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CLCWEB-Comparative Literature and Culture最新文献

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Signs of the Inhuman: Hauntings and Lost Futures in Verónica Gerber Bicecci’s La Compañía 异人的迹象:幽灵和失去的未来Verónica格伯·比西奇的La Compañía
IF 0.3 3区 文学 0 LITERATURE
CLCWEB-Comparative Literature and Culture
Pub Date : 2022-08-15 DOI: 10.7771/1481-4374.4296
Marcela Romero Rivera
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引用次数: 0
Literature and Economy in Portuguese-speaking Southern Africa 南部非洲葡语文学与经济
IF 0.3 3区 文学 0 LITERATURE
CLCWEB-Comparative Literature and Culture
Pub Date : 2022-08-15 DOI: 10.7771/1481-4374.4284
T. Waller
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引用次数: 0
A Case of Pandemic Narrative and the End of Post-Cold War 大流行叙事与后冷战结束的案例
IF 0.3 3区 文学 0 LITERATURE
CLCWEB-Comparative Literature and Culture
Pub Date : 2022-08-15 DOI: 10.7771/1481-4374.4288
Y. Jin, Penghan Zhang
The topical book Wuhan Diary, authored by the Chinese writer Fang Fang during the COVID-19 lockdown of Wuhan, is not so much a diary as a “becoming-diary,” given its performative practices. Wuhan Diary’s emphasis on the individual or private nature of its writing activity is attributable to its characteristic realistic conception of authenticity, which resulted historically from the humanist trend within Chinese literature in the 1980s as a significant element of post-socialist realism. Insofar as Wuhan Diary claims an overarching authorship that does not cohere with—or is, indeed, utterly subverted by— its textual complexities, it can be interpreted as a dual allegory of neoliberalism. In 2020, when the established pattern of globalization was in crisis and the post-Cold War state of affairs seemed unprecedentedly unstable, the post-socialist realism implicit in Wuhan Diary proved ineffective in representing the epidemic, as well as in justifying, by its (mis)representation, the conditions that have contributed to the general crisis. © Purdue University.
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引用次数: 0
Returning to the Past to Rethink Socio-Political Antagonisms: Mapping Today’s Situation in Regards to Popular Insurrections 回到过去重新思考社会政治对抗:绘制关于人民起义的今天的情况
IF 0.3 3区 文学 0 LITERATURE
CLCWEB-Comparative Literature and Culture
Pub Date : 2022-08-15 DOI: 10.7771/1481-4374.4295
Nicol A. Barria-Asenjo, S. Žižek, H. Scholten, David Pavón‐Cuéllar, Gonzalo Salas, Oscar Ariel Cabeza, Jesús Wiliam Huanca-Arohuanc, S. J. Aguilar Alcalá
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引用次数: 3
Periodizing the Present: The 2020s, the Longue Durée, & Contemporary Culture 当代分期:20世纪20年代，朗格·杜尔杰和当代文化
IF 0.3 3区 文学 0 LITERATURE
CLCWEB-Comparative Literature and Culture
Pub Date : 2022-08-15 DOI: 10.7771/1481-4374.4282
Treasa De Loughry, Brittany Murray
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引用次数: 0
Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures 燃烧装置:想象电子垃圾前沿和非洲的数字未来
IF 0.3 3区 文学 0 LITERATURE
CLCWEB-Comparative Literature and Culture
Pub Date : 2022-08-15 DOI: 10.7771/1481-4374.4297
Treasa De Loughry
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引用次数: 0
Poetics of the Crystal-Image: Dreams in Mirror and Ashes of Time Redux 水晶意象的诗学:《镜中的梦》与《东邪西毒》
IF 0.3 3区 文学 0 LITERATURE
CLCWEB-Comparative Literature and Culture
Pub Date : 2022-06-12 DOI: 10.7771/1481-4374.3899
Yuh-yi Tan
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引用次数: 0
Extending the Frontiers of the Detective Novel in Adaora Ulasi’s The Man from Sagamu 从阿道奥拉·乌拉西的《相木人》看侦探小说的疆域拓展
IF 0.3 3区 文学 0 LITERATURE
CLCWEB-Comparative Literature and Culture
Pub Date : 2022-06-12 DOI: 10.7771/1481-4374.3791
Onyeka Odoh
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引用次数: 0
Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon 尤瑟夫·科蒙雅卡和希南·安东诗歌中的创伤、历史和恐怖
IF 0.3 3区 文学 0 LITERATURE
CLCWEB-Comparative Literature and Culture
Pub Date : 2022-06-12 DOI: 10.7771/1481-4374.3904
H. Alghadeer
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引用次数: 1
The Turn toward the Nonhuman in Susan Straight’s A Million Nightingales 苏珊·斯特雷特的《一百万只夜莺》中向非人类的转变
IF 0.3 3区 文学 0 LITERATURE
CLCWEB-Comparative Literature and Culture
Pub Date : 2022-06-12 DOI: 10.7771/1481-4374.3798
Katarzyna Nowak-McNeice
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引用次数: 0
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