{"title":"Trans-Atlantic Interrogation: Fabienne Pasquet’s La deuxième mort de Toussaint Louverture","authors":"Mariana F. Past","doi":"10.7771/1481-4374.3446","DOIUrl":"https://doi.org/10.7771/1481-4374.3446","url":null,"abstract":"","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"136 1","pages":"17"},"PeriodicalIF":0.3,"publicationDate":"2021-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78189364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Problems with Perceptual and Cognitive Idiosyncrasies in Li Wenjun’s Translation of the Benjy Section of Faulkner's The Sound and the Fury","authors":"A. L. Moore","doi":"10.7771/1481-4374.3309","DOIUrl":"https://doi.org/10.7771/1481-4374.3309","url":null,"abstract":"","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"12 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73792809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In her article, “Hanay Geiogamah’s Body Indian and Foghorn as ‘Plays with a Purpose,’” written against the backdrop of critical whiteness studies, Danica Čerče discusses how Geiogamah’s theatrical rhetoric intervenes in the assumptions about whiteness as a static, privilege-granting category and system of dominance. By focusing on various techniques and strategies mobilized to define and affirm Native Americans’ authentic rather than imposed identities, the article shows that humor is one of the prime textual devices in Geiogamah’s plays to renegotiate what Walter Mignolo calls “the racist structure of power.” Danica Čerče, "Hanay Geiogamah’s Body Indian and Foghorn as ‘Plays with a Purpose’" page 2 of 10 CLCWeb: Comparative Literature and Culture 22.4 (2020): http://docs.lib.purdue.edu/clcweb/vol22/iss4/13
Danica Čerče在她的文章《Hanay Geiogamah ' s Body Indian and Foghorn as ' Plays with a Purpose '》中，以批判性的白人研究为背景，讨论了Geiogamah的戏剧修辞是如何介入白人作为一种静态的、赋予特权的类别和统治体系的假设的。通过关注各种技术和策略来定义和肯定印第安人的真实身份，而不是强加的身份，这篇文章表明，幽默是Geiogamah戏剧中重新谈判Walter Mignolo所说的“种族主义权力结构”的主要文本手段之一。Danica Čerče，“Hanay Geiogamah的Body Indian和Foghorn作为‘有目的的游戏’”CLCWeb:比较文学与文化22.4 (2020):http://docs.lib.purdue.edu/clcweb/vol22/iss4/13
{"title":"Hanay Geiogamah’s Body Indian and Foghorn as “Plays with a Purpose”","authors":"Danica Čerče","doi":"10.7771/1481-4374.3430","DOIUrl":"https://doi.org/10.7771/1481-4374.3430","url":null,"abstract":"In her article, “Hanay Geiogamah’s Body Indian and Foghorn as ‘Plays with a Purpose,’” written against the backdrop of critical whiteness studies, Danica Čerče discusses how Geiogamah’s theatrical rhetoric intervenes in the assumptions about whiteness as a static, privilege-granting category and system of dominance. By focusing on various techniques and strategies mobilized to define and affirm Native Americans’ authentic rather than imposed identities, the article shows that humor is one of the prime textual devices in Geiogamah’s plays to renegotiate what Walter Mignolo calls “the racist structure of power.” Danica Čerče, \"Hanay Geiogamah’s Body Indian and Foghorn as ‘Plays with a Purpose’\" page 2 of 10 CLCWeb: Comparative Literature and Culture 22.4 (2020): http://docs.lib.purdue.edu/clcweb/vol22/iss4/13","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"108 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84734900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article deals with one of the most intriguing art projects at the intersection of art and social experiment—The NSK State in Time. This is a paradigmatic transnational state that does not have a territory and whose citizenship can be obtained regardless of one’s nationality, citizenship, race, religion or political convictions. It was established in 1992 by the Slovenian art collective Neue Slowenische Kunst—the NSK, and has seen continuous manifestations in various sociopolitical contexts worldwide. The most prominent one in recent time took place in 2017, when the NSK State opened its own pavilion at the Venice Biennale—a nationally conceptualized fine art event—to exhibit its art next to other countries of the world. This case study analyses the development of The NSK State in Time through the 28 years of its existence, shedding light on the state-formative role of culture and art in the shaping of communities and their identities in the globalized world. The author argues that the NSK State has established a utopian political space that has the power of transcending the ideological limitations of the existing (spatial) states. She demonstrates that this transformative power derives from its liminal position and relentless pursuit of in-betweenness as opposed to the social and political order of the localities where the manifestations of the NSK State take place. Barbara Orel, "State, Transnational Citizenship and the Transformative Power of Art: The NSK State in Time" page 2 of 9 CLCWeb: Comparative Literature and Culture 22.4 (2020): http://docs.lib.purdue.edu/clcweb/vol22/iss4/12
