{"title":"The Extinction Race: Techniques of the Human in Proust, via Houellebecq","authors":"James Dutton","doi":"10.7771/1481-4374.3756","DOIUrl":"https://doi.org/10.7771/1481-4374.3756","url":null,"abstract":"","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"156 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76616745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
: At the turn of eighteenth and nineteenth, nineteenth and twentieth centuries, sculpture came to serve as an emblem of humanity’s response to the challenges of the times. John Keats and Rainer Maria Rilke, felt compelled at their encounters with ancient Greek sculpture in the museum to reflect upon their vocation in an age disrupted by political upheaval and rampant commercialization respectively. Keats’s sonnet, “On Seeing the Elgin Marbles” (1817), registers a n intimation of his latent grandeur in the form of a “sick eagle,” confronting “a shadow of a magnitude.” To overcome this experience, Keats The mark of this slowness and dissatisfaction, which are proof of the artist’s sincerity and also of the rhythm that animates the universe, the non finito thus corresponds to what is most profound, most authentic in Rodin, his quest for a form taken to extremes in terms of expression and that is yet open to whatever influences the chance happenings of life may have on it. (qtd. in Bartram 9)
在十八、十九、十九、二十世纪之交，雕塑开始成为人类应对时代挑战的象征。约翰济慈(John Keats)和里尔克(Rainer Maria Rilke)在博物馆里与古希腊雕塑相遇时，分别感到有必要反思他们在一个被政治动荡和猖獗的商业化扰乱的时代的职业。济慈的十四行诗《论看到埃尔金大理石》(1817)以一只“病鹰”面对“一个巨大的阴影”的形式显示了他潜在的伟大。为了克服这种经历，济济这种缓慢和不满的标志，证明了艺术家的真诚，也证明了使宇宙充满活力的节奏，因此，非有限性对应于罗丹最深刻，最真实的东西，他对一种形式的追求，在表达方面采取了极端，但仍对生活中偶然发生的事情可能对它产生的任何影响开放。(qtd。在巴特拉姆
{"title":"“A Sick Eagle” and “I am”: Hymns to Sculpture by Keats and Rilke","authors":"Ya-feng Wu","doi":"10.7771/1481-4374.3886","DOIUrl":"https://doi.org/10.7771/1481-4374.3886","url":null,"abstract":": At the turn of eighteenth and nineteenth, nineteenth and twentieth centuries, sculpture came to serve as an emblem of humanity’s response to the challenges of the times. John Keats and Rainer Maria Rilke, felt compelled at their encounters with ancient Greek sculpture in the museum to reflect upon their vocation in an age disrupted by political upheaval and rampant commercialization respectively. Keats’s sonnet, “On Seeing the Elgin Marbles” (1817), registers a n intimation of his latent grandeur in the form of a “sick eagle,” confronting “a shadow of a magnitude.” To overcome this experience, Keats The mark of this slowness and dissatisfaction, which are proof of the artist’s sincerity and also of the rhythm that animates the universe, the non finito thus corresponds to what is most profound, most authentic in Rodin, his quest for a form taken to extremes in terms of expression and that is yet open to whatever influences the chance happenings of life may have on it. (qtd. in Bartram 9)","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"44 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82716966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Precarity in the Times of Partition: Personal vs Communal Love in Khushwant Singh’s Train to Pakistan and Saadat Hasan Manto’s “Gurmukh Singh ki Wasiyat”","authors":"Ayesha Perveen","doi":"10.7771/1481-4374.3776","DOIUrl":"https://doi.org/10.7771/1481-4374.3776","url":null,"abstract":"","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"28 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83563550","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cooling Down Transmedia Storytelling","authors":"J. Baetens, Domingo sánchez-mesa","doi":"10.7771/1481-4374.3793","DOIUrl":"https://doi.org/10.7771/1481-4374.3793","url":null,"abstract":"","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"30 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83423868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Female Bonding and Marginality in Shang Wanyun’s novella “Xialihe” (1978)","authors":"A. Paoliello","doi":"10.7771/1481-4374.3895","DOIUrl":"https://doi.org/10.7771/1481-4374.3895","url":null,"abstract":"","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"25 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74318767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Silmarillion by J.R.R. Tolkien and Shahnameh by Firdausi: A Sadraic Interpretation of Free Will and Determinism","authors":"M. Hanif, Masoud Tadayoni","doi":"10.7771/1481-4374.3764","DOIUrl":"https://doi.org/10.7771/1481-4374.3764","url":null,"abstract":"","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"1081 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76704433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On a Small Glossary of Academic Anti-Intellectualism","authors":"William Díaz Villarreal","doi":"10.7771/1481-4374.3777","DOIUrl":"https://doi.org/10.7771/1481-4374.3777","url":null,"abstract":"","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"52 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76581691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Logic of \"Social Enterprise\": The Big Issue Organization and New Labour Policy at the Millennial Juncture","authors":"S. Gupta","doi":"10.7771/1481-4374.3780","DOIUrl":"https://doi.org/10.7771/1481-4374.3780","url":null,"abstract":"","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"10 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72780066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay aims to debate the evidence of an ethical-reparative function for literature and literary studies today. Therefore, it is divided into two fundamental moments, two argumentative channels that, without a totalizing intention, point out the general perspective of a changing scenario. On the one hand, the literature of the 20th century is presented from the image of a supposed negativity or radical intransitivity, capable of “undoing the work” in its “aesthetics of suppression”. On the other hand, from an introductory debate around some of the places of transitivity envisioned for literature at the beginning of the 21st century, the literary is now conceived as an ethical-reparative field, responsible, among others, for “giving visibility”, “remembering”, “repairing damage”, 1 Departamento de Letras, Universidade do Extremo Sul Catarinense: .
