Pub Date : 2024-07-22DOI: 10.1080/10486801.2024.2316806
Brangwen Stone
Translation (and rewriting) has been central to Simon Stone’s artistic practice since his first major directing success, an adaptation of the play Frühlings Erwachen (Spring Awakening) by the Germa...
{"title":"Translating Simon Stone’s Radical Rewritings into German","authors":"Brangwen Stone","doi":"10.1080/10486801.2024.2316806","DOIUrl":"https://doi.org/10.1080/10486801.2024.2316806","url":null,"abstract":"Translation (and rewriting) has been central to Simon Stone’s artistic practice since his first major directing success, an adaptation of the play Frühlings Erwachen (Spring Awakening) by the Germa...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"15 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141736897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-22DOI: 10.1080/10486801.2024.2316805
Melissa Lin Sturges
Simon Stone’s adaptation of Yerma, after Lorca, which premiered at the Young Vic in London 2017, reconsiders Yerma as an anonymous twenty-first-century woman known only as HER. Using Lorca’s play, ...
{"title":"‘Why Was I Born Among Mirrors?’: Hyper-(In)visibility in Simon Stone’s Yerma","authors":"Melissa Lin Sturges","doi":"10.1080/10486801.2024.2316805","DOIUrl":"https://doi.org/10.1080/10486801.2024.2316805","url":null,"abstract":"Simon Stone’s adaptation of Yerma, after Lorca, which premiered at the Young Vic in London 2017, reconsiders Yerma as an anonymous twenty-first-century woman known only as HER. Using Lorca’s play, ...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"71 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141891599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-10DOI: 10.1080/10486801.2024.2305449
Sharanya
In 2014, 30 years after the anti-Sikh pogrom (Chauraasi) instigated by the Hindu Right destroyed Sikh lives in New Delhi, I listened to the survivors and witnesses of the 1984 pogrom chat casually ...
{"title":"Hear-Telling the Chauraasi Archive: Performing Testimony After Trauma","authors":"Sharanya","doi":"10.1080/10486801.2024.2305449","DOIUrl":"https://doi.org/10.1080/10486801.2024.2305449","url":null,"abstract":"In 2014, 30 years after the anti-Sikh pogrom (Chauraasi) instigated by the Hindu Right destroyed Sikh lives in New Delhi, I listened to the survivors and witnesses of the 1984 pogrom chat casually ...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"91 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141096795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-10DOI: 10.1080/10486801.2024.2305435
Johanna Linsley
Sonic Spectral Summoning was a participatory ‘correspondence course’ that took place as part of Queer Extension, a series of remote, artist-led experiments in alternative education that ran during ...
{"title":"Sonic Spectral Summoning","authors":"Johanna Linsley","doi":"10.1080/10486801.2024.2305435","DOIUrl":"https://doi.org/10.1080/10486801.2024.2305435","url":null,"abstract":"Sonic Spectral Summoning was a participatory ‘correspondence course’ that took place as part of Queer Extension, a series of remote, artist-led experiments in alternative education that ran during ...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"06 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140915160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-10DOI: 10.1080/10486801.2023.2200178
Joe Kelleher
At a commercial gallery in London in 2019 I’m listening to audio recordings of Rose English’s 1980s performance Plato’s Chair, while a video of the show is projected on the wall ahead. The effect i...
{"title":"Attempts at a Description: Rose English’s Plato’s Chair and the Hear Tell","authors":"Joe Kelleher","doi":"10.1080/10486801.2023.2200178","DOIUrl":"https://doi.org/10.1080/10486801.2023.2200178","url":null,"abstract":"At a commercial gallery in London in 2019 I’m listening to audio recordings of Rose English’s 1980s performance Plato’s Chair, while a video of the show is projected on the wall ahead. The effect i...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"44 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141096783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-10DOI: 10.1080/10486801.2024.2305436
Giulia Palladini, Agnes Brekke
This document is constructed as an exchange of letters between actor Agnes Brekke and writer and theatre scholar Giulia Palladini, reflecting on their common long-term engagement with the Colombian...
{"title":"A Text is a Pure Image. Correspondence Around Mapa Teatro","authors":"Giulia Palladini, Agnes Brekke","doi":"10.1080/10486801.2024.2305436","DOIUrl":"https://doi.org/10.1080/10486801.2024.2305436","url":null,"abstract":"This document is constructed as an exchange of letters between actor Agnes Brekke and writer and theatre scholar Giulia Palladini, reflecting on their common long-term engagement with the Colombian...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"27 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141096793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：