{"title":"State, Transnational Citizenship and the Transformative Power of Art: The NSK State in Time","authors":"Barbara Orel","doi":"10.7771/1481-4374.3388","DOIUrl":"https://doi.org/10.7771/1481-4374.3388","url":null,"abstract":"This article deals with one of the most intriguing art projects at the intersection of art and social experiment—The NSK State in Time. This is a paradigmatic transnational state that does not have a territory and whose citizenship can be obtained regardless of one’s nationality, citizenship, race, religion or political convictions. It was established in 1992 by the Slovenian art collective Neue Slowenische Kunst—the NSK, and has seen continuous manifestations in various sociopolitical contexts worldwide. The most prominent one in recent time took place in 2017, when the NSK State opened its own pavilion at the Venice Biennale—a nationally conceptualized fine art event—to exhibit its art next to other countries of the world. This case study analyses the development of The NSK State in Time through the 28 years of its existence, shedding light on the state-formative role of culture and art in the shaping of communities and their identities in the globalized world. The author argues that the NSK State has established a utopian political space that has the power of transcending the ideological limitations of the existing (spatial) states. She demonstrates that this transformative power derives from its liminal position and relentless pursuit of in-betweenness as opposed to the social and political order of the localities where the manifestations of the NSK State take place. Barbara Orel, \"State, Transnational Citizenship and the Transformative Power of Art: The NSK State in Time\" page 2 of 9 CLCWeb: Comparative Literature and Culture 22.4 (2020): http://docs.lib.purdue.edu/clcweb/vol22/iss4/12","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"39 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85917609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Patricia García’s article, “A Geocritical Perspective on the Female Fantastic: Rethinking the Domestic” approaches the question of the “female fantastic” from a spatial angle. Proponents of the female fantastic (for example E. Moers, S. Gilbert and S. Gubar and A. Richter) often coincide in a leitmotif that characterises this tradition: the haunted house. This leads to a great deal of studies centred on how female authors employ domestic spaces as a means to give voice to the lives of women invisibilised by patriarchy and, through the irruption of the supernatural, as a way to subvert domestic ideology. Whereas these studies have done much to give visibility to the work of female authors, they have also generated, as this article will argue, a limited understanding of the female fantastic. The first section of this article is of a theoretical nature and reflects on the methodological and conceptual limitations of such approaches to the female fantastic centred on domestic space. Instead of asking what the spaces of the female fantastic are, this section shifts the focus to: “which spaces are overlooked by placing such emphasis on the domestic?” The second part offers an alternative reading of the trope of the haunted house in female-authored fantastic fictions. Haunted urban apartments by Rhoda Broughton and Charlotte Riddell, and well-known haunted houses by Shirley Jackson, Ann Rivers and Patricia Esteban Erlés are employed as case studies to develop a feminist geocritical method that goes beyond domestic interiors and engages with a critical reflection on other spatial elements, such as external frames, scale, location and movement. Patricia García, "A Geocritical Perspective on the Female Fantastic: Rethinking the Domestic" page 2 of 11 CLCWeb: Comparative Literature and Culture 22.4 (2020): Special Issue New Perspectives on the Female Fantastic. Ed. David Roas and Patricia García.