本文旨在讨论文学和文学研究的伦理修复功能的证据。因此，它被分为两个基本时刻，两个争论的渠道，没有总体的意图，指出了一个变化的场景的总体观点。一方面，20世纪的文学以一种假定的消极性或激进的不及物性的形象呈现，能够在其“压抑美学”中“毁灭作品”。另一方面，从21世纪初关于文学的及物性设想的一些地方的介绍性辩论来看，文学现在被认为是一个伦理修复领域，除其他外，负责“给予可见性”，“记忆”，“修复损害”，1 Departamento de Letras, universuniversade do Extremo Sul Catarinense:。
{"title":"Ethical-Reparative Reconfigurations of the Literary Today","authors":"A. Cechinel","doi":"10.7771/1481-4374.3752","DOIUrl":"https://doi.org/10.7771/1481-4374.3752","url":null,"abstract":"This essay aims to debate the evidence of an ethical-reparative function for literature and literary studies today. Therefore, it is divided into two fundamental moments, two argumentative channels that, without a totalizing intention, point out the general perspective of a changing scenario. On the one hand, the literature of the 20th century is presented from the image of a supposed negativity or radical intransitivity, capable of “undoing the work” in its “aesthetics of suppression”. On the other hand, from an introductory debate around some of the places of transitivity envisioned for literature at the beginning of the 21st century, the literary is now conceived as an ethical-reparative field, responsible, among others, for “giving visibility”, “remembering”, “repairing damage”, 1 Departamento de Letras, Universidade do Extremo Sul Catarinense: <andrecechinel@ gmail.com>.","PeriodicalId":44033,"journal":{"name":"CLCWEB-Comparative Literature and Culture","volume":"11 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84950475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article compares the ways in which two scholars, the anthropologist Kate Crehan and the philosopher Diego Fusaro, analyze Gramsci’s thought, verifying its current relevance and effectiveness in interpreting populism. In Crehan’s recent Gramscian studies the categories of senso comune and buon senso become crucial. Crehan utilizes categories such as “culture” and senso comune to explain both the Tea Party experience and Donald Trump’s election. Fusaro, on the contrary, is an Italian public intellectual who declares himself a sovereignist and who often includes, among the theoretical references of Italian contemporary sovereignism, the author of Quaderni del carcere. In the book Antonio Gramsci: la passione di essere nel mondo, Fusaro aims to demonstrate how Gramsci’s reflections arise within the theoretical horizon of philosophical idealism, both as regards his views on politics and the economy and his conception of culture: in Fusaro’s opinion, Gramsci is still relevant today because he is anti-capitalist and because he is not hostile, idealistically, to the family and to the establishment of a popular and national state. However, a limitation of Antonio Gramsci: la passione di essere nel mondo is the reductiveness of Gramsci’s conception of culture. Yuri Brunello, "‘Passive Revolutions’ after the Crisis of Globalization: Gramsci page 2 of 12 and the Current Culture of Populism" CLCWeb: Comparative Literature and Culture 23.2 (2021): Special Issue: A Return to the Bad Old Times. Ed. Fabio Akcelrud Durão and Fernando Urueta
本文比较了两位学者——人类学家凯特·克雷汉(Kate Crehan)和哲学家迭戈·富萨罗(Diego Fusaro)分析葛兰西思想的方式，验证了葛兰西思想在解释民粹主义方面的现实性和有效性。在Crehan最近的葛兰西研究中，“公共感”和“自发感”的范畴变得至关重要。Crehan利用“文化”和“集体感”等类别来解释茶党经历和唐纳德·特朗普的当选。相反，富萨罗是一位意大利公共知识分子，他宣称自己是一位主权主义者，在意大利当代主权主义的理论参考中，他经常包括《照顾的权利》的作者。在《Antonio Gramsci: la passione di essere nel mondo》一书中，富萨罗旨在展示葛兰西的反思是如何在哲学唯心主义的理论视野中出现的，无论是关于他对政治和经济的看法，还是他对文化的概念:在富萨罗看来，葛兰西今天仍然有意义，因为他是反资本主义的，因为他在理想主义上并不敌视家庭和建立一个大众和民族国家。然而，葛兰西的一个局限性是他的文化概念的简化性。尤里·布鲁内洛:《全球化危机后的“被动革命”:葛兰西12期第2页与当前的民粹主义文化》，《比较文学与文化》23.2(2021):特刊:回到糟糕的旧时代》。Fabio Akcelrud dur和Fernando Urueta编辑
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