Pub Date : 2024-05-10DOI: 10.1080/10486801.2024.2305449
Sharanya
In 2014, 30 years after the anti-Sikh pogrom (Chauraasi) instigated by the Hindu Right destroyed Sikh lives in New Delhi, I listened to the survivors and witnesses of the 1984 pogrom chat casually ...
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Pub Date : 2024-05-10DOI: 10.1080/10486801.2024.2305435
Johanna Linsley
Sonic Spectral Summoning was a participatory ‘correspondence course’ that took place as part of Queer Extension, a series of remote, artist-led experiments in alternative education that ran during ...
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Pub Date : 2024-05-10DOI: 10.1080/10486801.2023.2257973
Daniel Nield
Published in Contemporary Theatre Review (Vol. 33, No. 4, 2023)
发表于《当代戏剧评论》（第 33 卷第 4 期，2023 年）
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Pub Date : 2024-05-10DOI: 10.1080/10486801.2023.2200178
Joe Kelleher
At a commercial gallery in London in 2019 I’m listening to audio recordings of Rose English’s 1980s performance Plato’s Chair, while a video of the show is projected on the wall ahead. The effect i...
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Pub Date : 2024-05-10DOI: 10.1080/10486801.2024.2305436
Giulia Palladini, Agnes Brekke
This document is constructed as an exchange of letters between actor Agnes Brekke and writer and theatre scholar Giulia Palladini, reflecting on their common long-term engagement with the Colombian...
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Pub Date : 2024-05-10DOI: 10.1080/10486801.2024.2305437
Jasper Delbecke
‘Essayistic Ventures in the Wake of Diasporas’ contributes to Contemporary Theatre Review’s ‘Hear Tell: Describing, Reporting, Narrating’ issue by examining performances through the essay form. The...
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