Patricia García的文章《女性幻想的地理批判视角:对国内的再思考》从空间的角度探讨了“女性幻想”问题。女性幻想小说的支持者(例如E. Moers, S. Gilbert, S. Gubar和a . Richter)经常与这个传统的主题一致:鬼屋。这导致了大量的研究集中在女性作家如何利用家庭空间作为一种手段来表达被父权制忽视的女性的生活，并通过超自然的侵入，作为一种颠覆家庭意识形态的方式。尽管这些研究对女性作家的作品有很大的帮助，但正如本文将要论证的那样，它们也产生了对女性幻想的有限理解。本文的第一部分是理论性的，反映了这种以家庭空间为中心的女性幻想的方法和概念上的局限性。这一节不再追问女性幻想的空间是什么，而是将焦点转移到:“由于如此强调家庭，哪些空间被忽视了?”第二部分对女性奇幻小说中鬼屋的比喻提供了另一种解读。Rhoda Broughton和Charlotte Riddell设计的闹鬼的城市公寓，Shirley Jackson、Ann Rivers和Patricia Esteban erl设计的著名的闹鬼的房子，作为案例研究来发展一种女权主义的地理批评方法，这种方法超越了家庭内部，并对其他空间元素，如外部框架、规模、位置和运动进行了批判性的反思。帕特里夏García，“女性幻想的地理批判视角:对国内的再思考”CLCWeb:比较文学与文化22.4(2020):特刊《女性幻想的新视角》第11期第2页。Ed. David Roas和Patricia García。
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{"title":"Speculative Epistemologies of Resistance in Hombres de maíz and Bandarshah","authors":"H. Alfaisal","doi":"10.7771/1481-4374.3407","DOIUrl":"https://doi.org/10.7771/1481-4374.3407","url":null,"abstract":"","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"46 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84289863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Transgression, Essentialism and Literary System: An Approach to the Viability of the Female Fantastic","authors":"Alfons Gregori","doi":"10.7771/1481-4374.3691","DOIUrl":"https://doi.org/10.7771/1481-4374.3691","url":null,"abstract":"","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"114 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138542956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In her "Deconstructing Feminine and Feminine Fantastic through the Study of Living Dolls," Raquel Velázquez analyzes the treatment of one idiosyncratic image within the fantastic genre, and one that also has a special impact on the configuration of the feminine: the doll. On the one hand, she examines the evolution of this fantastic motif in order to determine whether it involves a transformation of how the feminine fantastic is represented. On the other hand, she establishes some correlations between the image of the fantastic doll, and the development of processes such as the dollification of women or the humanization of the doll as it is identified in contemporary society. This is seen as an exemplification of how both the alleged feminine fantastic (which is questioned here), and the feminist fantastic adjust, alter, or adapt, in the same way as the society in which it is contextualized or integrated. Raquel Velázquez, "Deconstructing Feminine and Feminist Fantastic through the Study of Living Dolls" page 2 of 15 CLCWeb: Comparative Literature and Culture 22.4 (2020): Special Issue New Perspectives on the Female Fantastic. Ed. David Roas and Patricia García.
在她的“通过对活玩偶的研究解构女性和女性幻想”中，拉奎尔Velázquez分析了幻想类型中一个特殊形象的处理，这个形象对女性的配置也有特殊的影响:玩偶。一方面，她考察了这一幻想主题的演变，以确定它是否涉及到女性幻想的表现方式的转变。另一方面，她建立了梦幻娃娃的形象与当代社会中女性的玩偶化或娃娃的人性化等过程的发展之间的某种关联。这被看作是所谓的女性幻想(在这里受到质疑)和女权主义幻想如何调整、改变或适应的一个例证，以与它所处的背景或整合的社会相同的方式。拉克尔Velázquez，“通过对活玩偶的研究解构女性和女性主义幻想”，CLCWeb:比较文学与文化22.4(2020):特刊《女性幻想的新视角》第15期第2页。Ed. David Roas和Patricia García。
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{"title":"Politics of Evasion and Tales of Abjection: Postmodern Demythologization in Angela Carter and Ghazaleh Alizadeh","authors":"Narges Montakhabi Bakhtvar, Hoda Niknezhad-ferdos","doi":"10.7771/1481-4374.3367","DOIUrl":"https://doi.org/10.7771/1481-4374.3367","url":null,"abstract":"","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"68 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73883854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Rhetoric and Ethics of Character Narration in Ian McEwan’s Nutshell","authors":"Yili Tang","doi":"10.7771/1481-4374.3442","DOIUrl":"https://doi.org/10.7771/1481-4374.3442","url":null,"abstract":"","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"27 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73154506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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