lee
This article investigates how French playwright Florian Zeller positions his writing with respect to realism in his play The Father (Le Père, 2012) and what his dramaturgy of porosity adds to the r...
本文探讨了法国剧作家弗洛里安·泽勒(Florian Zeller)在他的戏剧《父亲》(Le poulre, 2012)中如何将他的写作与现实主义联系起来,以及他的多孔性戏剧为现实主义增添了什么。
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引用次数: 0
Performance and the Critique of Resilience in Culture (England, 2004–2020) 绩效与文化弹性批判(英国,2004-2020)
IF 0.3 2区 艺术学 Q2 Arts and Humanities Pub Date : 2023-11-23 DOI: 10.1080/10486801.2023.2200175
John Yves Pinder
In the wake of Brexit and COVID-19, this article looks back at resilience-building agendas in English publicly funded cultural production. The analysis examines the history of ‘resilience’ in arts ...
在英国脱欧和2019冠状病毒病之后,本文回顾了英国公共资助文化生产中的复原力建设议程。该分析考察了艺术中“弹性”的历史。
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引用次数: 0
The Decolonial Labour and the Gift of Contemporary Sámi Performance 非殖民劳动和当代的礼物Sámi表演
IF 0.3 2区 艺术学 Q2 Arts and Humanities Pub Date : 2023-11-23 DOI: 10.1080/10486801.2023.2200177
Dirk Gindt
In February 2017, Sweden’s oldest and largest professional Sámi ensemble, Giron Sámi Teáhter, produced the politically outspoken production CO2lonialNATION – A Theatrical Truth and Reconciliation C...
2017年2月,瑞典历史最悠久、规模最大的Sámi专业剧团吉隆Sámi Teáhter制作了政治上直言不讳的作品《CO2lonialNATION——戏剧真相与和解》。
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引用次数: 0
Editorial 33.3 编辑33.3
IF 0.3 2区 艺术学 Q2 Arts and Humanities Pub Date : 2023-11-23 DOI: 10.1080/10486801.2023.2270300
Maria M. Delgado, Maggie B. Gale, Bryce Lease, Sarah Thomasson, Sir Anril Pineda Tiatco
Published in Contemporary Theatre Review (Vol. 33, No. 3, 2023)
发表于《当代戏剧评论》2023年第33卷第3期
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引用次数: 0
On Scent in Theatre Audience Research: Sensory Mining and Olfactory Archives 戏剧观众研究中的气味:感官挖掘与嗅觉档案
IF 0.3 2区 艺术学 Q2 Arts and Humanities Pub Date : 2023-11-23 DOI: 10.1080/10486801.2023.2200176
Freya Verlander
This article uses netnographic research methods, as a form of olfactory sensory mining, to investigate the smell-based experiences of audience members at Punchdrunk’s Sleep No More (2011). In doing...
本文使用网络学研究方法,作为嗅觉感官挖掘的一种形式,来调查Punchdrunk的Sleep No More(2011)的观众基于气味的体验。在做……
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引用次数: 0
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